CREDITS Cover Illustrator: Tan Ho Sim Interior Art: DMs’ Guild Design: Based on a template by Laura Hirsbrunner ON THE COVER “Magic Splash” by Tan Ho Sim, from the Godbound Art Pack TABLE OF CONTENTS Introduction .........................................3 Reading the Adventures.................................4 Playing the Adventures ..................................6 Adjusting The Difficulty..............................6 Watching Examples....................................6 The Adventures.....................................7 Dungeons........................................................7 A Foul Wind.................................................8 Mogga’s Run ...............................................9 Shadows In The Cellars............................10 Echoes of Netheril ....................................11 Cities .............................................................12 Justice Comes To Amphail ......................13 Nightmare On Helm Street ......................14 You Shall Go To The Ball ..........................15 Wilderness ....................................................16 I’d Like To Thank The Little People .........17 A Sinking Feeling ......................................18 The Gift Horse...........................................19 Appendix.......................................................20 Adventure Elements.................................20 Glossary of Abbreviations ........................20 DUNGEONS & DRAGONS, D&D, Wizards of the Coast, Forgotten Realms, Ravenloft, Eberron, the dragon ampersand, Ravnica and all other Wizards of the Coast product names, and their respective logos are trademarks of Wizards of the Coast in the USA and other countries. This work contains material that is copyright Wizards of the Coast and/or other authors. Such material is used with permission under the Community Content Agreement for Dungeon Masters Guild. All other original material in this work is copyright 2020 by Robert Peake and published under the Community Content Agreement for Dungeon Masters Guild.
3 INTRODUCTION Finally! Your friends want to play D&D for the first time, and they have asked you to be their Dungeon Master for a one-off adventure that will introduce them to the game. The only problem? You are slammed with work or study and can only squeeze in a few minutes to prepare. Or perhaps it’s game night, and shortly beforehand a player whose character is central to the adventure you have prepared lets you know they can’t make it. You have to come up with a side-quest instead, and fast. There are many reasons a DM might need to prepare a self-contained adventure in a hurry. Unfortunately, reading through thirty pages or more of a typical published one-shot adventure, on top of the time it takes to research the monsters, learn the names of key NPCs, make your own notes, and customize a few details to put your own spin on the tale—can mean that what was meant to be a simple oneshot can actually take a long time to prepare. In fact, sometimes one-shots take longer to prepare than the next episode of a campaign, since rather than teasing out existing threads, you are starting from scratch. Luckily for you, you have a copy of One-Page One-Shots: Volume One. This collection of adventures will help you accommodate these types of situations and many more. “So, are you feeling more like a dungeon crawl, a trek through the wilderness, or maybe a romp in the city?” you ask casually, as the players settle in and grab their beverages. Whatever they want, you now have it to hand in an easily-digestible format. Each of these adventures is designed to give you, the DM, just what you need to be ready to play in a matter of minutes. Skim the page. Get familiar with the creatures. Review the timings. Grab your copy of The Spontaneous Dungeon Master’s Companion to bolster your confidence in unforeseen circumstances. Now get ready to roll. -Robert Peake, July 2020 https://spontaneousdm.com/
4 READING THE ADVENTURES The following guide will help you understand the elements of each one-page adventure and how to make best use of them. 1. Title and Subtitle – titles may contain clues or outright spoilers, so they should not be revealed to the players before the game. The subtitle follows the format of “[name] is a [type]”, specifying the specific Focus (2) of the adventure. 2. Focus – this is the type of central element in this adventure, one of the twenty-five combinations detailed in The One-Page One-Shot Toolkit. 3. Location – where the adventure takes place, both generally (settlement, dungeon, or wilderness) and specifically (e.g. a city, ruined mine, or forest). 4. Mission – the “goal” of the adventure, which gives the characters their initial motivation. 5. Tier – the range of character level most appropriate for this adventure (Tier 1: 1-4, Tier 2: 5-10; Tier 3: 11-16; Tier 4: 17-20). See details on scaling the adventures in the next section. 6. Backstory – a brief explanation that gives background to the DM and sets the scene. 7. Interest – the hook gives likely reasons the PCs might get involved with this adventure to begin with; the rewards detail what they might gain in doing so; the perils are the dangers they could face along the way.
5 8. Secrets – these are events and circumstances as yet unknown to the PCs about what is really going on. Each secret could be revealed to the party in a wide range of ways, from discovering an artefact or note to an NPC explaining it. Leave your options open, so that you can reveal some secrets, no matter what the players choose to do. The twist is something that goes against the PCs’ expectations. It will complicate matters in some way. 9. Setting – this is the exact, named location where the adventure takes place, along with a brief description to give it flavour. 10. Start – this “green text” can be read aloud at the very beginning of the adventure to kick things off. It generally begins in media res to draw the players in, and should be followed either by a flashback or brief explanation of how the PCs got there. This is usually best done collaboratively, allowing the players to explain why their PCs are here. 11. Maps – these are the maps you may want to have ready to ensure that, even if you are playing “theatre of mind” style, you have a consistent understanding of the physical space. Maps are not provided, but a Google image search on the terms provided plus the words “D&D map” or “5e map” will yield numerous results. Pick what you like best, and feel free to modify map images if they are too large (e.g. too many rooms in a dungeon, too vast, etc.). 12. Structure – the adventure itself is structured one of several ways: as a five-room dungeon, in three acts, or in one act and three rooms. Approximate timings are given for two-to-three hours of game play. Feel free to modify this for longer sessions. You may also want to pencil in clock times based on what time you start the session. Adapt these to suit your needs, including scaling up or down encounters, DCs, and other game mechanics to make it suitably challenging for your group. Use your copy of The Spontaneous Dungeon Master’s Companion to feel comfortable allowing players to go “off-piste” where desired, bringing them back to the main story focus as appropriate. The adventure may go exactly as structured, or may veer considerably. This is what makes RPGs so much more satisfying than a pre-programmed computer game. Go with it, and have fun. 13. Tie-ins and Keywords – tie-ins are published campaigns and wider storylines into which this particular one-shot might fit well; keywords are words that give you a sense of what is involved in the adventure, to quickly decide if this is of interest. 14. Adventure elements – these are the specific game elements of an adventure present in this module; see the appendix for a key to the symbols used.
6 PLAYING THE ADVENTURES Each adventure is designed to be played over a single session lasting between two to four hours. Preparing for the session will involve deciding which adventure to run, reading it through, reading up on the creatures involved from the Monster Manual (indicated in bold), and making notes as appropriate of any modifications. It should typically take no more than twenty minutes. I have play-tested many of these adventures with my home group. So, I’ll tell you how I set up to play. We play over Zoom. I place the notes over the keyboard of my laptop so that I can glance down at them or up at the players easily. I have the Monster Manual, DM screen, and The Spontaneous Dungeon Masters’ Companion handy, off to one side. I have any maps and my notebook off to the other side. And, of course, I have lots of dice. ADJUSTING THE DIFFICULTY The tier indicated represents the “scope” of the adventure as indicated in the Players’ Handbook p. 15. As an experienced DM, I often like to introduce my characters to creatures far above their challenge level. I sent a first-tier party into the nautilus of a mind flayer, for example. But I had a deus ex machina planned for when things went bad. So, while each of these adventures involves reasonably “balanced” encounters (which my play-test group always survived), you may want to “beef up” an adventure for stronger players, or tone it down for weaker ones. As a general principle, when upscaling up from tier to another, you can double the number of hostile creatures and increase the specified DC by five. The same goes in the other direction—halving it, and decreasing DCs by five. This may be too extreme at the topmost tier (i.e. from three to four or vice-versa), so use your discretion and as always consult the challenge rating guidance in the DMG if you are unsure about your approach. WATCHING EXAMPLES The adventure “A Sinking Feeling” has been recorded end-to-end – from the actual development of the rough notes using The One-Page OneShot Toolkit, to a complete playthrough, to a debrief session with the players afterward. It is available on YouTube. Sometimes learning by example is the best way to go. At minimum, I hope you will find it entertaining. Now, on to the adventures…
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20 APPENDIX ADVENTURE ELEMENTS Chase scenes Combat Exploration Investigation Magic Items Monsters Puzzles Social interaction Traps GLOSSARY OF ABBREVIATIONS 2d6x10 – e.g. the result of rolling two six-sided dice times ten DC – Difficulty class DM – Dungeon Master HP – Hit points NPC – Non-player character PC – Player character OTHER RESOURCES The Spontaneous Dungeon Master’s Companion: https://bit.ly/sdmc4dms The One-Page One-Shot Toolkit: https://bit.ly/1p1stk YouTube Channel: http://j.mp/spontaneousDM TIE-INS Princes of the Apocalypse 8, 19 Storm King’s Thunder 9 Waterdeep: Dragon Heist 10, 13, 14, 15, 17 Arcane Age 11 Dead in Thay 14, 15 Return to Myth Drannor 17, 19 DIFFICULTY CLASSES Type DC Example Very easy 5 Do something anyone can do Easy 10 Do something many can do Medium 15 Do something hard for most Hard 20 Do something only experts can do Very Hard 25 Do something hard for experts Nearly Impossible 30 Do something legendary/unlikely ACKNOWLEDGMENTS Thanks to my playtest crew: Robbie, Mario, Randi, Val, Betsy, Katie, Arne, and Cam. You guys put many of these adventures through their paces and lived to tell the tale. Sly Flourish is the DM who first got me really thinking about efficient, game-focused preparation, and I highly recommend his Lazy Dungeon Master series. John Fourr’s work on five-room dungeons helped me find the right scope for my delves. Finally, special thanks to Valerie Peake for proofreading and overall support with getting these adventures out into the world. Game on!
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