Piphat wooden band make by Surangkana Saewang M.6/2 Nicha Songjaroenkul M.6/2 offer Jirayu Jenpang
introduction This book is part of the music research and writing course. The objective is to study the history of Thai music. in the hope that it can be used for research The authors of the report hope that they are of reasonable interest, if any.Any mistakes in this report must be apologized here. composer Surangkana Saewang m.6/2 Nicha Songjaroenkul m.6/2 1/6/2566
meaning Refers to a musical instrument that has a heavier weight than a lighter instrument. Piphat with heavy equipment began to search for history in the Sukhothai period According to the archives of Mr. Lalubae, the ambassador of the French people during the land period King Narai the Great
Piphat wooden band It is a type of Pi Phaat band. that is the prototype of other types of Pi Phat bands Generally popularly called “Piphat Band” , formerly known as “Pinphat Band” His Highness changed the word "Pi Phat" for the Pi Phat band that specified the word "Mai Khai" .Because the wood used to beat the xylophone will use hard wood to play. Piphat wooden band used in royal ceremonies People's Ceremonies such as the ceremony of making merit in a new house, the Naga ordination ceremony, the merit festival, as well as being used for various performances Nowadays, it is still popular to play – sing songs. for listening too record
Thai band, Pi Phat Mai Khaeng Band Piphat wooden band It is a ensemble used for general performances and fanfare. There are 3 sizes. The instruments in the band consist of · pipi · Marathon · Gong Wong Yai · Taphon · Tad drum · Cymbals
pipi
Marathon
Gong Wong Yai
Taphon
Tad drum
Cymbals
Opportunity to play music Piphat Maikhaa band is used for ceremonies where Na Phat music is played along with Khon performances. Because the solid wood Pi Phat band will give a strong, magical, powerful sound, while the wooden Pi Phat band is used to perform. a play with a sweeter voice as well as playing in various festive or auspicious events
Music used for playing Piphat Maikhaa band focuses on ritual accompaniment and Khon performances. mostly drama It was not intended to be played as a lullaby. Therefore, in the event that they want to play or lull, this band must modify the Klong Tad and Taphon drums, which are noisy. and use the two-faced drum or the Khaek drum to play the rhythm of the front instead This type of combination is called "Piphat Sepha Band" is used to accompany the singing-sending.
Reference from http://thai3music.blogspot.com/p/blogpage_6.html (meaning) http://thailandclassicalmusic.com/thaim usic/5pinprss.htm (record) https://sites.google.com/a/samakkhi.ac.th/khe ruxng-dntri-thiy-3-2/wng-pi-phathy/2-wngpi-phathy-mi-khaeng (Elements of the Pi Phat Mai Hard band) http://academic.obec.go.th/textbook/web/im ages/book/1611195893_example.pdf Opportunity to play music http://www.digitalschool.club/digitalschool/ar t/art4_1/lesson3/p132_1.php