36 FIGURE 4.2.4: T-shirt FIGURE 4.2.5: Bucket Hat .
37 FIGURE 4.2.6: Lanyard Other than that, I design stickers that suits with according theme to promote the short documentary. The thematic stickers designed to promote the short documentary serve as an innovative tool to engage the public, raise awareness, and educate about the positive aspects of graffiti art. Through these efforts, it is possible to foster a more informed and appreciative perspective on graffiti art FIGURE 4.2.7: Stickers
38 FIGURE 4.2.8: Interview at Cheras. The first meet-up with Mile09 for an interview took place at his office in Cheras.
39 FIGURE 4.2.9: Artwork shooting spot at Sepang. The shooting will take place at the selected location that aligns with the scheduled and according to the production schedule spans over more than a month because it was hard to determine as the graffiti artist’s has pack schedule to film and due to the documentary being produced independently from the college setting. The filming site presented quite a challenge due to the loud ambient noise.
40 Following offline editing, the editing phase commences once filming wraps up. RAW footage is utilized to piece together the narrative of the short documentary. This stage is time-consuming due to the various video transitions and visual effects required to enhance the realism and quality of the final product. . FIGURE 4.2.10: Offline editing
41 4.3. POST PRODUCTION The post-production process is the final step in creating a film, and it is split into two main parts: digital and print. The digital aspect involves creating video trailers and teasers for the short documentary, as well as the final edited version of the film. On the other hand, the print aspect includes designing promotional items and poster. This final stage of post-production can be quite costly, especially when it comes to the print materials. Students often need to search for a store that can provide the necessary items for this part of the process. The first item in the post-production process is the digital teaser. This teaser is a short clip taken from the full video for marketing purposes. In the realm of advertising and marketing, teasers are used to generate interest and curiosity about a product, service, or upcoming event. They are designed to create anticipation and excitement without giving away too much information. FIGURE 4.3.1: Teaser
42 FIGURE 4.3.2: Promotional items FIGURE 4.3.3: Poster Design
43 4.4. RESULT AND FINDING When concluding a survey of documentary for graffiti art conducted through Google Forms, it's essential to summarize the key findings and insights gleaned from the responses. Summary of Responses: Provide an overview of the responses received. Highlight the total number of respondents and any notable trends or patterns observed in the data. The results of this project received a good response from friend, students and family. Through their many comments and thoughtful insight, I found that they liked the trailer and got opinions of some other clients. They also gave me the strength for me to able to continue producing this short documentary. In conclusion, my survey has provided valuable insights into the world of graffiti art, revealing its power to inspire, provoke, and unite. As I continue to navigate the complexities of urban expression, let us embrace graffiti art as a vibrant testament to the diversity and dynamism of our shared human experience. FIGURE 4.4.1: Gender
44 The primary objective of this scale was to ascertain the gender distribution among survey respondents, aimed at understanding voter demographics. The outcome reveals that the predominant gender among those who participated in the survey is female. FIGURE 4.4.2: Age Range The objective of this scale was to ascertain the age bracket of voters who took part in the survey. The outcome reveals that the predominant age group among the participants is 18-25 years of age. FIGURE 4.4.3: State of the participants
45 The purpose of this scale was to collect information regarding the residential of survey participants. The result demonstrates the spatial spread of respondents according to their places of living. FIGURE 4.4.4: Do voters know anything about graffiti? By analyzing the responses, I can determine if their level of knowledge is relevant to my project goals. If the majority of participants indicate a strong understanding of graffiti art, it suggests that the topic may be relevant to my project and that the audience might engage with content related to it. FIGURE 4.4.5: Rate the trailer
46 By analyzing the distribution of ratings if the majority of participants select higher numbers indicating stronger dislike, it suggests a widespread negative perception of my trailer with using this scale allows me to specifically measure the level of dislike among participants, helping understand their sentiments more precisely. The height of each bar indicates the proportion of participants who selected that rating. This visual representation allows to quickly assess overall sentiment towards the trailer. FIGURE 4.4.6: Rate the poster Scale shows participants would select the rating that best corresponds to their perception of the poster's quality based on their knowledge. This makes easier for me to developed my poster even better.
47 FIGURE 4.4.7: How to improve the poster design By asking this question using a scale to collect insight from the participants I can acknowledge their perception of the poster's quality based on their knowledge allows you to gather valuable feedback that can guide improvements. FIGURE 4.4.8: Satisfaction of meeting the project’s initial goals and objectives Using a scale to gauge participants' perception of how well a project meets its initial goals and objectives can provide valuable insights into its effectiveness.
48 FIGURE 4.4.9: Participants favorite part of project Analyzing the responses will provide insights into the distribution of preferences among participants and the overall strength of preference for each option. FIGURE 4.4.10: Satisfaction of the outcome of the project? The results showed that the participants mostly satisfied with the project outcome especially trailer has the most positive comments.
49 FIGURE 4.4.11: Interest on this project By inquiring about this matter, I can determine whether the participants are involved in this documentary or not.
50 FIGURE 4.4.12: Client feedback
51 CHAPTER FIVE CONCLUSION AND RECOMMENDATION 5.1 CONCLUSION This research shows graffiti art as a term refers to images or text painted usually onto buildings, typically using spray paint. Other than that, graffiti is a form of visual communication, usually illegal, involving the unauthorized marking of public space by an individual or group. Although the common image of graffiti is a stylistic symbol or phrase spray-painted on a wall by a member of a street gang, some graffiti is not gang-related. Graffiti can be understood as antisocial behaviors performed in order to gain attention or as a form of thrill seeking, but it also can be understood as an expressive art form. Each 5th semester students of diploma in media digital must choose a majoring. I have selected video production as my major, which consists of three main stages: pre-production, production, and post-production. I decided to create a brief documentary focusing on graffiti artists in Malaysia for my final year project because each element serves a distinct purpose, collectively enhancing our comprehension and appreciation for the art of graffiti. This project was a bit challenging for me but for my own good and to grow my knowledge. Furthermore, to share valuable and useful insights to educate people and to give some inspiration. As the documentary sector continues to expand quickly and uncover the distinctive and impactful methods through which documentaries are able to educate at the same time can entertain to target audiences.
52 While in the process of making graffiti art that shows the enthusiasm and commitment of the graffiti artists, this documentary demonstrates graffiti should be expressive and the creativity with limitless ideas. This provides for the audiences to gain inspiration, appreciation and knowledge the value of the artwork and dedication of the artists that includes history and cultural of the context that has more behind to it. In addition, the peak of this documentary variety of topics that graffiti has the ability to portray this documentary able to cultivate a sense of belonging and acknowledge their artwork. Eventually, with the documentary that able to provide such impact and not just a mere documentary; it provides the powerful of documentary and how creativity can bring a far better way to life that inspire and much more. While making this documentary that showcase a multiple of advantages and a few of disadvantages to reflect on. The documentary's reach and audience engagement might be limited due to the subject matters. These subject matters might not receive wide audience but it serves main purpose. Graffiti art is easy to make but the process and to identify and creating your own style of graffiti to make it appealing might be hard because it’s not just a mere writing on walls. Nevertheless, a high-quality documentary on graffiti art can still make a strong impression on its audience.
53 5.2 RECOMMENDATION Based on the findings and conclusion of the study, here are several recommendations to be considered: 1. Provide educational insightful of information that include history, cultural and impact of graffiti. Additionally, provide context and the dedication and passion of the artist’s artwork in order to receive appreciation from the audience. 2. Create a thorough plan to market and reach out to the appropriate audience for the documentary. This includes street art lovers, people with hobbies and people who’s trying to pursue their hobbies as their job. 3. Pay careful attention to cinematography, lighting, noise and editing to show the artwork. It is also important to consider adding subtitles or translations to cater to viewers from diverse linguistic and cultural backgrounds. 4. Ensure the documentary can be easily accessed by a large number of people by making it available on different platforms like streaming services, online channels, exhibition and any other alternatives. 5. Included other graffiti artists but have the main artist to storytelling, styles, background and to provide information about graffiti in hope of this inclusivity will not only enhance the viewers' appreciation of the art form but also attract a more diverse audience.
54 REFERENCES BOOKS Anthony Q. Artis. (2008). The Shut Up and Shoot Documentary Guide. Burlington, MA: Focal press. Bob Harvey. (2008). How To Make Your Own Video or Short Film: All You Need to Know to Make Your Ideas Shine. Oxford, UK: How to Books Ltd. Jason J Tomaric. (2008). The Power Filmmaking Kit: Make Your Professional Movie on a Next-to-Nothing Budget. Oxford, UK: Elsevier, Inc. Genevieve Jolliffe & Andrew Zinnes (2006). The Documentary Film Makers Handbook. Maiden Lane, NY: The Continuum International Publishing Group Inc. Dan Rahmel. (2004). Nuts and Bolts Filmmaking: Practical Techniques for the Guerilla Filmmaker. Oxford, UK: Routledge.
55 WEBSITE Mohamad Amirul Idham Mohd Ikhram & Dr Yong Adilah Shamsul Harumain. (2023, May 12). MURAL AND GRAFFITI: STREET ART OR VANDALISM. Bernama. Retrieved from https://www.bernama.com/en/thoughts/news.php?id =2186237 MURAL AND GRAFFITI: STREET ART OR VANDALISM. Bernama. Retrieved from https://www.bernama.com/en/thoughtsl/news.php?id =2186237 Mari Myllyl. (2020, September 30). The Good,the Bad and the Ugly Graffiti. Springer Link. Retrieved from https://link.springer.com/chapter/10.1007/978-3-030- 53483-7_6 The Good, the Bad and the Ugly Graffiti. Springer Link. Retrieved from https://link.springer.com/chapter/10.1007/978-3-030- 53483-7_6
Graffiti is art that is written, painted or drawn on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written words to elaborate wall paintings, and has existed since ancient times. Graffiti, while once considered vandalism, is becoming more widely recognized as a type of artwork. However, it is still not always positively received or universally accepted as art by the general public. This documentary is about one of the top 10 graffiti artists in Malaysia. Mile09 is a passionate graffiti artist was based on Putrajaya, Kuala Lumpur that started off as a hobby now has been entrusted with various graffiti projects with giant entities such as PETRONAS and Perbadanan Putrajaya (PPj) as well as overseas projects in Jakarta, Bangkok and Dubai. bop sopan fanstaknado mile09 zars one