2012 Andalusian Magazine - Issue #2

DEDICATED TO THE SPANISH AND PORTUGUESE HORSE

Issue 2 | 2012

Labyrinth Farm
INTERNATIONAL ANDALUSIAN & LUSITANO HORSE ASSOCIATION







BREEDING
SALES

LUSITANOS AND ANDALUSIANS

PRODUCTIONS
ALEXIS LE
TROTTEUR

31, CHEMIN ROGERS, COWANSVILLE (QUEBEC), CANADA J2K 3G8 NEW ONLINE PRESENCE

Find us on Facebook
www.palt.ca
[email protected]

DEDICATED TO THE SPANISH AND PORTUGUESE HORSE

Contents
Issue 2 | 2012 u ANDALUSIAN MAGAZINE
On the Cover:
Five year old Andalusian mare “Labyrinth Cadencia,” bred and
owned by Mary Tolles of Labyrinth Farm, Mill Spring, N.C.
Photo courtesy of
Labyrinth Farm

10

features

10 Enhanced Foal Training

Trust that lasts a lifetime

By Allen Pogue and Sue De Laurentis

18

18 Art Contest

IALHA Art Contest Brings Art From Around the Globe

24 Saddle Fit and Length

24 By Jochen Schleese

28 Biggest and Best

National Show to unite two backers of the breed

28 40 Breeding Season

The Growing Presence of the P.R.E. in Dressage Championships

By Ana Renilla

40 departments

6 President’s Letter 36 Stallion Listings

8 From the Editors 37 Andalusian Classifieds

30 Where We Have Been 38 Spotlight: Believe in Your Dreams

34 Business Cards 40 Advertiser’s Index

4 ANDALUSIAN u Issue 2 | 2012 www.ialha.org

HARAS DOS CAVALEIROS train these legendary horses for international clients across the globe.
Lusitanos suit the luxury lifestyle desired by the most exclusive horse lovers worldwide.

from the Issue 2 | 2012 u ANDALUSIAN MAGAZINE

President | by Julie Alonzo

Continued Growth Dedicatedtothe SpanishandPortuguese
Horse
Social media such as Facebook and the
IALHA PRESIDENT
increasing ease of international travel provide
Julie Alonzo
new opportunities for IALHA members to
IALHA EDITORIAL BOARD
embrace the word “international” in our asso-
Barbara Price, 2012 Co-Chair
ciation’s name. And, with horses that have Douglas E. Ramsay, 2012 Co-Chair

made such an impact on the art, culture and Julie Alonzo
Cheri Bullock
horse traditions of every country they have Erin Ryder Hsu
Marsha Heiden
touched over the centuries, we are uniquely J.B. Lessels
Carol M. Stockton
positioned to meet “family” connected by our
ANDALUSIAN MAGAZINE IS PUBLISHED
horses wherever we go.
QUARTERLY BY:
Go anywhere in the world where statuary
IALHA
exists, and you will recognize our horses prancing
REGISTRY OFFICE
in front of capital buildings, high stepping their
101 Carnoustie, North, #200
way across parks, and regally surveying impressive Birmingham, AL 35242
Tel: (205) 995-8900
central squares, carrying centuries of dignitaries into history. Wind your way through Fax: (205) 995-8966
Email: [email protected]
any art museum, and you are likely to find at least one Andalusian captured in time, www.IALHA.org

looking back at you from a canvas painted by a master. MEMBERSHIP SERVICES OFFICE

This cross-national artistic presence was amply represented in this year’s art 342 North Main Street, Suite 301
West Hartford, CT 06117-2507
contest as well. The IALHA has held contests for many years, soliciting original
Tel: (860) 586-7503
works of art to feature on our National Show Program and National Show-themed Fax: (860) 586-7550
Email: [email protected]
merchandise. This year, we took the contest to our Facebook page, and the
The primary objectives and purposes of the International Andalusian
response from around the world was remarkable. Artists from all across the United and Lusitano Horse Association are:

States and Canada were joined by their colleagues in Brazil, France and Portugal, (1) to preserve, improve, and maintain the purity of the blood of horses
of the Andalusian breed, which includes horses of Spanish origin known
to name a few countries, and the quality of the submissions we received this year as Caballo Pura Raza Española and/or of Portuguese origin, known as
Cavalo Puro Sangue Lisitano, or Raça Lusitano, and/or of Spanish/
was simply spectacular. Look for an article highlighting some of the artists in this Portuguese origin, and to promote public interest in the science of
breeding Andalusian horses, and to foster, aid, and encourage the
issue of Andalusian (p. 18) as well as a feature on the winning artist in the Show breeding, exhibition, and promotion of this breed; and

Program itself. (2) to advance the knowledge and education of the public and members
about horses of the Andalusian breed and to promote the acquisition
Art is not the only way in which we share international connections, however. and distribution of knowledge of the history, use and standard, medical
and other care and treatment, and propagation of horses of the
We also are seeing the birth of a strong IALHA community in eastern Canada, Andalusian breed.

with a new and highly active Facebook group, “Propriétaires de chevaux ibériques **Only issues, statements, declarations and decisions discussed and
agreed upon by vote of the Board of Directors or the membership shall
au Québec,” helping to foster discussion and promote events in that region. I am be considered official Association Policy. Any and all other issues,
statements, declarations and decisions expressed in any publication,
hopeful that we may begin to see even more opportunities for people in Quebec letter, video, speech, discussion or any other communication displaying
or not displaying the name of the IALHA or expressed by any Officer,
and surrounding provinces to join together in the months to come, much as the Director, employee or member shall be considered personal opinion and
shall not be deemed in any way to be policy of this Association or its
Pacific Association for the Andalusian and Lusitano Horse (PAALH) has provid- members, Officers, Directors or employees. The use of the Association
name, letterhead and or logo or any other representation of the IALHA in
ed such a focal point for our members in British Columbia and Alberta. any media shall not constitute recognition and/or agreement with the
contents of such.
Our horses, so easily recognizable, whether cast in bronze, painted in oils,
POSTMASTER: Send address changes to:
depicted in mosaic, competing in the show ring, or trotting across our pastures at
IALHA, 342 North Main Street, Suite 301, West Hartford, CT 06117-
Wind your way through home, connect us with centuries of those 2507. No part of this publication may be reproduced by any mechanical,
who, likewise, have appreciated their photographic or electronic process without prior written permission of
the publisher.
any art museum, and you strength, athleticism and noble hearts.

are likely to find at least May we live up to their nobility and, in so
doing, may we deserve the honor of being

one Andalusian captured part of the centuries-old tradition of breed

in time. preservation and improvement. Q AM

COPYRIGHT © 2012 IALHA

ANDALUSIAN Magazine is the official Publication of the International
Andalusian and Lusitano Horse Association
All rights reserved. Printed in U.S.A.

6 ANDALUSIAN u Issue 2 | 2012 www.ialha.org



from the Issue 2 | 2012 u ANDALUSIAN MAGAZINE

Editors | by Doug Ramsay and Barbara Price Dedicatedtothe SpanishandPortuguese
2011 Publications Committee Co-Chairs Horse

Time Flies When You’re ANDALUSIAN PUBLISHING OFFICE
Having Fun
LIONHEART PUBLISHING, INC.
Spring has sprung since our last issue, and the IALHA Hand- 506 ROSWELL STREET, SUITE 220

book should be in your hands now, too. Summer began a week ago MARIETTA, GA 30060
Tel: (770) 431-0867
from this letter, and you will see this issue on the cusp of autumn.
Toll Free: (888) 303-5639
Long-term milestones often make time seemingly fly. The foals we Fax: (770) 432-6969
Web: www.lionhrtpub.com
planned last year are on the ground and in their important early,
President John Llewellyn
impressionable days. Treat yourself to ideas on foal starting from E-mail: [email protected]
(770) 431-0867, ext. 209
insights highlighted in this issue. Establish a great learning environ-
Art Director Alan Brubaker
ment for your youngsters for their benefit and their value. It is E-mail: [email protected]
(770) 431-0867, ext. 218
something you can do for them compassionately. Beyond the prac-
Assistant Art Director Lindsay Sport
ticalities at home, selling a well-behaved horse is some insurance he E-mail: [email protected]
(770) 431-0867, ext. 223
Doug Ramsay will be cared for in a considerate manner.
Online Projects/FTP Manager Patton McGinley
The inherent nature of Andalusian and Lusitano horses makes this E-mail: [email protected]
(770) 431-0867, ext. 214
a relatively easy job, but each of our horses is still a breed ambassador.
Display Advertising Sales Lisbeth Hencke
Let’s set and keep a high standard for this storied breed that is so Classifieds, Business Cards & E-mail: [email protected]
Stallion Directory Advertising Office: (757) 410-5836
prominent in art and history. Iberian horses in art indeed do figure
Cell: (361) 774-3957
prominently in the pages that follow. We hope you will find the win- Fax: (888) 802-1249
Publishing Editor Jennifer Morrell
ning works by Frédérique Lavergne of France, Beatrice Bulteau of Por- 2012 Editoral Contacts Douglas E. Ramsay
E-mail: [email protected]
tugal and Jessica Wright of the United States as stunning as the steeds (610) 593-3366
Barbara Price
they evoke. The art contest had a wonderfully world-wide appeal this E-mail: [email protected]
(760) 715-7803
year, and we are proud of the participant response we received. All the Reprints Kelly Millwood
E-mail: [email protected]
contributing artists set goals for themselves and put their pride and (770) 431-0867, ext. 215
Non-member Subscriptions Amy Halvorsen
effort on the line to beautiful effect. E-mail: [email protected]
(770) 431-0867, ext. 205
Barbara Price You have an opportunity, once again, to put your own pride and
ANNUAL SUBSCRIPTIONS
effort to the test at the 2012 IALHA National Championships and
IALHA members: Included with membership
Foundation Celebration at the Will Rogers Center in Ft. Worth, Texas, Oct. 15-21. The Non-IALHA members: $30 per year
Mail Subscriptions to: Amy Halvorsen
combined affair promises to entice a wide array of exhibitors and vendors, and artwork
Lionheart Publishing, Inc.
from our art contest will be at auction. It is shaping up to be a great international year 506 Roswell Street, Suite 220
Marietta, GA 30060
for our horses. Andalusians and Lusitanos are being pinned, awarded and recognized at Phone: (770) 431-0867, ext. 205

more open venues, and we are happy to share the successes of horses and riders con- Andalusian Magazine (ISSN # 2151-5190) is published quarterly by the
International Andalusian and Lusitano Horse Association.
tributing in every way.
POSTMASTER: Send address changes to:
Send us your news, accomplishments and simple pleasures with your horses. The
IALHA, 342 North Main Street, Suite 301, West Hartford, CT 06117-
IALHA Facebook page is a wonderful way to join the fun; www.ialha.org will be happy 2507. No part of this publication may be reproduced by any mechanical,
photographic or electronic process without prior written permission of
to sport news of your clinics, shows and most other regional news; and Andalusian Mag- the publisher.

azine is a reflective, tangible way to be included and inform. This year, our Stallion Direc- COPYRIGHT © 2012 IALHA
ANDALUSIAN Magazine is the official Publication of the International
tory and our final 2012 issue will be published before the New Year, to provide an earlier
Andalusian and Lusitano Horse Association
view of breeding options. Plan ahead to include your farm and stallion services for 2013, All rights reserved. Printed in U.S.A.

which is sure to be another milestone and great year for Andalusian and Lusitano hors-

es around the world. Q AM

Correction:

IALHA Directors-at-Large were omitted accidentally from our 2012 handbook. The IALHA
regrets this oversight and provides their contact as follows:

Joanne Asman Regina-Sophia Siegel
J&J Ranch Caballos de Sophia

1410 Morningside Drive 175 Nevis Road
Burbank, CA 91506 Troy, NY 12583
[email protected] [email protected]

8 ANDALUSIAN u Issue 2 | 2012 www.ialha.org

Capturing Your
Horse’s Spirit

Photography & Design By Cheri Prill

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:HEVLWH'HVLJQ‡+RUVHV)RU6DOH(PDLO6HUYLFH

67811,1*67(('6&20‡

ENHANCED

Foal Training

Trust that lasts a lifetime

By Allen Pogue and Sue De Laurentis www.ialha.org

10 ANDALUSIAN u I s s u e 2 | 2 0 1 2

FACT:

Imagine horse training is based on old
European Circus and modern behavior
modification techniques, which allow the
horse to “learn” the language of clear and
specific commands/cues. The goal is to
create a safe, happy and cooperative
horse.

Buying a weanling or even a nursing foal can be a great option BENEFITS:
to give you a life-long equine partner. Getting a foal off to a
great start not only will give a sense of accomplishment, but • The horse learns to control his
also will give the young horse skills that will help to insure instinctual inclinations through a
that it will have a bright future. There are many fine breeders process of thinking (within a horse’s
(all breeds) who are happy to work with prospective nature).
owners, even when the foal is in utero. Although we raise
most of our own horses for exhibition and trail careers, we • The horse learns confidence and trust
have purchased fine youngsters that were easy to educate in his ability to deal with the
and rewarding to have as our partners. unexpected.

• The horse learns a “language” of
responses to express itself in an
acceptable and positive way.

• The horse learns to “unlearn” bad
habits by replacing them with positive
learned responses.

• The concept of giving a horse a “safe
place” works to literally put a horse in
a position on which (pedestal) he can
control his situation and his
emotions.

• The attention span of the horse is
gradually and reliably lengthened.

• In the learning process, the horse
gains confidence by sharing in
decisions that affect his well being.

I s s u e 2 | 2 0 1 2 u ANDALUSIAN 11

FOAL TRAINING

Dr. Robert Miller forever changed the IMPRINTING
horse industry with his revolutionary
imprint training methods that made Horses are born knowing how to be horses; what will
early handling and training not only benefit a horse the most is maturing into a productive
acceptable, but also standard practice. He
has shown our Enhanced Foal Training member of our human world, where he will live.
DVDs in his lectures for more than five
years to demonstrate that imaginative BY SUZANNE DE LAURENTIS
new training strategies are emerging
around the world, building on the foun- Classical imprinting can be defined as “a learning process occurring soon
dation that he codified. after birth, in which a behavior pattern is established.” Everything that happens
with the foal, after the initial imprinting, falls into the realm of follow-up
Training can begin soon after initial training and can be considered part of a life-long training process.
imprinting of the new born foal. This is
possible since horses are a precocial species. Dr. Robert Miller’s “Imprint Training the Newborn Foal” covers the complete
This means they are born neurologically process. In his latest book, “The Passion for Horses,” Dr. Miller states that he
complete. Of course, their memory banks can think of no other trainer who has more vividly demonstrated the benefits
are not yet filled, but they are ready and of early training than Allen Pogue. He says, “(Allen) has his foals so bonded to
able to learn. The rapidity at which a foal him, so compliant, so obedient, and (are) such willing performers” that he
learns can be seen as his mimicking and would never have thought it possible.
matching the stride of his dam on the first
walk, or even gallop, side by side. Our foals are imprinted in our laps on a bean bag, which allows us to hold it
firmly yet gently. The bean bag is comfortable for the handler and, with the
Enhanced Foal Training’s unique con- foal’s legs folded in the fetal position, he remains upright and alert. While they
cepts lay the foundation for most other soon outgrow our laps, the association between the bean bag and the action
aspects of a horse’s future and higher edu- of sitting remains strong. This can be a constant source of comfort and security
cation, upon physical maturity. This seg- to the foal and a useful tool for the handler.
ment will outline some of the elements,
but is not necessarily a full set of instruc- Redirecting the flight mechanism through pedestal training is one of our
tions. Certainly, all early training is depen- primary goals. Learning to stand on the foal platform once again creates an
dent on the health of both mare and foal. association between the pedestal and the action of standing still on a safe
place or mark of its very own. The foal gains confidence to stand still and face
Lessons learned as a small foal or even a variety of situations, in stillness rather than in flight.
a weanling will last a lifetime, if rein-
forced from time to time. While we can- Weanlings and adult horses are receptive to the same concepts that we use
not rewrite all of the inherent behaviors on foals, although the methods are adapted slightly. Adult horses generally
of the horse, we certainly can influence require more repetitions as inherent responses already are deeply developed.
them with early training. The purpose of The goals of re-directing the flight mechanism and creating confidence remain
Enhanced Foal Training is not so much the same.
about raising a trick horse as it is about
raising a horse that has “learned how to
learn” at an early age. In other words, it’s
a thinking horse.

If you choose a weanling that has a see-through gate, so the foal can be separated briefly
from the dam, yet can still see her and touch noses. While the
All Enhanced Foal Training methods are effective with a dam is having her morning meal, the foal is guided gently
weanling after 5 to 6 months of age, except that separation through the separating gate for a short, solitary lesson.
from the mare already will be accomplished. In addition to
platform (pedestal) training, he may be taught to “walk with” During these brief separations, we begin to teach him to
the handler in the same way we have outlined for foals, and, “walk with” us, using the corners of the stall as natural barri-
if he is compliant, he may even be placed in the sit-down ers at which we halt and also make an inward turn. When the
position on either a (Horse Tuff) bean bag or two bales of foal learns to go with us in this way, he grows up under-
hay covered with a piece of soft carpet. standing the concept of “walk with.” We use our hands, core
of the body, the contours of the stall, and foal wands to help
Side-by-side training to guide him. This method makes halter training a non-issue
as the young horse becomes habituated to walk with the
During the imprinting process, the foal will begin to bond handler. The reward for the brief walk is to return to the
with the human handler as well as his dam, and this is the pedestal next to mom. The foal can be taught to yield his
beginning of a life-long trust bond. We designed a training stall

12 ANDALUSIAN u I s s u e 2 | 2 0 1 2 www.ialha.org



FOAL TRAINING

head, neck, shoulders, rib cage and hind Most baby horses love a good wither-scratching
quarters in this way with just the slightest session and demonstrate that pleasure.
amount of pressure applied.

Pedestal or foal platform

As a species, the horse has depended on the flight mecha- foal a safe place – a place all its own. The low platform is placed

nism for survival, and a foal is born with this instinct fully next to the separating gate with the mare eating her meal on the

intact. But horses don’t have a place of their own where they other side of it. As we walk the foal around the stall, we careful-

can run. The pedestal or, in this case, the foal platform gives the ly guide it to step on the pedestal, where he is next to “Mom.”

We help him to balance and stay on the plat-

form for just a minute or so at first and, grad-

ually, increase the time, always with a reward.

Legendary Lusitanos Walking away with the handler in this man-
ner, and then back toward Mom, teaches him
that obedience has a reward. In time, all foals

will become so enamored with the pedestal,

you will have to be creative in getting them to

step off of “their place.”

How to reward a foal

In the first few weeks, scratching on the
withers and returning to Mom are the best
ways to teach a foal about rewards. Most baby
horses love a good wither-scratching session
and will make all sorts of facial expressions
that demonstrate pleasure.

Why the bean bag?

We are used to strange looks when we
travel to the vet’s office with a very

Performance, Character, Versatility and Color

Selah !

Breeding * Sales The foal learns early to accept this position that
puts his flight mechanism in neutral. The bean bag
19151 County Road 450A * Umatilla, FL. 32784 * 352-516-1803 is comfortable, and protects their bodies.

www.legendarylusitanos.com www.ialha.org

14 ANDALUSIAN u I s s u e 2 | 2 0 1 2

3HI`YPU[O-HYT

Fantasia Aurora Dedicated breeder of purebred Andalusian and
Eventa Lusitano horses. Proven performance bloodlines
with noble character.

Charismatic, handsome, and atheletic mares are
the foundation of our breeding program. Expert
care and handling with an emphasis on holistic
treatment and organic practices.

Offering the rarest of colors: perlinos, cremellos,
buckskins, true non-graying roans, blacks, bays,
greys. Please visit our website for a current list
of horses available for purchase.

Fineza Eventa: PRE daughter of
Evento, in foal to Fuego de
Cardenas (XII) for 2013

Arabella: PSL daughter of
Jalifa, in foal to Hipogrifo for
2013, guaranteed black

Aurora: PSL true blue roan
cream carrying mare, in
foal to Lusiadas for 2013,
guaranteed non-grey in
either buckskin, perlino, or

bay 50%chance of roan

Fineza, Fantasia,
Cadencia: Special mares
bred and retained by
Labyrinth Farm for
breeding program

Arabella Labyrinth Farm

633 Edgerton Rd
Mill Spring, NC 28756

(828) 625-8329
www.labyrinthfarm.com

FOAL TRAINING

young foal and a bean bag slung over our shoulders. Trailer loading, stocks, tying,
Administering medication or other treatment to a foal
easily can become a stressful wrestling match that a foal blanketing, hobbling
will remember for life. Our foals are held in our laps
(starting on Day 1) as we sit on the bean bag. Gently LEARNING TO STAND quietly for handling can be
folding and carefully holding their legs in the fetal posi- taught early; no need to wait until a colt is old enough to be
tion triggers a relaxation mechanism, and the foal will tied. The foal platform becomes the place where he learns to
relax and, usually, fall asleep. Our vets love to work with stay. Routine care such as handling feet and grooming are
our colts, because they sit quietly. taught while the foal is on the pedestal.

A weanling foal can learn an additional lesson about
standing still if placed in stocks. Always stay close, so he does-

n’t feel abandoned and get frightened. We
put a halter and lead on and drape, rather
than tie the rope around the tie post of the
stock. Increase and vary the stock time
gradually. The colt actually will think that
he is tied, although there will be no pres-
sure on his lead or halter. The association
of standing in the stock in the pretend tied
position will help to make the transition
to being tied easier. Never tie a young
horse fast and hard when his bones still
are soft and forming.

A training trailer is positioned next to
our barn, and the foals and weanlings are
fed inside it. If the doors are left open, they
will often step in on their own to stand in
the shade, or to see if there is anything of
interest inside. Feeding a horse in a trailer to
help him feel comfortable is not the same as
bribing one to get in when the pressure to
load is on.

Foals can become accustomed to blan-
keting, slickers and even saddle pads, and
even the feel of soft rope on the body and
legs. Don’t leave the foal unattended with
any type of equipment on him. Whatever
you anticipate that you will want a grown
horse to be able to do as an adult, teach it as
a foal. The lessons must be age appropriate
and not include weight-bearing exercises.

Keep it short and sweet

FOALS LEARN QUICKLY and have lit-
tle need for repetition, so keep sessions
short, but you may repeat them two or three
times a day.A foal can understand direction
and tolerate correction, but punishment
only is frightening. Just as with people, a
foal’s positive attitude makes for confident
learning experiences. Although foals easily
can be trained, we keep all lessons age
appropriate and non-stressful. QAM

Allen Pogue and Sue De Laurentis work with

Imagine a Horse. For Enhanced Foal Training

information or DVDs, visit

www.imagineahorse.com.

16 ANDALUSIAN u I s s u e 2 | 2 0 1 2 www.ialha.org



IALHA Art Contest
Brings Art From

Around the Globe

For many years, the IALHA National Show Committee has held an art contest to
select a piece of original art to grace the cover of the National Show Program and
show-themed memorabilia. After a brief hiatus in 2011, the contest has returned this
year with international flair.

18 ANDALUSIAN u I s s u e 2 | 2 0 1 2 www.ialha.org

The art contest was headed up by National Show Is your horse reluctant
Committee Member and Region 3 Director Nancy to move forward?
Holman, working in conjunction with VP and Website
Committee Chair Kay Laake and the Policies and Ride pain free. For you. For your horse.
Procedures Committee, chaired by Bruce W. Menke. This
year’s contest included a new twist: Artists’ works will be Knowledge is power. Find Solutions.
included in an online auction designed to showcase their
talent and promote their works, while simultaneously Sign up for a 80 point Diagnostic
helping to raise funds to help support the IALHA. As Saddle Fit Evaluation
part of the contest, contributing artists have agreed to
contribute a portion of the sales of their featured art 1 (800) 225-2242 [email protected]
(ranging from 50 percent to 100 percent, based on the www.saddlesforwomen.com
artists’ wishes) to the IALHA National Show.
6DGGOHÀW/LIH®3DUWQHU
The response to the contest exceeded expectations,
with beautiful work coming in from Brazil, France,
Portugal and Canada, as well as the United States, repre-
senting a variety of media, including jewelry, paintings,
drawings and photography. The IALHA’s Facebook page
has garnered numerous new fans as the different artists’
contributions to the contest have been showcased, help-
ing to spur interest not only in the artists’ creations, but
in the IALHA and this year’s show.

IALHA Facebook volunteers continue to field ques-
tions from interested fans about how they can bid on
their favorites. Find these and other unique equine art
in the Art Auction. So many stunning entries were sub-
mitted this year, the IALHA Board of Directors was
hard pressed to select the winning art from the great
variety presented for review at the second quarter
board meeting. In fact, the group spent almost one
hour making the final selection.

For 2012, IAHLA is delighted to introduce Frédérique
Lavergne as the featured artist whose work, “Amazone,” will
grace the cover of the 2012 IALHA National Championships
and Foundation Celebration program.

Frédérique Lavergne – Art Contest Winner

Frédérique “Freddie” Lavergne,
of Bayonne, France, is a renowned
equine artist with works in many
museums and exhibitions. With a
father who rode and a designer
mother, Lavergne was born into a
world inhabited by horses and
sketches of fashion. Before speak-
ing, drawing pictures became her
language. Her family would visit
their horses at Rambouillet forest
near Paris, and Lavergne would
stay near at the stable, while her
parents went riding. She first
learned to draw horses there.
Lavergne says, “I paint horses, first, because I feel a
strong link to them. When I paint, I am absent from this
world. I don’t talk a lot, and I realized very young that

I s s u e 2 | 2 0 1 2 u ANDALUSIAN 19

ART CONTEST

horses talk with their soul. I find them beautiful, of monochromatic, because I reach my goal with a mini-
course, but I am fascinated by their powerful soul, by mum resources and little repentance.”
their generosity to humans. They have a symbolic force
and, from my convictions, they are able to go from one You have an opportunity to make one of Lavergne’s
world to another, from our human world to the one of two works your own, by bidding on “Amazone” at
invisible. That’s why they help us to know who we are.” www.IALHA.org. More of her work is available online at
www.frederiquelavergne.com.
Lavergne’s current and upcoming exhibitions include:
• Greenlane Gallery, Dingle Kerry, Ireland Beatrice Bulteau – Finalist
• The Chisholm Gallery, Pine Plains, N.Y., USA
• International Polo Club of Palm Beach represented Beatrice Bulteau was born in
Sancerre, “Val de Loire,” France,
by The Chisholm Gallery and was encouraged to paint
• International Jumping of La Baule May 10 to 13, from an early age by her artist
mother, Helen Clement. After
represented by La Galerie du Cheval three years of study at the
• National stud of France, Lamballe, Brittany, France Sorbonne in Paris, Bulteau
developed her own naturalistic
October and November 2012. style, based on form and images
collected on her extensive travels
Lavergne continues, “I begin my paintings by covering throughout Europe. With her
the canvas with black. Then, each time I paint the eye. move to Lisbon, Portugal, in
Sometimes the artwork stops there, though I have not 1980, she began a series of stud-
managed to get the expression, the emotion I was look- ies with horses and movement, and developed her cur-
ing for. The eye is a door that opens and lets in light and rent impressionistic style in watercolor.
makes the exchange possible. Seek the light in the dark-
ness, is the adventure of all my paintings, often almost

20 ANDALUSIAN u I s s u e 2 | 2 0 1 2 www.ialha.org

Since 1985, Bulteau has exhibited in galleries in Paris, San
Francisco, Tokyo and more than 30 galleries throughout the
United States, Europe, Asia and, recently, in Brazil. Her work,
“Piaffe” (shown here) is representative of her unique ability
to infuse movement into her art.

Jessica Robyn Wright – Finalist

Jessica Robyn Wright has
spent time in both the Unit-
ed States and the United
Kingdom. She writes, “At an
early age, my family encour-
aged my art and creativity.
From the sinuous muscles in
a horse’s leg to the clean lines
of modern electronics, I’m
inspired by my surrounding
elements. I have a strong fas-
cination in skeletal and mus-
cular structure in both
human and animal form as
well as a deep appreciation
for manmade goods. I have been professionally painting,
photographing and molding for almost a decade now and
can’t seem to stop.”
“Belo,” her entry seen here, is a fine example of her water-
color art. Wright’s work is collected widely throughout the
United States, Australia and the United Kingdom. She creates
memorable works of art using watercolor, oils, acrylics,
gouache, wire, paper and film. Find many more of her
equine images at www.jessicarobynwright.com.

Exceptional artwork by these other fine artists can be Not tonight dear... I’ve been riding!
found at IALHA.org Art Contest Auction: Ride pain free. For you. For your horse.

• Randi Osborn, Washington, USA, watercolor/pencil Knowledge is power. Find Solutions.

• Suzanne Fisher, Kansas, USA, oil, Sign up for a 80 point Diagnostic
www.walnutcreekandalusians.com Saddle Fit Evaluation

• Pat Duggan, California, USA, watercolor & pastel, 1 (800) 225-2242 [email protected]
www.dugganartwork.com www.saddlesforwomen.com

• Nikki Lugli, California, USA, acrylic & sculpture,
www.leonesssporthorses.com

• Tooni Milici Coen, Rhode Island, USA, silver jewelry,
www.equusoro.com

• Agata Rozanska, Cadenet, France, oil/mixed,
www.agata-rozanska.com

• Janice Fischer, Illinois, USA, photography,
www.janicefischer.com

• Sue Cabrero, Florida, USA, pastel pencil & oil,
www.portraitsxsue.com. Q AM

6DGGOHÀW/LIH®3DUWQHU

I s s u e 2 | 2 0 1 2 u ANDALUSIAN 21





Saddle
Fit and Length

By Jochen Schleese

Saddle length is an issue I have been noticing more in
the last few years, as breeding seems to really have
concentrated on making somewhat more “compact”
(i.e., shorter) horses. So, other than the obvious visual
“short-backedness” of a horse, ask yourself the
following:

Does your horse have a “four-beat” canter?
Does your horse have tense back muscles,
which impairs movement? If you answered
“Yes” to either of these questions, you may
be faced with a saddle length issue. The
first is more of a visually obvious result; the
second more of a “feeling.”

24 ANDALUSIAN u I s s u e 2 | 2 0 1 2 www.ialha.org

Many of us are familiar with the term “short-backed”
to describe a horse, but few of us are aware that even a
horse with a back that appears to be of normal length
actually may have a very short saddle-support area. The
length of the saddle-support area (the area where the
saddle must sit) is what concerns saddle makers and
saddle fitters, since this will determine how long the
panels of this particular horse’s saddle must be.

Breeds that commonly have a short saddle-support
area are Friesians; Baroque-type horses such as
Andalusians, Lusitanos, P.R.E.s and Lippizaners;
Arabians; and more frequently, “modern-type” warm
bloods. One common saddle fitting issue faced by these
breeds is that the panels on dressage saddles often are
too long for their backs. For these horses to develop to
their fullest potential and work willingly, happily and
pain free, it is crucial that they have a saddle with panels
that are the correct length for their backs, without
impinging on the ovaries or the kidneys.

To identify your horse’s saddle-support area, do the
following:
1. With a piece of chalk, outline the edge of your horse’s

shoulder blade (images #4 and #5 on p. 24)

I s s u e 2 | 2 0 1 2 u ANDALUSIAN 25

SADDLES

2. Locate your horse’s last floating rib (image #3) by 5. My left hand is pointing to just behind the shoulder
finding where his hairlines come together in the area blade, where the saddle ideally should be placed and
of his flank, and drawing a line straight up to his not extend beyond the last vertebra outlined.
spine.
6. I am drawing “pain lines” from pinched nerves that
The images on p. 24 help demonstrate some of the appear on some horses when they have an ill-fitting
important aspects of saddle length: saddle.

1. A skeletal diagram showing the proper saddle-support First, the saddle must sit behind the shoulder. But,
area, with respect to a horse’s rib cage. particularly at the canter, a saddle that is too long often
will get driven forward into the shoulder. This can pro-
2. I am pointing to the last supporting rib on a horse duce a buildup of scar tissue on the scapula, and, over
with a saddle that fits properly within the boundaries time, the scapula actually may be chipped away by the
of the saddle-support area for this particular horse. tree points of the saddle.

3. The red lines represent the changing directional Second, the saddle cannot extend beyond the last
pattern of hair on the horse’s body, relative to the last floating rib. If a saddle is too long for a particular
supportive vertebra (notice the panel of the saddle horse, the rear of the panels will extend beyond the
does not extend past this point). horse’s saddle-support area. This is extremely uncom-
fortable for the horse, as it puts pressure on his lumbar
4. The first chalk line represents the front of the scapula region. A horse ridden in a saddle that is too long often
(shoulder blade), whereas the second chalk line, will tighten his lower back muscles. In some cases, you
again, represents the last supportive vertebra. actually can see the horse hollow and drop his back in
an attempt to get away from the pressure of the saddle.

FOR SALES LISTING CONTACT PHOTO: NOREEN DUFFY-GRANBERRY Drago V
CONTPAACTTRIPCAIATRKICUIAEHKNUEERHONRERLOFORRI BSALRENSALRIDSTING

203-438-5405 Y [email protected]
www.facebook.com/OrchardHillFarm

Ridgefield, Connecticut

2009 Region 6 Champion, Senior Stallion, Gold Medal Best Movement

Classique Heliade du Plessis Farsanta MC Prisca du Plessis

PHOTO: PAT GIRARD PHOTO: TERRI MILLER

Orchard Hill Farm is committed to breeding and raising, classically training and competing
P.R.E., Andalusians and P.S.L., Lusitanos in the Equestrian Art of Dressage.

26 ANDALUSIAN u I s s u e 2 | 2 0 1 2 www.ialha.org

(For an example of this, watch the video “How to Tell if room, with a 17.5-inch panel to accommodate the horse’s

Your Saddle Hurts Your Horse” on the Schleese back. This issue has become so prevalent that a couple of

Saddlery Service Educational YouTube Channel at, our models actually incorporate this “option” as standard.

www.youtube.com/mjpschleese). He may even buck in Sometimes you have to look beyond the obvious symp-

extreme cases, in an effort to get the weight off his lum- toms to find the cause. Q AM

bar area. Finally, he may have difficulty moving forward Jochen Schleese, CMS, CSFT, CEE can be contacted at
into the canter, or simply may be persistently “off ” for no www.schleese.com or www.saddlesforwomen.com.

readily apparent reason.

If these are issues you have been facing and have been

unable to actually attribute to anything

real (like illness of some sort) then, per-

haps, you might consider that it could Standing
simply be that the saddle is too long for

your horse’s back and is making him Receloso
extremely uncomfortable. This could be xxxv
why this “acting out” occurs. Think about
how you would feel if you had something

constantly pounding into your kidneys. 5(*,21&+$03,21-5

That is why we at Schleese actually can 67$//,21

make our saddles with two distinct cus- ‡ ,PSRUWHGIURP6SDLQ
tomizations. For example, an 18-inch seat ‡ %UHGE\<HJXDGD5RPHUR%HQLWH]
is for the rider who needs a little more ‡ 6WDQGLQJLQ6RXWKHUQ&DOLIRUQLD

:(3528'/<2:1620(2)7+(
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We are dedicated to the Pura Raza EspaÑola!

Liberty
Andalusians

6WHSKHQ6WUXQN‡‡VWUXQNFM#DROFRP
ZZZ/LEHU W\$QGDOXVLDQVFRP

Jochen Schleese design by

I s s u e 2 | 2 0 1 2 u ANDALUSIAN 27

NATIONAL SHOW

Biggest and Best

National Show to unite two backers of the breed

The 2012 IALHA National Championships and www.ialha.org
Foundation Celebration are combining to be the
most exciting show ever. The amalgamation of the
IALHA’s National Show and the Foundation for the
Pure Spanish Horse’s Celebration will be held Oct.
15-21 at the Will Rogers Equestrian Center, allowing
the best of the breeds to unite in Fort Worth, Texas.

28 ANDALUSIAN u I s s u e 2 | 2 0 1 2

“This show promises to be bigger and better than ever, sure that the Lusitanos we are breeding in North America are
with the historic coming-together of these two organiza- compliant with the standards set forth by the Portuguese.”
tions,” says Amy Star, show chair. “The level of competition
will be fierce, and the possibilities for competitors and spec- Other activities include the Saturday night Extravaganza.
tators alike are amazing. Everyone will have a place to shine.” This year’s show promises to be bigger and better than ever,
too. Word has it, there will be everything from La Garrocha
The two groups have bounced around the idea of a com- to reining, sidesaddle to Spanish Walk, dressage to the ever-
bined National Show/Celebration for years and, this year, the popular Medieval Times. And don’t forget, there’s more fun
idea to unite the best of the best finally is coming to fruition. in store with this year’s competitors’ social to be held Friday
night, Oct. 19. Q AM
“Our breed world has waited a long time for this show,”
says Foundation Executive Director Barb Clark. “We are all For more information about the show, log onto www.ialha.org.
excited about the possibilities the coming-together of these
two organizations can bring.” There, you can learn how to participate in the classes,

IALHA President Julie Alonzo agrees: “It’s wonderful that volunteer to help, find a hotel room, or obtain a booth to sell
we can join together to offer our members the chance to
compete against the best of the best in this show. It’s been your wares. Whether your interest is in competing, shopping,
great working with representatives from the foundation on
the planning, and I’ve been impressed by everyone’s dedica- socializing or learning more about the breed, you’ll want to log
tion to making sure that all feel welcome. The mix of classes
should help make the event even more interesting to watch.” on often to learn the latest the 2012 IALHA National

The show promises to offer something for everyone. The Championships and Foundation Celebration has to offer.
competitor can choose from USEF-sanctioned classes like
dressage, driving and Doma Vaquera, or opportunity classes
like working equitation and Spanish walk. Specialty classes
will offer participants and spectators alike the chance to see
how judges from the mother countries of Spain and Portu-
gal score the horses.

“The skills and expertise of the horsemen and women
competing at this show will raise the bar and demonstrate
that every horse has a place within our two organizations,”
says Clark. “People new to the breed will find that this is the
place to find what direction they would like to take within
our Iberian breeds.”

Shoppers won’t be left out,and the usual favorites of El Sueño
Español, Iberian Connection Spanish and Portuguese Tack, and
La Tienda Española will be there, along with other familiar faces
and new shops with wares for sale to show goers.

The Portuguese judge, João Ralão Duarte, president of the
board of directors for the World Association of working
equitation, will judge the working equitation opportunity
classes on Tuesday afternoon, Oct. 16. Working equitation
has been a popular sport for the last two years at the IALHA
National Show and combines speed, dressage and obstacles
for a crowd-pleasing spectacle.

There will be clinics throughout the week, giving partici-
pants the chance to learn valuable skills from experts in each
of their fields. The Foundation for the Pure Spanish Horse
will offer a chance for revision for P.R.E.s (Pura Raza
Española), and APSL revision for Lusitanos (Puro Sangue
Lusitano or PSL) also will be offered during the show.

“Revision is a time-honored way to keep the breed stan-
dards alive,” says Clark. “It’s one way to preserve the excel-
lence of the breed going forward.”

Sharon Mohr, the chair of the IALHA PSL Commission,
the committee charged with ensuring the protocol for Lusi-
tano revision with Portugal, agrees: “This is the chance to be

I s s u e 2 | 2 0 1 2 u ANDALUSIAN 29

Where We Have | Submissions: Do you have a submission for Where We Have Been, highlighting interesting places you have been with your IALHA horse? For
consideration in future issues, send photos with brief information to [email protected]. Please put Where We Have
Been Been in the subject line.

Sally Bishop of Vancouver, Canada, at home with her Andalusian mare, Bella Jill McCrae, from McCrae Farm,
Confianza, (IALHA/PRE registered ), who has been the star of ABC's “Once Upon A displaying falconry on horseback with
Time” as Prince Charming's horse. Sally works as a stunt double on the show Quebec do Pinhais, Lusitano gelding,
recorded in Vancouver, and the and Alvin, falcon. Mario Contreras’
producers have been requesting Equestrian Troupe at St. James Farm
Bella specifically as part of the Family Field Day, Wheaton, Ill.
show. Watch Bella Sunday nights
this fall on ABC!

Sargon Interagro, a stunning grey Lusitano gelding owned by Louise Turkula, captured
the Championship Year End Award in the Prix St. Georges Open division and the
Reserve Championship in the Intermediate I Open division in the Adequan®/USDF All
Breed Award For Lusitanos and
Andalusians. He was ridden
throughout the show year by
international dressage rider and
trainer Cherri Reiber, who was
thrilled with Sargon’s success, and
even more surprised, since she
hadn’t been keeping track of where
he stood in the rankings.
Congratulations!

Emily Lindsey riding Cortes was Jim, Andalusian stallion. Mario Contreras’
the Andalusian Award Winner from Equestrian Troupe at St. James Farm
the Harmony in the Park dressage Family Field Day, Wheaton, Ill.
show held May 29, 2012, at the
Hoosier Horse Park, Edinburgh,
Ind. Cortes celebrated his 20th
birthday in March. Bravo!

30 ANDALUSIAN u I s s u e 2 | 2 0 1 2 www.ialha.org

Rachael Argo (a business partner in Dos Compañeros Spanish Horses in Nova Scotia, Chon Macedo, from Ran-Chon
Canada, with Karen Pyra) on her Andalusian Caprichosa participated in the grand Andalusians, long reining Apagon, (aka
opening of Silver Horse Florist in Kentville, Nova Scotia. Caprichosa was adored by El Foca) a P.R.E. stallion, to a piaffe.
everyone, and adored the attention. It was a great event that people talked about for Mario Contreras’ Equestrian Troupe at
months. We would hear people say St. James Farm Family Field Day,
things like, “Did you see the Wheaton, Ill.
medieval lady prancing down Main
Street on a gorgeous white horse?”
What could be more appropriate
than a silver horse being the star at
the Grand Opening of a new
business called Silver Horse Florist?

I s s u e 2 | 2 0 1 2 u ANDALUSIAN 31





BUSINESS

CARDS

Spanish and Bill & Diane Calderon
Portuguese
Equestrian 623.465.7276
Equipment 623.465.7284 fax

www.iberianconnection.com
[email protected]

34 ANDALUSIAN u I s s u e 2 | 2 0 1 2 www.ialha.org

I s s u e 2 | 2 0 1 2 u ANDALUSIAN 35

S TA L L I O N

LISTINGS

Name: Alijo Name: Aragon MHF

Breed: Andalusian Breed: Andalusian

Size: 16H Size: 16.1H

Color: Double dilute w/ single grey Color: Homozygous Black (EEaa)

Sire/Dam: Xerox HM x Guindaleza R Sire/Dam: Guarapo x Zara MHF

Stud Fee: $1,500 Andalusian/ Stud Fee: $2,000 Purebreed, $1,000 Outcross

$1000 non-Andalusian Bio: Revision Judge about Aragon: “He has
the ideal proportions for dressage, good candidate for Calificado Status”.
Bio: Alijo has started his breeding & riding career, and already has four beautiful Straight, elastic movement that competition requires. Natural ability to sit
foals on the ground. He has a super temperament, willingness to learn and and work under himself. Pedigree of the best grays and bays, clothed in
spectacular movement. Alijo is a double dilute so he will produce buckskins, black!
palominos, smokey blacks, also carries a single copy of the grey gene.
Owner: Shannon Olson
Owner: Steven & Lori Bohn/ Fallon Mustang Ranch
Address: Vader, WA 58593 • www.PromiseFarmAndalusians.com
Address: 10691 S.R. 27 Pullman, WA 99163 • www.spanishhorsesoffallon.com
Contact Info: 360.295.3338 • [email protected]
Contact Info: 509.595.3883 • [email protected]

Name: Carioco Name: SL Fortuno
Breed: Andalusian
Breed: Andalusian Size: 15.2H
Color: Gray
Size: 16.0H Sire/Dam: Impetuoso D x Madrina SOR
Stud Fee: $600 Non-Andalusian/
Color: Bay
$1,100 Purebred Andalusian
Sire/Dam: Barquito x Carioca IX Bio: National & Regional Breed Champion w/ National Top 5 honors in
working equitation & Western Pleasure. OUTSTANDING temperament,
Stud Fee: $1,000 type, and trainability.
Owner: Susannah Rogers
Bio: Imported from Spain, Carioco combines Address: Aurora, CO • www.ColoradoAndalusian.com
exceptional temperament with correct conformation and excellent Contact Info: 303.210.6901 • [email protected]
movement. Currently competing successfully in Eventing. His offspring
show incredible talent for jumping & dressage. Young stock for sale or
choose Carioco to sire your performance champion!

Owner: Tammy Yost-Wildin

Address: P.O.Box 247, Boyd, MT 59013 • www.HeartTRanch.com

Contact Info: 406.962.9944 [email protected]

Name: Lazaro MHF Name: Pasqual
Breed: Andalusian
Size: 16.2H Breed: Andalusian, IALHA #2937(S)
Color: Bay
Sire/Dam: Navarre GF x Itaca III Size: 15.3H
Stud Fee: $2,000 for Pure Spanish Mares,
Color: White
$1,200 for Outside Mares
Bio: Working on FEI Level dressage. Shown thru 4th Level dressage. Sire/Dam: Ofendido VII x RBF Primarissa
Lazaro has 15 Beautiful and Correct foals on the ground.
Owner: Karin Glynn, Glynn Farms Stud Fee: Purebred $2,000, Cross $1,500,
Address: 2000 W. 61 Terrace, Mission Hills, KS 66208 Other $700

www.topandalusianstallion.com7/1 Bio: Pasqual is stunning 16 year old IALHA registered stallion. Excellent
Contact Info: 816.679.3456 • [email protected] confirmation & temperament! Out of prestigous Ofendido, Jenson, and
Ufano bloodlines. Doma Vaquera, initiating Doma Classica. For STUD and
FOR SALE.

Owner: Israel Gutierrez

Address: Rancho Cucamonga, CA • www.laubela.com

Contact Info: 951.662.3988 • [email protected]

Name: Pescador ESF Name: Portos
Breed: Andalusian (IALHA)
Size: 15.3H Breed: Andalusian
Color: Grey
Sire/Dam: Silver Solamente x Jimena de la Parra Size: 16.1+H
Stud Fee: $1,000/Andalusian,
Color: Bay
$800 Non-Andalusian
Bio: Magnificent, athletic, level-headed, open & amateur dressage Sire/Dam: Boreas BB /Amorosa
Champion. USDF All-Breeds Champion, 1st & 2nd Level Open. Reserve
Champion, 1st Level A/A. Showing 3rd, schooling 4th + Piaffe & Passage. Stud Fee: $1,500/700
Owner: Pamela and John Pirkle
Address: Mission Viejo, CA • www.RanchoElLucero.com Bio: 2010 IALHA Region 1 Stallion of the
Contact Info: 714.402.7006 • [email protected] year 3 year-old; 2010 IALHA Gold Medal Movement; Portos is an elegant
bay stallion with extraordinary movements, temper, and natural ability with
breath taking extensions and flexibility allowing for extraordinary balance
and collection.

Owner: Hacienda Laubela

Address: Rancho Cucamonga, CA • www.laubela.com

Contact Info: 951.662.3988 • [email protected]

36 ANDALUSIAN u I s s u e 2 | 2 0 1 2 www.ialha.org

Name: Rumbero Name: Sonhador CD

Breed: PSL Lusitano bred in Portugal by Breed: Lusitano
Paulo Caetano
Size: 16.0H
Size: 16.2H
Color: Buckskin (EE AA NCr)
Color: Homozygous Black
Sire/Dam: Nostradamus do Mirante x Heraldica
Sire/Dam: Altivo/Lancha
Stud Fee: $1,500 purebreed/$1,000 other
Stud Fee: $1,800
Bio: Striking, rare Buckskin PSL. Sonhador
Bio: Shown thru Prix St. George, beautiful gaits with big elastic trot, is Heterozygous for the creme gene - EE AA NCr. Classic conformation,
producing foals with correct conformation, good temperaments, and winning movement w/ elegant neck. 2nd Level dressage w/ work in Piaffe
exceptional movement. Can see many good photos of his foals on our & Changes. Exceptionally kind temperament. Proven sire 33+ foals, crosses
website: www.owlsnestfarm.com. beautifully.

Owner: Cheryl & Mike Person / Owl’s Nest Farm Owner: Dominique C. Pecorelli

Address: 5963 FM 949 Sealy, TX 77474 • www.owlsnestfarm.com Address: 911 Oak Lane, Escondido, CA 92029 • www.LusitanoGold.com

Contact Info: 979-865-9886 • [email protected] Contact Info: 619.890.7741 • [email protected]

Name: Triunfador XXIV Name: Verso Do Retiro

Breed: PRE Breed: Lusitano

Size: 16.3H Size: 16.3H

Color: Homozygous Black (EEaa) Color: Buckskin

Sire/Dam: Hebreo XIX x Triunfadora XIV Sire/Dam: Othelo Do Retiro / Harpa V

Stud Fee: Private Treaty Stud Fee: $1,500 Lusitanos; $1,000 all others

Bio: Qualified, María Fernanda Escalera Bio: Verso is a tall flashy athletic stallion.
brand, Champion of Sevilla, 3 time SICAB Top 5, 7 gold medals in Spain, Approved for breeding in Brazil, he was highly rated in his stallion testing,
offspring with 14 gold medals, only black qualified & only PRE in the U.S. his two babies are firmly stamped by Verso with buckskin coats and his
with 3 qualified offspring. “The best black PRE today, magnificent stud”- wonderful head and neck. Following successful 2009 and 2010 seasons,
trofeo caballo. “Phenomenal movement”- el caballo español. Verso will compete again in the 2011 show season PSG. He is easy to
handle, a joy to ride with a kind, playful temperament.
Owner: Leonardo & María Mandina
Address: Santa Rosa Equestrian Center • www.srequestrian.com
Address: 6730 69 Street, Vero Beach, FL 32967 • www.hds-andalusians.com
Contact Info: 707.975.2097 • [email protected]
Contact Info: 772.770.1563 • [email protected]

$135 per year (4 issues) Black & White
To include your stallion listing in each issue of Andalusian, contact: Lisbeth Hencke – 757.410.5836 • [email protected]

ANDALUSIAN

CLASSIFIEDS

! AndalusiansUSA.com !
Are you hoping to find your Andalusian Dream Horse? Allow us to find your ideal match! Andalusians bred for disposition and movement. Quality selec-
tion of horses for sale. Proven Dressage Stallions at Stud. Call Gabriel at 517-623-1032 www.AndalusiansUSA.com

ESPARTACO XVI TONAL (AND. CROSS) CARINA

IALHA All Breeds Dress. Champion 2011 & San Diego (3/4 Andalusian) Azteca Dark Bay. Two months old - he 8 y/o black bay mare (produces black). 3+ years
Chapter Champion for Open 1st Level. 16.2hh stallion, is tall and graceful! Morphology, Movements and professional training, many ribbons, easy to handle, kids
quiet nature, easy to handle, no stallion-like attitude. Disposition. Out of Portos and Coqueta. $5,000.00. ride. Barefoot sound, standing 15h. $9,000. Also offering
Competitive Gaits, super agile + world class Piaffe & Fuego, 2 y/o buckskin colt (heterozygous grey).
Passage. Now competing open dressage! ANCCE Israel Guitierrez: 951.662.3988 Handsome, friendly. $6,800. Cash offers, payments
Revised (Spain). Genetic tested BLACK. www.laubela.com possible.

Kimberly Monk: 760.207.7117 Mary: 828.817.2736 • [email protected]
www.kimberlymonk.com www.labyrinthfarm.com

$55 per issue — Email your 40-words of text and a print optimized image (300dpi) • Contact: Lisbeth Hencke – 757.410.5836 • [email protected]

I s s u e 2 | 2 0 1 2 u ANDALUSIAN 37

Spotlight | By Diana Hunt

Believe in Your Dreams

Everyone is entitled the dream of reach- Photo courtesy of HuntScene Photo
ing goals, and Francisco Garcia is commit-
ted to help them get there. Specialist Master Sr. Francisco Garcia has been Photo courtesy of HuntScene Photo
Rider from the Royal Andalusian School of teaching theory of classical dressage
Equestrian Art (Fundación Real Escuela for more than two decades, being Sr. Francisco Garcia
Andaluza del Arte Ecuestre) in Jerez de la one of only a few who have conducts clinics throughout
Frontera, Spain, Sr. Garcia is considered one reached the top of the profession. the United States as well as
of the best teachers and trainers in the The Silver Medal dressage horse at individualized lessons and
world by his peers at the Royal School. Now the 2004 Athens Olympics, Oleaje, full training at Half Moon
in the United States for an extended teach- was trained by Sr. Garcia (and rid- Stables, Aiken, S.C. His
ing sabbatical, he is based at Half Moon Sta- den by Ignacio Rambla, who first classical training methods
bles near Aiken, S.C. represented Spain at the 1996 are appropriate for all breeds
Atlanta Olympics). Francisco Gar- of horse and all levels of
Francisco Garcia has a passion to teach cia has ridden for the Royal School rider. For clinic information
as many people as he can that the principles in international competitions contact Diana Hunt, huntress04@gmail.
of classic dressage are very much the essence throughout Europe since 1987. com, or Dori Derr, [email protected].
of today’s so-called competitive dressage.
This goes for any riding, whether a rail class “The horse is physically more www.ialha.org
in English pleasure, a Grand Prix dressage powerful, the person has to be
test or the art of Doma Vaquera. mentally more powerful,” says Sr.
Garcia. “I teach riders they have
“I wanted to translate the classic riding to prepare their horses for what
theory of the Royal School to riders in this they are going to ask them to do, keep the
country,”says Sr. Garcia.“The U.S. is further connection, stay light and sensitive, and
from the European Baroque riding tradi- then ask quietly.”
tions than other European countries, and I
see a disconnect from the artistic way of rid- But don’t have a strict timetable for your
ing. I want people to see it is not a dream to day if you are working with Francisco. If the
be able to ride a horse like Fuego.” horse is not figuring out the right way to do
something, he will continue to ask calmly
Francisco Garcia’s philosophy is the and quietly until he gets it – even if it takes
Occam’s Razor approach of simplicity: R=R another 45 minutes. There are no short
– reward equals rest. Let the horse learn the cuts. Once the horse does it right, he is
right thing, and reward him for getting it praised and put away. QAM
right. A horse’s greatest reward is rest. Get
off his back, loosen the cinch and undo the
curb chain. Give him a good pat.

The prestigious Royal Andalusian
School of Equestrian Art is considered one
of the leaders of equestrian arts knowledge
worldwide, devoted to conserving the clas-
sical traditions of Baroque horsemanship,
preparing horses and riders for interna-
tional dressage competition and providing
education in all aspects of horsemanship.
Only the most knowledgeable and respect-
ed professionals are invited to teach and
ride at the school.

“If you can put a foot in the

stirrup, I can teach you

dressage.” - Sr. Francisco

José Garcia Ibañez

38 ANDALUSIAN u I s s u e 2 | 2 0 1 2

Membership Eligibility and Benefits can be found online at www.ialha.org.

Read description carefully before selecting your membership type.

P.R.E. in Index to

Dressage | By Ana Renilla Advertisers

The Growing Presence of the 31 Bridled Passion Farm
34 Caballos Del Corazón
P.R.E. in Dressage Championships Cheri Prill Photography
9 & Design
The Spanish horse in dressage Fallon Mustang Ranch
can hold its own, as has been shown 2 Fhoenix Soft Tree Saddle
in the Olympics and in a number of 35 G Andalsuians
high-level competitions all over the 34, C3 Garrison Ranch
world. The P.R.E. Andalusians com- 34 Glen Aryn Farm
peting in dressage present with ele- 34 Gloriosa Farms
gance and ability in the areas of 34 Hacienda Laubela
collection, piaffe and passage – areas 17 Half Moon Dressage
that comprise a significant portion 21 Haras Dos Cavaleiros
of the higher level dressage tests IALHA Stallion Auction
(FEI levels). 5 Kimberly Monk
15 La Tienda Española
Especially in the favor of the 34 Labyrinth Farm
Andalusians in dressage is an inher- 34 Las Morerías
ent temperament that permits them C1, 13
to handle both learning and the Legendary Lusitanos
stresses of competition well. 1 Liberty Andalusians
22-23, Lyric Dressage
The equilibrium and compres- 32-33 Mil Sueños Andalusians
sion required for changes, pirouettes Moonbrook Farm Andalusians
and the collected exercises of dres- 14 Oak Song Farm
sage are complementary with the 27 Orchard Hill Farm
Spanish horse morphology, while the capacity for extensions becomes truly visible in the 35 Productions Alexis Le Trotteur
6th year as the horse develops with correct training. The Spanish and Lusitano horses 25 Promise Farm
compete in the open horse world, against all other breeds, at all levels. A steadily grow- 16 Rancho Del Lago
ing number of P.R.E.s and Lusitanos is presenting well in high-level dressage, where they 20 Rancho Godinez
are judged by international rules and at FEI levels. 26 Rivera’s Andalusian Farm
Rothrock Andalusians
In the United States, a P.R.E. is a good example of FEI-level presence. Under the 3 Santa Fe Philippe Karl
direction of Marta Renilla, Presumido, from the training and sales facility Woodlands 25 Schleese Saddlery
Equestrian Club in Houston, Texas, has been ranked third nationally by the United 35 The Iberian Connection
Stated Dressage Federation (USDF) for his Grand Prix Freestyle results, showing the Twin Creeks Ranch
talent and sport abilities of the breed. At only 9 years old, this stallion also has shown 7
internationally in CDI 3, competing against outstanding European masters. Despite C4
the natural ability, good training makes it key to produce competitive prospects and C2
enjoyable schoolmasters, forward-going Andalusians, with soundly established basics. 19
19, 21
More often, dressage riders are realiz- 34
ing the ability of the breed and are 35
choosing them to become their com-
panions in the arena and as well as on
the ground. Q AM

For more information on Andalusians in

open competitions (from novice to FEI

levels) visit Marta Renilla’s website at

www.woodlandsequestrianclub.com/.
Photo courtesy of Bob Tarr 2012
Photo courtesy of Bob Tarr 2012

40 ANDALUSIAN u I s s u e 2 | 2 0 1 2 www.ialha.org