The words you are searching are inside this book. To get more targeted content, please make full-text search by clicking here.
Discover the best professional documents and content resources in AnyFlip Document Base.
Search
Published by Colin Savage, 2019-07-10 16:07:16

ANTIQUES AND THE ARTS WEEKLY

Issue 2019 07 19

Antiques and The Arts Weekly — July 19, 2019 THE OLD WEST — 15

OWE-AAW-General.indd 1 6/4/2018 4:18:52 PM

16 - THE OLD WEST Antiques and The Arts Weekly — July 19, 2019

July 19, 2019 — Antiques and The Arts Weekly — 33

Important Scrimshaw Headline’s
Eldred’s Marine Sale July 25
EAST DENNIS, MASS. — For highly regarded for his scholar-
the fourth consecutive year, ly contributions to the field, Polychrome scrimshaw whale’s tooth by Edward Burdett,
Eldred’s Marine Sale will be a including attributing bodies of circa 1830–33 ($320/380,000).
preeminent auction of antique work to the anonymous but
scrimshaw, with more than 250 monikered Britannia engraver, Historically significant poly-
pieces slated to cross the block. Naval monument engraver and chrome scrimshaw whale’s
The sale, to be conducted Thurs- Naval engagement engraver, tooth, signed by William A.
day, July 25, at the firm’s Cape and his research is cited in Gilpin, circa 1835
Cod headquarters, will also numerous scrimshaw publica- ($120/160,000).
include an extensive range of tions. Highlights from the col-
paintings, rare navigational lections include a whale’s tooth standing body of work. Montague Dawson, “The Stone Jetty” ($70/100,000).
instruments, important ship with whaling scene engraving Outside of scrimshaw, auction
models and other pieces of attributed to W.L. Roderick, estimated at $30/50,000, is aboard the ship Rodman esti-
marine art. estimated at $25/50,000, and a highlights include paintings by being sold to benefit IYRS mated at $25/35,000, and 25
pair of walrus tusks engraved important Nineteenth Century School of Technology and rare navigational instruments,
The two top scrimshaw lots and signed by N.S. Finney, esti- and contemporary marine art- Trades in Newport, Rhode notably a circa 1740 backstaff
are whale teeth engraved by mated at $50/100,000. A poly- ists like J.E. Buttersworth, Island. by Charles Digby of London.
Edward M. Burdett, a Nantuck- chrome whale’s tooth by the Montague Dawson and John
et whaleman and a pioneer of Naval Monument Engraver, Mecray. Dawson’s “The Storm Other sale highlights include All lots can be viewed on
American scrimshaw, whose part of the Vardeman Collec- Jetty,” a busy harbor scene of an early Nineteenth Century Eldred’s website. An exhibition
short but prolific career pro- tion, depicts an original whal- boats being repaired, carries a carved wooden figure of the Lit- will be held the day before the
duced what are widely consid- ing scene on one side and a $70/100,000 estimate. It is a tle Navigator, used as a ship auction, on Wednesday, July 24.
ered masterpieces of the genre. naval battle scene on the oppo- finely rendered work, typical of chandler’s shop sign, estimated Material can also be viewed the
One tooth in the upcoming auc- site. This is the only known the strict accuracy of detail for at $25/35,000; a Napoleonic day of the sale, which will begin
tion descended in the family of tooth by the Naval monument which Dawson (1890–1973) is prisoner of war bone model of a at 10 am. It is a live auction,
whaleship captain Stephen Pot- engraver with an original whal- renowned. Three ship portraits British frigate, estimated at with phone and absentee bid-
ter and the other in the family ing scene; the remainder of his by James Edward Buttersworth $10/14,000; and a swatch of the ding available with pre-regis-
of Burdett’s sister, Lydia Bur- known work are faithful copies (1817–1894) are included, with main topsail of Lord Nelson’s tration. Online bidding is also
dett Hallett; neither has ever of images sourced from the an average estimate of flagship H.M.S. Victory, esti- available through invaluable.
come to market. Both depict a 1816 and 1837 editions of Abel $18/25,000. All are about 7 by mated at $10/15,000. com.
whaling scene on the obverse Bowen’s The Naval Monument. 12 inches, relatively small
and a ship heading home on the It carries an $60/80,000 esti- works for the artist. A portrait The sale also includes twelve Eldred’s is at 1483 Route 6A.
reverse, similar motifs to those mate. of the clipper ship Flying Cloud whaling or shipping logbooks, For additional information,
on the Edward Burdett tooth by John Mecray (1937–2017), including a profusely illustrat- www.eldreds.com or 508-385-
sold during Eldred’s 2017 Notable scrimshaw pieces ed journal of a whaling voyage 3116.
Marine Sale for the world- from outside the Vardeman and
record price of $456,000. The McDowell collections include an
teeth carry presale estimates of extraordinary carved and inlaid
$320/380,000 and $150/250,000, whale ivory and whalebone
respectively. cane with clenched fist handle,
estimated at $60/80,000; a poly-
“This is truly a once-in-a-life- chrome whalebone plaque
time opportunity to acquire a depicting an active whaling
scrimshaw masterpiece,” said scene, estimated at $40/60,000;
Joshua Eldred, president of the and a whale’s tooth signed by
firm. “Both Burdett teeth are scrimshander William A. Gil-
exceptional examples of his pin, estimated at $120/160,000.
work, but the fact they have The Gilpin tooth is considered a
never been offered for sale and seminal piece of scrimshaw
can be traced directly to Bur- scholarship — before its discov-
dett is incredibly compelling.” ery, William Aratus Gilpin was
known simply as “Ceres Artist
A significant portion of the No. 1”, but the signature on this
scrimshaw in the sale comes tooth connected a name and
from the prominent collections history to a formerly anony-
of Paul Vardeman and Sam mous master artist and his out-
McDowell. Both were longtime
collectors, and Vardeman is

Saint Louis Art Museum Marks Bauhaus Centennial

ST LOUIS, MO. — The Saint 1919, the Bauhaus was one of ture, metalwork, ceramics and is explored in the installation tinct color — the ballet cele-
Louis Art Museum commemo- the Twentieth Century’s most textiles to paintings, prints with works by contemporary brates the emerging industrial
rates the centennial anniver- influential schools of art, and photographs. After the artists such as Ben Thorp era of the Weimar Republic
sary of the founding of the architecture and design. It forced closure of the Bauhaus, Brown and Gerhard Richter, with rigid, geometric costumes
Bauhaus with an installation moved between the cities of several prominent members whose works reveal their abid- and mechanical choreography.
featuring highlights from Weimar, Dessau and Berlin fled Germany for the United ing interest in Bauhaus In the 1970 screening, the orig-
among the museum’s collection before the Nazi government States and elsewhere, where themes and aesthetics. inal choreography and cos-
of Bauhaus objects. The works closed it in 1933. The Bauhaus they continued their innova- tume design are presented
in this installation show the embraced a unity of art and tive teaching and artistic prac- Shown in conjunction with using post-World War II inno-
strengths of many of the lead- design, and it espoused a radi- tices. Works by these artists “The Bauhaus and its Legacy,” vations in color broadcasting, a
ers and teachers from the Bau- cal visual language based on and subsequent generations of the museum is presenting a pioneering practice consistent
haus school, such as Josef abstraction, color theory and their students are shown video of the 1970 television with much earlier tenets
Albers, László Moholy-Nagy, technical innovations in mate- alongside original Bauhaus staging of “The Triadic Ballet.” championed by Bauhaus art-
Paul Klee and Wassily Kandin- rial. As evidenced by the material. Although the Bau- Bauhaus artist and teacher ists.
sky. diverse objects on view in the haus only operated as a school Oskar Schlemmer choreo-
museum’s installation, the for 14 years, its guiding prin- graphed and designed the The Saint Louis Art Museum
“The Bauhaus and its Lega- Bauhaus was a fertile site for ciples continue to influence art influential performance in the is at One Fine Arts Drive. For
cy” will be on view through experimentation across media and design today. This legacy 1920s. Divided into three acts more information, 314-721-
October 20 and will be accom- and disciplines. — each themed around a dis- 0072 or www.slam.org.
panied by a related video
installation. Works in “The Bauhaus and
its Legacy” range from furni-
Established in Germany in

46th Annual Mystic, Conn.,
Meet The Artists & Artisans

OLDE MISTICK VILLAGE, bath products; David DelBion-
CONN. — Mystic’s 46th Annual do, underwater photography;
Meet the Artists and Artisans Laura DelVecchio, pendants;
Show is July 20–21, 10 am TO 6 Bill Dougal, caricatures; Bruce
pm, rain or shine, on the tree- Dumas, acrylic sea- and land-
shaded lawn. Award-winning, scapes; Robert Ethier,
juried creative exhibitors will reclaimed, painted wood; Maria
discuss their work, as artists Fink, recycled jeans, backpacks,
paint, draw and sculpt, and floor runners; Lillian Forziat,
handcrafters stitch, mold clay, original-framed oils, still life,
turn and carve wood and create land- and seascapes; Carolyn
jewelry on site. Foster, essential elements-
fused art glass to wear — plus
Exhibitors include Barbara many more.
Berkowitz, paintings; Jennifer Take I-95 exit 90. There is free
Canfield, glass chimes; Miriam parking and admission. For
Cestero, mirrors, wall hang- information, www.meettheartist-
ings; Denise Morris Curt, cel- sandartisans.com or 203-874-
los, violins, pigment paints; 5672 (9 am to 7 pm).
Sabrina Christiansen, scented

34 — Antiques and The Arts Weekly — July 19, 2019

Transitions Woodlawn Celebrates Completion Of Phase I
In Facility Upgrade Project

The Museum of Fine Arts, Hous- ELLSWORTH, MAINE — The Han-
ton (MFAH), has appointed cock County Trustees of Public Reserva-
Ann Dumas consulting curator of tions, governing board of Woodlawn,
European art. A specialist in Nine- along with project team members
teenth and early recently celebrated the completion of the
Twentieth Cen- first phase in their facilities upgrade
tury art, Dumas project on the 180-acre historic estate.
comes to the Water, sewer, power and communica-
MFAH from the tions have all been upgraded over the
Royal Academy last few months. Improvements include
of Arts, London. a new water line, stormwater mitiga-
A dual role as tion, three-phase power, improved fire
MFAH consult- safety and data and communications
ing curator and upgrades.
Royal Academy
curator, Dumas’s Benedict Johnson E.L. Shea is the general contractor for Woodlawn representatives, along with members of the crew from E.L. Shea,
appointment cre- photo the project with R.F. Jordan and King R.F. Jordan, King Electric and Hedefine Engineering & Design recently
Electric as subcontractors. Design ser- gathered to celebrate the completion of the first phase in the facilities
ates a new partnership between vices are being provided by Oudens Ello upgrade at Woodlawn. Pictured left to right are Joshua Torrance, Eero
the two institutions. Dumas has Architecture and Hedefine Engineering Hedefine, Josh Conners, Stephen Shea, Michael Marino, Jane Shea, David
been at the Royal Academy since & Design. The details of the trustees’ Carney Jr, Josh Dillingham, David Carney Sr, Jim Saucier and Vaughn
1999. Over the past 25 years, she plans, including information about the Thibodeau.
has been responsible for a number fundraising effort of the Campaign for
of major international exhibitions, Woodlawn, are available at woodlawn-
with a focus on her field, French museum.org.

Woodlawn is at 19 Black House Drive
(off of the Surry Road-Route 172). For
information, 207-667-8671.

Nineteenth and early Twentieth First County Bank Foundation Gives
Century art. She will begin her ap- Silvermine Art Partners $2,500 Grant
pointment in September, dividing
her time and responsibilities be-
tween Houston and London.

L eaving her current post, Don- NEW CANAAN, CONN. — Silvermine “For the past six years, one of our sig- reading and science curriculum
na De Salvo, deputy director Arts Center’s Outreach Education Pro- nature programs has been the ‘Garden requirements, nine 6-foot-tall ‘Garden
for international initiatives and gram, Art Partners, has received a People’ sculptures at Fodor Farms in People’ (scarecrows) were painted and
senior curator at the Whitney Mu- $2,500 grant from First County Bank Norwalk,” said Silvermine outreach installed in and near the community
seum of American Art, is seeking Foundation. Art Partners serves 1,000 education director Sophia Gevas. “Our gardens — colorful figures that ‘wore’
to pursue other students in Norwalk and Stamford teaching artist collaborated with class- the students’ laminated poetry about
interests. She each year, and the multifaceted project room teachers, students, the city of the plants and vegetables. This tradi-
supported by this grant benefits first Norwalk and the Fodor Farm Commu- tion includes a public ceremony at
graders at Norwalk’s Columbus Mag- nity Garden to create an educational Fodor Farm with the mayor of Norwalk,
net School. public art installation. While meeting who congratulates the students as they
view their completed, installed works.
most recently We are grateful to First County Bank
organized the Foundation for their support of this
exhibition dynamic Art Partners program.”
“Andy War-
hol — From A The program is tightly woven in to
to B and Back the science curriculum as well as the
Again,” which visual and language arts. Students
premiered at learn about the garden plants and the
the Whitney Matthew Carasella role of bees, write poems based upon
in November photo the plants, closely observe and collab-
oratively draw and paint on the sculp-
2018, which is tures. Each component enhances an in-
currently on view at the San Fran- depth exploration of an essential theme
cisco Museum of Modern Art. De developed at Columbus Magnet School:
Salvo also led the Whitney’s cura- How do plants, animals and people
torial team for “America Is Hard depend on each other? Students gain
to See,” 2015, the inaugural exhi- knowledge of gardening, farming and
bition in the museum’s downtown the environment while they experience
site, and was instrumental in the the joy of creating a public art installa-
design of the new building. She tion.
will continue as consulting cura-
tor overseeing the Warhol exhibi- This is the third year that this pro-
tion throughout the duration of its gram has been adopted by the Colum-
tour. bus Magnet School’s first grade. Art
Partners’ professional teaching artists
On July 1, Lark Mason (top) First graders at Columbus Magnet School with (left to right) Silver- have collaborated with classroom
became board president for mine outreach education director Sophia Gevas, Silvermine board teachers and program directors since
a two-year term at the Apprais- chair Rose-Marie Fox, Norwalk mayor Harry Rilling, and from First 1992 to provide programs for approxi-
ers Association of America, and County Bank Foundation, Jeffrey M. Costa, Agnieszka Maciejewski and mately 16,000 under-resourced stu-
Nicholas Dawes joined the board Steven Ferguson. dents.
of directors serving a three-year
term. Mason is a certified member For more information, 203-9669­ 700 or
www.silvermineart.org.
and is an expert
in Chinese art New Museum Announces Design Plans For Second Building
and antiqui- NEW YORK CITY — The New Museum has announced in the institution’s history, from longtime trustee Toby Devan
ties. After more plans for its second building, designed by OMA / Shohei Shige- Lewis. The museum will recognize Lewis’s leadership role at
than 20 years at matsu and Rem Koolhaas in collabo-
Sotheby’s Auc- ration with Cooper Robertson. This the New Museum by naming the OMA
tion House, he will be OMA’s first public building in building in her honor.
left to start his New York City.
own company, To date the New Museum has raised
iGavelauctions. The design complements and $79 million towards its capital cam-
com, an inter- respects the integrity of the muse- paign goal of $89 million, with $63
national art um’s SANAA-designed flagship million in construction costs. This
auction com- building and replaces the museum’s includes $3.1 million from the NYC
pany. Dawes, 50,000-square-foot adjacent proper- Department of Cultural Affairs, with
also a certified ty at 231 Bowery, acquired in 2008. funding provided by the New York
member of the The new seven-story, 60,000-square- City’s mayor’s office, New York City
Appraisers As- foot building will include three floors Council and the Manhattan Borough
sociation, is of galleries, doubling the museum’s president’s office. A total of $1.84 mil-
a senior vice exhibition space, along with addi- lion has been awarded under Gover-
president of tional space for the museum’s many nor Andrew M. Cuomo’s Regional Eco-
special collec- community and education programs, nomic Development Council Initiative,
tions at Heri- a permanent home for its cultural through the New York State Council
tage Auctions in New York and incubator New Inc, as well as on the Arts and Empire State Devel-
a former auctioneer and depart- increased public amenities and opment. Groundbreaking for the new
ment head at Phillips and at So- improved vertical circulation. building is scheduled to start in 2020.
theby’s. The museum will remain open and
James Keith Brown, president of operational during most of the con-
the New Museum’s board, also struction period, with a projected
announced that the museum has opening in 2022.
received a lead gift of $20 million to
its capital campaign, the largest gift For information, 212-219-1222 or
www.newmuseum.org.

July 19, 2019 — Antiques and The Arts Weekly — 35

CALENDAR OF ADVERTISING DEADLINES

July 2019 *Thursday, July 4th - Holiday

Issue Date All Color Ads Early Auction Display Regular Auction Mail Date
Thursdays Thursdays Fridays Mondays
10am 10am 10am 10am

July 5 June 13 June 20 June 21 June 24 June 25

July 12 June 20 June 27 June 28 July 1 July 2
July 8 July 9
July 19 June 27 Ho*WlideJaduy.lDyJeu4aldyl3ine July 5 July 15 July 16
July 26 July 12
Ho*WlideJaduy.lDyJeu4aldyl3ine July 11

August 2019

Issue Date All Color Ads Early Auction Display Regular Auction Mail Date
Thursdays Thursdays Fridays Mondays
Aug 2 10am 10am 10am 10am July 23
Aug 9
Aug 16 July 11 July 18 July 19 July 22
Aug 23
Aug 30 July 18 July 25 July 26 July 29 July 30

July 25 Aug 1 Aug 2 Aug 5 Aug 6

Aug 1 Aug 8 Aug 9 Aug 12 Aug 13

Aug 8 Aug 15 Aug 16 Aug 19 Aug 20

September 2019 Labor Day • Sept 2

Issue Date All Color Ads Early Auction Display Regular Auction Mail Date
Thursdays Thursdays Fridays Mondays
Sept 6 10am 10am 10am 10am
Sept 13
Sept 20 Aug 15 Aug 22 Aug 23 Aug 26 Aug 27

Aug 22 Aug 29 Aug 30 Ho*FlirdiSa. eyApDuetga2.d3li0ne Sept 3

Aug 29 Sept 5 Sept 6 Sept 9 Sept 10

Sept 27 Sept 5 Sept 12 Sept 13 Sept 16 Sept 17

36 — Antiques and The Arts Weekly — July 19, 2019

Blackwell Auctions Recovers $75,000
In Antique Silver Stolen From Shop
CLEARWATER, FLA. — course,” he said. “The consignor Imperial Half Bushel’s owners,
Blackwell Auctions returned had taken the collection in sev- Fred and Nancy Duggan, and Part of the antique silver collection recovered eight years
several dozen antique silver eral years ago when he ran a their son, Patrick, were more after it was stolen.
items, including an 1804 Saun- Baltimore pawn shop. He was than a little pleased at the
ders Pitman coin silver pitcher only now getting around to sell- return of their pieces after near- were lucky they did the sleuth- antiques, fine art, jewelry, silver,
and tumbler set, after the Clear- ing off the shop’s contents, which ly eight years. ing and discovered what hap- coins and other collectibles, his-
water-based gallery discovered he’d been storing since he closed pened, and we’re just elated to torical memorabilia and decora-
the collection had been looted the shop down.” When Bailey “We were overjoyed that things have our property back.” tive items. For information,
from a Baltimore silver dealer, told him about having discov- had been located after such a www.blackwellauctions.com or
Imperial Half Bushel, back in ered that the items were stolen, long time,” said Fred Duggan, Founded in 2015, Blackwell 727-546-0200.
2011. the consignor was appalled and “because we were sure in our Auctions specializes in estate
more than happy to have the col- hearts that the items had been
“A retired dealer consigned a lection restored to its rightful melted down for scrap.”
box of assorted silver items to owners.
us,” said Edwin Bailey, manag- The Duggans estimated that
ing partner at Blackwell, “and in “He told me to handle it any the retail value of what Black-
the course of researching the way I felt to be appropriate — to well returned was about
items, we discovered the Pitman call the police, to call the owners $75,000, including $25,000 for
coin silver set — and everything or whatever,” Bailey said. “He the coin silver pitcher and cups
else in the box — was stolen just didn’t want to have any- set.
from Imperial Half Bushel.” thing to do with the stolen mer-
chandise. We confirmed — piece- “We bought the Pitman set at
Bailey first contacted the con- by-piece — that the entire Sotheby’s in the early 1970s —
signor to ask about where he collection belonged to Imperial before we opened our shop in
had obtained the items. prior to returning it.” 1976,” Duggan remembered.

“I had to tread lightly, of “Blackwell Auctions handled
this situation beautifully. We

Auction DATE LOCATION AUCTIONEER PG 19, July.................. Kingston, NY............ JMW Auction Service..............60
Previews 19, July.............South Deerfield, MA........ Douglas Auctioneers..............48
Every Tues.............. Coventry, CT....................... Weston’s.......................50 19-20, July............. Williston, VT............... Duane Merrill & Co................53
Americana Auctions Every Thurs.........East Windsor, CT.........Golden Gavel Auctions.............58 20, July............. Boiling Springs, PA............Kenny’s Auction..................62
Nautical & Estates Now-17, July.....alderferauction.com............Alderfer Auction..................50 20, July.................Frewsburg, NY...........Corey Brown Auctions.............7C
Auction.. ........................... 4 11-22, July............. cowans.com........................Cowan’s........................7C 20, July.................Greenwich, NY............ Cherry Tree Auctions..............52
Bruneau & Co 13, July............. Boiling Springs, PA............Kenny’s Auction..................62 20, July.................. Litchfield, CT.........Litchfield County Auctions............2
Coca-Cola Items, 13, July....................Canton, CT......................Canton Barn.....................62 20, July.................. Litchfield, CT.........Litchfield County Auctions..........59
Antiques & Fine Art........ 19 13, July................. Glen Cove, NY............... Roland Auctions....................2 20, July...................Newport, VT........... Wright’s Auction Service...........52
Christie’s 13, July................. Glen Cove, NY............... Roland Auctions..................19 20, July............. ripleyauctions.com............. Ripley Auctions..................7C
Space History Artifacts... 12 13, July................. Glen Cove, NY............... Roland Auctions..................63 20, July................... Sparks, MD....................Crocker Farm....................4C
Crocker Farm 13-14, July..........East Windsor, CT................ Golden Gavel....................46 20, July.................. St Louis, MO........................ Selkirk.........................57
Stoneware & Redware... 10 14, July................... Canaan, CT................. State Line Auction................58 20, July...................Windsor, CT.................Nadeau’s Auction.................49
Dix Noonan Webb 14, July................. New York City............. 5th Avenue Auctions..............63 20-21, July........... Manchester, VT............... Nathan Auction...................60
D-Day Distinguished 14, July................. Schoharie, NY...............Michael’s Auction.................62 21, July............. Bedford Village, NY.....Butterscotch Auctioneers.............2
Service Medal................ 21 15, July.................. Plainville, CT................ Winter Associates................50 21, July...................Bedford, NY...........Butterscotch Auctioneers...........59
Eldred’s 17, July................. Cincinnati, OH......................Cowan’s........................7C 21, July................. Rehoboth, MA.............Americana Auctions...............51
Marine Sale.................... 33 17, July.................. Coventry, CT.................. Ingraham & Co...................56 21, July................. St George, ME................... LT Auctions.....................50
Eldred’s 17, July..................Cromwell, CT................... B&S Auction.....................58 22, July.................Northfield, MA............. Northfield Auctions...............58
Maritime & Folk Art, 17, July.....................Dover, NJ......................... Berman’s.......................60 26, July................. Plymouth, MA...............Decoys Unlimited.................46
Jewelry, Fine Furniture... 25 17-21, July....... hayloftauctions.com........... Hayloft Auctions..................54 26-27, July.......... Mt Crawford, VA...............Jeffrey S. Evans..................5C
Guyette & Deeter 18, July................... Hatfield, PA...................Alderfer Auction..................50 27, July................... Copake, NY................... Copake Auction..................8C
Decoys & Sporting Art..... 3 18, July................. St George, ME................... LT Auctions.....................50 27, July.................Lone Jack, MO................ Soulis Auctions..................48
Heritage 19, July............... Charlestown, NH............. William A. Smith.................56 27, July................Middletown, NY.................EstateOfMind....................54
Musical Instruments 19, July.................Columbus, OH.......................Garth’s.........................57 27, July.....................Reno, NV............ Coeur d’Alene Art Auction.....9-OW
Auction............................. 7 19, July...............East Durham, NY...................Mooney’s.......................56 27, July................ Willoughby, OH............ Milestone Auctions................55
Heritage 19, July.................Jewett City, CT................Leone’s Auction....................2 27-28, July............... Dallas, TX..........................Heritage........................47
Graham Nash’s Guitar 28, July...............St Petersburg, FL............Burchard Galleries................64
Collection....................... 13 29, July................. Pine Bush, NY.................... Flannery’s.......................64
Heritage 2, Aug...................Jewett City, CT................Leone’s Auction....................2
David Hall T206 4, Aug..................... Bellport, NY............. Thos Cornell Galleries...............2
Collection....................... 32 16-25, Aug.............Santa Fe, NM............. Santa Fe Art Auction........13-OW
JMW Auction 6-8, Sept...............Rock Island, IL.............Rock Island Auction...............61
Betty & Ian Ballantine 8, Sept...................Monrovia, CA.......... John Moran Auctioneers......5-OW
Estate............................. 32 20-21, Sept..... Saratoga Springs, NY.......Saratoga Automobile..............5C
LT Auctions 9, Nov....................Santa Fe, NM............. Santa Fe Art Auction........13-OW
Coins, Firearms, November............Philadelphia, PA................... Freeman’s.......................6C
Firefighting Materials....... 6 25, Jan...................... Mesa, AZ...............Brian Lebel’s Old West......15-OW
Winter Associates 4, Apr.................... Scottsdale, AZ...........Scottsdale Art Auction........3-OW
Fine Art, Choice Porcelain
& More........................... 14 EVENT 25, July................... Brookfield, MA............19 Sat,Sun,Holiday Mon.... Charleston, RI.........4
27, July..................New London, NH.............5 Sun..........................Jewett City, CT..............2
Show DATE LOCATION PG 3-5, Aug................ Albuquerque, NM...10-OW Sun.......................... Mansfield, CT...............4
Previews 5, Aug.......................Deerfield, NH.............25 Sun........................ New Milford, CT.............2
10-14, July............... Brimfield, MA.............13 6, Aug....................... Concord, NH................5 Sun........................ New Milford, CT...........13
East Hampton Antiques & 20, July................... Fitzwilliam, NH............17 8-10, Aug................Manchester, NH...........2C
Design Show.................... 9 20-21, July................ Chantilly, VA..............6C 8-11, Aug..................Santa Fe, NM......16-OW The Following Ads
Southold Antique Fine Art 20-21, July............... Rockport, ME...............3 9-12, Aug..................Santa Fe, NM......10-OW May Be Found
& Crafts Fair..................... 9 13-16, Aug................Santa Fe, NM......16-OW
The DC Big Flea & 24, Aug..................... Hartford, CT..............19 In Last Week’s (7/12) Issue
Antiques Show............... 11 4-8, Sept.................. Brimfield, MA.............13 3-13, July............. Monson, MA..............17
Riverwalk Antiques 15, Sept.....................Norwalk, CT................7 9, July..................Brimfield, MA...............3
Show.............................. 13 Weekly Events 9-14, July.............Brimfield, MA...............3
Fitzwilliam Antiques Fri-Mon................ Westmoreland, NH.........19 11-14, July.............Atlanta, GA.................5
Show.............................. 19
Meet The Artists And ANTIQUES AND THE ARTS WEEKLY IS NOT RESPONSIBLE FOR ANY ERRORS OR OMISSIONS This is a free listing and therefore no credit will be given for any errors
Artisans Show................ 33

July 19, 2019 — Antiques and The Arts Weekly — 37

End Of An Era: Canton Barn To Mount Final Auction July 27

CANTON, CONN. — “It’s been 60, 65 include a circa 1780 delicate Rhode 1867 oil on canvas of an autumn river
years — something like that,” said auc- Island cherry highboy with pinwheel scene.
tioneer Richard Watcht with a laugh as and fan carving, a circa 1820 plank
he sat in the Bee Publishing Compa- side Federal five-drawer mahogany “We’re a late-starting auction, and
ny’s office submitting his advertise- gentleman’s chest with pineapple carv- we’re going to be saying goodbye to a
ment for Canton Barn’s final July 27 ing, a circa 1820 mahogany half-round bunch of people,” Wacht said.
sale. Wacht and co-owner Susan Goral- demi-lune card table with Hepplewhite
ski are retiring the business that leg, a circa 1820 Sheraton two-drawer Wacht and Goralski earned a reputa-
Wacht’s father, John Wacht, began in cookie corner maple stand with Sand- tion in Connecticut for bringing to sale
the 1950s. wich pulls, a circa 1840 cherry one- quality estates and bucking the buyer’s
drawer Hepplewhite work table, an premium trend, never charging their
“Put it this way — I remember adver- antique four-slat ladder-back rush seat customers an added fee. This final sale
tising in the Antiques and Arts section arm chair with sausage turning and a will follow in that tradition.
when it was still in the Newtown Bee circa 1840 cherry snake-foot candle-
paper, so it’s been a few years,” Wacht stand. The Canton Barn is at 75 Old Can-
said. ton Road. To preview the sale, visit
Some of the art highlights include an www.cantonbarn.com or 860-693-0601.
The auctioneer said his July 27 sale, unsigned framed Hudson River oil Richard Wacht is retiring after
beginning at 7 pm, will feature 200 lots painting on canvas, a framed William more than six decades in the auc-
of colonial furniture and accessories, Merritt Post oil painting on board of a tioneering business. His firm, the
among other things. wooded stream and a framed G. Hunt Canton Barn, is holding its final
sale July 27.
Some of the furniture highlights

New Decorative Wall Painting
By Thomas Cole Discovered
INDEX - 88 PAGES - INDEX
CATSKILL, N.Y. — The British-born Cole of his land-
Thomas Cole National Histor- mark return visit to England ANTIQUES SHOW REVIEWS
ic Site has announced the dis- (1829–31) and his trip to Italy
covery of a new decorative (1831–32). That journey would (Santa Fe, N.M.) High Expectations Met By Lebel’s Team For Cody Old West Show.............................. 15
painting, long hidden by sub- heavily influence Cole’s pre- (London) Strong Sale Prices Reported At 47th Olympia Art & Antiques Fair......................................... 21
sequent layers of modern sentation of his art and on his (Atlanta) Come Fly With Me…The World Of Airline Collectibles............................................................ 43
paint, on the walls of a first- emerging interest in interior
floor room in the artist’s home. design and architecture. He AUCTION REVIEWS
The discovery offers new would go on to design the Ohio
insight into Cole’s use of his Statehouse, among other (New York City) Theater Portraits & Set Designs Lead Illustration Art At Swann Galleries...................... 5
home to display and promote buildings. (Cincinnati, Ohio) Cowan’s Leads Early American Photography Market With Exceptional Sales.............. 6
his art, an innovation in the (New York City) Watches Achieve $1.1 Million At Sotheby’s.................................................................... 8
evolution of American art. Cole was deeply influenced (Los Angeles) Moe Howard’s Personal Collection Brings $1.2 Million At Nate D. Sanders.................... 14
This discovery brings the total by interiors that he saw in (London) Marble Hounds Scent Glory In Bonhams’ Antiquities Sale..................................................... 20
number of hand painted bor- London, at a time when Eng- (London) Tut Tut…Christie’s Sells Egyptian Quartzite Head Despite Protests........................................ 20
ders to four, following the dis- lish decorative arts were high- (London) Newly Discovered Warder From Lewis Chessmen Workshop Makes $927,000 At Sotheby’s........20
covery of three borders in ly influenced by Roman antiq- (London) Marie Antoinette’s Writing Desk Brings $1.3 Million At Christie’s........................................... 20
2015. However, this latest dis- uity. Before London’s major (Santa Fe, N.M.) Robust Floor Action Produces High Sell-Through Rate At Cody Old West.................. 22
covery alters our understand- art museums existed, English (New Haven, Conn.) Elements Of New Haven History At New Haven Auctions...................................... 26
ing of how Cole used the for- poet and art collector Samuel (Los Angeles) Carousel Figures Run Circles Around Elegant Home Sale At Bonhams........................... 28
mal rooms of his 1815 home. Rogers famously exhibited his (New York City) 1914 Babe Ruth Photo Sells For World Record $190,000 At Lelands.......................... 28
extraordinary collection of art (New York City) Modernists Lead American Art At Swann Galleries...................................................... 41
The section of decorative in his home, welcoming guests
painting that has been to art-filled rooms that fea- EXHIBITIONS
revealed is about 24 inches tured Pompeiian design. His-
long; the full extent of the torical records show that Cole (Pacific Palisades, Calif.) Buried By Vesuvius: Treasures From Villa Dei Papiri At Getty.......................... 3
painting must still be uncov- visited Rogers’ house. (Brea, Calif.) Gold Rush-Era Silver Dime Found In Recovered Sunken Treasure...................................... 4
ered through meticulous pres- (Cooperstown, N.Y.) Fenimore Explores William Sidney Mount’s Musical Art & Life............................... 7
ervation work. The painted Cole also visited the resi- (Glens Falls, N.Y.) Hyde Unveils Two Recently Conserved Works............................................................ 8
area consists of a frieze of red dence of renowned artist (New York City) Met Examines Da Vinci’s “St Jerome”............................................................................ 9
and black Pompeii-influenced J.M.W. Turner in London. (Cincinnati, Ohio) Color Lithograph Exhibition Evokes Fin De Siecle Paris............................................. 11
design elements on a light red There, Turner displayed his (Cambridge, Mass.) The Harvard Art Museums: Secrets Within The Buddha........................................ 12
wall. own work — which was for (Goldendale, Wash) West Coast Woodcuts At Maryhill Museum........................................................... 17
sale — in a gallery of his own (New Canaan, Conn.) Take A Walk Through “Shoes” At New Canaan Museum..................................... 17
The discovery is significant design. Here, Cole saw new (San Francisco) Art Of The Tattoo At De Young Museum....................................................................... 24
in several respects: Red and reason for an artist to incorpo- (Boston) Copley Society Of Art Presents Summer Members Show....................................................... 29
black Pompeiian designs and rate his art into his own envi- (St Louis, Mo.) Saint Louis Art Museum Marks Bauhaus Centennial..................................................... 33
color schemes were associated ronment. In 1832, Cole visited
in the 1830s with the display Pompeii, where he saw the AND ALSO...
of art, suggesting that the characteristic Pompeiian red
room served as Cole’s art gal- and black decorations, which Across The Block............................................................................................................................. 18
lery. The room is located on came to be associated with Estate Sales....................................................................................................................................... 33
the first floor between the Western libraries and the dis- Historic Homes: (Portsmouth, N.H.) Stoneware At Portsmouth’s Warner House............................. 42
larger East and West Parlors, play of art. International.................................................................................................................................20-21
the walls of which were also Q&A: Valentino Dixon............................................................................................................................. 1
decorated by Cole. Notably, Cole’s creation of this ensem- Top Picks............................................................................................................................................ 38
the new painted border deco- ble of rooms on the first floor Transitions......................................................................................................................................... 34
rated a room that held no of his home signaled the start (Southampton, N.Y.) Book Talk At Rogers Mansion................................................................................. 5
books in the Twentieth Cen- of his passionate interest in (Windsor, Conn.) Windsor Historical Society: Fashions Of Friends & Neighbors..................................... 9
tury but was referred to by architecture. He had trained (Waterville, Maine) Hathaway Mill Antiques Celebrates Its 2nd Anniversary.......................................... 11
Cole’s descendants as the as a designer of surfaces and (Deerfield, N.H.) Paint-Decorated Wall Talk & Tour................................................................................ 12
“book-less library.” An early was now working in three (Cody, Wyo.) Cody Firearms Museum Reopens After Renovation......................................................... 29
inventory of the house’s con- dimensions. He subsequently (Ellsworth, Maine) Woodlawn Celebrates Completion Of Phase I In Facility Upgrade Project................ 34
tents confirms that the room advertised his services as an (New Canaan, Conn.) First County Bank Foundation Gives Silvermine Art Partners $2,500 Grant......... 34
originally served as a library, architect. (New York City) New Museum Announces Design Plans For Second Building...................................... 34
the room most often used to
display art. The Thomas Cole National
Historic Site is at 218 Spring
The discovery reveals a new Street. For more information,
dimension to the influence on www.thomascole.org or 518-
943-7465.

Heritage Auctions Splitting Online
Bidding Increments

DALLAS — Heritage Auc- Auctions co-founder Jim Hal- Show August Calendar of IN THIS ISSUE
tions has implemented a perin said. “Cutting in half the Section Antiques Shows & Flea Markets PAGE 39
change to its online bidding size of bid increments will Show
practices that will allow more increase the confidence and Section The Old West IN THIS ISSUE
bidders to pursue items in aggressiveness of buyers who CENTERFOLD
online auctions. The new bid- are unsure about increasing a
ding structure benefits cus- bid, and it benefits the sellers
tomers and consignors by by making more clients more
increasing bidders’ options. likely to leave a proxy bid on a
wider array of available lots.”
Effective immediately, the
increments in which collectors The change is significant for
can bid in Internet absentee Heritage Auctions, as approxi-
bidding will be cut in half in mately 60 percent of Heritage
order to save bidders time by Auctions’ 2018 sales were con-
keeping the bidding in online ducted online.
sessions moving at a brisk
pace. For information, www.ha.
com/c/ref/web-tips.zx?ic=Tab-
“This change benefits both BidBuy-AllBiddingResourc-
buyers and sellers,” Heritage es-111815.

38 — Antiques and The Arts Weekly — July 19, 2019

Top Oh No, Not Me, Thanks
Picks:
It can certainly be said that Samuel Johnston (1733–1816), one of the great early North Carolina politicians, was a believer in humility.
By Greg Smith Johnston served on the first four Provincial Congresses in the state, presiding over the third and fourth. When Britain fled the colony,

Johnston’s position in the Provincial Congress made him the highest ranking official in the state until the fifth Provincial Congress
ratified the state’s constitution and elected a governor. North Carolina would send Johnston to the Continental Congress in 1780 and

1781, where he was elected the first President of the United States in Congress Assembled. He politely declined, with personal
letters citing poor health and the position’s non-existent salary. Thanks, but no thanks. He was later elected governor of North
Carolina from 1787 to 1789 and the state’s senator from 1789 to 1793. One might think that Johnston would have been the object of
attention in North Carolina, but Brunk Auctions claims his portraits number to one. Granted, it’s a good one. A portrait miniature by
James Peale Sr depicting Johnston approaches the block at Brunk Auctions, reportedly done when Johnston served as a senator.

It joins other top lots from around the United States in this week’s picks.

DuMOUCHELLES BRUNK GARTH’S
July 19–21 July 19–20 July 19
Lot 70059 Lot 1278 Lot 248
Sergio Bustamante (b 1942) James Peale, Sr. (1749–1831) George I Bachelor’s Chest

Bronze egg with hands and unsigned crescent Governor Samuel Johnston, 1793, completed at the England, first quarter of the Eighteenth Century,
moon, egg 9¾ inches high, 80/100. time he was serving as a US Senator from North burled walnut with oak secondary. Top and drawer
Estimate: $400-600 Carolina, signed “J.P. 1793,” watercolor on ivory, fronts have banded inlay, solid ends, dovetailed
drawers and bracket feet. Lift top writing surface,
2½ by 1-7/8 inches. Casework, tests 14-karat plain
bezel frame with cobalt glass surround and window 30½ inches high.
Estimate: $2,5/5,000
with braided hair, with red leather case.
Estimate: $20/30,000

CROCKER FARM HERITAGE LITCHFIELD AUCTIONS
July 20 July 16–18 July 20
Lot 65 Lot 50001 Lot 349
Important and Unique Stoneware Neil Armstrong’s Childhood 1788 General Washington
Presentation Jug with Incised Presentation Urn
Toy Teddy Bear
Federal Eagle Decoration A Georgian-form neoclassical hot water urn with
Directly from The Armstrong Family Collection, CAG fine engraved inscription “Presented to General
Inscribed “Liberty for / Ever” and “L. Riggs / May Certified. Brown cloth bear toy with articulated Washington July 10th 1788 thanks to the people
the 5th 1819,” South Amboy, N.J., origin, 1819, from Congress.” Dark-patinated copper body with
head, body, arms and legs. No tags as to maker or
13 inches high. date, very possibly handmade by a relative. brass mounts, 22 inches high.
Estimate: $25/50,000 Opening Bid: $1,500 Estimate: $10/15,000

BUTTERSCOTCH JMW AUCTION HECKLER
July 21 GALLERY
Rockwell Kent (1882–1971) Through July 17
July 19 Lot 4
13 proof illustrations, circa 1930, all signed in pen- Lot 116
cil lower margin. Original proof sheets made from Stereoview of Calamity Jane “H. Pharazyn / Phila /
Kent’s famous illustrations for the 1930 Lakeside Right Secured” Figural
By R Benecke St Louis. From Professor Jenny’s
Press edition of Herman Melville’s Moby Dick. Expedition to the Black Hills, 1875. Whiskey Bottle
Estimate: $3/5,000 Estimate: $800-1,200
America, 1860–80. In the form
of an Indian maiden, light to
medium golden yellow,

sheared mouth — smooth base,
12-3/8 inches high. H

No. 1173, color plate XV.
Estimate: $2/4,000

Every Friday, Saturday & Sunday 2019 July 19, 2019 — Antiques and The Arts Weekly — 39
Year-Round
Calendar August
BAKER’S HUGE INDOOR of
QUALITY ANTIQUES & August 2-4
COLLECTIBLES SHOW Antiques
& FLEA MARKET Shows Friday-Sunday
and
100 EXHIBITORS MAINE ANTIQUES
Flea Markets FESTIVAL
4770 Sunrise Highway
Bohemia, NY 11716 Compiled by 150+ EXHIBITORS
The Bee Publishing Company
Live Estate Auctions Every Friday Night at 6 pm Union Fairgrounds
Come Join The Fun Newtown, Connecticut 1 Fairgrounds Lane
Fri, Sat & Sun 12-7 pm Union, ME 04862
Sponsor: Baker’s Quality Antique Shows & Auctions Sundays
Manager & Professional Auctioneer: Al Baker Fri 12-5 pm, Sat 9 am-5 pm & Sun 9 am-4 pm
THE SANDWICH Sponsor: Coastal Promotions/Paul Davis Shows
631-648-9371 FLEA MARKET Manager: Paul Davis
207-221-3108
Every Sunday 25-50 EXHIBITORS Website: www.maineantiquesfestival.com
Year-Round
34 Quaker Meeting House Road August 2-5
COLLEGE MART Sandwich, MA
FLEA MARKET Friday-Monday
Sun 7 am-1 pm
75-100 EXHIBITORS Sponsor: Lisa Davis NANTUCKET SUMMER
Manager: Lisa Davis ANTIQUES SHOW
2 Wedgewood Drive 508-685-2767
Slater Mill Mall Website: www.thesandwichbazaar.com 34 EXHIBITORS
Jewett City, CT
Tuesdays Nantucket Boys & Girls Club
Sun 9 am-4 pm 61 Sparks Avenue
Manager: Bob & Sue Leone THE MATTAPOISETT Nantucket, MA
860-376-3935 or 860-642-6248 FLEA MARKET
Website: www.leonesauctions.com Fri 12-6 pm; Sat 10 am-6 pm; Sun 10 am-5 pm & Mon 10
20-40 EXHIBITORS am-3 pm
Every Saturday & Sunday Manager: Antiques Council
Year-Round Knights of Columbus Hall 413-436-7064
57 Fairhaven Road Website: www.antiquescouncil.com
CHELSEA FLEA MARKET Mattapoisett, MA www.nantucketsummerantiquesshow.com

100+ EXHIBITORS Tues 8 am-1 pm August 3
Sponsors: Lisa Davis
West 25th Street Manager: Lisa Davis Saturday
Between Broadway & 6th Avenue 508-685-2767
New York City Website: www.thesandwichbazaar.com THE LITTLE COMPTON
ANTIQUES FESTIVAL
Early Buying: 6:30-9 am Wednesdays
Reg Hours: Sat & Sun 9 am-7 pm 50 EXHIBITORS
Sponsor: Annex Markets THE SANDWICH
Manager: Scarlett Wittman FLEA MARKET On The Grounds Of The
212-243-5343 Little Compton Historical Society
Website: www.annexmarkets.com/chelsea-flea-market 60-130 EXHIBITORS 548 West Main Road
Little Compton, RI
2nd Sunday & Preceding Saturday 34 Quaker Meeting House Road
Monthly Year-Round Sandwich, MA Preview Party: Fri, Aug 2, 6-8 pm
Reg Hours: Sat 10 am-4 pm
CHICAGOLAND’S Wed 6 am-12 pm Manager: Brian Ferguson Antiques
GRAYSLAKE ANTIQUE & Sponsor: Lisa Davis 508-674-9186
COLLECTIBLE MARKETS Manager: Lisa Davis Email: [email protected]
508-685-2767 Website: www.brianfergusonantiques.com
250+ EXHIBITORS Website: www.thesandwichbazaar.com
August 3-4
Lake County Fairgrounds
1060 East Peterson Road Saturday & Sunday
Grayslake, IL
ANTIQUE FAIR & FLEA
Sat 9 am-4 pm & Sun 9 am-3 pm MARKET
Manager: Bob Zurko
715-526-9769; cell 715-302-0932 220+ EXHIBITORS
Website: www.zurkopromotions.com
Washington County Fairgrounds
Sundays Greenwich, NY

ELEPHANT’S TRUNK Early Buying: Fri, Aug 3, 7 am-4 pm
FLEA MARKET Reg Hours: Sat 8 am-5 pm & Sun 9 am-4 pm
Promoter: Fairground Shows NY c/o Michael Green
490 Danbury Road PO Box 528, Delmar NY 12054
US Route 7 518-331-5004
New Milford, CT 06776 Email: [email protected]
Website: www.fairgroundshows.com
Super Early Buying: Sun 4:45-5:45 - $40
Public Early Buying: Sun 5:45-6:59 am - $20
Reg Hours: Sun 7 am-2 pm - $2
Sun 2-3:30 pm – Free Admission
860-355-1448
Website: www.etflea.com

40 — Antiques and The Arts Weekly — July 19, 2019 December 19, 2008 — Antiques and The Arts Weekly — S-2

August August 7-8 August 10
August 4
Wednesday & Thursday Saturday
Sunday
ANTIQUES IN 49th ANNUAL
MILFORD ANTIQUES MANCHESTER CAPE COD ANTIQUE
SHOW THE COLLECTORS FAIR DEALERS ASSOCIATION
Sunday Of Antiques Week In SUMMER ANTIQUES
New Hampshire 65 EXHIBITORS SHOW & SALE

OVER 65 EXHIBITORS Sullivan Arena 30+ EXHIBITORS
Saint Anselm College
Hampshire Hills Athletic Club 105 St Anselm Drive Nauset Middle School
50 Emerson Road Manchester, NH 70 Route 28
Milford, NH 03055 Orleans, MA
Manager: DiSaia Management
Sun 8:30 am-12 pm 860-908-0076 Sat 9 am-3 pm
Manager: Jack Donigian Website: www.antiquesinmanchester.com Sponsor: Cape Cod Antique Dealers Association
781-329-1192 Manager: Charlene Dixon, President CCADA
Website: www.milfordantiqueshow.com August 8-10 508-240-7726
Website: www.ccada.com
August 6 Thursday-Saturday
August 12-18
Tuesday 62nd ANNUAL
NEW HAMPSHIRE Monday-Sunday
AMERICANA CELEBRATION ANTIQUES SHOW
AS PART OF NEW HAMPSHIRE MADISON BOUCKVILLE
ANTIQUE WEEK 67 EXHIBITORS ANTIQUE WEEK

75 EXHIBITORS Doubletree (by Hilton) Manchester Town Wide Event
Downtown Bouckville, NY 13310
Everett Arena 700 Elm Street
15 Loudon Road Manchester, NH 03100 Mon-Sun 8 am-5 pm
Concord, NH Website: www.madison-bouckville.com
Thurs & Fri 10 am-7 pm & Sat 10 am-4 pm
Early Buying: Tues 8-10 am Sponsor: The New Hampshire Antiques Dealers August 13-18
Reg Hours: Tues 10 am-4 pm Association
Manager: Peter Mavris Manager: Josh Steenburgh VP Show Chairman Tuesday-Sunday
207-608-3086 Beverly Longacre Director Show Chairman
Email: [email protected] 603-876-4080 CIDER HOUSE
Website: www.petermavrisantiqueshows.com Website: www.nhada.org ANTIQUE WEEK

August 7 August 8-11 200+ EXHIBITORS

Wednesday Thursday-Sunday 6769 Route 20
Bouckville, NY 13310
MIDWEEK IN MANCHESTER SCOTT ANTIQUE MARKETS
ANTIQUES SHOW Tues-Sun 8 am-5 pm
3,500 BOOTHS Info: Ruth 315-825-8477
JFK Memorial Coliseum Website: www.ciderhouseantiques.com
303 Beech Street Atlanta Expo Centers
Manchester, NH 3650 & 3850 Jonesboro Road SE August 15-16
(I-285 Exit 55)
Wed 1-7 pm Atlanta, GA 30354 Thursday & Friday
Manager: Frank Gaglio
845-876-0616 Thurs 10:45 am-6 pm, Fri & Sat 9 am-6 pm & Sun 10 am-4 NEWARK INTERNATIONAL
Email: [email protected] pm ANTIQUES &
Website: www.barnstar.com 740-569-2800 COLLECTORS FAIR
Website: www.scottantiquemarkets.com
2,000 EXHIBITORS
August 9-12
Newark & Nottinghamshire
Friday-Monday Showground
Newark, Nottinghamshire, England
41st ANNUAL WHITEHAWK NG24 2NY UK
ANTIQUE INDIAN
AND ETHNOGRAPHIC Thurs 9 am-6 pm & Fri 8 am-4 pm
ART SHOW Manager: Rachel Everett
+44 (0) 1636 702326
100+ EXHIBITORS Website: www.iacf.co.uk

Santa Fe Community & Convention
Center
201 West Marcy
Santa Fe, NM 87501

Preview: Fri, Aug 9, 6-9 pm
Reg Hours: Sat-Mon 10 am-5 pm
Manager: Marcia Berridge, Whitehawk Associates
505-988-9544
Email: [email protected]
Website: www.whitehawkshows.com

July 19, 2019 — Antiques and The Arts Weekly — 41

August 16-18 August 24 August

Friday-Sunday Saturday August 24-25

THE MADISON- 76th ANNUAL Saturday & Sunday
BOUCKVILLE BIG FIELD PAPERMANIA PLUS
ANTIQUES SHOW ANTIQUE PAPER SHOW, WARREN COUNTY
ADVERTISING & ANTIQUES SHOW
250 EXHIBITORS PHOTOGRAPHY
100 EXHIBITORS
Original Show Field XL Center
Route 20 One Civic Center Plaza 871 County Road 519
Bouckville, NY Hartford, CT 06103 Phillipsburg, NJ 08865

Early Buying: Fri, Aug 16, 8 am-12 pm Sat 10 am-5 pm Sat & Sun 10 am-4 pm
Reg Hours: Fri 12-5 pm, Sat 8 am-5 pm & Sun 9 am-5 pm Manager: Hillcrest Promotions, LLC Manager: Melva & Chris
Manager: Allman Promotions LLC 860-529-2234; 860-280-8339 908-343-5873
315-686-5789 Website: www.papermaniaplus.com Website: www.warrencountyantiqueshow.com
Website: www.bigfieldantiqueshow.com
August 24-25 August 31-September 1
August 24
Saturday & Sunday Saturday & Sunday
Saturday Indoors/Outdoors
STORMVILLE AIRPORT
48th MADISON RANDOLPH STREET ANTIQUE SHOW
HISTORICAL SOCIETY’S MARKET FESTIVAL — & FLEA MARKET
ANNUAL ANTIQUES FAIR CHICAGO
600+ EXHIBITORS
Madison Town Green 300 EXHIBITORS
Boston Post Road Stormville Airport
Madison, CT 06443 Plumbers Hall 428 Route 216
1340 West Washington Boulevard Stormville, NY 12582
Sat 9 am-4 pm Chicago, IL 60607
Manager: Jenny Simpson Sat & Sun 8 am - 4 pm
203-245-4567 Early Buying: Sat 8 am Manager: Pat Carnahan
Website: www.madisonhistory.org Reg Hours: Sat & Sun 10 am-5 pm 845-221-6561
312-666-1200 Website: www.stormvilleairportfleamarket.com
Website: www.randolphstreetmarket.com

Auction Action In New York City

Three Artist Records Set—

Modernists Lead American Art At Swann
NEW YORK CITY — Swann Ben Shahn’s “Men on a ing by Marsden Hartley
Galleries continued the spring Bench,” gouache on paper, ($30,000) and Pavel Tchelitch-
2019 season with a sale of circa 1940, led the sale and ew’s 1932 pen and brush draw-
American Art on June 13, was sold to a private collector ing “Studies of Wrestlers”
which saw 68 percent of the for $50,000. Additional figura- ($9,375).
sale find buyers and total tive works of note featured
$876,055. “Seated Man,” a pencil draw- The sale boasted three artist
records, two of which were for
American modernists: Attilio Attilio Salemme, “Rivalry,” oil on canvas, 1945. Sold for
Salemme’s 1945 oil on canvas $21,250, a record for the artist.
painting “Rivalry” at $21,250;
Ben Shahn, “Men on a Bench,” gouache on paper, circa 1940. and “Nautical Composition was an example of Hughie 1930s oil on canvas depiction
Sold for $50,000. with an Anchor,” oil on board Lee-Smith’s mid-career oeu- of the “Oklahoma Land Rush,”
by Joseph Lambert Cain, at vre, “Coastal Landscape,” oil which sold for $10,000, and a
$11,250. Other strong Modern- on canvas, 1960s ($11,250); group of ten circa-1870 Mexi-
ist sales include Suzy Freling- Albert Bierstadt’s oil on paper can cowboy and horse-riding
huysen’s Cubist-inspired oil “Rocky Mountain Landscape” scenes by Victor Pierson, which
and collage work, “Act Three,” ($22,500); and a snowy New set a record for the artist at
from 1942 that reached York City scene, “At the Plaza, $7,500.
$40,000 from a private collec- New York,” by Guy C. Wiggins
tor, and Esphyr Slobodkina’s ($18,750). All prices quoted include buy-
Abstract Composition, gouache er’s premium. For additional
on board, circa 1940s, which Western landscapes featured information, 212-254-4710 or
earned $8,450. Ruth Monro Augur’s circa late www.swanngalleries.com.

Scenes of America’s diverse
terrain were well-received by
collectors. Highlights included
a run of vibrant watercolors by
Charles Burchfield: “Clouds
and Trees Under Blue Skies,”
circa 1920s ($23,750); “Sum-
mer Landscape (Trees on a
Hill),” 1917 ($13,750); and
“Brook,” 1916 ($12,350) were
among the top lots. Also of note

Historic Homes & Properties


42 — Antiques and The Arts Weekly — July 19, 2019 Compiled by Madelia Hickman Ring

Stoneware At Portsmouth’s Warner House

Stoneware blue and white
teapot.

Reception room, Warner House.

Warner House. and, by 1740, dinner wares. Setting room, Warner House. Front Parlor mirrors light. Paint testing has
PORTSMOUTH, N.H. — This White salt-glazed stoneware dence, with the last residents, The Front Parlor is interpreted shown it was used in two New-
appealed to the rising Georgian Evelyn Sherburne and her neph- for the period between 1824 and buryport houses, the extent of
summer, the Warner House pres- middle class on both sides of the ew Thomas Penhallow, sharing 1929. The parlor was updated which is not known. Smalt has
ents a European stoneware exhi- Atlantic, who benefited from an the house in the summers and around 1820, when the weddings been found in some buildings in
bition, “From the Mundane to increase in earning power and wintering in Boston. The sparse of several Sherburne children England, but only as an accent. It
the Sublime: Stoneware 1600- the desire for better commodi- alterations to the house became took place here. The furnishings, had been used as a blue on iron-
1775.” Displayed throughout the ties. As these new, fashionable an asset, and it became known in from the 1820s and earlier, work stair railings, or as part of
house and curated by Robert wares reached the colonies, they preservation and antiquarian reflect the taste of the Sher- the coloring of a plaster frieze or
Barth, the exhibition includes began to replace the more com- circles for its architectural burnes and Penhallows. The on ceiling beams. Macpheadris
more than 250 pieces of stone- mon dining materials of wood, importance and furnishings. objects in the room are based on had it applied from cornice to
ware from regional museums as earthenware and pewter. interior photographs from the baseboards. This is the first time
well as private collections. These When Penhallow died in 1930, early part of the Twentieth Cen- smalt has been identified in such
objects were produced primarily Not all English wares made the house was offered for sale. tury. Five Joseph Blackburn copious quantities. The texture is
in Germany and England in the their way to the colonies. Carved Standard Oil wanted to buy it in paintings fill the walls of the somewhat like sandpaper.
Seventeenth and Eighteenth Nottingham mugs attributed to order to tear it down and replace room. These were painted in the
Centuries. James Morley, the slip-cast it with a gas station. Alarmed at summers of 1760–61 and include In addition to the importance of
unglazed red stonewares of Elers the idea of the loss of the build- Sarah Macpheadris; Mary Macp- its decoration, the room is equal-
The importation of European and the London or Bristol hunt ing, Edith Wendell, a descendant headris Warner; Polly Warner, ly important, as it was construct-
stoneware to the colonies for tankards have not been found in of Portsmouth’s wealthy mer- his daughter; Daniel Warner, his ed as a performance chamber. It
practical use and private enjoy- the archaeological record but are chant, Jacob Wendell, and a father; and Samuel Warner, his retains its original 1717–18 float-
ment was an ongoing necessity, included in the exhibition to group of friends, raised $10,000 brother. These paintings were ing floorboards, which are not
as there was little or no stone- show the variety of wares pro- and bought the house in 1931. produced at the beginning of nailed to the joists but instead
ware production in the colonies duced. Known initially as the Macpha- Portsmouth’s “golden decade” connect to each other by dowels,
prior to 1775. Attribution to spe- edris-Warner house, it opened as just before the Revolution. float over the joists and are held
cific makers is difficult as these The Warner House a historic house museum in 1932 in place by the walls. This con-
wares were rarely signed or Scots-Irish merchant-captain, but over time has become known Murals struction provides shock absorp-
dated and sometimes even the Archibald Macphaedris, arrived more simply as the Warner The murals on the second floor tion for dancers and acts as a
location of production cannot be in Portsmouth in 1714, and in House. are important. They date from soundboard for musicians. The
determined. 1715, hired John Drew, a recent- around 1720, making them the construction of the rest of the
ly arrived London mason/joiner Front Setting Room earliest in this country in their house aids the amplification of
This exhibition contains most to construct a house for him and The Front Setting Room original location. The sidewalls musical performances in this
of the different types of stone- his new bride, Sarah Wentworth. reflects the early occupancy of were covered with wallpaper room filling the house with
ware imported to the colonies. Drew created an English Jonathan Warner. Portsmouth between 1760 and 1853, when music. The room as completed
The Seventeenth Century was baroque brick mansion on the was flourishing in 1760 when the paper was removed, and the would have worked well for
dominated by German salt- banks of the Piscataqua River Jonathan Warner, Mary and his murals were rediscovered. Inter- entertaining by both Macphead-
glazed wares; designated as with carved decorations sur- daughter, Polly, moved into the estingly, the images of the two ris and Governor Benning Went-
Frechen brown and Westerwald rounding the front door, an “M” house. Artisans were drawn to Mohawk chiefs on the landing worth, who lived in the house
blue-gray. The German wares shaped roof, eight dormers and a the port town; encouraged by the were based on engravings of from 1741 to 1753.
consisted largely of rugged bot- cupola. Sarah and Archibald’s economic prosperity. Warner paintings of the four Mohawk
tles, jugs and mugs for the ship- daughter, Mary, would marry commissioned Robert Harrold, a representatives who traveled to Main Bedchamber
ment, storage, service and con- widower Jonathan Warner in newly arrived English cabinet- London in 1710 seeking aid from The main bedchamber has
sumption of liquids. The Dutch 1760 and after her death in 1776, maker, to make a bookcase with the Crown against the French recently been decorated to the
dominated shipping of these Warner would remain in the butler’s drawer for his setting incursions from Canada. Warner period and was based
German wares for the first three house until his death in 1814. room. Several layers of Eigh- The artist of the murals may be upon analysis of the walls, wood-
quarters of the Seventeenth During his lifetime, Warner teenth Century wallpaper were Nehemiah Partridge, a Ports- work and paint history of the
Century. altered the exterior to the popu- found behind the secretary and mouth-born painter whose chamber. Testing indicated that
lar Palladian style by replacing beneath that wallpaper was the father, Col William Partridge, the initial paint layer for this
Around 1675 England began to the baroque raked entrance roof original 1718 wall decoration of was a friend of Macphaedris. room’s woodwork and most of the
assume control of the North and its carvings with a demilune marbleized painted panels with Partridge trained in Boston and house was a layer of red paint.
Atlantic trade routes and, at the roof and classical pilasters. War- the arabesque borders. The rest then spent most of his career as Prussian blue, which was popular
same time, began to produce ner left his estate to his niece, of the room had been stripped of a portrait painter in New York in the mid-Eighteenth Century, is
their own brown stonewares in Elizabeth, and her husband, wallpaper and painted white in City and the Hudson River Val- the next painting layer that was
imitation of the Frechen type. It John Nathaniel Sherburne. They the Nineteenth Century. Howev- ley. His work dates from 1714 to found. The walls were covered
is important to note that during inherited the house passing to er, in the 1940s with this new about 1735. with an Eighteenth Century
the Eighteenth Century, the their son and his six children, information, the museum reproduction wallpaper in a Prus-
English glass bottle industry one of whom was Evelyn Sher- restored that treatment to the Reception Room sian blue and burnt sienna color
made significant inroads into the burne. entire room. The original mar- The large chamber on the sec- scheme, made by Adelphi Papers.
use of ceramic containers. After the Civil War, the Warner bleizing is still intact behind the ond floor is the reception room. The choice of damask wallpaper
Around 1720, potters in Staf- house became a summer resi- Harrold secretary and beneath The room has a unique paint was based on known examples of
fordshire began to produce a the Nineteenth and Twentieth treatment, the only one of its Eighteenth Century damask
much finer, lighter white salt- Century layers of paint. kind in America and possibly the wallpaper found in the city.
glazed stoneware that was ini- world. Repeated testing of paint The house includes several
tially used to produce tea wares layers revealed a consistent early more bedchambers, a fully fin-
layer of smalt — ground cobalt ished third floor and an intact
blue glass — over a pink paint, a cupola that has provided a clear
technique that had its heyday in view of the harbor for three cen-
the first half of the Eighteenth turies.
Century. This use of glass provid- The Warner House is at 150
ed a modulating reflective sur- Daniel Street. For information,
face that shimmers rather than www.warnerhouse.org or 603-
436-5909.

July 19, 2019 — Antiques and The Arts Weekly — 43

43rd Annual Airline Collectibles Show & Convention—

Come Fly With Me…The World Of Airlines Collectibles

ATLANTA — You collect collector-readers of Antiques marily to carry mail. If space
WHAT? Airline memorabil- and The Arts Weekly. and weight limits allowed it, a
ia!….Like what? Once upon a few passengers might also be
time, in a land all around us Airline collectibles may pro- carried, but the mail clearly
and across the world, there was vide opportunities in more col- had priority. Most of the collect-
a network of many dozens of lecting specialties than any ibles of this era focus on mail
commercial passenger airlines. other business activity. In large and routes.
Not content to let the memories part, that is because of the air-
or artifacts of that era simply line industry’s history. Com- In 1934, the entire airline
be swept into the notorious mercial airlines in the United industry abruptly changed
“dust bin of history” the World States have three distinct eras, when the Commercial Air Mail
Airlines Historical Society each generating a broad collect- (CAM) contracts were signifi-
(WAHS) started its take-off run ing opportunity. While there cantly changed. Passenger ser-
that celebrated its 43rd annual were a few earlier operations, vice became the focus with
gathering, June 19–22, at the most significant airlines were every element of creature com-
Delta Flight Museum at Harts- formed in the mid-1920s pri- fort being addressed and widely
field-Jackson Atlanta Interna-
tional Airport. Atlanta area Delta Air Lines collectors were a majority of Unquestionably the youngest dealers at this airliner show
the browser-shoppers at the event. Earlier logo signs are demonstrate both the detailed die-cast airplane models and
Since Atlanta-based Delta Air examined by collectors with everything from plastic cups youth-friendly toy versions sold by their senior partner
Lines grew to the large interna- to jet engine blades seen on the table. (father), a Tallahassee, Fla., based dealer.
tional carrier that it is today by Although highly collectible and sometimes pricey, few uni-
the acquisition and merging of forms were seen at this show. This Stetson hatbox original-
many of these historic airlines, ly contained an American Airlines issued uniform hat.
it was appropriate that this
43rd annual international col- One of the few airline uniform items seen was this United
lectors’ event — with 250 deal- Airlines captain’s hat with badge. Both the hat and the
er tables — took place in the badge are collectible.
Delta Flight Museum. This
museum is primarily housed in
Delta’s two 1940s vintage han-
gars adjacent to the airport and
Delta’s headquarters complex.
Just as Delta is one of the
world’s largest airlines, so too is
the Atlanta airport, generally
known as the world’s busiest.

But back to that question,
exactly what are airline collect-
ibles? Well, almost every known
collecting specialty has poten-
tial items with an airline con-
nection. For example, collectors
of salt and pepper shakers
ought to include the small
ceramic examples that once
graced the food service of first-
class air traveler’s trays.

Tobacciana collectors might
include airline advertising ash-
trays, matchbooks, cigarette
lighters and, of course, those
sets of illustrated cigarette
cards of airliners, along with
their collector’s albums. Per-
haps not so popular are those
No Smoking or Smoking Sec-
tion signs.

With a nod to the hospitality
of Bill Damerest and Chris
Smalling of WAHS, the tireless
show organizers, and the many
dealer-collectors whose passion
for airline history often exceed-
ed their focus on sales, this
introduction to airline collect-
ibles is offered to the broader

Review and Photos by
Marty Steiner

Glassware provided just one more way for an airline to rec-
ognize new aircraft, routes, events, or introduce new logos.
The coffee cup highlights Republic Airlines role as a feeder
to Eastern. Both airlines are now defunct.

Inaugural flights to specific destinations by Destination activity items include beach, Gummed decals, similar to those issued by earlier steam-
a particular airline are recognized in vari- snow ski and other paraphernalia, all clear- ship companies, became a standard airline advertising
ous ways. Each passenger might receive a ly marked with the airline’s identity. item. American Airlines offered a route that delivered pas-
keepsake such as a certificate, plaque or sengers to the trans-Atlantic and Around the World Ger-
luggage tag. Rapid route expansions after man zeppelin terminal in New Jersey.
deregulation generated a large collecting
opportunity.

44 — Antiques and The Arts Weekly — July 19, 2019

Tobacco-related collectors, or smokers, have a wide variety Even the most common utilitarian items
of airline ashtrays to choose from. become collectible. Here, Oneida, N.Y.,
based Mohawk Airlines paper cups with
two different logos seek a new home.
Mohawk was purchased by Allegheny Air-
lines in 1972.
Dining linens offer an entire collecting spe-
cialty — Delta’s 1979 50th Anniversary tray
cover and first-class napkin from Delta’s
last premier piston-propeller airliner, the
Douglas DC-7.

From the earliest days that families felt safe enough to fly, advertised. But commercial Sleeper aircraft copied the since deregulation! Most are
the children became the objects of attention as potential flight still had an element of Pullman car methods of the history by failing, but many
future passengers. Books, magazines, coloring books, junior adventure and was not widely railroads. Airline-marked pil- were merged or purchased into
pilot or flight attendant wings and puzzles were all utilized. used. The airlines of this era lows and blankets came into current or legacy airlines. Even
This booklet dates from the 1940s. copied much of the railroads, use and joined the pool of col- these mergers and buyouts
including timetables, terminal lectibles. have generated a collection spe-
design, tickets and more. cialty of transition items that
Returning pilots and other include some combination of
With no designated dining car military aeronautics-trained two or more airline logos.
as on railroads, food and bever- personnel, along with war sur-
age service was provided in plus aircraft after World War II, Exploring the wide array of
place, at the passenger’s seats. caused a surge of fledgling air- airline collectibles is mind and
Like the railroads, the food and lines to be formed. Most of wallet boggling. Coca-Cola col-
beverage collectibles include these failed or merged. All left lectors can rejoice; Coke collect-
dinnerware, flatware, service collectible traces of their exis- ibles include paper napkins and
pieces, linen and glassware, tence. cups with combined Coke and
along with coffee pots, water airline identification, advertis-
pitchers and service trays and Deregulation occurred in ing and, of course, commemora-
carts. Adult beverage collect- 1978, making the industry less tive bottles. The bottles cele-
ibles were offered in the minia- constrained and facilitating the brate everything from airline
ture bottles labeled with the formation of many new com- anniversaries, new routes, and
airline logo. mercial airlines. In fact, dozens introduction of new aircraft
of airlines have existed just types to their fleet.

Yes, Virginia, there are flashlight collectors…and these are The basics of all transporta-
among their airline collectible examples. tion method collectibles are
found in the airline world —
timetables (also known as
schedules), tickets, ticket jack-
ets and boarding passes.

Luggage introduced its own
universe of collectibles. Lug-
gage tags, both permanent and
temporary, as well as luggage
check tickets and decals are all
part of the field of possibilities.
Airline carry bags with appro-
priate logos as well as the “I for-
got my stuff” amenity bags
round out this sub-specialty.

If you just can’t seem to sleep
while traveling, there are that
airline’s in-flight magazine,
general magazines in airline
logoed binders, playing cards,
music with headsets and pro-
gram guides for in-flight mov-

Many early and short-lived airlines published timetables
that are quite rare and expensive. Frequently illustrated
with aircraft, personnel uniforms or destination scenes,
these may cost more than $100.

Many stamp collectors (philatelists) include, or even spe- Not many collectibles shows and sales take place in a venue filled with large, historic
cialize in, inaugural flight covers. These are air mail car- examples of their interest area.
ried on a first flight. This example is combined with a
defunct airline company envelope.

July 19, 2019 — Antiques and The Arts Weekly — 45

43rd Annual
Airline Collectibles Show

& Convention

Conference attendees had optional tours of historic museum exhibits.

The Delta Flight Museum provided show space under and 43rd Annual Airline
around actual, full-size airliners. International Conference Host:

The Delta Flight Museum

A number of artists have created an entire genre of avia- By Marty Steiner, Delta’s origin, its first Douglas DC-3
tion art. One of the most recognized is Charles Hubbell, photos by Marty Steiner and examples of other historic aircraft.
whose work was seen in calendars, portfolios of prints and ATLANTA — The Delta Flight Muse- Trains of baggage carts house other dis-
in gallery exhibitions. um is a world class example of what an plays. The forward portion of a Lock-
airline or aviation museum can be. One heed 1011 Tri-Star, Delta and passen-
innovative exhibit became the topic of ger’s favorite, and an entire Boeing 767,
this 43rd Annual Airliner International the Spirit of Delta, also fill a hangar.
Conference closing banquet presenta-
tion. That exhibit, the “747 Experience,” The Spirit is the iconic example of the
utilized the huge aircraft as the venue loyalty of a company’s employees. In the
for the historical exhibit about that spring of 1982, after Delta posted its
wide-body airliner. Timothy Frillingos, first net loss in 25 years, the employees,
director of exhibits, explained every- retirees and friends raised $30 million
thing from the acquisition of this first to purchase this aircraft, Delta’s first
manufactured test example of this Boeing 767, christened The Spirit of
model to the creation of the see-through Delta.
floor panels and over-the-wing observa-
tion gallery. The Delta Flight Museum will host
The two hangars that were used for the 33rd regional Atlanta Airline Col-
the maintenance of Delta’s piston-pow- lectors Show on October 5. The museum
ered propeller fleet in the 1940s and the is open to the public.
early jets of the 1960s now include an
example of the 1920s crop duster that is The Delta Flight Museum is at 1060
Delta Boulevard, # B-914. For addi-
tional information, 404-715-7886 or
www.deltamuseum.org.

ies. With the advent of seatback ing focus would be to include Delta’s original 1940s DC-3 tail and Western Air Lines Stinson Reliant.
computers, many of these phys- only a single specific airline.
ical items simply cease to exist
and are now collectible. Some collectors and dealers
have recognized the need for
The seat pocket in front of a airline history and collectibles
passenger contains a treasure- information and have written
trove of collectibles. The air- books and collecting guides.
line’s route maps, special travel Books listing wings, timetables,
package offerings, information travel posters and other objects
on their loyalty program and were offered by some of the
credit card options, along with dealer specialists.
a few postcards of their aircraft,
terminals and exotic destina- And, of course, there are still
tions. And, of course, a catalog the antique malls, yard sales
of manufactured collectibles and various online sources.
was available for purchase. Who knows, your parents or
grandparents may still have
And if all of this collecting the silver-plated airline place
opportunity upsets your stom- setting that they secretly
ach, some even collect those brought home from their hon-
disposable airsickness bags, eymoon flight many years ago!
hopefully in mint and unused
condition! If you have now developed a
new or expanded view of air-
If this dizzying array of oppor- line collectibles and just can
tunities overwhelms you, you not wait until next year’s
will understand the possible annual conference in Phoenix,
need to focus. Some focus on a Ariz., July 8–11, check out the
single airline; a specific desti- various regional and interna-
nation/airport; an aircraft type; tional shows throughout this
or an era of air travel, such as year. Upcoming include Santa
jets, turbo-props or even sea- Monica, Cleveland, Newark
planes. Others focus on the type and San Francisco. These and
of collectible items such as more are listed at the World
glassware, timetables or menus. Airline Historical Society web-
For many, a final tier of collect- site, www.wahsonlinecom.

46 — Antiques and The Arts Weekly — July 19, 2019

July 19, 2019 — Antiques and The Arts Weekly — 47

48 — Antiques and The Arts Weekly — July 19, 2019

July 19, 2019 — Antiques and The Arts Weekly — 49

50 — Antiques and The Arts Weekly — July 19, 2019

July 19, 2019 — Antiques and The Arts Weekly — 51

52 — Antiques and The Arts Weekly — July 19, 2019

July 19, 2019 — Antiques and The Arts Weekly — 53

54 — Antiques and The Arts Weekly — July 19, 2019

July 19, 2019 — Antiques and The Arts Weekly — 55

56 — Antiques and The Arts Weekly — July 19, 2019

2019 JULY Garths Selkirk_BEE_Fullpage:Antique Week Fish Ad 7/2/2019 5:10 PM Page 1 July 19, 2019 — Antiques and The Arts Weekly — 57

58 — Antiques and The Arts Weekly — July 19, 2019

July 19, 2019 — Antiques and The Arts Weekly — 59

60 — Antiques and The Arts Weekly — July 19, 2019

July 19, 2019 — Antiques and The Arts Weekly — 61

62 — Antiques and The Arts Weekly — July 19, 2019

July 19, 2019 — Antiques and The Arts Weekly — 63

64 — Antiques and The Arts Weekly — July 19, 2019

July 19, 2019 — Antiques and The Arts Weekly — 5C

qrtr page_toga auto_color.pdf 1 7/2/19 12:49 PM

C
M
Y
CM
MY
CY
CMY
K

6C — Antiques and The Arts Weekly — July 19, 2019

July 19, 2019 — Antiques and The Arts Weekly — 7C

8C — Antiques and The Arts Weekly — July 19, 2019


Click to View FlipBook Version