Johannesburg August Auction - Digital Catalogue

180
Tinus de Jongh
(South African 1885 - 1942)
MOUNTAIN RIVER
signed and dated 1937
oil on canvas
29,5 by 48,5cm
R 20 000 - R 30 000

180
181
John Koenakeefe Mohl
(South African 1903 - 1985)
PIENAAR'S RIVER
signed
oil on board
21 by 29,5cm
R 35 000 - R 50 000

181
182
Errol Stephen Boyley
(South African 1918 - 2007)
HOUSE BENEATH LARGE TREES
signed
oil on canvas
55 by 75,5cm
R 30 000 - R 50 000

182

Fine Art | 101

102 | Fine Art

I

This work, painted on both recto and verso, was presented by Maggie Laubser to the owner’s grandpar-
ents as a wedding gift on 22 February 1933 in the town of Philadelphia, near Malmesbury, in the Western
Cape, and has remained unseen by the open market until now. Laubser, who had returned from Europe in
November 1924, had begun to explore the influence of Expressionism upon her work, and to apply it to the
South African context in which she found herself.

Regarding a very similar work, Still Life With Poinsettias On A Round Table (University of Stellenbosch col-
lection), Professor Ballot has noted the “conscious striving for a stylised expressiveness” that can be seen
in this work is similarly present in the work offered here. This work could be seen as a study towards the
previously mentioned work, with minor differences such as the slight shift in composition and variations in
palette with the greens and blues richer and brighter and the starkness of the previously mentioned work
softened, and was most likely executed in the same year (1924).

Ballot has said that “(I)n this vibrant representation the expressively loaded linear qualities are support-
ed by, and contrasted with, the lively play of mainly primary colours, applied solidly: curved planes of
red, green and blue, along with touches of ochre, produce – surprisingly enough – an unaffected visual
pleasure that at the same time also contributes towards suggesting similar emotional experience. In this
way the stylisation, that is to say the simplification of form, along with the associated decorative stimuli,
achieves a “perfect balance”, even beyond the viewer’s literal field of vision” This work builds towards
achieving the “perfect balance” of the Still Life With Poinsettias described by Ballot in his publication on
the artist’s life.

II

On the reverse of Still Life With Poinsettias there is a Study For A Still Life with Tulips that was not known
to be present, even to the owners, until the work was taken to Schweikert’s in Pretoria in 1975 for refram-
ing. This study appears to feature the same vase and curved table as used in the recto. Unfinished areas of
exposed board are present and other areas are unfortunately blemished with framer’s notations in pencil
due to their belief that this painting was of little to no consequence. The unfinished state, the unsigned
nature, and the fact that it was disguised in its original frame suggests that Laubser did not feel this com-
position to have the power and success of the Poinsettias, but it does remain fascinating to see the artist’s
mind at work as she strove for Ballot’s aforementioned “perfect balance” in her still life composition and
resettled back into South African life.
- LC

Professor Muller Ballot, email correspondence, 4 July 2019
Marais, Dalene. Maggie Laubser – Her Paintings, Drawings and Graphics. Perskor, Johannesburg and Cape Town, 1994, p. 155
Ballot, Muller. Maggie Laubser – A Window On Always Light. Sun Press, Stellenbosch, 2016, p. 130-131, 316

Fine Art | 103

183

Maggie (Maria Magdalena) Laubser
(South African 1886 - 1973)

STILL LIFE WITH POINSETTIAS
(recto); STUDY FOR STILL LIFE
WITH TULIPS (verso)

signed with the artist's initials
oil on board
48,5 by 36,5cm

PROVENANCE
Gifted by the artist as a wedding
gift in 1933; thence by descent

R 300 000 - R 500 000

VERSO

104 | Fine Art

RECTO

Fine Art | 105

184 185 184

186 Cecil Higgs
106 | Fine Art (South African 1900 - 1986)
STILL LIFE WITH FRUIT AND A SHELL
oil on canvas
30 by 41,5cm

R 35 000 - R 50 000

185

Jan Vermeiren
(South African 1949 - )
INTERIOR STILL LIFE WITH
COFFEE POT AND FRUIT
signed and dated 1989
oil on canvas
98 by 78,5cm

R 15 000 - R 20 000

186

Jean Max Friedrich Welz
(South African 1900 - 1975)
STILL LIFE OF FRUIT
signed and dated 46
oil on canvas laid on board
27 by 35,5cm

R 50 000 - R 70 000

187

Deborah Margaret Bell
(South African 1957 - )

IN THE SHADOW OF THE LION

signed and dated '08, titled and inscribed E.V I December 2008 in pencil in the margin
unique etching and aquatint with hand-colouring
sheet size: 107,5 by 146cm

LITERATURE
White J. Deborah Bell's Alchemy, David Krut Publishing, Johannesburg, 2010, State Proof of the edition illustrated on p.58

R 120 000 - R 160 000

Fine Art | 107

188

189 190 190
188 189
Frans Martin Claerhout Frans Martin Claerhout
(South African 1919 - 2006) Marjorie Wallace (South African 1919 - 2006)
THREE FIGURES WALKING (South African 1925 - 2005)
signed TREES IN BLOSSOM WITH COTTAGES,
oil on board TWO WOMEN DONKEY, CHICKENS AND FIGURE
50 by 59,5cm
R 40 000 - R 60 000 signed signed
pastel and watercolour on paper oil on board
108 | Fine Art 63,5 by 48,5cm 74 by 90cm

R 15 000 - R 20 000 R 60 000 - R 90 000

191
Wang Jinglong
(Chinese c. 1943 - )
LIVESTOCK MARKET
signed and dated 1989 in ink on the reverse
watercolour, ink and acrylic on paper
sheet size: 99 by 70cm
PROVENANCE
Purchased from Carol Chapman, Hong Kong
R 8 000 - R 12 000

Fine Art | 109

Peasants, Paintings and Propaganda Although it was stated that the peasant painters were amateurs, it was
later admitted that the peasant painters received lessons and workshops
China has one of the richest cultural, and darkest political, heritages in led by professional artists, in which they were taught the primary
history. An exemplar of the prolific heritage can be found in Huxian, a principles and skills of painting. These professional influences are evident
county situated southwest of Xi’an in Shaanxi province. This peasant when comparing Huxian art created during the Cultural Revolution (late
village is renowned for what has become known as Chinese Peasant 1960s and 1970s) with the examples of work from the late 1950s and
painting. As implied by the name, Chinese Peasant paintings are early 1960s. The flat, single-dimensional figures characteristic of the
decorative paintings created by peasants in China, originating from early paintings was replaced with more three-dimensional figures and a
traditional folk arts and traditions such as embroidery, paper cutting, considered use of perspective.
batik, and wall painting.
These paintings first emerged in the late 1950s and reached national and Wang Jinglong, a native Huxian, accidentally discovered his skill for
international fame in the early to mid-1970s, during the second half of painting while working for a visiting artist who taught a local painting
the Cultural Revolution. The style is believed to have been originated by class. Like many Huxian painters, Jinglong’s time was divided between
Huxian peasants who painted pictures of the progress of a new reservoir hard labour, and painting in his spare time. Jinglong’s paintings showcase
during construction. These paintings served as a record of the work they the typical qualities of Huxian school painting, such as his use of vivid
were doing, and acted as a point of inspiration to work harder. At the time colours, bold, simplistic lines, juvenile figuration, rhythmic patterns and
they did not have the appropriate painting materials and instead made repetition. However, Jinglong personalises these qualities. He makes
use of soot, lime and red soil to create pigments. use of colour playfully through his depiction of blue horses and green
donkeys, the animals in his paintings have exaggerated features, such as
During China’s highly politicised years of 1966-1976, Huxian peasant donkeys with ears that seem to resemble that of a rabbit, and sometimes
paintings were selected as a cultural model that would combine one might find textual stories emerging from the tails of animals. Jinglong
traditional Chinese motifs with socialist realism. The peasant art form learned to employ certain refinements, and reflects, to some extent, the
that was to be adapted to the Chinese Communist Party’s (CCP) political attitude towards the responsibility system of the CCP, as his paintings
principles were the nianhua - Chinese New Year’s prints. The nianhua had often explore themes of pruning, harvesting, fertilizing and servitude, but
an artistic and aesthetic form people were accustomed to, and were easily does so with an impish liveliness that functions beyond the patterned
accessible to the masses. The stylistic elements of the nianhua, such as repetition characteristic of peasant painting.
their bright, intense colours, simple lines, bold expression, idyllic beauty,
romanticism and naïve charm were transformed to suit that of the CCP’s During the Cultural Revolution the work of the Huxian Peasant painters
needs, allowing the Party to transmit their ideologies to a largely semi- was exhibited internationally, the work of Jinglong is no exception.
and illiterate population. Jinglong had one-man exhibitions in China, Hong Kong, Canada and
the United States. One cannot deny the aesthetic qualities of Jinglong’s
Many of the Huxian paintings portrayed aspects of the daily peasant paintings, as well as those from other Huxian peasant painters. Its
life: tending to livestock, harvesting crops, children playing, village innocent and childish simplicity lays in stark contrast to the political
traditions and festivals were some of the imagery explored within their context from which it emerged.
paintings. The colourful, cartoon-like imagery of the peasant paintings – AF
was reproduced as propaganda posters, and, like all propaganda art,
utilised symbolic language to create multiple meanings within a single Ashton, D. Huxian’s Foolish Old Men Create New Scenes: Huxian Peasant Paintings from the Cultural
image. Paintings were meant to create an ideal peasant subject who had Revolution and their Ideological Discourses, in The Arbutus Review, 2010, No 1, pg 44-67
a “proper” relationship to the CCP, as well as to other peasants. Through [O]. Available: https://journals.uvic.ca/index.php/arbutus/article/view/3260/1583
the use of the working people’s emotions, thinking modes, aesthetics, Cohen, J.L, Sa. Eccentric Wang: star of the show
interests and observations around them, the Peasant paintings were Gibson, V.K. Chinese paintings to be shown at local gallery, in The Key West Citizen, February 20, 1985, pg 9
presented as an art for the people, by the people. [O]. Available: https://newspaperarchive.com/key-west-citizen-feb-20-1985-p-9/
The Artist and the Peasant, in Orient Vol.14 No 39. August 9-15, 1985
Zhengfeng, C. Huxian Farmers Paintings, in Chinese Huxian Farmer Paintings. 1997.
[O]. Available: https://www.artelino.com/articles/huxian-farmers-paintings.asp

110 | Fine Art

192
Wang Jinglong
(Chinese c. 1943 - )
CAN YOU GIVE ME A LIGHT?
signed and dated 1986 in ink on the reverse
acrylic on paper
sheet size: 45,5 by 70cm
PROVENANCE
Purchased from Carol Chapman, Hong Kong
R 5 000 - R 8 000

192
193
Wang Jinglong
(Chinese c. 1943 - )
TWO FIGURES WITH A BULL AND DONKEY
signed and dated 1989 in ink on the reverse
watercolour, ink and acrylic on paper
sheet size: 53 by 77cm
PROVENANCE
Purchased from Carol Chapman, Hong Kong
R 5 000 - R 8 000

193
194
Wang Jinglong
(Chinese c. 1943 - )
EMPEROR AND COURTESANS
signed and dated 1988 in ink on the reverse
watercolour, ink and acrylic on paper
sheet size: 46 by 69,5cm
PROVENANCE
Purchased from Carol Chapman, Hong Kong
R 6 000 - R 9 000

194
Fine Art | 111

195 195
Adriaan Hendrik Boshoff
196 (South African 1935 - 2007)
CATTLE AND FIGURES BENEATH TREES
signed
oil on board
23,5 by 33cm
R 30 000 - R 50 000

196
Errol Stephen Boyley
(South African 1918 - 2007)
HOUSES
signed
oil on canvas
75,5 by 80,5cm
R 35 000 - R 50 000

197
Erich Mayer
(South African 1876 - 1960)
ROAD BETWEEN TREES
signed and indistinctly dated
watercolour over pencil on paper
12 by 7,5cm
R 1 000 - R 3 000

197

112 | Fine Art

198 198 198
Gregoire Johannes Boonzaier
199 (South African 1909 - 2005)
199 STREET SCENE and TOWN SQUARE,
two in the lot
199 199 linocut, each signed and dated 1979
in pencil in the margin
sheet size: 35 by 25,5cm and 35,5 by 28cm
R 2 000 - R 4 000

199
Gregoire Johannes Boonzaier
(South African 1909 - 2005)
HOUSES BETWEEN TREES, TOWN SCENE
WITH MOTHER AND CHILD, BUSY
MORNING DISTRICT SIX and SMALL TOWN
SCENE, four in the lot
linocut, each signed with pencil in the
margin, HOUSES BETWEEN TREES
dated 1978
sheet size: 35 by 26cm, 17 by 12cm,
23 by 17cm and 19 by 15cm
R 4 000 - R 7 000

Fine Art | 113

200

Jabulane Sam Nhlengethwa
(South African 1955 - )

JOZI SHOW

signed and dated 08; signed, titled and dated '08 on the reverse
mixed media on canvas
180 by 120cm

R 150 000 - R 200 000

114 | Fine Art

Fine Art | 115

201 202 201

203 Frans Martin Claerhout
116 | Fine Art (South African 1919 - 2006)

WOMAN WITH UMBRELLA

signed
oil on paper
36 by 26cm

R 4 000 - R 7 000

202

Frans Martin Claerhout
(South African 1919 - 2006)

WOMAN WEARING DOEK

signed
oil on paper
36 by 26cm

R 4 000 - R 7 000

203

Ernest Edward Briggs
(Scottish 1866 - 1913)

STEPPING STONES AT KYLEAKIN

signed, label adhered to reverse bears the title,
artist's name and address
watercolour on paper laid down on board
40 by 60cm

R 6 000 - R 9 000

204 205

204 205
Bettie Cilliers-Barnard
Fiona Ewan Rowett (South African 1914 - 2010)
(South African 1948 - ) ABSTRACT COMPOSITION
signed and dated 69
STILL LIFE WITH FLOWERS oil on board
52,5 by 76,5cm
signed R 12 000 - R 18 000
acrylic and pastel on paper
sheet size: 49 by 38cm NO LOTS 206 - 210

R 3 000 - R 5 000

Fine Art | 117

118

Session 4

Tuesday | 27 August | 10am

Lots 211 - 361
Pocket & Wristwatches

Jewellery
Designer Handbags

A Clock

119

214 215 216

211 214 216

A LADY’S SILVER WRISTWATCH, A GENTLEMAN’S STAINLESS STEEL AN 18CT GOLD HUNTER CASED POCKET
OMEGA DE VILLE WRISTWATCH, EBEL WATCH, HINDS LIMITED, LONDON

The rectangular navy blue dial with baton hour Automatic, the circular white dial with baton hour The circular white enamel dial with Roman
markers, on a silver link strap, markers, calibrated outer ring, two subsidiary numeral hour markers, calibrated outer ring,
width of dial approximately 25mm dials, on a brown leather strap, accompanied by subsidiary seconds dial,
documents diameter of dial approximately 45mm
R 1 400 - R 2 500

R 10 000 - R 12 000 R 10 000 - R 15 000

212 215 217

A LADY’S STAINLESS STEEL WRISTWATCH, A GENTLEMAN’S STAINLESS STEEL A LADY’S STAINLESS STEEL WRISTWATCH, TAG
LONGINES WRISTWATCH, LUMINOX HEUER FORMULA ONE

Reference no L51750, the circular white dial with Reference number 8150, the circular black dial The circular white dial with hour markers,
diamond hour markers, sweeping seconds hand, with Arabic numeral hour markers, calibrated calibrated outer ring, sweeping seconds hand,
date aperture at 3 o’clock, diamond encrusted outer ring, sweeping seconds hand, three date aperture at 3 o’clock, rotating bezel, on
bezel, on a linked bracelet, subsidiary dials, date aperture at 6 o’clock, a stainless steel strap, accompanied by a box,
width of bezel approximately 18mm rotating bezel, on a stainless steel strap, diameter of dial approximately 22mm
approximate diameter of dial 32mm
R 3 800 - R 4 800 R 2 000 - R 2 500
R 6 500 - R 7 500
213

A GENTLEMAN’S STAINLESS STEEL
WRISTWATCH, ROTARY

The rectangular white dial with Roman numeral
hour markers, calibrated inner ring, sweeping
seconds hand, date aperture at 6 o’clock, flip-over
case, on a black leather strap, accompanied by
a box

R 1 000 - R 2 000

120 | Pocket & Wristwatches

218 219
218
219
A GENTLEMAN’S STAINLESS STEEL A GENTLEMAN’S STAINLESS STEEL
WRISTWATCH, BREITLING COLT WRISTWATCH, MONT BLANC
Reference number 504764, the circular black dial
Reference number A74380, the circular black with baton hour markers, calibrated outer ring,
dial with Arabic numeral hour markers, calibrated sweeping seconds hand, three subsidiary dials,
outer ring, sweeping seconds hand, date aperture date aperture at 3 o’clock, rotating bezel, on a
at 3 o’clock rotating bezel, on a leather strap, black resin strap, accompanied by box,
diameter of dial approximately 40mm diameter of dial approximately 32mm
R 18 000 - R 20 000
R 20 000 - R 25 000
Pocket & Wristwatches | 121

220

220 221 221

A GENTLEMAN’S STAINLESS STEEL A GENTLEMAN’S STAINLESS STEEL 222
WRISTWATCH, PANERAI LUMINOR WRISTWATCH, TUDOR
A LADY’S GOLD WRISTWATCH, DE LUXE
Reference number OP6767, the circular black dial Reference number 79280, the circular blue
with baton and Arabic numeral hour markers, dial with Arabic numeral hour markers, The rectangular gold dial with Arabic numeral
two subsidiary dials, date aperture at 3 o’clock, calibrated outer ring, sweeping seconds hand, hour markers, calibrated outer ring, the case
on a black leather strap, three subsidiary dials, date aperture at 3 mounted above and below with six round
diameter of dial approximately 50mm o’clock, rotating bezel, on a blue leather strap, brilliant-cut diamonds, on a mesh strap with fold
accompanied by box and documents over-clasp
R 57 000 - R 65 000
R 35 000 - R 40 000 R 12 000 - R 18 000

122 | Pocket & Wristwatches

223
A GENTLEMAN’S STAINLESS STEEL AND GOLD
WRISTWATCH, ROLEX YACHT MASTER
Reference number 168623, the circular silver
dial with hour markers, calibrated outer ring,
sweeping seconds hand, date aperture at 3
o’clock, rotating bezel, on a stainless steel and
gold strap, accompanied by box and documents
R 60 000 - R 70 000

Pocket & Wristwatches | 123

224 225 226

224 225 226

A STAINLESS STEEL AND GOLD WRISTWATCH, A GENTLEMAN’S STAINLESS STEEL A LADY’S STAINLESS STEEL WRISTWATCH,
CARTIER TANK FRANÇAISE WRISTWATCH, BREITLING TAG HEUER

Reference number 2302, the rectangular white Reference number A21330, the circular black Reference number WAH1210, the circular black
dial with Roman numeral hour markers, calibrated dial with baton hour markers, calibrated outer dial with baton and Arabic numeral hour markers,
inner ring, sweeping seconds hand, date aperture ring, sweeping seconds hand, three subsidiary calibrated outer ring, sweeping seconds hand,
at 6 o’clock, on a stainless steel and gold strap, dials, date aperture at 12 o’clock, rotating bezel, date aperture at 3 o’clock, rotating bezel,
width of dial approximately 30mm, on a stainless steel strap, diameter of dial on a stainless steel strap, diameter of dial
accompanied by a box and documents approximately 40mm approximately 25mm, accompanied by a box

R 34 000 - R 38 000 R 50 000 - R 60 000 R 13 000 - R 15 000

124 | Pocket & Wristwatches

227 228 229

227 228 229

A GENTLEMAN’S STEEL WRISTWATCH, CORUM A GENTLEMAN’S STAINLESS STEEL A GENTLEMAN’S STAINLESS STEEL
ADMIRAL’S CUP COMPETITION 40 WRISTWATCH, MONT BLANC WRISTWATCH, ROLEX OYSTER PERPETUAL
DATEJUST
Reference number 01.0033, the dodecagon- Reference number 7104, the circular black dial
shaped black dial with Arabic numeral hour with Roman numeral hour markers, sweeping Reference number 16200, the circular black dial
markers, sweeping seconds hand, date aperture seconds hand, two subsidiary dials, date aperture with baton hour markers, calibrated outer ring,
at 3 o’clock, diamond set outer bezel, at 6 o’clock on a leather strap, accompanied by a sweeping seconds hand, date aperture at 3
on a rubber strap box and documents o’clock, on a stainless steel strap, diameter of dial
width of dial approximately 41mm approximately 35mm, accompanied by a box
R 28 000 - R 30 000
R 45 000 - R 50 000 R 52 000 - R 58 000

Pocket & Wristwatches | 125

230 231

230 231

A GENTLEMAN’S STEEL WRISTWATCH, A GENTLEMAN’S STAINLESS STEEL
BELL AND ROSS WRISTWATCH, TAG CARRERA CALIBRE 16

Reference number BR01-093 GMT, the circular Reference number CV2A10, the circular black
black dial with Arabic numeral and baton hour dial with Arabic numeral hour markers, calibrated
markers, calibrated outer ring, sweeping seconds outer ring, sweeping seconds hand, three
hand, date aperture between 4 and 5 o’clock, on subsidiary dials, date aperture at 3 o’clock,
a rubber strap, diameter of dial approximately calibrated bezel, on a stainless steel strap,
41mm, accompanied by a box and documents diameter of dial approximately 35mm

R 30 000 - R 35 000 R 35 000 - R 40 000

126 | Pocket & Wristwatches

232 233

232 233

A LADY’S GOLD WRISTWATCH, CHOPARD A LADY’S STAINLESS STEEL WRISTWATCH,
HAPPY DIAMONDS OMEGA SEAMASTER
The circular black dial with diamond and baton
The circular white dial with Roman numeral hour hour markers, sweeping seconds hand, calibrated
markers, calibrated outer ring, sweeping seconds outer ring, date aperture at 3 o’clock, diamond
hand, three subsidiary dials, date aperture encrusted rotating bezel on a stainless steel
between 4 and 5 o’clock, calibrated rotating strap, diameter of dial approximately 20mm,
bezel, on a white leather strap, diameter of dial accompanied by a box
approximately 35mm
R 30 000 - R 35 000
R 83 000 - R 88 000
Pocket & Wristwatches | 127

234 235

234 235

A GENTLEMAN’S STAINLESS STEEL A GENTLEMAN’S STAINLESS STEEL
WRISTWATCH, TAG HEUER AQUARACER WRISTWATCH, BREITLING SUPEROCEAN

Reference number WAY131K, the circular black Reference number A17360, the circular black
mother of pearl 35mm dial with baton hour dial with Arabic hour markers, calibrated outer
markers, calibrated outer ring, sweeping seconds ring, sweeping seconds hand, date aperture at 3
hand, date aperture at 3 o clock, rotating ceramic o’clock, rotating bezel, on a stainless steel strap,
bezel, on a stainless steel strap diameter of dial approximately 40mm
accompanied by a box
diameter of dial approximately 35mm R 23 000 - R 28 000

R 18 000 - R 20 000

128 | Pocket & Wristwatches

236 237

236 237 238

A LADY’S STAINLESS STEEL WRISTWATCH, A LADY’S STAINLESS STEEL WRISTWATCH, A GENTLEMAN’S GOLD PLATED
TAG HEUER AQUARACER TAG HEUER FORMULA ONE POCKET WATCH, SPERA

Reference number WAY131A, the circular black Reference number WAH1213, the circular white The circular white dial with baton hour markers
dial with baton hour markers, calibrated outer 25mm dial with baton markers, calibrated outer width of dial approximately 45mm
ring, sweeping seconds hand, date aperture ring, sweeping seconds hand, the date aperture
at 3 o’clock, rotating bezel, on a stainless steel at 3 o’clock, rotating ceramic bezel, diamond R 3 000 - R 5 000
strap, diameter of dial approximately 20mm, outer ring, on a stainless steel strap, accompanied
accompanied by a box by a box

R 16 000 - R 18 000 R 18 000 - R 20 000

Pocket & Wristwatches | 129

236

A GENTLEMAN’S STAINLESS STEEL
WRISTWATCH, ROLEX SUBMARINER

The circular black dial with hour markers,
calibrated outer ring, sweeping seconds hand,
date aperture at 3 o’clock, rotating bezel,
on a stainless steel strap, accompanied by
a box and documents

R 80 000 - R 100 000

The Submariner-Date is a handsome watch
for business and social wear, yet remains, first
and foremost a diver’s watch. The automatic
movement with a Perpetual rotor has obtained
the official title of Swiss chronometer. It is
housed in the famous Oystercase.

The Triplock crown, a triple safety device,
is protected against accidents by seamless
shoulders cut in solid metal. The date changes
at midnight and can be rapidly adjusted. The
bracelet has extension links so that it can be
worn over a light diving suit and is secured
by a Fliplock safety clasp. A tough sapphire
crystal remains scratch resistant under the
most arduous conditions. The Submariner-Date
by Rolex is available in stainless steel and is
guaranteed waterproof to a depth of 300m
(1000 feet).

The revolving bezel incorporates a ratchet
and can only be turned anti-clock wise. It
is equipped with a Fliplock bracelet. This
particular watch comes with the original box
and part-papers c. 1980.

130 | Pocket & Wristwatches

Pocket & Wristwatches | 131

241 245

241 243

A PAIR OF DIAMOND AND 243 245
TOURMALINE DROP EARRINGS
A LAPIS LAZULI NECKLACE A DIAMOND AND AMETHYST RING
Of linear design, each claw-set with two round
brilliant-cut tourmalines weighing approximately The beaded necklace centred by Claw-set to the centre with cushion-cut
1,20ct in total and two claw-set round a 9ct gold bow with a gold ball clasp, amethyst weighing approximately 1,25ct, the
brilliant-cut diamonds, approximate approximately 45cm in length shoulders channel-set with ten round brilliant-cut
colour H-I and clarity VSSI, in 14ct gold diamonds weighing approximately 0,45ct in total,
R 2 000 - R 3 000 approximate colour G-H and clarity VSSI, in 18ct
R 1 200 - R 1 500 gold, ring size N

242 244 R 5 200 - R 6 200

A RUBY AND DIAMOND BROOCH, 1950s A DIAMOND AND SAPPHIRE RING 246
TWO 14CT GOLD BROOCHES
Claw-set to centre with a marquise cluster of Claw-set to the centre with a marquise-cut Each designed as a pick and shovel, 5cm long
rubies surrounded by fourteen claw-set round sapphire weighing approximately 0,80ct, R 5 500 - R 7 500
brilliant-cut diamonds, flanked by two claw-set flanked by three baguette cut diamonds, each
rubies, the diamonds weighing approximately shoulder pavé-set with three round brilliant-cut
0,20ct in total, approximate colour I-J and clarity diamonds weighing approximately 0,50ct in total,
VSSI, the rubies weighing approximately 0,10ct approximate colour H-I and clarity VSSI in 18ct
in total, in 9ct rose gold gold, ring size N

R 2 000 - R 3 000 R 4 900 - R 5 900

242 244 246
132 | Jewellery

247 249 251

247 249 251

A PAIR OF DIAMOND STUDS A PAIR OF DIAMOND EARRINGS A TANZANITE AND DIAMOND RING

Each bezel-set with a princess-cut diamond, Each designed as alternating bands of pavé and Claw-set to the centre with a radiant-cut
weighing approximately 0,30ct in total, channel-set diamonds, the diamonds weighing Tanzanite weighing approximately 0,36ct,
approximate colour H-I and clarity VSSI, approximately 1,00ct in total, approximate colour the shoulders channel-set with twelve
in 18ct white gold G-H and clarity VSSI, in 18ct white gold baguette-cut diamonds weighing approximately
0,24ct in total, approximate colour H-I and clarity
R 2 500 - R 3 500 R 8 000 - R 10 000 VSSI, in 18ct white gold, ring size M

248 250 R 8 000 - R 12 000

A DIAMOND RING A PAIR OF DIAMOND EAR CLIPS 252

Claw-set to the centre with a round Pavé-set with a combination of white and black A GOLD FOB CHAIN
brilliant-cut diamond weighing approximately diamonds weighing approximately 1,00ct in total,
0,45ct, flanked by two round brilliant-cut off set approximate colour H-I and clarity VSSI, Of close curb links, in 14ct gold,
diamonds weighing approximately 0,55ct in total, in 18ct gold approximately 33cm in length, 12,5g
approximate colour I-J and clarity VSSI,
in 9ct white gold, ring size M R 6 500 - R 7 500 R 6 500 - R 7 500

R 9 000 - R 12 000

248 250 252
Jewellery | 133

253 255 257

253 255 257

A DIAMOND AND RUBY RING A PEARL AND TOURMALINE BRACELET A DIAMOND AND EMERALD RING

Claw-set to the centre with a round brilliant-cut Designed as three articulated strings of three Claw-set to the centre with an emerald-cut
ruby weighing approximately 1,00ct, the cultured pearls approximately 5mm in size, emerald weighing approximately 2.20ct,
shoulders embellished with approximately 1,40ct separated by bezel-set tourmalines weighing surrounded by fourteen round brilliant-cut
of round brilliant-cut diamonds, approximate approximately 2,3ct in total, secured by a box diamonds weighing approximately 0,84ct in total,
colour H-I and clarity VSSI, in 18ct gold, catch, in 9ct rose gold, approximately 18,5cm in approximate colour H-I and clarity VSSI,
ring size N length in 18ct white gold, ring size L

R 13 500 - R 17 500 R 10 000 - R 15 000 R 23 000 - R 28 000

254 256 258

A DIAMOND AND EMERALD RING A PAIR OF DIAMOND, RUBY, EMERALD AND A THREE STONE DIAMOND RING
SAPPHIRE CLIP-ON EARRINGS
Pavé-set with approximately 0,40ct of round Claw-set to the centre with a deep brownish
brilliant-cut diamonds, approximate colour Each pear-shaped earring centred with eleven yellow orange diamond weighing 0,62ct,
H-I, clarity VSSI with two bezel-set emeralds pavé-set emeralds, surrounded by sixteen flanked by two emerald-cut diamonds weighing
and eight channel-set emeralds weighing pavé-set round brilliant-cut diamonds weighing approximately 0,14ct in total, approximate colour
approximately 1,01ct in total, in 18ct gold, approximately 0,70ct in total, approximate colour G, clarity VVS2, in 18ct white gold, ring size L
ring size L F-G, clarity VSSI, surrounded by two rows of
natural rubies and sapphires channel-set in a Accompanied by a GIA certificate reference
R 10 000 - R 15 000 stepped formation, in 18ct yellow gold number 2155297125 stating the colour deep
brownish yellow orange, clarity VVS2 and
R 20 000 - R 30 000 weight 0,62ct

R 30 000 - R 35 000

254 258
256

134 | Jewellery

259 259 261 261
263

A TANZANITE AND DIAMOND PENDANT A GOLD BANGLE A PAIR OF DIAMOND EARRINGS

Claw-set to the centre with an oval-cut Hinged, the openwork bangle modelled with Each claw-set to the centre with a round brilliant-
tanzanite, weighing approximately 1,80ct, elephants, in 18ct gold, weighing 22,8g cut diamond weighing 0,60ct, in 18ct gold
surrounded by twelve claw-set round brilliant- R 17 000 - R 20 000
cut diamonds weighing approximately 0,60ct Accompanied by an IDL certificate, reference
in total, approximate colour H-I and clarity VSSI 262 number F16060994, and an EGL certificate,
in 18ct gold, suspended on an 18ct gold chain, reference number 160411308/109053, stating the
approximately 45cm in length colour K and clarity VS2 and weighing 0,60ct
respectively
R 20 000 - R 25 000 A PAIR OF DIAMOND STUDS
R 11 000 - R 15 000
260 Designed as flowers, each claw-set to the centre
with a natural fancy yellow diamond surrounded 264
A DIAMOND AND TANZANITE RING by six round brilliant-cut diamonds, approximate
colour H and clarity VS, weighing approximately A DIAMOND ETERNITY RING
Claw-set to the centre with an oval-cut tanzanite, 1,01ct in total, in 18ct white gold
the shoulders each claw-set with three round Channel-set with twenty three baguette-cut
brilliant-cut diamonds, and a pair of earrings R 12 000 - R 15 000 diamonds weighing approximately 1,00ct in total,
en suite, the diamonds weighing approximately approximate colour F-H and clarity VSSI, in 18ct
0,77ct in total, approximate colour F-G and clarity white gold, ring size M
VSSI, the Tanzanites weighing approximately
0,77ct in total, in 18ct white gold, ring size M R 18 000 - R 22 000

R 20 000 - R 25 000

260 262 264
Jewellery | 135

265 267 269

265 267 269

A DIAMOND RING AN EMERALD AND DIAMOND RING A DIAMOND PENDANT

Claw-set with a marquise-cut diamond weighing Claw-set to the centre with a single emerald Claw-set to the centre with a yellow diamond
approximately 1,11ct, approximate colour K-M and weighing approximately 3,8ct, surrounded by surrounded by eight claw-set round brilliant-cut
clarity SI2-3, in 18ct gold, ring size L fourteen round brilliant-cut diamonds weighing diamonds weighing approximately 0,70ct in total,
approximately 1,00ct in total, approximate colour in 18ct white gold, approximate colour H-I and
R 13 000 - R 19 000 I-J and clarity VSSI, in 18ct white gold clarity VSSI, suspended on an 18ct white gold
chain, approximately 40cm in length
266 R 25 000 - R 30 000
R 13 000 - R 18 000
A DIAMOND AND SAPPHIRE PENDANT 268
270
Claw-set to the centre with an oval blue sapphire A DIAMOND PENDANT
weighing approximately 7,06ct, surrounded by A SMOKEY QUARTZ PENDANT
fifteen claw-set round brilliant-cut diamonds, Designed as three graduating pavé-set flowers
the bale claw-set with a trillion-cut diamond, the centred by a claw-set round brilliant-cut yellow Weighing approximately 1,00ct, in 14ct gold
diamonds weighing approximately 1,38ct in total, diamond, the diamonds weighing approximately
approximate colour H-I and clarity VSSI, in 18ct 1,01ct in total, in 18ct white gold, suspended on a R 20 000 - R 30 000
gold, suspended on a gold chain, white gold chain, approximately 40cm in length
approximately 42cm in length
R 13 000 - R 18 000
R 15 000 - R 20 000

266 268 270
136 | Jewellery

271

271 272 273

A DIAMOND RING A FIVE STONE DIAMOND RING A DIAMOND RING

Claw-set to the centre with a round brilliant-cut Claw-set with five round brilliant-cut diamonds Claw-set to the centre with a princess-cut
diamond weighing 0,70ct, surrounded by forty weighing approximately 1,63ct in total, diamond weighing 1,04ct, flanked by four
claw-set round brilliant-cut diamonds in two rows approximate colour H-J and clarity VSSI, in 18ct baguette-cut diamonds weighing approximately
weighing approximately 0,50ct in total, in 18ct white gold, ring size N 0,44ct in total, in 18ct white gold, ring size N.
white and rose gold, ring size N
R 45 000 - R 55 000 The princess-cut diamond accompanied by a GIA
The brilliant-cut diamond accompanied by an IDL certificate number 232790219 stating the colour
certificate number J19072077 stating the colour H and clarity VVS1, weighing 1,04ct
H and clarity SI3, weighing 0,70ct
R 78 000 - R 88 000

R 35 000 - R 45 000

272 273
Jewellery | 137

274

274 275 275

A THREE STONED DIAMOND RING A DIAMOND AND TURQUOISE BROOCH 276

Claw-set to the centre with a vivid yellow Designed as an openwork spray of claw-set A THREE STONE DIAMOND RING
diamond weighing 0,62ct, flanked by two diamonds weighing approximately 3,50ct in
asscher-cut diamonds weighing approximately total, approximate colour H-I and clarity VSSI, Claw-set to the centre with a princess-cut
0,30ct in total, approximate colour F, clarity centred by a cabochon turquoise, in 18ct gold, diamond weighing 1,044ct, colour I and clarity
VVS2, in 18ct white gold, ring size M approximately 3cm in length SI3, flanked by two princess-cut diamonds
weighing approximately 0,50ct in total, in 18ct
Accompanied by a GIA certificate, reference R 40 000 - R 50 000 white gold ring size M
number 2203043182 stating the colour vivid
yellow, clarity VVS1 and weight 0,62ct Accompanied by a GIA certificate stating the
diamond to be colour I, clarity SI3 and weighing
R 48 000 - R 55 000 1,044ct

R 50 000 - R 55 000

276

138 | Jewellery

277 278

277 278

A DIAMOND PENDANT AND EARRINGS AN 18CT GOLD PENDANT WATCH, QUORUM

Claw-set to the centre with a round brilliant-cut Reference number 55598/354996,
diamond surrounded by eight claw-set round designed as a Rolls Royce radiator,
brilliant-cut diamonds, and a pair of earrings suspended on an 18ct gold chain,
en suite, the twenty seven diamonds weighing approximately 65cm in length, 3cm wide
approximately 3,51ct in total, approximate colour
H-I and clarity VSSI, in 18ct gold, suspended on an R 40 000 - R 50 000
18ct gold chain, approximately 43cm in length

R 40 000 - R 50 000

Jewellery | 139

279

A DIAMOND RING

Claw-set to the centre with a round brilliant-cut
diamond weighing 1,54ct, in 18ct white gold

Accompanied by an IDL certificate, reference
number A16061665 stating the colour K and
clarity VVS2, weighing 1,54ct

R 100 000 - R 150 000

140 | Jewellery

280 281

280 281 282

A PAIR OF DIAMOND EARRINGS A SAPPHIRE AND DIAMOND RING, A TANZANITE AND DIAMOND RING
CHARLES GREIG
Each claw-set to the centre with a round brilliant- Claw-set to the centre with an oval-cut 4,38ct
cut diamond weighing 1,53ct, in platinum Claw-set to the centre with an oval-cut Tanzanite flanked by two trillion-cut diamonds
yellow sapphire weighing approximately weighing approximately 0,50ct in total,
Accompanied by GIA certificates reference 6.53ct, surrounded by fifty six round claw-set, approximate colour H-I and clarity VSSI, in 18ct
numbers 2136080795 and 2136060278 stating brilliant-cut diamonds in two rows, weighing white gold, ring size M
the colour J and clarity VVS2 approximately 0,90ct in total, approximate colour
G-H, clarity VSSI, in 18ct white gold, ring size N Accompanied by an EGL certificate number
R 55 000 - R 65 000 TC71202080
R 35 000 - R 40 000
R 50 000 - R 60 000

282
Jewellery | 141

283 285 287

283 285 287

A CULTURED PEARL NECKLACE A CULTURED PEARL NECKLACE A PAIR OF DIAMOND STUDS
The single strand of graduated freshwater pearls The single strand of pearls Each claw-set with a round brilliant-cut diamond
10,5mm-14mm in size, the clasp in 18ct gold, approximately 7,5mm in size, with a 9ct gold weighing approximately 0,57ct in total, in 18ct
approximately 40cm in length clasp, approximately 45cm in length rose gold

R 10 000 - R 15 000 R 2 800 - R 3 500 R 4 500 - R 5 500

284 286 288

A PAIR OF MABÉ PEARL EARRINGS A CULTURED PEARL NECKLACE A PAIR OF DIAMOND EARRINGS
Each centred by a mabé pearl, approximately
12mm in diameter, in 9ct gold The single strand of pearls approximately 6mm Each claw-set with a round brilliant-cut diamond
in size, interspersed with lapis lazuli and gold weighing 4,07cts in total, in 18ct white gold
R 2 000 - R 3 000 beads, with a 9ct gold clasp, centred with a round
brilliant-cut diamond, approximately 60cm in Accompanied by an EGL certificate, number
length 140301002/9904 stating the colour I and clarity
VS2, weighing 2,0cts and an IDL certificate,
R 3 000 - R 4 000 number J16060347 stating the colour I and clarity
VS2 weighing 2,06cts

R 420 000 - R 450 000

284

286

142 | Jewellery

289 291 293

289 291 293

A DIAMOND HALF ETERNITY RING A MOTHER-OF-PEARL-BROOCH A TANZANITE PENDANT

Claw-set with fifteen claw-set round brilliant-cut Modelled as a dog, the eyes and collar mounted Claw-set to the centre with a pear-cut tanzanite
diamonds weighing approximately 0,30ct in total, with round brilliant-cut diamonds, in 18ct gold weighing approximately 2,20ct, suspended on
approximate colour F-H and clarity VSSI, in 18ct an 18ct white gold chain,
gold, ring size K R 2 500 - R 3 500 approximately 45cm in length

R 4 000 - R 6 000 292 R 6 500 - R 7 500

290 A PAIR OF DIAMOND AND RUBY EARRINGS 294

A PAIR OF DIAMOND EARRINGS Of floral design, each centred by a claw-set round AN AQUAMARINE AND DIAMOND PENDANT
brilliant-cut diamond weighing 0,30ct in total,
Each claw-set to the centre with a round brilliant approximate colour F-G, clarity VSSI, surrounded Claw-set with an aquamarine weighing
cut diamond weighing 1,01ct, in 18ct white gold by six round brilliant-cut rubies weighing approximately 7,00ct, surmounted by three
approximately 1,00ct in total, in 18ct white gold; claw-set round brilliant-cut diamonds
Accompanied by GIA certificates, reference and a diamond and ruby ring, en suite, ring size M weighing approximately 0,21ct in total,
numbers 219606391 and 7181239736 stating the approximate colour H-I and clarity VSSI,
diamonds to be colour E and clarity VVS2 R 2 000 - R 3 000 suspended on a chain, in 9ct white gold,
the chain, approximately 45cm in length
R 50 000 - R 60 000
R 7 000 - R 12 000

292

290 294
Jewellery | 143

295 298 300

295 298 300

A PAIR OF DIAMOND STUDS A DIAMOND RING A DIAMOND RING

Each claw set with a round brilliant-cut diamond Claw-set to the centre with a princess-cut Claw-set to the centre with a pear shaped
weighing approximately 1,00ct in total, in 18ct diamond weighing 0,33ct, in 18ct white gold diamond weighing 0,33ct, in 18ct white gold
white gold, approximate colour M-N and clarity I3
Accompanied by an IDL certificate reference Accompanied by an IDL certificate reference
R 6 000 - R 16 000 number A1342662 stating the colour E, clarity SI1 number M16062030 stating the colour I, clarity
and weighing 0,33ct SI2 and weighing 0,33ct

296 R 9 000 - R 12 000 R 6 000 - R 9 000

AN AMETHYST BRACELET 299 301

Designed as a series of circular links with A PAIR OF DIAMOND EARRINGS A GOLD CHAIN
Chinese characters alternating with claw-set
amethysts, in 9ct gold, Each claw-set to the centre with a round brilliant- Of open curb links, secured by a padlock
approximately 18,5cm in length cut diamond, weighing 0,39ct in total, in 18ct and safety chain, in 14ct yellow gold,
white gold approximate length 18cm, 22g
R 7 000 - R 9 000
Accompanied by an IDL certificate, reference R 10 000 - R 12 000
297 number A16061712 stating the colour F, clarity
VVS2 and an EGL certificate, reference number
A DIAMOND PENDANT 17091715/117353 stating the colour F and clarity
VVS2 respectively
Designed as a cross, channel-set with round
brilliant and baguette-cut diamonds weighing R 9 000 - R 12 000
approximately 0,50ct in total, approximate colour
H-I and clarity VSSI, in 18ct white gold

R 6 000 - R 9 000

296 297
301

144 | Jewellery

302 304 306

302 304 306

A THREE STONE DIAMOND RING A PAIR OF DIAMOND EARRINGS A DIAMOND RING

Claw-set to the centre with a cognac coloured Each claw-set with a round brilliant-cut diamond The shoulders separated in five rows each set
round brilliant-cut diamond weighing surrounded by twelve claw-set round brilliant-cut with seventeen claw-set round brilliant-cut
approximately 1,00ct, flanked by two round diamonds weighing approximately 0,72ct in total, diamonds weighing approximately 0,50ct in total,
brilliant-cut diamonds weighing approximately in 18ct white gold approximate colour F-G and clarity VSSI, in 18ct
0,20ct in total, in 18ct white gold, approximate white gold, ring size N
colour L-M and clarity SI, ring size J Accompanied by two GIA certificates, reference
numbers 6305936426 and 6302941128 stating R 13 000 - R 18 000
R 21 000 - R 31 000 the central round brilliant-cut diamonds to be
colour F, clarity VS1, weighing 0,71ct and colour D, 307
303 clarity VS1, weighing 0,70ct respectively

A DIAMOND ETERNITY RING R 21 000 - R 26 000 A DIAMOND PENDANT

Claw-set with eighteen round brilliant-cut 305 Designed as three graduating claw-set round
diamonds weighing approximately 4,2ct in total, brilliant-cut diamonds weighing approximately
in 18ct white gold, ring size O A DIAMOND RING 1,20ct in total, approximate colour H-I and clarity
VSSI, suspended on a gold bail,
R 28 000 - R 33 000 Bezel-set to the centre with a round brilliant- on an 18ct gold chain, approximately 45cm in
cut diamond weighing approximately 0,60ct, length
flanked to the shoulders with four pavé-set round
brilliant-cut diamonds, the sides pavé set with R 20 000 - R 25 000
fourteen round brilliant-cut diamonds weighing
approximately 0,50ct in total, approximate colour
H-I and clarity VSSI, in 18ct gold, ring size M

R 10 000 - R 15 000

303

305 307
Jewellery | 145

308

308 309 310

A SUITE OF DIAMOND AND RUBY JEWELLERY A DIAMOND AND TANZANITE RING AN EMERALD AND DIAMOND RING,
CHARLES GREIG
Comprising: a pair of earrings, a pendant and Bezel-set to the centre with an oval-cut tanzanite
a ring, each designed as a flower, centred by a weighing approximately 2,00ct, encrusted with Claw-set to the centre with an oval-cut emerald
round brilliant-cut diamond surrounded by rubies, pavé-set round brilliant-cut diamonds weighing weighing approximately 2,25ct, surrounded by
the diamonds weighing approximately 0,60ct in approximately 3,5ct in total, approximate colour twenty claw-set round brilliant-cut diamonds
total, approximate colour F-G and clarity VSSI, H-I and clarity VSSI, in 18ct gold, ring size N weighing approximately 0,29ct in total,
the rubies weighing approximately 3,70ct in total, approximate colour G-H, clarity VSSI,
in 18ct white gold, ring size M R 40 000 - R 50 000 in 18ct white gold, ring size N

R 25 000 - R 30 000 R 55 000 - R 65 000

309

310

146 | Jewellery

311 313

311 313
A DIAMOND TENNIS BRACELET
A DIAMOND BRACELET Claw-set with sixty eight round brilliant-cut diamonds weighing
approximately 4,00ct in total, in 18ct white gold, approximate
Designed as an articulated line of seventeen halo style links, each colour H-I and clarity VSSI, approximately 18,5cm in length
bezel-set to the centre with an old-cut diamond surrounded by
round brilliant-cut diamonds weighing approximately 7,00ct in total R 22 000 - R 32 000
approximate colour K-L and clarity SI
314
R 5 800 - R 8 800 A DIAMOND TENNIS BRACELET
Claw-set with seventy four round brilliant-cut diamonds
312 weighing approximately 1,80ct in total, in 18ct white gold,
approximate colour K-L and clarity SI, approximately 18,5cm in length
A DIAMOND BRACELET
R 16 000 - R 26 000
Millegrain-set as an articulated chain of sixty three round brilliant-cut
diamonds in alternating bar and tube-setting weighing approximately
1,95ct in total, approximate colour H-I and clarity VSSI, box catch and
safety eight, approximately 18,5cm in length

R 13 500 - R 17 500

314
312

Jewellery | 147

Until the late 1980s the bracelets that we now describe as
‘tennis bracelets’ were simply beautiful, flexible diamond
bracelets, sometimes referred to as ‘eternity bracelets’,
particularly in the 1920s where they were often worn by both
men and women.
This changed during the 1987 US Open when woman’s
champion Chris Evert Lloyd halted proceedings in front of
a large television audience to search for her bracelet which
had come undone and slipped from her wrist, refusing to
continue the match until her lucky bracelet was back on her
wrist. Evert had always referred to her bracelet as her ‘tennis
bracelet’ and this accident at the US Open sparked a new
desire in the watching audience for these timeless, elegant
bracelets that continues unabated today.

148 | Jewellery

315 315

A DIAMOND BRACELET 316
A DIAMOND BRACELET
Designed as flowers separated by rows of pavé and claw-set round Each link designed as a flower of seven claw-set round brilliant-cut diamonds
brilliant-cut diamonds weighing approximately 1,30ct in total, separated by a claw-set round brilliant-cut diamond, weighing approximately
approximate G-H colour and clarity VSSI, in 18ct white gold, 11,35ct in total, approximate colour I-J and clarity VVS1-VSI, in 18ct gold,
approximately 18,5cm in length approximately 17cm in length

R 20 000 - R 25 000 R 130 000 - R 160 000

316
Jewellery | 149

317 317

A DIAMOND TENNIS BRACELET 319
Claw-set with fifty eight round brilliant-cut diamonds weighing A DIAMOND TENNIS BRACELET
approximately 1,00ct in total, approximate colour H-I and clarity VSSI Claw-set with fifty nine round brilliant-cut diamonds weighing approximately
in 18ct white gold, approximately 17,5cm in length 5,20ct in total, in 18ct white gold, approximate colour H-I and clarity VSSI,
approximately 18,5cm in length
R 14 000 - R 18 000
R 32 000 - R 38 000
318
320
A DIAMOND TENNIS BRACELET A DIAMOND TENNIS BRACELET
Claw-set with thirty six round brilliant-cut diamonds weighing Claw set with fifty three round brilliant-cut diamonds weighing approximately
approximately 12,20ct in total, in 18ct white gold, approximately 7,20ct in total, in 18ct white gold, approximate colour I-J and clarity SI,
18,5cm in length approximately 18,5cm in length

R 95 000 - R 105 000 R 55 000 - R 65 000

150 | Jewellery