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Published by lyee5962, 2021-12-07 01:59:04

Alice_in_Wonderland

Alice_in_Wonderland

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186 ALICE’S EVIDENCE ALICE’S EVIDENCE 187
“ Why, there they
no mark ; but he now hastily began again, using
are !” said the King the ink, that was trickling down his face, as
triumphantly, pointing long as it lasted.)
to the tarts on the
table. “ Nothing can be “ Then the words don ’t fit you,” said the
clearer than that. Then King, looking round the court with a smile.
again—‘ before she had There was a dead silence.
this fit—’ you never
had fits, my dear, I “ It ’s a pun !” the King added in an angry
think ?” he said to the tone, and everybody laughed. “ Let the jury
Queen. consider their verdict,” the King said, for about
the twentieth time that day.
“ Never !” said the
Queen furiously, throw- “ No, no !” said the Queen. “ Sentence first—
verdict afterwards.”
ing an inkstand at the Lizard as she spoke.
(The unfortunate little Bill had left off writing “ Stuff and nonsense !” said Alice loudly. “ The
on his slate with one finger, as he found it made idea of having the sentence first !”

“ Hold your tongue !” said the Queen, turn-
ing purple.

“ I won’t !” said Alice.
“ Off with her head !” the Queen shouted at
the top of her voice. Nobody moved.
“ Who cares for you ?” said Alice, (she had
grown to her full size by this time.) “ You’re
nothing but a pack of cards !”

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188 ALICE’S EVIDENCE ALICE’S EVIDENCE 189

At this the whole pack rose up into the air, little scream, half of fright and half of anger,
and came flying down upon her ; she gave a and tried to beat them off, and found herself
lying on the bank, with her head in the lap of
her sister, who was gently brushing away some
dead leaves that had fluttered down from the
trees upon her face.

“ Wake up, Alice dear !” said her sister ;
“ Why, what a long sleep you ’ve had !”

“ Oh, I ’ve had such a curious dream !” said
Alice, and she told her sister, as well as she
could remember them, all these strange Ad-
ventures of hers that you have just been read-
ing about ; and when she had finished, her sis-
ter kissed her, and said, “ It was a curious
dream, dear, certainly : but now run in to your
tea ; it ’s getting late.” So Alice got up and
ran off, thinking while she ran, as well she
might, what a wonderful dream it had been.

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190 191

But her sister sat still just as she left her, The long grass rustled at her feet as the
leaning her head on her hand, watching the White Rabbit hurried by—the frightened Mouse
setting sun, and thinking of little Alice and all splashed his way through the neighbouring pool
her wonderful Adventures, till she too began —she could hear the rattle of the teacups as
dreaming after a fashion, and this was her the March Hare and his friends shared their
dream :— never-ending meal, and the shrill voice of the
Queen ordering off her unfortunate guests to
First, she dreamed of little Alice herself :— execution—once more the pig-baby was sneezing
once again the tiny hands were clasped upon on the Duchess’ knee, while plates and dishes
her knee, and the bright eager eyes were look- crashed around it—once more the shriek of the
ing up into hers—she could hear the very tones Gryphon, the squeaking of the Lizard’s slate-
of her voice, and see that queer little toss of pencil, and the choking of the suppressed guinea-
her head, to keep back the wandering hair that pigs, filled the air, mixed up with the distant
would always get into her eyes—and still as sobs of the miseralbe Mock Turtle.
she listened, or seemed to listen, the whole
place around her became alive with the strange So she sat on, with closed eyes, and half
creatures of her little sister’s dream. believed herself in Wonderland, though she
knew she had but to open them again and all
would change to dull reality—the grass would
be only rustling in the wind, and the pool rip-
pling to the waving of the reeds—the rattling
teacups would change to tinkling sheep-bells,
and the Queen’s shrill cries to the voice of the

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192

shepherd boy—and the sneeze of the baby, the
shriek of the Gryphon, and all the other queer
noises, would change (she knew) to the con-
fused clamour of the busy farm-yard—while the
lowing of the cattle in the distance would take
the place of the Mock Turtle’s heavy sobs.

Lastly, she pictured to herself how this same
little sister of hers would, in the after-time, be
herself a grown woman ; and how she would
keep, through all her riper years, the simple and
loving heart of her childhood : and how she
would gather about her other little children, and
make their eyes bright and eager with many a
strange tale, perhaps even with the dream of
Wonderland of long-ago : and how she would
feel with all their simple sorrows, and find a
pleasure in all their simple joys, remembering
her own child-life, and the happy summer days.

(6)

THE END.

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194 COLOPHON COLOPHON 195
The BookVirtual edition
This first true typographically accurate replica of the
original Macmillan edition was produced in Chicago by This BookVirtual edition of Alice in Wonderland is
the staff of VolumeOne. Type was set exclusively in not only absolutely true to the typesetting of the original
Monotype Modern with only slight adjustments to the set. Macmillan edition, but uses the same VolumeOne digital
Monotype Modern, known in metal as Modern Extended, files as its 1998 replica. In this sense we are true to
was originally adapted from 19th century types designed the first digital edition, too.
by British foundry Miller & Richard. It represents not
only the nearest known PostScript match to the original We are proud to work with VolumeOne in producing
type used for this book, but also is probably the only this edition. More details on the efforts of BookVirtual
truly authoritative example of the standard English Corporation can be found at www.bookvirtual.com.
modern to survive to PostScript.
Patrick Ames
Generous help was rendered by Paul Gehl and the November, 2000
staff of the Newberry Library, Chicago, which possesses
one of the world’s 19 remaining first issues of the book,
along with many other important book arts resources.
Additional help was given by Bill Davis and the Monotype
Typography staff, Gerald Giampa of Lanston Type
Foundry, Freda Sack and David Quay of London, and
William Sosin Design.

This book is also unique in that it is the first classic
work available for instant distribute-and-print publication
across the Internet. The book can be requested, transmitted
in its entirety over the Internet, printed and bound in
less than 15 minutes. Visit www.volumeone.net for details.

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