DCA 40115 I DESIGN STUDIO 4 I CASE STUDY TASK 1 : DESKTOP STUDIES ARCHITECTS : JOAO COSTA NÓBREGA AREA : 205m² PROJECT YEAR : 2022 CITY : CÂMARA DE LOBOS COUNTRY : PORTUGAL MANUFACTURE : BALNEUM DESIGN, EXPORLUX, JNF, REHAU ARCHITECTURE STYLE Using modern architecture style which tailored to : emphasis of rectangular form, horizontal and vertical lines flat roof that are used to give more emphasis on horizontal mass the used of modern building material - reinforced concrete expresses volume, balance and elimination of ornaments SITE PLAN There are a parking area which located quite far from the gallery that will need the visitor to walk to the gallery An important private contemporary art collection dictated. TYPES OF ART LOURDES GALLERYNURSYIFAA’ ATHIRAH BINTI MOHD NOOR 01DSB22F1034 SITI NUR DINI BINTI WAN OMAR 01DSB22F1035 FORTUNA AMANDA BINTI MUNIR 01DSB22F1046 IRDINA NUR DIYANAH BINTI ABDUL AZIM 01DSB22F1053 NUR ATIERA SOFEA BINTI ZUL IMRAN 01DSB22F1051 01The presence of the vineyard dominates the view of the Quinta, which, whether from a landscape or agricultural point of view, was imperative to maintain. Located in residential area which will give out a calm and peace environment that will allow visitor to appreciate the art better The route that lead to the gallery is quite narrow so it is better to walk since there are no circulation for big vehicle The main entrance also be a emergency door. Before enter the gallery there is a cctv. FLOOR PLAN EXHIBITION AREA Exhibition area - Have one partition wall for hanging up the display. TOILET DISABLED TOILET STORAGE AREA M&E ROOM BUNKER MAIN ENTRANCE Exhibition area - Mostly illuminated with natural lighting due to the skylight. It is the place to exhibition the scuptural. This area is located underground. (BUNKER) semi public private LEGEND semi private SERIAL VISION Madeira Island,Portugal To create a project that balances valorizing the artistic treasure and bringing it closer to the public who pass by the gallery, providing a transformative moment, even if brief, of contact with art. DESIGN CONCEPT
DCA 40115 I DESIGN STUDIO 4 I CASE STUDY TASK 1 : DESKTOP STUDIES NURSYIFAA’ ATHIRAH BINTI MOHD NOOR 01DSB22F1034 SITI NUR DINI BINTI WAN OMAR 01DSB22F1035 FORTUNA AMANDA BINTI MUNIR 01DSB22F1046 IRDINA NUR DIYANAH BINTI ABDUL AZIM 01DSB22F1053 NUR ATIERA SOFEA BINTI ZUL IMRAN 01DSB22F1051 02Photovoltaic panels which supply electrical energy from carefully selected artificial lighting. SECTION A Have three masterful skylight . Give nature lighting in each space. Wall finishes for this gallery is used white painting color. Wall partition also use precast concrete. Ceiling finishes all of the ceiling is used gypsum Used Photovoltaic panels essential to the functioning of the ceiling External Doors : Stainless steel sliding door. The door used transparent glass. SECTION B Used to block the M&E room by using metal louvers to make the area look sophisticated. Comes from the “patio” designed with a a small lake as a niche for a sculpture. The textures is concrete darkening in the shaded areas and maintaining its youthfulness on the most exposed surfaces. The gallery used concrete but the finishes was design like vinyl wall finishes. ORGANIZATION PRINCIPLE REPETITION - For the design wall finishes the principle is vertical repetition with have wood louver design in the wall. CLUSTERED - For this plan it is have spaces to relate to one each other space at the gallery. The circulation is a loop of path.
DCA 40115 I DESIGN STUDIO 4 I CASE STUDY TASK 1 : DESKTOP STUDIES NURSYIFAA’ ATHIRAH BINTI MOHD NOOR 01DSB22F1034 SITI NUR DINI BINTI WAN OMAR 01DSB22F1035 FORTUNA AMANDA BINTI MUNIR 01DSB22F1046 IRDINA NUR DIYANAH BINTI ABDUL AZIM 01DSB22F1053 NUR ATIERA SOFEA BINTI ZUL IMRAN 01DSB22F1051 03The pronounced slope reveals and accentuates the presence of the vines planted in trellises providing a panoramic view of the ocean and drawing an elevation rather than an aerial view. TYPE OF DISPLAY concentrates light where it is most needed and avoids a sophisticated look smaller carbon footprint LED TRACK LIGHTING SKYLIGHT Provide natural lighting Reduces reliance on electricity Give an aesthethically pleasing appearance for both interior and exterior DOME CCTV last longer more durable than the bullet camera range of 30 meters or more Stands display to show the marketing materials. A pedestal are used to support the bottom of the statue and sculpture STAND DISPLAY Hanging the art to the wall. Most of these methods are used in this gallery since there are a lot of art painting compared to sculpture Common way to display the drawing evenly HANGING SYSTEM RIGHT ELEVATION FRONT ELEVATION REAR ELEVATION The exterior are mostly exposed concrete wall that: can withstand weather changes well form simple but striking volumes of different shapes and sizes create architecture that contrasts with nature, yet feels grounded within its context. The entrance of the gallery was decorated and pointed out with a big logo that will easily attract visitor even though the entrance door not facing to the front Along the wall outside the gallery were artifical lights. Used photovoltaic panels whilst taking care of environmental control. The material used for pathway to the main entrance is wood louver.
NURSYIFAA’ ATHIRAH BINTI MOHD NOOR 01DSB22F1034 SITI NUR DINI BINTI WAN OMAR 01DSB22F1035 FORTUNA AMANDA BINTI MUNIR 01DSB22F1046 IRDINA NUR DIYANAH BINTI ABDUL AZIM 01DSB22F1053 NUR ATIERA SOFEA BINTI ZUL IMRAN 01DSB22F1051 04SITE PLAN LEGEND GALLERY 2 GUEST ROOM UTILITY ROOM BATH 3 KITCHEN COURTYARD LOBBY AREA STUDY ROOM ENTRANCE GROUND FLOOR PLAN Entrance Canopy The entrance canopy located at the front driveway serves as an identifying feature marking the entrance to the building. The canopy’s roof is supported by a single column. The structure also provides a wider frontage to the driveway. Vegetation Ramp The building’s vertical landscape design also creates a direct connection between internal spaces & external landscaping by way of a continuous planter that extends from the 1st floor balcony into the vegetation at ground level. GANENDRA ART HOUSE PETALING JAYA, MALAYSIA DESIGN CONCEPT Connected to the natural environment. With greenery surrounding the structure to cool and to provide natural aesthetic, this small art gallery modestly creates a comfortable and cozy environment to view and experience amazing Asian contemporary art. The Client’s brief was to provide a building that spoke to their commitment to good design, innovation, green principles and value. ARCHITECT : T. R. HAMZAH & YEANG SDN. BHD CLIENT : SHALINI & DENNIS GANENDRA PROJECT YEAR : MARCH 2010 UNTIL JANUARY 2011 AREA : 633.4 M² LOCATION : NO. 8 LORONG 16/7B, 46350 PETALING JAYA, SELANGOR, MALAYSIA HEIGHT : 2 STOREY DESIGN IDEA The space provides an inspired backdrop for showcasing an eclectic range of art and design exhibitions, education programs and events - creating a contemporary and accessible arena for contemporary art, and platform for cultural encounter. The route that lead to the gallery is quite narrow so it is better to walk since there are no circulation for big vehicle Located in residential area which will give out a calm and peace environment that will allow visitor to appreciate the art better There are a parking area which located inside the art house so the visitor dosn,t have to walk far from the art house. Main entry for visitors
NURSYIFAA’ ATHIRAH BINTI MOHD NOOR 01DSB22F1034 SITI NUR DINI BINTI WAN OMAR 01DSB22F1035 FORTUNA AMANDA BINTI MUNIR 01DSB22F1046 IRDINA NUR DIYANAH BINTI ABDUL AZIM 01DSB22F1053 NUR ATIERA SOFEA BINTI ZUL IMRAN 01DSB22F1051 05semi public private semi private LEGEND The Wind Chimney: As the cool air from outside flows from the north (high preassure zone), the wind chimney makes away from the northen suction for the wind to flow into the space. The extent of wind flow is manually controlled by operable glass louvers at the base of the shaft. Provide comfort cooling and natural ventilation. Cross Ventilation In addition to the innovative wind flue chimney, the art house maximizes cross ventilation by having openings at both sides of the gallery, at both the ground and first floor levels. Partial stack ventilation is incorporated at these spaces via low and high openings in the external walls inlets, designed to be as low as possible to provide airflow at occupant levels. Sun Shading All openings and glass windows are shaded using a combination of horizontal and vertical sun shades and concrete hoods. These shading features also serve to reduce glare to the internal space. SECTION X GALLERY 2 BALCONY BEDROOM 3 BEDROOM 2 BEDROOM 1 BATH 1 BATH 2 FIRST FLOOR PLAN Flexible Open Plan Layout The building essentially functions as a multi-purpose gallery space for showing artworks in which the primary gallery areas have open plan layouts as flexible exhibition spaces. Landscape The building’s footprint is kept to a minimum to provide greater land area for planting. The greenery generally reduces the heat island effect on the site and maximizes the potential for shading of the site. The building’s vertical landscape design also creates a direct connection between the internal spaces to the external landscaping .
2 EAST ELEVATION WEST ELEVATION 4 5 6 7 NURSYIFAA’ ATHIRAH BINTI MOHD NOOR 01DSB22F1034 SITI NUR DINI BINTI WAN OMAR 01DSB22F1035 FORTUNA AMANDA BINTI MUNIR 01DSB22F1046 IRDINA NUR DIYANAH BINTI ABDUL AZIM 01DSB22F1053 NUR ATIERA SOFEA BINTI ZUL IMRAN 01DSB22F1051 06NORTH ELEVATION 1 Courtyard and Outdoor Patio The courtyard on the east is for the gallery’s outdoor activities. This area also serves as a connector-space between the building’s internal spaces and the external landscaped areas. The courtyard is shaded from the sun in the afternoon and provides a comfortable microclimate zone within the site. Large Opening The large opening eases sunlight to penetrate into the indoor space so no artificial lights are needed during the day 3 Windows & Shading Despite the amount of windows in the east, they are mere openings; only with the frames without glasses that allow more wind to enter the indoor space. Windows & Shading The small glass window on the west opened to certain angle to allow circle ventilation to happen Wind Chimney The main features in the design which is wind chimney : works to catch wind from all direction and direct them down the shaft to create a proper wind circulation at the indoor space. Sun Shade The sun shade works to block tropical sunlight to reduce radiation and direct heat. Plain Facade Because the win flows from north to south, there are nearly 0 opening on the viewed side so most of the wind can be reflected up and be caught by the wind chimney. 1 2 3 5 4 7 6
NURSYIFAA’ ATHIRAH BINTI MOHD NOOR 01DSB22F1034 SITI NUR DINI BINTI WAN OMAR 01DSB22F1035 FORTUNA AMANDA BINTI MUNIR 01DSB22F1046 IRDINA NUR DIYANAH BINTI ABDUL AZIM 01DSB22F1053 NUR ATIERA SOFEA BINTI ZUL IMRAN 01DSB22F1051 07 LIGTHING & VENTILATION TYPES OF DISPLAY THE ORGANIZATION THE PRINCIPLES THE ELEMENTS MATERIALS Ceiling Fan non-aircontioned sustainable design features Track Ligthing The principle of the art house is transformation. Transformation create an innovative, dynamic space in which users have more opportunities to effectively make use of changes in their surrounding environment. It also opens a way to meet environmental needs and even to generate unexpected situations. The element of the art house is horizontal line. Lines applied horizontally often evoke feelings of stability, grounding, emphasis and direction of the art house It also has a connection to the earth. The organization of the art house is grid organization. A grid is usually created by creating by establishing a regular pattern of points that define the intersection of two parallel lines. Projected into the third dimension, the grid can be transformed into a set of repetitive, modular units of space. The ceiling of the art house uses gypsum. It is heat resistance. It has a non-combustible core filled with chemically mixed water The external door of the art house is sliding door. The floor of the art house is using laminated cement. It reduce the brittle properties of the geopolymer concrete is by using lamination method. Sliding door benefits is its better use of space and optimized traffic flow Ganendra art house display is hanging their art to the wall. Hanging the art to the wall. Most of these methods are used in this gallery. It delivers a focal point. When the visitors walk into a room, their eye is automatically drawn to a specific spots
DCA 40115 I DESIGN STUDIO 4 I CASE STUDY TASK 1 : DESKTOP STUDIES 1. SOLAR PANEL SUSTAINABILITY: 2. RAINWATER HARVESTING SYSTEM Rainwater harvesting system help with storm water retention. This is especially important within an urban landscape, where water that can be captured and held on site will significantly reduce the volume of water discharged to the main drainage system, thus reducing flood risk. Rainwater harvesting systems are energy efficient and environmentally friendly, requiring no chemicals for water treatment. Treatment is done by filtration, as will be explained later in this document. 3. MOVEMENT SENSOR LIGHT They represent a significant energy saving because they only turn on when needed and turn off by themselves when there is no movement. This is especially useful in common areas where too much attention is not paid to turning off lights when not in use. Turning on the lights will be as easy as walking inside the room. No need to search for the switch on the wall. The lighting system will automatically turn off the lights when it does not sense any movement for a certain period of time. 4. SKYLIGHT Skylight at the rooftop landscape brings natural daylight into the gallery. Opening up the skylight allows fresh air to come from all angles, preventing overheating and freshening up the space. An opening skylight also allows you to release any unwanted hot air. A skylight can actually be more effective than a window in reducing room temperature due to the way heat disperses through a space. SABAH ART GALERY FOUNDED BY: DATUK MOHD. YAMAN HJ. AHMAD MUS LOCATION: MILE 2, JALAN PENAMPANG, KOTA KINABALU, SABAH AWARD: SILVER CLASSIFICATION FROM THE GREEN BUILDING INDEX ASSESSMENT PANEL IN 2012 DESIGN CONCEPT The octagonal building plan was inspired by Datuk Yaman’s deep interest in geometric shapes in general as evident in many of his artworks. The geometry also makes for a more user-friendly centralized circulation pattern as requested by Datuk Yaman himself. Even more striking than the building’s plan is its form with the walls that taper outward from the base at an angle of 30 degrees giving the Gallery a most distinctive appearance. By using solar panels, it can reduce the carbon footprint and contribute to mitigating climate change. Solar energy production produces no greenhouse gas emissions, air pollutants, or harmful by-products. 5. GLASS WINDOW Low-E glass has an invisible coating that reflects long-wave infra-red radiations towards the interior of the building. This is the reason why low-E glass can reflect away most of the heat. Thus, low-E glass windows have high energy-efficiency and are capable of good solar control. NURSYIFAA’ ATHIRAH BINTI MOHD NOOR 01DSB22F1034 SITI NUR DINI BINTI WAN OMAR 01DSB22F1035 FORTUNA AMANDA BINTI MUNIR 01DSB22F1046 IRDINA NUR DIYANAH BINTI ABDUL AZIM 01DSB22F1053 NUR ATIERA SOFEA BINTI ZUL IMRAN 01DSB22F1051 08Using the sun to generate more and more of our power means less harmful emissions from burning fossil fuels. Generating electricity from solar panels produce no harmful emissions.