วิพิธศิลป์

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/O>.?fi// /O>.?fi// NfiOfi.>/fi>>/O.fffi?N./.>/fi?fiN>/O>O/>Nff/?ff/O/fi?N/?/>/NffN/>> O /?/fi>fiN>/O>O/>O>/O/ //>.ff> />/>.>fffffi?Nfi>N/fi///N/fi/./>/.fi/? O fi>./?ffO.ffOfi>fifi?/Nfi N Ram Si Nuan (Thai Lady Dance) Ram Si Nuan is a dance known for its exceptionally graceful choreography and accompanying lyrical music. The purpose of this performance is to reflect the beauty of Thai women through dance and music. Ram Si Nuan can be performed on general occasions. 150 />ff>ff.>/fiN

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ff>ff.//?/ .>/fi>>/fiO/?fifi?/ (ff>ff.//?/) NfiOfi.>/fi>>/fiN/.?OfiO/?fifi?/ /Nfi.OfiNNff/>fi ff?OOff>fffiO//?/>/ O >fi>Ofi>/O O ff>ff/fifi O fi>fffi?fiO/>/?ff//fiO/?fi/>/>ff>fiN>..?fi/? ffO/./>//N/O/N//N/N/ Daab Song Mue (Double Hand Swords Demonstration) Daab Song Mue is an ancient Thai fighting technique where a fighter is armed with two swords; This technique requires a great amount of skill and concentration. The Daab (Thai style sword) is a type of curved, single-single edged sword. Double hand swords fighters must be able to use each sword to engage in the battle through aggressive and defensive moves. In a Daab Song Mue demonstration, fighters aim to showcase their offensive and defensive techniques. 152 />ff>ff.>/fiN

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ff//N/O.?fi O ff//N/O.?fi NfiOfi.>/fi>>/fiN/.?Ofi>ff/fi>N/Nfi.OfiNNff/>fi ff//NfiOfi O />/>ff.>/O.O>//?fffi?//?//>fi>O N/O.? O fiNfiOfi/>/>ff.? O fi.//fi?ffOfifiN/fifi/>. O ff?OON/O.? O fifiO//?/>//N/N/ /?NfiOfifiN>./>NO>fi/> O fffi?/?NfiN/.?O > ff//N/O.?fiNfiOfi>/O.ff>/fiN/.?OOfffffi?/fiN/fi?/ OffNNfiOfi 2 fiN>. O fi>./OffNNfiOfifiN>..?OffO/>.?fiOO>N>fi ff?OO.fffiO/ffN>fi>/fi>/?ff?fiff?Ofiff>fi O fiff>fi>fiN>fi?//? fi/>/ffffO/. >/fi?/> >/fi?/?ff O/>>/fi?/?N/O fiN>ff/>/>fi>.>/>/ffffO>/>ff/fifiN>fiN/.?ONffONfiOfi/.N>ff? O Phlong Mai San (Wooden Staff-Truncheon Demonstration) Phlong Mai San is an ancient Thai traditional martial arts technique. Phlong is a long wooden staff, while Mai San is a short wooden truncheon that is equipped on the forearms. Demonstrations of Phlong Mai San skills is often done with a pair of fighters, one wielding the Phlong and one wielding the Mai San. Red and blue attires are also used to mark each side. The demonstrators are required to pass basic training of offensive and defensive movements before moving on to advance tactics in order to ensure perfection of the choreography. During the demonstration, the Mai San wielder often display agility through advancing towards the Phlong wielder. 154 />ff>ff.>/fiN

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//.>ffN/ ? //.>ffN/ NfiOfi>/O.ff.>/fi>>/fiN/.?O//.Nfi../?.Nff/>fi ? Nff.>/ON O /ff?fifi?N/?/O/> ? /fi/>.Ofifi? N  2 .>/fi>//.Nfi. O ?/ >/ff./ff.>fi>/O//?ff NfiO> NN> ./ /?O/NN/O//.fi? O fiN>/> O O/>/?ff.O>//?ffOOfi>/fiN/.?O ff?OO.ff>fiO/ffN>fi>/fi>Nff?O/fiOfi O Ofi>/O/>ff/fifiN>O/O/N/O/N/ O Muay Khat Chueak (Thai Ancient Boxing Demonstration) Muay Khat Chueak is a form of ancient, unarmed traditional Thai martial arts whereby fighters wrap their hands and forearms in hemp ropes. This traditional martial art utilizes a combination fist, leg, knee, and elbow movements. It is a precursor to the modern form of MuayThai. Muay Khat Chueak demonstrations aim to showcase the offensive and defensive tactics of fighters. Thus, performers must undergo basic training to develop their combat and performing skills. 156 />ff>ff.>/fiN

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Thai creative performing arts includes contemporary performance pieces that are creative expressions of Thai culture. These performances are created through specific steps of artistic conception, requiring both innovativeness and expertise. The first step is to identify the concept of the performance, drawing inspiration from different elements of Thai culture, such as traditions, beliefs, history, artworks, and ways of life. This process requires research to thoroughly understand the concept that is to be depicted. The second step is to plan out the details of the performance, including choreography, costume, music, props, and stage layout, among other factors. The third step is production, which involves processes such as casting, practice, and crafting of props. The final step is to debut the performance, either to a specific crowd or on the national or international stage. The audiences’ reception will determine the success or failure of the performance. Through the creation of a creative performance piece, artists can develop both their creativity and expertise in Thai dance. The final goal of creative performances is to impress audiences through the artists’ vision of artistic beauty. Through making such memorable impressions, artists can also present audiences with fresh interpretations of Thai culture, both classical and local. Nattasilp Sangsan Creative Performing Arts />ff>ff.>/fiN 159

/>Nfiff />Nfiff NfiOfi>/O.fffi?NNffOOfi/>ff/>>/NfiO/N/?//// ?N /fi/>Nfi.Nfi.?/ />Nfiff//>fi/ fi?NNffO/?ff>/ff?fifi>>>fiNfi..Nff>P (Guinness Book) /N> NfiOfi/N/?/fi?N/?/>/.>/fi?N.>ffOfiN/ ?N />///>.Nff./// //>.ff> N/?//?fi.>O/Nfi?Nff?.//N./O>Nff.N//N>Nfiff N />ff/fifiN>/O>.?N/ff>>//N>./O>/N//N>Nfi/ff>fi>fi> fi/>fi?O.?ff./ff.>fi O >/Nff/fi?O/Nfi?N//Offff/>ff.>ff.ff>fifi?N.O>?//>Nfiff/ fi/>/ff>/O.ff > Krung Thep (Bangkok) Krung Thep is a performance piece inspired by the name <Krung Thep Maha Nakhon=, which is the formal name of Thailand9s capital city: Bangkok. The name <Krung Thep Maha Nakhon= is actually an abbreviation of the city9s full name, which is listed in Guinness World Records as the world's longest place name. The full meaning of the name refers to this metropolis as a great city created by mighty gods. Thus, the performance Krung Thep pays homage to the grandeur of Bangkok, as well as its symbolic connotation to heavenly abodes. The choreography of this performance demonstrates the dance of heavenly beings with the integration of Nang Yai (Thai Grand Shadow Play) to portray important landmarks of Bangkok. 160 />ff>ff.>/fiN

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?fi?.N/fi? ?fi?.N/fi? NfiOfi>/O.fffi?NfiO>Ofi/>ff/>>fi/>Nfffi?O/Nfifi>.>OfiO/Nfi. Nff.Nff>>?//?fffi?fifi>fi? fi?N/?/>/./.>//ff?ffN/fi? fi/>/.?NOfiff/fiO/N ff>//?/ >N>///>.?N/?fi/N> fi/>ff?ff>fiO>/>//N/N.Ofi/>.?Nfi?/O/O/ ?N .?.>/>/ff?fffi?ffNfiN>fi>NN.N/.?.O/OffOfi//>fi?/ N.?./ff?ffN/fi? fi?Nff?NfiOfiN//?/fiN N//N>>.>/>/ff?ffN/N.> ?N  N //O>.O/O//Nfi fi/>/ff?ff/?/> ?N >/Off?ffOfi/?fiOfffffiN>Nfi?NfiN>.fiO O Kipas Renang (Renang Dance) Kipas Renang is a dance inspired the Burong Si-ngo parade of Lower Southern Thailand, particularly Pattani Province. This parade is a tradition whereby local ethnic Malay communities construct a large model of Burong Si-ngo (a mighty mythical bird) to display in a procession. The Renang, the namesake of this dance, is a type of fan that is displayed as a part of the Burong Si-ngo parade. The Kipas Renang dance focuses on displaying fan movements through choreography. It is believed that the Renang fan symbolizes peace, while the unique sound of a fluttering Renang symbolizes the dispelling of evil and sickness. 162 />ff>ff.>/fiN

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fi>/.>? fi>/.>? NfiOfi>/O.fffi?NfiO>.>/fi>>/O.fffi?.?N.>/fi/>Nfi.Nfi. O />O.fffi>fffiN//.?NOfi>ffNff?./?fi N/>/ffO/. fi N /fifi?/?fiNfiOfi.>/fi>/.>N/fi?/ O /O>Nff>ffNfi>/.>/> fi>/??fi?./.>OfiO O/>/O>Nff/>fi/ .>fi>/?fi//N?.N/fi?/ fi?ffNfiOfi>/O.fffi?NfiN>//.N>.> N Chatura Pha-khee (The Four Regions) Chatura Pha-khee refers to the Four Regions of Thailand. This inspiring performance combines the ethnic identity of each region into one show, including Fon Thi from the North, Ram Thoet Thoeng from the Central, Tari Kipas from the South, and Lam Phloen from the Northeast. 164 />ff>ff.>/fiN

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NO>ff/>.>fifi? NO>ff/>.>fifi? NfiOfi>/O.fffi?NNffOOfi/>ff/>>O/NfiOO>NO>ff/>.> O/NfiOO>.>.//? fi?N.O>?/Nfi. N>ff>>////fi?//O/NfiOO> fi> /? ./ fiN>fi ff?/NfiOfi.>.fiOO> O/N>fi>fi?N//N/N/?O.ff?OfiOfiOffNfiff>fi /?N/?N//>//>ff?/>fi.//>/fi? ? NfiOO> //N///// NfiOfi//ff/?fffiff///fi?N.?fffi/ff/>.>/fi>fi ffN>fifi/>/?fi>.>.fi/NO/>fiffff///Nfi?./ fi/>Nfffi?>/>Nfi.?N/>Nfi OffN/>fiff>ff//>/>/O/>N/?N//>//.>.fiOO>NfiOfifi?N/N>/>fi /?O?fi>/ O/NfiOO>NO>ff/>.> .?Nfi>fi>fi/>Nfi. ffO/./>/.O>fi>/?./?fiff> fi?? /?fiNfiOfi>fi?fi>/O/>Nff?N/Nff?.>.fiOO>O/N/?fffiff/// .>.fiOO>O/N/>/ff>//>fi> > Chao Phraya Nathi (The Chao Phraya River) This dance pays homage to a major river of Thailand: the Chao Phraya River. Formed from the waters of the Ping, Wang, Yom and Nan Rivers, this stream has been sustaining the lives of people since ancient times, fostering generations of history, traditions, and heritage. Today, the Chao Phraya River is known far and wide across the world. Thus, the Chao Phraya Nathi dance was created with great reverence and gratitude towards this river, praising it as a stream of cultural Significance and national beauty. 166 />ff>ff.>/fiN

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>/ff/. >/ff/. NfiOfi>/O.fffi?N/?Ofi/>ff/>>>/ffO>//>fi//>N/fi ? fi?N/>.?./.?Nfi>.>N/fi?//fi/>Nfi.Nfi. />NNfiOfi/>ff?/>fifi?N/?/>/N/?.ffN>. ? ff?ff?fiff>Nff>ff///>fi> fi/>/ff/>ffN/fi//// ///fi? ? /?>//>N/Nfi O fi?N.fi>.fi>fifi>/Offffff?OfiffO>fi.?fffi/ff>/>Nfi.?N/>Nfi Chao Doi (Hill Folks) Chao Doi is a dance inspired by the way of life of hill tribe people in Northern Thailand. The dance depicts the hill tribes9 agricultural lifestyle, with strong connection to natural surroundings. Local games are also highlighted in this show. 168 />ff>ff.>/fiN

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>fi>ff?fiff>N./> >fi>ff?fiff>N./> NfiOfi>/O.fffi?N./O>.//N>Ofi>/>/.O>? //>N/>fi>ff?fiff>NOfi?//?fffi/fiff/fi?//ff 5 />N/>fi>ff?fiff>N fi/>/ffffO/. O 1) >fi>ff?fiff>N/>//? 2) >fi>ff?fiff>NNfi.fi/ffO> 3) >fi>ff?fiff>N/>/N/?. N 4) >fi>ff?fiff>NNfi./>/? 5) >fi>ff?fiff>NNfi.?fi .?N>/./O>.//Nfi/?fi/// .>/fi>>/O.ff Nff.>/O.ff.?N/ff> />///>//>.//>N/>fi>ff?fiff>N /?fffiff/// fi/>Nfffi?O/>/>ff?/>fifi?N//>//>.//>N/>fi>ff?fiff>N ? Ofi?//?fffi/fiff/ fi//fffi/>/.> .fi>.fi>fi/?NfiN/> Ofi>////////NfiOfi/?fi/fi>N/?fiNff?./.>.OfiO/N/ff/>ff>//? Chat Ti Phan Saran (Merry Ethnic Groups) Chat Ti Phan Saran is a creative performance showcasing the five ethnic groups that live in Nakhon Pathom Province: (1) Lao Krang, (2) Thai Song Dam (Tai Dam), (3) Lao Wiang, (4) Thai Raman (Mon), and (5) Thai Chinese. The dance highlights diversity in cultures, traditions, and ways of life, as well as the harmony between the communities. 170 />ff>ff.>/fiN

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fi>/O//O/fiN> fi>/O//O/fiN> NfiOfi>/O.fffi?NNffOOfi/>ff/>>?.>fi>/O/ >NNfiOfi>//>N/Nfi/Nfi.OfiNNff/>fi Nff.N/>/fiOfi>>/N/Nfi?fiOfi//?N>/ffO>fi N .?N>/N/NfiNfiOfi?.>.>/ />ff?ff>fi>O/>fi>fi>>fi> /?/>O/>/>ff/fifiN>/O> .?N/O/ON/Ofiff>O/NfiN>Ofi?.>fi>/O/ fi/>/ffffO/. >/O.?//> ./ NN> NfiO> O Ofi>/ff??ff/?fi>/O/N/NO/Ofiff?Ofi >//>Nfffffi?/?> ff./ff.>fi/?/>fiN>fi>fi>.>/fiNNfi. Takraw Lor Tha (Thai Kick Volleyball Dance) Takraw Lor Tha is a performance inspired by the Takraw: a traditional sport that has a long history in Thailand. In a Takraw match, players kick and strike a ball woven from rattan to prevent it from touching the ground. The sport began as a local game, before becoming a national and international sport. The choreography in this performance is derived from body movements of Takraw players, including head, elbow, knee, and foot strikes. The movements are combined with traditional Thai dance choreography. 172 />ff>ff.>/fiN

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fifffifi? fifffifi? NfiOfi>/O.fffi?N/N>/ff>fi/>Nfffi?//./>fi>Nff?/NfiOfi>/O.ff />/N>/ffO/>//>/.?.fiN/ff/>O/N> /?fi?.> O .?ff> N N.>fiff>Ofi.>.fiOO> N fi?N./O>>fifi/>N.fiNfiN//fi>/.Nfi>/>fi >NfiNfi.NffOO/O/>/.O>? ? O/>.O>fi>Ofiff/>>fi/ff///>fi>fi?N.>fiO/fiffN>fi/>/N/ ?N O/>/>/./?fiff>fi/>.NfiOfifi/>Nfffi?//./>fi Nop Na-thi (Revering the Waters) Nop Na-thi is the performance depicting Loi Krathong: a Thai festival celebrated annually to pay respect to Phra Mae Khongkha, the Goddess of Water. Thais consider water to be the source of life. Thus, Loi Krathong is a chance for people to show gratitude to bodies of water, such as rivers. The dance captures the attitude of respect and gratitude exhibited during the festival. 174 />ff>ff.>/fiN

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fi?/?fi/ fi?/?fi/ NfiOfi>/O.fffi?NNffOOfi//>/>ff/>>Nfiff 12 fi?fi?/?fi//Nfi. fi?N/?/>/N//N>NfiOfiNfifffi?N/?/fiO>fi?Nfifi ?N O/>O////fi>/.N />ff/fifiN>/O> /?/>/ff>/fi>//?fiOfffffi>.>/fiNNfi. ff./ff.>fi>/N/?N/fiN///N>>. O/>>/N/?N/fifi?NfffiN/fi?/.N>//>//>. Nak-Sat (The Zodiac) Nak-sat means <zodiac=. As the name suggests, this performance is a reference to the traditional twelve yearly zodiacs of the traditional Thai calendar. The zodiacs are depicted as different animals representing deities who protect mankind. The dance utilizes twelve dancers, with a focus of on displaying a variety of graceful choreography. 176 />ff>ff.>/fiN

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fi> fi /? fi> fi /? NfiOfi>/O.fffi?NNffOOfi/>ff/>>/>/.O>?/ff/>/>/? ff//.ff>fi// (/?/fiO>) fi?Nfi/>fi>/////>//>.fi/>N.fi fi/>/ffffO/. Nfi />/ /fi?O/N />Nfi >O/ O/N/Ofi .?N>/./O>.//N>fifi>.>/fiNNfi. ff./ff.>fi>///Offff>/N/?N/fiN///N>>.O/>>/Off?Ofifi?NN/fi?fi?N/?/>///>//>. O ffN>.fi/ff/>/>/Offff/>.O>fi?fi?N/?/>//>>fi/ .O/fi/O>/>>fi?fi>//ff>/ O/>.ff>fifi?Nfi?N/?fiN/>//fi>/?/N .?N/>/.>.?/>OOfi//ff/?fffiff////OffNfiff>fi Nata Na Wang (Front Palace Dance) Nata Na Wang is a performance inspired by the Phra Ratchawang Bowon Sathan Mongkhon Palace in Bangkok, colloquially known as the <Front Palace=. This historic site is an important hub for many forms of traditional performing arts, such as Khon, Lakhon, Nang Yai, Thai puppetry, Chinese opera, and Aew Khaen. The dance thus combines a variety of performances, conveying them through an aesthetic that reflects the splendour of the royal court. The purpose of this performance is to pay homage to the Front Palace9s role as a centre traditional artforms preservation and promotion. 178 />ff>ff.>/fiN

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fi>.//.Nfi. fi>.//.Nfi. NfiOfi>/O.fffi?NNffOOfi/>ff/>>.>/fi>fi/?fifi?/ O //.Nff/>fi/Nfi.fi?N/?/>OfiN/ff?fi />./O>.//NOfi/?fiOffff/>/O.ff fi?N.?N/ff>/?/>fiN>//. /?fiNfiOfi.?/>fi?>/ff//ffff>/>/ O//?fiN>NfiOfi/Nfi O O/>fiN>/O>Offfffi>.>/fiNff./ff.>fi?fi/.N>/fi?/ Nataya MuayThai (MuayThai Dance) Nataya MuayThai is inspired by MuayThai: the martial art of the Thai people with a history dating back to ancient times. The choreography is adapted from barehanded fighting techniques, which has been developed by the ancestors and passed down through generations. The dance also incorporates elements of Khon and traditional Thai dance. 180 />ff>ff.>/fiN

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ff?fiNfi ff?fiNfi NfiOfi>/O.fffi?N/?Ofi/>ff/>>.>/fi>>/O.ff/.?/>.>fiN> N /Nfi. .?N>/./O>.//Nff/>fifffiff?Ofiff>fi/>/ff>//fi>.>/fiNNfi. O/>.>/fi>>/O.ffff?OfiffO>fi ff./ff.>fi>///Offff>/N/?N/fiN///N>>. O/>>/Off?Ofifi?NN/fi?fi?N/?/>///>//>. />fi/fiN.O>?Ofi>/O.ff?/ O ff?fiffO>.?N/ff>.?/?/fiN/>fi> O/>ff/>//>/?fi/>.NNfi. fiOffNNff.>/ O/O/>/.>.ff/N/N.OfiON/>fi>fi/>>/>//Nfi>N/>fi>fi?N///?fi ?O NfiOfiN//?/fiN N/O/ON>ff//ff.>/fi/?fffiff////?fi/>>fi/ .>.OfiOff?fiNfi//NffNfi.fi?N.N>>/ Phuen Thai (Thai Cultural Canvas) Phuen Thai is the performance inspired by the identity of each region of Thailand. It builds upon the beauty of classical and folk dance forms which are conveyed through carefully designed movements and creative use of stage space. The main props of the performance are large pieces of cloth representing the Thai nation and monarch. These two uniting forces spread out like the pieces of cloth, weaving different identities into a united and splendid Thai identity under the waving Thai flag. 182 />ff>ff.>/fiN

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fffi>ff>/ fffi>ff>/ NfiOfi>/O.ff./O>.//Nfi?NNffOOfi/>ff/>>/>/.O>? />/fi/>/fi?/?O>fiN>/fiN>O/>fiOO> fi?Nff?ff?fi?ff/>ff?/>fiO/>OffNfiff>fiN>ff ? >/O.ff>fffi?O fiO>ff?Ofiff>fifi>.>/fiNNfi.fi/>/ff?ff>/N/?N/fiN///N>>. fi?NN/?.fiOffff>/N/?N/fiN///ff///>fi> fi? fiN> O/>fiOO> O Pha-na Than (Forest and Streams) Pha-na Than is a performance that highlights the importance of forests and water, which sustains the lives of people. The performance utilizes elements of traditional dance to emulate the natural movements of the forest and water. 184 />ff>ff.>/fiN

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fi/fi?fiff/ O fi/fi?fiff/ NfiOfi.>/fi>>/O.ff.>N/fi?/fi?Nff?/?fiff/ //?/ ff>fi O fi/>/ff>/O.ff Nff..>.Ofiff>fi >O.Nff/N/Ofi>fi>fi>fffi?N/?/>///>.// >/O.fffi/>/ffffO/./>ff/fifiN>/O>//O>fifi>ff./ff.>fi >/Nfi/.ff/N/O Nff?N//>/NfiOfi.>/>// Fon Khan Dok (Dance of the Tray of Flowers) Fon Khan Dok is a local dance of Northern Thailand that features a pedestal tray filled with flower blossoms. The dance utilizes Northern Thai choreography, with performers sprinkling the flowers towards audiences to bless them with good luck. 186 />ff>ff.>/fiN

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fi/fi/?/>/ff? O fi/fi/?/>/ff? NfiOfi>/O.fffi?NNffOO/ff?fiff>/O/>>fiOfi/?/>/ff? O fiOfiN/Ofi?N/?/>.>N?/ff 100 fi? /?/>/ff>/ /N/N.Ofi O/>/?/?/fi>ff>N./ fi?NfiN>.fiOONff?OffffN/Ofi/.?Nff/>N/fi/fiO>ff/>/>Nff.ffff//.ff>fi.>fiff>/>. (/?ffff/>OO//?/fiO>) .?NOfi/>ff>/./O>.//NfiN>/O> O/O/?/>/ff>/ fi>/fiN/fiO>fi//fffifi/? Fon Lilawadi (Frangipani Dance) Lilawadi is the Thai name for the frangipani, a plant with beautiful fragrant flowers. Fon Lilawadi, or Frangipani Dance, is inspired a particular frangipani tree that grows outside of Wat Bowon Sathan Sutthawat Temple, also known as Wat Phra Kaew Wang Na. The tree more than 100 years old and is large in size. The choreography of the dance reflects the beauty of this tree. 188 />ff>ff.>/fiN

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/?ff/?O>/ /?ff/?O>/ NfiOfi>/O.fffi?NNffOOfi/>ff/>>N/?N//>/ff>ff?/// Ofi>/fiO>/?O>/ fi?N.>fiO/fiO/ON/Ofiff>/>/fi??fiN/fi?fiN/ff?O/?ff/>>fi ffO/./>/N>/ffff?> />/.>/?? />//?fiOO>O>N/?fffiff///N//N>fi?O NfiOfifi?NOff/N//>.Ofi/ff?fi >Ofi/>ffff?/N>/fiO>.?N/?fiOfffffi>.>/fiN./O>.//N Nff?N/O/Ofi/>Nfi//?N/Ofiff>/>/.O>?/ff?fiOffNfiff>fifi?NO/O/>/./ff?/fiN N/O/ON>ffff?ff//fiff?>/>///N/N/?O./>fi/fi>/.N ff/>>fi/ <O>/= ? />/>///?/>fi>Nfi. fi//fffi>/?fifi/>Nfffi? /?fffiff/// /?fiO.ffO/ON/Ofiff>.?/>fi?>/?fifi/>fiN>fi?N//.?ff.>fi Rap Khwan Khao (Gratitude to the Rice Goddess) Rap Khwan Khao is a performance inspired by the traditional ceremony of paying homage to rice and Phra Mae Phosop, the Goddess of Rice. Rice is the main staple that sustains the lives of Thai people. Thus, this tradition reflects the reverence and gratitude that Thai people have towards this honourable grain. The Rap Khwan Khao performance aims to capture this attitude of reverence and gratitude in order to promote awareness of the importance of the earth as mankind9s source of food production. The dance also aims to promote the preservation of Thai traditions, knowledge, and heritage concerning rice production. 190 />ff>ff.>/fiN

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/>.N/>> />.N/>> NfiOfi>/O.fffi?NNffOOfi/>ff/>> N/>>// //?/ /// N/?N/fffifi/?ff?OfiffO>fifi>ff/fi>N/.>/?.>fi fiO>N.fi/ffN>fifiN>/O>ff?OfiffO>fi/?.>fi fi?N/?/>/ff>/ ff./ff.>fi/?/>Ofi>/fi?N/>>.fi>.fi>fi N/O>O ffO/.fiN/fiO>fi//fffifi/?ff?OfiffO>fi/?.>fi Lai Kro (Wooden-Block Percussion Dance) Lai Kro is a performance utilizing a local Northeastern Thai musical instrument known as Kro Lor or Kho Lor (wooden-block percussion). The performers dance to Northeastern Thai folk music, combining rhythms of the Kor Lor with Northeastern-style choreography. 192 />ff>ff.>/fiN

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/?/>//>OPff /?/>//>OPff NfiOfi>/O.fffi?NNffOOfi/>ff/>>N/?N/fffifi/?ff?OfiffO>fi/?.>fi fi/>N.fiN/?N/fi? fi/>/ff?//> /?/?/fi>NfiOfiN/O.?fiO/>N/O.>/ N/?./N> O <//>?ffOPff= fiO>/>NfiOfi/>fi/fiN.O>?Ofi>/O.ff ff./ff.>fi/?fffiff/// N fiO/ff>NfiffO>fifffifi/?O/>fi>.>/fiNff?OfiffO>fi/?.>fi Nff?N/ffN>.fi/ffff>/>fi/>/NfiOfi/.?N ? //>.>/>/ffO>fi//?N./O>fi /?/fi>>/O.ff/?/>/.fi>.fi>fi ./ffOfi/N//?/fiN.?/>fi?>/?fffiff/// /?fifi/>fiN>/>//?.>fi Lila Mak Gap (Moves of Mak Gap) Lila Mak Gap is an energetic dance inspired by the Mak Gup-Gap percussion instrument. Its choreography mimics afterwork activities of women in Northeastern Thai communities, with dancers moving to the rhythm of folk music while playing Mak Gup-Gap. The purpose of this dance is to highlight the lifestyle, culture, and heritage of the I-san Region. 194 />ff>ff.>/fiN

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/N/OfiO /N/OfiO NfiOfi>/O.fffi?NNffOOfi/>ff/>>.>/fi/?fffiff///O/>/>ff?/>fi? />/NfiOfi/.?N/fi/>>/fi>.>OfiO/?fi/?N//?/fiNNff>>fi?NNffffNffNfi fiO>.?N>/./O>.//N>/O.ff.?N/ff>fi/>Nfffi? /?fffiff/// />ff?/>fi? />/NfiOfi/.?N >/fi/>/ff/>ff Nff.>/O.ff.>fiO/fiO/ON/Ofiff>ff//.>>. ? O/N/>/.> />/.fi>.fi>fi/ff>fiOfffi.>OfiO Long Tai (Voyage to the South) Southern Thailand is a land of unique art, culture, and lifestyle. Long Tai is a performance piece that seeks to recreate the cheerful characteristics of the South through showcasing the region9s traditions, cultural elements, and way of living. 196 />ff>ff.>/fiN

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/>/?./>//.N />/?./>//.N NfiOfi>/O.fffi?NNffOOfi/>ff/>>N>fi>./>/OfiN>. /ff>/>/O/>.fi/?Ofi./?./?>/fi?N 6 Nff.NffO/?ff/>fiff>ff//>>>fi>fi>/?fifi fiO>N.fi/fiN>fi>>/NfiOfiO/>/O>fi/>/fffiN/fiO>fi/Nff/Nfi.O/>Nff/.>/ /?fiO.ffO/ON/Ofiff>>/ff./ff.>fi/.//?fffiff/// Virat Saranrom (Western Delight) Virat Saranrom is a performance inspired by Western-influenced fashion of men and women during the reign of King Rama VI (1910 - 1925). The performance showcases the mixture of cultures, with performers dancing to a combination of Thai and Western music. The costume mimics the period9s clothing style. 198 />ff>ff.>/fiN