Volume 19 • Issue 01 • April 2023 INDIA’S NUMBER 1 IMAGING MAGAZINE! `150 ReviewS Sony AlphA 7R V nikkor Z 26 mm f/2.8 BenQ pD3205UA Inkjet Printers Printing & Beyond Uday Agashe Interview Special Gudi Padwa Tutorial Maximising Depth of Field Smart Photography Awards 2023 th AnniversAry REVIEWS Volume 15 • Issue 12 • March 2020 NIKON INDIA’S NUMBER 1 IMAGING MAGAZINE! D780 FUJIFILM `150 X-A7 SIGMA 14-24 MM F/2.8 DG DN ART SPECIAL To Wild and Beyond Saurav Sarkar Profile Vaibhav Jaguste Interview Tilt and Shift Movements Wildlife Photography Tutorials SMART PHOTOGRAPHY AWARDS 2020 /smartphotography @SPmagazine /spmagazineofficial www.smartphotography.in
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www.smartphotography.in April 2023 | Smart Photography | 7 Views and opinions expressed in the magazine are not necessarily those of Next Gen Publishing Pvt. Ltd. Next Gen Publishing does not take the responsibility for returning unsolicited material sent without adequate postal stamps for return postage. No part of the magazine may be reproduced in part or full without the prior express written permission of the publisher. Printed by Girish Mallya, Next Gen Publishing Pvt. Ltd., 608, Trade World, 6th floor, C wing, Kamala Mills compound, Senapati Bapat Marg, Lower Parel (W), Mumbai - 400013. Published by Girish Mallya on behalf of Next Gen Publishing Pvt. Ltd., 608, Trade World, 6th floor, C wing, Kamala Mills compound, Senapati Bapat Marg, Lower Parel (W), Mumbai - 400013. Printed at Kala Jyothi Process Pvt. Ltd, 1-1-60/5 RTCX Roads, Hyderabad - 20. Published at Next Gen Publishing Pvt. Ltd., 608, Trade World, 6th floor, C wing, Kamala Mills compound, Senapati Bapat Marg, Lower Parel (W), Mumbai - 400013. Copyright 2014 SMART PHOTOGRAPHY All readers are recommended to make their own independent enquiries before sending money, incurring expenses or entering into commitments in relation to any advertisement appearing in the publication. Smart Photography does not vouch for any claims made by advertisers for their products and services. The editor, publisher, printer and employees of the publication shall not be held liable for any consequence in the events of such claims not being honoured by the advertisers. All disputes are subject to the exclusive jurisdiction of competent courts and forums in Mumbai only. Editor – Hoshang S Billimoria Editor Hoshang S. Billimoria tEchnical Editor Rohinton Mehta assistant Editor Sujith Gopinath PhotograPhy Mahesh Reddy hEad-dEsign & Production Ravi Parmar asst art dirEctor Prathmesh Vichare Production suPErvisor Dinesh Bhajnik PublishEr Girish Mallya associatE PublishEr & gEnEral ManagEr (north & East) Ellora Dasgupta (Mob No. +98710 48666) gEnEral ManagEr (south) Girish Shet Product ManagEr Perseus Master hEad officE - MuMbai 608, Trade World, 6th floor, C wing, Kamala Mills compound, Senapati Bapat Marg, Lower Parel (W), Mumbai - 400013, Mob No. +91 93215 46598 Email: [email protected] circulation and subscriPtion Kapil Kaushik (Manager Circulation (North & East) Mob No. +91 98732 00589 Sachin Kelkar (Subscription Supervisor) Mob No. +91 93215 46598 Email: [email protected] apple newsstand & Magzter Queries: [email protected] Zinio subscriptions Queries: http://in.zinio.com/help/index.jsp Marketing Offices Bengaluru: 538, 1st Floor, 9th Main Road, Main Road, New Thippasandra Main Rd, HAL 3rd Stage, New Tippasandra, Bengaluru, Karnataka-560075 chennai: Siva Shiva (Circulation), Mob No.. +91 98406 47812 ncr: Unit No. 109, First Floor, Sushant Plaza, Sushant Lok-1, A – Block, Gurgaon-122022, India Pune: S.No.261/G.L.R.No.5, East Street,Camp, Pune-411001 Hyderabad: Srinivas Gangula, Territory Sales Incharge (Circulation), Mob No. 09000555756 kolkata: Vidyasagar Gupta Territory Sales Incharge (Circulation), Mob No. 09804085683 Welcome With this issue, Smart Photography enters its nineteenth year of publication. I would like to thank our readers, advertisers and staff for their support and look forward to producing an even better publication in the ensuing year. our editorial credibility has helped us weather many a storm and our refusal to do ‘Paid’ reviews (like many web ‘influencers’) has strengthened our reader loyalty. For the imaging industry, the last year has been a year of recovery and after ten years downhill, the slide has been arrested. In fact, 2022 saw an increase in production. mirrorless cameras now account for over 85% of the market. The last stocks of D-SlRs are being cleared whilst compact cameras just about manage to hang on. The lenses and accessories market continues to improve. 2023 promises to be better. This issue also carries the much awaited Smart Photography Awards. our hearty congratulations to Sony for winning the camera of the Year Award for the excellent A 7R mark V. H. S. Billimoria WE ARE GLUED TO THE GLOBAL IMAGING INDUSTRY Our team is updated with all the benchmarks and road blocks that the field of photography and imaging across the globe experiences. This helps us record the changes in the global perspective, thus making us the first to predict which products will be a rage in the Indian markets. WE’RE IMPARTIAL Loyalty towards our readers is a given, and their best interests are always on our mind. Every verdict is honest and not influenced by advertisers or personal favourites. So when we say a product is a ‘BEST BUY’, then, it is just that! OUR TESTS ARE CONDUCTED BY EXPERTS All equipment go through a series of tests at the hands of our experts. Our reviewers are experts in the field of photography across the country and have many years of experience. That gives us the foresight to distinguish between a passing trend and a big change in the field of photography and imaging. And finally, our reviews are not extended to just fill up the pages! WE ARE HERE TO HELP YOU There is no debate on why we are here. Our sole goal is to provide you options and better your judgement in product purchase while, sharing tips and tricks to improve your images. Our biggest joy is in building a bridge between you and your perfect picture! #1 Here’S WHat MakeS uS
8 | Smart Photography | April 2023 www.smartphotography.in 44 34 Issue 217 / aprIl 2023 68 Maximising DOF Are you struggling to control those blurry foregrounds and backgrounds in your images? Ashok Kandimalla’s expert tips may come handy 52 Smart Photography Awards 2023 The Innovation, Technology, and Imaging Awards are back with its 2023 edition, and here are our winners from the imaging space Gudi Padwa Festival This Maharashtrian spring festival includes a colourful procession, which is a splendid sight to behold Mastercraftsman The masters of the craft share their insights and photographs Presents INNOVATION TECHNOLOGY & IMAGING Powered by Presents Presents INNOVATION TECHNOLOGY & IMAGING awardS 2023
10 | Smart Photography | April 2023 www.smartphotography.in C on t e n t s SubScribe NOw pAGE 06 Volume 19 • Issue 01 • April 2023 INDIA’S NUMBER 1 IMAGING MAGAZINE! `150 REVIEWS SONY ALPHA 7R V NIKKOR Z 26 MM F/2.8 BENQ PD3205UA Inkjet Printers Printing & Beyond Uday Agashe Interview Special Gudi Padwa Tutorial Maximising Depth of Field Smart Photography Awards 2023 TH ANNIVERSARY Volume 18 • Issue 12 • March 2023 INDIA’S NUMBER 1 IMAGING MAGAZINE! `150 REVIEW FUJIFILM X�H2 VIEWSONIC VP2768A Navtej Singh Rajat Malakar Profi les Sharing a Print Printing & Beyond Tutorial Time Lapse Photography Volume 18 • Issue 11 • February 2023 INDIA’S NUMBER 1 IMAGING MAGAZINE! `150 REVIEWS CANON EOS R10 EISA Maestro 2023 Subhankar Bardhan Profi le Jagdeep Rajput Interview Printing Technology Printing & Beyond Tutorial Smart Adapters Ladakh Bali Photo Features Photographer: Uday Agashe 12 Mailbag Bouquets, brickbats...we have a place for your valuable feedback 14 Newswatch News from the industry, fresh from the oven 32 Picture of the Month It’s time for rewards and here it is... reGulArS 25 entry-level vs. Pro Grade inkjet Printer Choosing a printer for your photo printing needs is not quite simple, but here is Vimal parmar breaking down the pros and cons for you 20 empowering creators with latest Technology Mukesh Srivastava of Sony India shares some Alpha and Cinema Line facts with Smart Photography readers PriNTiNG AND beyOND iNDuSTry OPiNiON 82 Test your Photo Knowledge A few questions to test your knowledge in photography QuiZ 74Sony Alpha 7r V Sony’s new resolution king in full-frame mirrorless cameras rides on AI power 78 Nikkor Z 26mm f/2.8 A compact and lightweight pancake prime lens for Nikon mirrorless bodies 80 benQ DesignVue PD3205uA With a clamp base and an ergo arm, this designer monitor is made for multi-monitor studio set-ups reViewS 74 78 80
Write to us at: Smart Photography, Next Gen Publishing Pvt. Ltd., 608, Trade World, 6th floor, C wing, Kamala Mills Compound, Senapati Bapat Marg, Lower Parel (W), Mumbai - 400 013 E-mail: [email protected] Volume 18 • Issue 12 • March 2023 INDIA’S NUMBER 1 IMAGING MAGAZINE! `150 REVIEW FUJIFILM X�H2 VIEWSONIC VP2768A Navtej Singh Rajat Malakar Profi les Sharing a Print Printing & Beyond Tutorial Time Lapse Photography Dear Editor, The March issue has to be one of the best issues I have read in a long time! 1) I would love to have the Sony 60-600 mm. I mean wow, that basically covers all mm. – landscape, portraits, everything. 2) The EOS R series seems to have the sense to pair at least one zoom lens (200mm) along with the wide angle lens. They never bothered to do that with the M50 and all I had was my 15-45 mm for a very long time. 3) The clicks in ‘Beyond Boundaries’ are simply fascinating. I love weathered faces, hands and feet and tribal clicks! 4) Loved the astrophotography article - simply amazing clicks 5) The section on time lapse video was very interesting.... especially the tip of silent shutters. 6) Loved your article on the ‘Buffers’. I had no idea this existed or even its importance. I’m not sure about the buffer capacity in my Canon M50 but probably around 15-20. These are things I will keep in mind, whenever I purchase my next camera, many moons down the line. 7) I too felt that the camera is equally important, but since it wasn’t a popular opinion, I kept it to myself. I wouldn’t trade my beautiful LCD screen with its touch functionality for a cheaper body. Thanks and regards, Dr. Deepa Ravichandran, New Mumbai Mailbag 12 | Smart Photography | April 2023 www.smartphotography.in
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14 | Smart Photography | April 2023 www.smartphotography.in national news Sony India has announced the Alpha 7R V, the newest R series camera in its acclaimed line of Alpha mirrorless interchangeable lens cameras. The Alpha 7R V combines Sony’s highest resolution image sensor with a new AI (artificial intelligence) processing unit dedicated to AI-based image recognition as well as the powerful BIONZ XR image processing engine. The new Alpha 7R V offers 61.0MP still images plus the most effective 8-step 1 image stabilisation system ever offered in any of Sony’s Alpha cameras, as well as refined 8K 2 movie output, a new 4-axis multiangle monitor, high-speed communication functions, high-level operability and smooth workflow integration. The camera is ideal for professionals who need a top-of-the-line high-resolution imaging tool. “We are excited to introduce the all-new Alpha 7R V camera with high-resolution and extremely advanced AI processing unit which offers best-in-class autofocus performance. This newest addition to our Alpha 7R lineup is a perfect example of our persistent efforts to offer bestin-class imaging experience and new level of creative freedom to professionals.” said Mukesh Srivastava, Head of Digital Imaging Business at Sony India. The Alpha 7R V uses a 61.0MP full-frame back-illuminated Exmor R CMOS sensor and powerful BIONZ XR image processing engine. The latest BIONZ XR processor ensures that the resolution potential of the camera’s sensor is fully utilised to deliver the highest resolution at low sensitivity in the Alpha series thus far. This enables sensitivity settings from ISO 100 to ISO 32,000 for both stills and movies and wide dynamic range with 15 stops for stills. The Alpha 7R V features Real-time Recognition AF, which is nextgeneration AF with advanced accuracy and broader subject recognition thanks to a new AI (artificial intelligence) processing unit with deep learning. The state-of-the-art AI processing uses detailed information about human form and pose estimation to improve recognition accuracy beyond systems which only detect face and eye and make full use of its potential. Realtime Recognition AF, using AI subject recognition, has been developed to include several subject types, including animals, vehicles and insects. The Alpha 7R V also includes continuous shooting at up to 10 fps 7 with AF/AE tracking. The Alpha 7R V’s image stabilisation system has been updated with a high-precision image stabilisation unit, advanced gyro sensors, and optimised image stabilisation algorithms for stills and video. In addition to the 8-step compensation effect for stills, the new stabilisation algorithm provides precise detection and control right down to the single-pixel level, taking full advantage of the sensor’s 61.0-megapixel resolution potential to bring out the finest subject details. The Alpha 7R V now supports the lossless RAW format, with three selectable pixel counts—L (60M), M (26M), and S (15M). The camera also features Advanced Real-time tracking and wide, 693-point high density phase detection AF with up to 10 fps burst with AF/AE tracking and up to 583 compressed RAWs. Class leading 9.44 milliondot QXGA EVF and 4-axis multi-angle LCD monitor with 3.2-type large screen offer flexibility in framing while two CFexpress Type A/SDXC compatible media slots allow ample storage options. The camera delivers 8K 1 24/25p video, 4K video oversampled from 6.2K without binning, a high-efficiency MPEG-H HEVC/H.265 codec, intra recording, 10-bit 4:2:2 recording, and more. The camera is available at a best buy price of Rs. 3,53,990. Sony Alpha 7R V Now in India
www.smartphotography.in April 2023 | Smart Photography | 15 Xiaomi India has unveiled their latest flagship smartphone, the Xiaomi 13 Pro, co-engineered with Leica. Xiaomi’s latest phone promises to deliver a novel photography experience to its users. The device offers Leica professional optical lenses, as well as cuttingedge computational and software capabilities that create a truly authentic Leica experience. This device also boasts premium features such as the latest Snapdragon 8 Gen 2 processor, 120Hz 2K LTPO 3.0 E6 AMOLED display, and lightningfast 120W Hypercharge technology. Every aspect of Xiaomi 13 Pro’s camera system, from hardware and image quality to UI/UX design, has been created in collaboration with Leica to deliver a pro-grade smartphone photography experience. The smartphone is kitted with a triple camera setup featuring Leica optical lenses. The Leica Vario-Summicron 1.19-2.2/14- 75 ASPH. camera system on Xiaomi 13 Pro covers focal lengths from 14mm to 75mm and consists of a 23mm wideangle main camera with an ultra-large 1-inch IMX989 sensor, a 75mm floating telephoto camera, as well as a 14mm ultra-wideangle camera. By adopting a DSLR-level internal focusing technology, the smartphone’s new 75mm telephoto lens utilises a floating lens design to achieve a focal range from 10 cm to infinity. Xiaomi 13 Pro offers a wide range of detailed camera setting options. The master-lens system, a software feature, provides great focal length and depth of field for capturing perfect portraits. Users can also select two distinct photographic styles – Leica Authentic Look and Leica Vibrant Look, offering aesthetic possibilities with images maintaining accuracy and offering moderate saturation. The smartphone allows manual adjustment of shooting parameters in pro-mode. Xiaomi 13 Pro supports 10-Bit RAW DNG Camera and Colour Profiles created by Adobe, leaving professionals greater post-editing room on Adobe Photoshop and Adobe Lightroom. The device allows users to Create in Dolby Vision; with vivid colours, sharp contrast ratios and rich details, which capture 4K Ultra Night Videos, and offer HyperOIS video stabilisation. Xiaomi 13 Pro is powered by a Snapdragon 8 Gen 2 mobile platform, with enhanced graphics processing through a GPU performance and power efficiency improvement of 49 percent compared to the previous generation, while CPU performance and power efficiency is improved by 47 percent. The device also offers Wi-Fi 7 support with the Qualcomm FastConnect 7800 mobile connectivity system. Xiaomi 13 Pro’s High Band Simultaneous (HBS) MultiLink technology allows for multiple and simultaneous 5GHz and 6GHz connections and is capable of realizing ultra-high speeds of up to 5.8 Gbps, along with reduced latency and great network capability. The device houses a 4,820mAh battery. It supports 50W wireless turbocharging along with 10W reverse wireless charging. The Xiaomi 13 Pro 5G is available at INR 79,999 in two colour variants, Ceramic White and Ceramic Black featuring a 12GB + 256 GB variant in India. Lexar’s CFexpress Gold Cards Lexar has announced the launch of the world’s fastest Lexar Professional CFexpress Type A Card Gold series in the Indian market. According to Lexar, the card has been developed with an aim to help capture high quality data and cinema-quality 8K videos, and has been designed to address the growing needs of professional photographers, videographers, and the creators. With a rated Video Performance Guarantee 400 (VPG 400), the CFexpress Type A card has a minimum write speed of 700 MB/s and a read speed of up to 900MB/s, making it ideal for high-speed continuous shooting and stable video recording. The card is highly durable against temperature extremes, shocks and vibrations. The cards are available in 80GB, 160GB, and 320GB capacities and features a PCI Express Gen 3x1 interface for smooth and high-speed capture of high-quality images and 8K and 4K 120FPS video. Lexar offers a limited lifetime warranty for the card. The 80GB variant is priced at Rs. 17,940, while the 160GB version carries a price tag of Rs. 28,100. The 320GB capacity version is priced at Rs. 56,250. Xiaomi Unveils 13 Pro Co-developed with Leica
16 | Smart Photography | April 2023 www.smartphotography.in national news I nsta360 has unveiled their latest device, an all-in-one tool with builtin selfie stick, tripod and power bank. Christened Insta360 Flow, the new smartphone gimbal uses AI auto tracking to follow you or your desired subject, while a 3-axis stabilisation delivers ultra-smooth shots. “For our first smartphone gimbal, we wanted a device that goes beyond the basic functionality of a gimbal and offers a whole new way to film moments on your smartphone. Powered by our AI technology, honed over years of research and development, the Flow tracks, stabilises and edits content for you,” said JK Liu, founder of Insta360. Whether you’re running after your kid or traveling to the next stop on your bucket list, Flow’s mechanical stabilisation guarantees shake-free shots in any scenario. It excels where a smartphone’s electronic stabilisation often fails, such as filming in low light and when zooming in. Flow’s stabilisation and convenient handheld design also means creators aren’t limited to simply setting up the device in a stationary position to track themselves. Flow’s gimbal design paired with Insta360’s leading AI tracking technology Deep Track 3.0 enables Flow to follow subjects in real time, rotating to follow the movement of the subject and framing shots automatically for creators. Flow’s Person Re-Identification continues to track the same person throughout a recording even if they are blocked from view and All-Angle Tracking continues tracking as the subject’s shape changes. The device features Zoom Tracking, Slow Motion Tracking and even Live Mode for tracking while video calling or live streaming in another app like FaceTime, Instagram and TikTok. It also features Tracking Recovery that allows the device to keep tracking the subject even if it goes out of frame by zooming out or following the direction it is moving. For a truly automated shooting experience, solo creators can even set up the tripod and use gesture control to prompt Flow to start tracking hands-free. The Flow’s selfie stick extension rod extends to 215mm for better selfies and cinematic low angle shots. The built-in tripod extends from the handle, allowing creators to set up Flow to film themselves or capture a creative effect like motion timelapse or 360 photo. The device is powered by a 2900mAh battery, which can even charge a smartphone while recording. A built-in cold shoe helps you to seamlessly add a mic for levelled-up audio. The Insta360 app provides AI-powered shooting and editing tools including Shot Genie, which will recommend shooting techniques according to the scene. Over 80 templates are available. Other modes include Panorama, TimeShift, Motion Timelapse, and Dolly Zoom. The Insta360 Flow is available in India at an MRP of Rs.17,990. Insta360 Flow with AI Tracking Asus has launched the MD300 Asus ProArt Mouse in India. The ProArt Mouse is the first mouse that features Asus Dial, empowering creators to make quick and precise settings adjustments within seconds. The programmable dial and side scroll on the mouse work in harmony with one another to deliver an intuitive and faster user experience. Optimised over ProArt Dial UI, the new mouse is tailored to meet the multitasking needs of on-the-go professionals and creators. The premium Asus ProArt Mouse featuring quality components comes equipped with three buttons having professional-grade switches that provide tactile mouse clicks. It houses a high-performance sensor that tracks at up to 4200 dpi for unmatched precision, even when used on a glass surface. Asus Dial scrolls through 100 lines per revolution and lasts 5X longer than traditional mouse scrolls. The large, independent middle key comes with a changeable integrated gaminggraded switch and offers the same solid and seamless feel for both left- and right-side clicks. The mouse supports dual connectivity with support for both RF and Bluetooth standards. One can connect with up to four devices, allowing the user to juggle smoothly between multiple devices. The ProArt Mouse features best-in-class fast charging and excellent tracking performance. It offers fast, 1-minute charging for up to 8 hours of battery life and when fully charged, it can last up to 150 days. Asus ProArt Mouse is available at a price of INR 8,499. Asus ProArt Mouse for Creators
www.smartphotography.in April 2023 | Smart Photography | 17 Our well-wisher and reader, professional wildlife photographer Jagdeep Rajput was awarded an Honourable Mention in the recent 33rd Memorial Maria Louisa Photo Contest held in Spain for his entry ‘Catching a Flying Fish’. 17,035 entries were received from all over the world by 1328 registered photographers from 83 countries. Jagdeep is a Conon EOS Ambassador. He shot his winning frame with a Canon EOS R5 with an EF 500 mm f/4 IS II lens. Congratulations Jagdeep. Honoured Marcello Strada Seeks Distributors Marcello Strada s.r.l, an Italy-based manufacturer of luxury photobook binding systems, is expanding its global presence by entering the Indian market. With distributors in 122 countries worldwide, Marcello Strada s.r.l is now seeking established distributors in the photo imaging space in India. The machines are pneumatically powered and require no specialised knowledge to operate. They are manufactured in Italy to meet all stringent EU requirements. More than 800 machines currently operate worldwide. Marcello Strada s.r.l will be participating in Fotofina in Hyderabad from April 27th to April 29th, and Photo Video Asia in New Delhi from August 20th to August 22nd.
Sony recently unveiled their latest full frame camera in the Alpha series. Mukesh Srivastava, Head of Digital Imaging Business, Sony India shares the specifics of the camera and the brand’s vision with Smart Photography. As told to Sujith Gopinath n What were the highlights of Sony’s digital imaging offerings in 2022? Please share a broad product roadmap for 2023. Sony is in the pursuit of meeting the creative demands of professionals so that we can bring their vision into reality, which makes each product unique, based on its usage in the hands of professionals. 2022 was the year of post-pandemic when market eventually opened-up and demand surged. Due to ease of restriction, travel has normalised and the number of weddings is at an all-time high. This was also the time when we saw an emergence of newer trends of content creation for social media platforms such as YouTube, Instagram and even short films, OTT and mainstream cinema. Hence, we have observed a significant surge in the need for cameras. We launched three cameras focussing mainly on the enhancement of cinema line such as Venice 2, FR7 and FX30. While Venice 2 is used for mainstream cinema, FR7 is world’s first FullFrame PTZ interchangeable lens camera to satisfy the creative conscience of creators. Our latest addition, FX30 is made for young content creators and filmmakers who want to start their journey with Sony Cinema Line. We at Sony are dedicated to meeting the ever-dynamic market demands of photographers and videographers with cameras that are embedded with artificial intelligence and powerful hardware. Our latest model Alpha7R V combines Sony’s highest resolution image sensor with a new AI (artificial intelligence) processing unit dedicated to AI-based image recognition – a first in any Alpha camera – as well as the powerful BIONZ XR image processing engine – a first in the “R” full-frame line-up. Sony has an entire eco-system, we are the flagbearers of mirrorless technology, artificial intelligence, unique auto focusing system, huge line-up of microphones and the massive range of lenses under the One Mount. The One Mount concept brings Sony’s most advanced imaging technology together via the E-mount platform, seamlessly connecting full-frame and APS-C, stills and movies, amateurs and professionals through a versatile range of camera bodies and lenses that offer unlimited creative potential. n Sony has just launched the Alpha7R V camera in India. Where does the brand position this camera in the long line of E-mount Full Frame cameras? The all-new Alpha7R V camera with high-resolution and extremely advanced AI processing unit offers best-in-class autofocus performance. This newest addition to our Alpha7R line-up is a perfect example of our persistent efforts to offer excellent imaging experience and new level of creative freedom to professionals. It offers 61.0MP still images plus the most effective 8-step image stabilisation system ever offered in any of Sony’s Alpha cameras, as well as refined 8K movie output, a new 4-axis multi-angle monitor, high-speed communication functions, high-level operability and smooth workflow integration. Sony’s newest camera is ideal for professionals who need a first-class high-resolution imaging tool. Some of the key features of this camera include: • 61.0MP back-illuminated Exmor R CMOS sensor and powerful BIONZ XR image processing engine, ISO100 to 32,000 • Accurate and broad subject www.smartphotography.in Empowering Creators with Latest Technology 20 | Smart Photography | April 2023 Industry OpInIOn Mukesh Srivastava
THE EISA PHOTOGRAPHY MAESTRO CONTEST 2023 NATIONAL DEADLINE: MAY 1ST 2023 All entries must be received by this date. The 1st, 2nd and 3rd prizes will be chosen by the editorial staff of Smart Photography and the National results will be published in the June issue. For further details, terms and conditions visit www.eisa.eu/maestro and www.smartphotography.in/maestro2023 The winning photographs will be published in the Sept/Oct issues of all 16 EISA photo magazines/websites. Circumstances permitting, winners will be invited to the EISA Awards ceremony in Sept 2023 National Maestro winners will also be published on Facebook at the end of June for the EISA Public’s Choice competition. Prize for the winner: €1000. SHUTTERSTOCK.COM This year’s theme: The Animal Kingdom Scope and Contest Rules: Entrants should provide 5-8 photographs on the theme of ‘The Animal Kingdom’. Your subject matter may include wild and urban wildlife in addition to pets and farm animals, etc. All entries must be in digital format (camera or scanned film originals) and must be taken by you for the purposes of this competition. Existing portfolios are excluded. 1ST PRIZE €1500 & EISA Maestro Trophy 2ND PRIZE €1000 & EISA Maestro Trophy 3RD PRIZE €750 & EISA Maestro Trophy INTERNATIONAL JUDGING: JUNE 2023 The winning entries from each of the 16 participating EISA countries will then be judged together at the Association’s General Meeting in June 2023. The final results of the International Maestro contest will be revealed at the EISA Awards Gala in Sept 2023 or, if circumstances are less favourable, online alongside the EISA product Awards on Aug 15th 2023
recognition powered by the AI Processing Unit • Advanced image stabilisation with up to 8-step compensation effect • Selectable RAW options including lossless RAW for efficient workflow • Advanced Real-time tracking and wide, 693-point high density phase detection AF with up to 10 fps burst with AF/AE tracking, up to 583 compressed RAWs • Class leading 9.44 mil dot QXGA EVF and 4-axis multi-angle LCD monitor with 3.2-type large screen • Two CFexpress Type A compatible slots • 8K 24/25p and 4K 50/60p movie recording, 4:2:2 10 bit, All-I • AI-based Real-time Tracking and wide AF for movies • Wi-Fi 802.11ac 2×2 MIMO, SuperSpeed USB 10Gbps (USB 3.2 Gen 2) along with UVC/UAC USB streaming • High reliability for any working environment • Designed for professionals with sustainability in mind n What are the key improvements of this camera over its predecessor, the Alpha7R IV? Three years after the launch of Alpha7R IV, a lot has evolved in terms of technology. The new Alpha7R V is the first Alpha camera which has the newly developed Artificial Intelligence processing unit. The state-of-theart AI processing uses detailed information about human form and pose estimation to dramatically improve recognition accuracy beyond systems which only detect face and the eye, and make full use of its potential. Real-time Recognition AF, using AI subject recognition, has been developed from human and animal to include several subject types like birds, trains, aeroplanes and insects. For Alpha7R IV, subject recognition was limited to human and animals alone. As compared to its predecessor, Alpha7R V’s entire image stabilisation system has been updated with a high-precision image stabilisation unit, advanced gyro sensors and optimised image stabilisation algorithms for stills and video. In addition to the 8-step compensation effect for stills, the new stabilisation algorithm provides precise detection and control right down to the singlepixel level, taking full advantage of the sensor’s 61.0-megapixel resolution potential to bring out the finest subject details. Talking about the video quality of the camera, Alpha7R V has improved a lot and offers advanced video capabilities. Sony’s newest camera delivers 8K 24/25p video, 4K video oversampled from 6.2K without binning, a high-efficiency MPEG-H HEVC/H.265 codec, intra recording, 10-bit 4:2:2 recording and more for high image quality and flexible editing. It also has S-cinetone which is based on the colour science behind the highly regarded colour and skin tones of digital cinema camera Venice. In terms of display, Alpha7R V has Sony’s newly developed 4-axis multi-angle monitor which combines the utility of a conventional tilting monitor with side-opening vari-angle flexibility as opposed to the tiltable (up and down). The menu system has been developed to include touch operations that can be quickly activated or deactivated by touching an icon on the shooting display. n The Alpha7R V seems to be quite close in features to the flagship Alpha 1, which commands a significantly steep premium. Could you help our readers understand the difference in purpose, usage, and pricing between these two models? While both the models Alpha7R V and Alpha 1 share a lot of common features, however they differ in terms of usability and purpose. Alpha 1 continues to be our flagship model as it works best as a hybrid camera for photo and video. Alpha 1 is the only camera that has both ultimate speed and resolution in photo (30 fps/50.1MP) and has advanced movie features (8k30p/4k120p). This is the top-notch hybrid camera for top photographers and videographers who are looking for quality photos and videos in any kind of shooting genre especially sports and wildlife. However, when you talk about outstanding resolution, Alpha7R V is the best choice for professionals in wedding, fashion, and commercial shoots. Thanks to the advanced Artificial Intelligence, it allows to capture the subject in difficult or distracting shooting conditions such as in a crowd, backlit or lowlight condition, subject’s face covered and so on. It is the first Sony camera to achieve image stabilization with 8 step compensation and to incorporate selectable RAW images. With its new 4-axis multi-angle LCD monitor, it allows users for greater flexibility for their shooting style. As for the pricing of both the models, the MRP of Alpha 1 is Rs. 5,59,990 and for Alpha7R V it is Rs. 3,53,990. n We have seen some interesting offerings in the Cinema Line recently, including the FX30 and the FR7. What are the new innovations that Sony introduced in this line-up? Sony’s Cinema Line sets a benchmark for filmmaking as the cameras offer exclusive features that let the creators realise their true potential and set new milestones. Catering to the demands of professionals, Sony has launched three most unique cameras recently which includes FX30, FR7 and Venice 2. FX30 is an entry level cinema camera for mass level production for budget conscious and budding users, so that they can experience the panache of high-end cinema shooting. FX30 is a 4K Super 35 www.smartphotography.in Industry OpInIOn 22 | Smart Photography | April 2023
compact cinema camera that offers many professional features of the Cinema Line, such as Dual Base ISO, Log shooting modes and user imported LUTs at a price point that appeals to many aspiring filmmakers. Sony has launched the camera in two variants – FX30 (Body + XLR Handle) and FX30B (Body only). FR7 is the world’s first PTZ camera to combine a fullframe image sensor, lens interchangeability and remote shooting functionality. Its versatile remote control and cinematic features open creative possibilities in studio, live production and filmmaking settings. The Venice 2 builds upon the strength of the original Venice camera with additional features including a compact design, internal recording, and the option for two different sensors: the newly developed full-frame 8.6K sensor and the original 6K Venice sensor. The Venice 2 also inherits popular features from the original Venice including colour science, Dual Base ISO and 8-stops of built-in ND filters. A few movies and series shot on Venice and Venice 2 include international feature films and web series such as Top Gun: Maverick, Avatar: The way of water, Black Widow, The Crown Season 4, Reacher, and Ozark Season 3 and Indian feature films and web series such as Drishyam 2, Waltair Veerayya, Jersey, Runway 24, Meenakshi Sundareshwar, Dhaakad, Mahaan, A suitable Boy, Cold case, Churuli, Zombivli, Rudra, Special Ops and Scam 1992. n Content creation has seen an unprecedented convergence of still and video in the past few years, and this reflects heavily in the cameras of today. What should one consider while being stuck between buying an Alpha still camera and a ‘gateway’ camera like the FX30? In the last couple of years, we have seen a huge demand for shooting cinematic video content, slow motion, high-quality still and even online streaming, which has led to the creation of powerful hybrid cameras like Alpha 1, Alpha7R V and Alpha7 IV. For professionals who want excellent results in photography as well as videography are opting for such hybrid cameras. However, in today’s world we cannot limit a camera to shoot just stills or videos, it must pass the test of all experimentation that an artist puts it through. Therefore, we have cinema line cameras that are meant for filmmakers who are looking for cinematic features in a compact camera body. Special attention has been paid to all areas including body design, durability, high functionality, and battery life. As compared to the Alpha range, the Cinema Line cameras come with the functionality of threaded accessory attachment points on the body and handle, allowing accessories to be attached directly. The camera body is compact, lightweight, and modular, giving the flexibility to grab-and-shoot. Cameras like FX3 and FX30 have in-built cooling fan for uninterrupted recording. n With AI playing the disruptor in content and imaging segments, how does Sony see the imaging space changing in the coming years? Could you share some new and interesting trends observed in this space globally, and also specifically in India? In the past few years, customers have evolved and adapted to all variations of content consumption and creation. The bloom of OTT, regional films, filmmaking and vlogging is on a humongous expansion as Indian content creators never cease to surprise. People are becoming more and more aspirational as they continue to share photo and video content on social media, they take inspiration from each other especially the established creative community. In the chase to create more innovative content, people are looking for not only better camera but also services and solutions for a better shooting experience. With the introduction of Artificial Intelligence in cameras, we are empowering professionals with the creative freedom to shoot the way they want. Built to offer a brand-new imaging experience, our cameras give today’s creators a new level of freedom to capture, create and share in ways that they have never been able to before, no matter how tricky the situation is in which they are shooting. Sony, as an imaging solution company, keeps developing the best imaging devices not only limited to cameras but around its solutions too. Sony has also developed a platform called Creators’ Cloud, that supports creative work from shooting to production by combining advanced Sony camera technology with cloud-based AI. It provides onestop solution from shooting to production such as bridge function from camera, smartphone and cloud, social networking function to share content and get inspired, expandable cloud storage and AI based auto editing service and application. The camera industry is getting transformed with both gear and style of content creation. At Sony, our mission is to empower creators with the latest technology that delivers unprecedented results. |SP 24 | Smart Photography | April 2023 www.smartphotography.in Industry OpInIOn
printing and beyond Vimal Parmar Digital print evangelist Bijay Kumar Agrawal Debraj Debbarma Harry Verma Sanjay Patil
26 | Smart Photography | April 2023 www.smartphotography.in Hello readers, Hope, so far, you have been enjoying reading the articles on the topic of print. This time, let us look at entry level Vs. professional grade inkjet printers. The reason being, there are times when some photographers get in touch with me to query about the kind of photo printer, they should invest in. I always say that, if you are a professional photographer or a serious amateur, it makes sense to invest in a professional-grade inkjet photo printer with pigment inks that go beyond 6 colours (including matte black, photo black and grey) and not an entry-level one with just four or six-colour dye-based inks. When it comes to producing high-quality work, pigment ink is the preferred choice because this type of ink is known for its durability and ability to withstand the effects of UV light. Further, pigment ink is known for its archival properties. These printers are also known to produce excellent black-andwhite prints. Of course, goes without saying that, archival inks require museum-grade inkjet papers to do full justice to your treasured images. Additionally, professionalgrade photo printers have very small ink drop volumes measured in picolitre (pL). A picolitre is one trillionth of a litre – so small the human eye cannot see it. This helps in providing a continuous tone image and butterysmooth gradations. printing and beyond Broad Overview - Inkjet Printer Classification Application Print Sizes Inks Remarks Documents and photographs 4x6 inches to A3 Cyan, Magenta, Yellow & Black (4 Colours) Dye inks Reference A4 printer model: Epson EcoTank L130 Minimum ink droplet volume: 3 pL. Primarily for photo printing Cyan, Light Cyan, Magenta, Light Magenta, Yellow & Black (6 colours) Dye inks. Reference A4 printer model: Epson EcoTank L805 Additional 2 inks (light cyan and light magenta) provide better skin tones and smoother gradations for photo printing. Minimum ink droplet volume: 1.5 pL Professional, museum-quality prints, with a colour gamut larger than that obtained by 6-colours. Ideal for photo studios, professional photographers or a serious amateur into landscape, portraits, fashion, interiors, fine art, etc. Larger than A3 though some desktop models are capable of printing 4x6 inches onwards, in this category. More than 6 colours. Apart from cyan, magenta, yellow and black, manufacturers provide additional colours for a larger colour gamut. Pigment inks. Reference A2 desktop printer model: Epson SureColor SC-P903. Inks: Cyan, Vivid Magenta, Photo Black, Matte Black, Gray, Light Gray, Yellow, Vivid Light Magenta, Light Cyan (10 colours) Minimum Ink Droplet Size: 1.5 pL. There are printers that offer larger than A2 size prints where media is used in roll form and they come in a wide variety of ink colour configurations and features. For more information, please visit websites of Epson, HP, and Canon. Disclaimer: For want of space, we are not going into minute details but touching upon the subject broadly to provide our readers with a general overview keeping in mind the requirements of a photographer. The type of ink and exact colour of inks is printer manufacturer dependent. Please do your own research before making any investments. This author, including the publisher of this magazine, or any team members, are not responsible for any choices or investments that you make. For colour printing, the mandatory 4-colours are, cyan, magenta, yellow and black. Additional colours provide smoother gradations and a larger colour gamut. The following table with give you a broad synopsis: ENTRY LEVEL Vs. PRO-GRADE INKJET PRINTER Vimal Parmar An independent marketing consultant and digital print evangelist with over 36 years of experience in the imaging industry. The right choice for a professional photographer or a serious amateur
www.smartphotography.in April 2023 | Smart Photography | 27 The assumption here is, you are a professional photographer, either operating from home or a photo studio and the prints are primarily for your clients. The entire scenario changes, if you plan not to make prints for yourself but serve as a print service provider for other photographers or interested in setting up a photobook-making facility. Such a service will require a completely different setup. Thanks to Epson, I recently had the opportunity to test their A2 size, SureColor SC-P903 printer model, mentioned earlier, which they were kind enough to loan. Test prints were done on a wide variety of museum-grade, archival, fine art media by Felix Schoeller who were also kind enough to send some sample sheets. While I am used to seeing incredible prints at professional print labs, the ease with which I could get similar results at home on the Epson SureColor SC-P903 was very satisfying. https://www.epson.co.in/For-Work/Printers/Large-Format/ Epson-SureColor-SC-P903-A2-Professional-Photo-Printer/p/ C11CH37503 These are museum-grade archival prints that can be used to make photo prints for home décor, exhibitions, portfolios, portrait prints or for selling your art reproductions. Moreover, as a professional photographer, this set-up provides the opportunity to offer the best to your customers. As a serious amateur, the convenience of creating highquality prints at home is truly satisfying. Having said so, the need for a professional print studio will always be there. They play a very crucial role in the entire photo-imaging ecosystem. They have the capability to provide much larger print sizes, a huge variety of media types – including canvas – a much higher level of colour management including museum-grade framing apart from their deep knowledge that one can tap. I got in touch with a few professional photographers who have an in-house printer, to understand their point of view. Let us hear them out. Happy Reading! Vimal Parmar @vimalparmar/ Select range of museum-grade archival inkjet media from Felix Schoeller with different surface finishes https://www.felix-schoeller-india.com/professional-photo-fine-art/
28 | Smart Photography | April 2023 www.smartphotography.in printing and beyond Bijay Agrawal is a commercial photographer based in Visakhapatnam and primarily does portraiture, family portraits, fashion, and glamour. The end product for his customer is almost always a good-quality inkjet print. He has a 24-inch Epson SureColor SC-P6000 and an Epson EcoTank L805 for smaller prints. Apart from commercial usage, for his personal use, he regularly prints portraits and landscape images. Bijay regularly uses NovaJet and CompuColor media for printing. A 17-inch printer was Bijay’s first in the year 2008. Primarily bought to be able to provide his customers with highquality prints with long shelf-life since the enlargements would eventually be framed and put up on walls. “A good quality print is most important as you are as good a photographer as your print is because that is what matters to your customers. Moreover, owning a printer gives me full control over quality, colour, media selection, timely delivery and shelf life” is what Bijay shared and summed up by the concluding remark, “A serious professional photographer should not depend upon others for quality. We invest so much in our gears, lighting systems and in acquiring knowledge that unless we get a perfect print from our files, everything is wasted.” A PHOTOGRAPHER IS ONLY AS GOOD AS THEIR PRINTS Bijay Kumar Agrawal Agarwal‘s Images, Visakhapatnam, Andhra Pradesh @agarwalsimages/ Debraj Debbarma, from Shillong, is primarily a nature photographer with a keen interest in landscape, nightscape and occasionally macro. He has invested in a 44 inches Canon imagePROGRAF PRO-541 which he bought in the year 2021. He prints on a mix of high-gloss media, canvas and archival substrates like baryta and cotton rag. Debraj believes that the choice of paper is not only a personal preference but also since some subjects look good only on a particular type of surface finish. Debraj mainly prints for his customers who buy his images. To quote Debraj, “I always advocate people to end their photography journey with printing whether they are professionals or serious amateurs. Our device captures the moment in time but printing brings those moments to life. Print them, hold them, and feel the thrill of those moments by soaking in the colours and transitions hidden in the amazing details of the image. It is not only the pixels and dots but the whole story of your creation.” Debraj further adds, “If you are selling your photographs then having a printer is a profitable investment and I will categorise it as one of the major advantages of owning a printer. You will be able to deliver quality prints, on time and end up having happy customers. Moreover, Printing changes our understanding of photography entirely.” A valid point that Debraj shares is, “There is a steep learning curve if you want to get the best out of your printer and unless you are willing to do that and go through trials and errors and investment in other resources, there is no point in investing in a pro-grade printer. But once mastered, the joy, satisfaction and benefits are immense.” “PRINTING CHANGES OUR UNDERSTANDING OF PHOTOGRAPHY” Debraj Debbarma Riti academy of visual arts, Shillong, Meghalaya @debraj.debbarma/
www.smartphotography.in April 2023 | Smart Photography | 29 Sanjay Patil is a travel, nature, and wildlife photographer. He delved deep into the subject after retirement from a public sector organisation. Sanjay’s belief that “The process of capturing the picture is not complete unless the picture is hung on the wall” made him invest in an A2+ size Epson SureColor P807 inkjet printer in the year 2018. The ability to obtain unbeatable details, depth, colour and contrast in a print coupled with media versatility, archival substrates and pigment inks are what made him invest in a pro-grade inkjet printer. The ability to soft proof before printing, under the same roof, is an added bonus. This investment was driven primarily because prints from his print service provider lacked good colours and tonal range and the non-availability of archival media from them. Felix Schoeller, Canson, Epson, Hahnemühle, and Museo fine art media are what he usually stocks. Paper selection is always based on the type of image that he decides to print. He experiments with a wide variety of media since he believes that every manufacturer’s media has its own typical characteristics. Sanjay prints a wide variety of subjects that includes nature, wildlife, portraits, and travel apart from taking up print orders from fellow photographers. In terms of challenges, the total cost of ownership compared to a dye-based printer could be a deterrent for some. Additional expenses like a colour-calibrated monitor and calibration tools could further increase the investment, is what Sanjay shared. “My sincere advice to all professional photographers or serious amateurs is to get an entry-level inkjet printer with pigment inks, for printing images. Most of us click pictures, edit and post them on social media and perhaps we will never see the pictures again. Printing our images on a good printer helps us see every detail including rich or subtle colours that we have captured. The joy of holding the prints in our hands is totally a different experience altogether. Analysing a few printed images together rather than seeing one digital image in isolation on a monitor has helped me improve my composition, and understanding of the form, colour, texture, pattern, symmetry, and geometry of the image better. The approach of seeing the images on paper rather than looking at the images on screen helps take our photography skills to a new level altogether” is how Sanjay concludes. “PRINTING HELPS CREATE BETTER PICTURES” Sanjay Patil Navi Mumbai, Maharashtra @sanjaypatil.imagemaker/
30 | Smart Photography | April 2023 www.smartphotography.in printing and beyond Harry Verma, apart from being a well-known wedding photographer, a Nikon India Expertive, is also passionate about headshots, lifestyle, and corporate related work. His desire to provide the finest prints to his customers with in-house control on quality and timely delivery is what made him invest in an Epson SureColor SC-P6000 in the year 2020. This also helped him to address customer demand for bigger size prints on canvas. His studio also has an Epson EcoTank L805, A4 size printer, for routine work. As far as substrates are concerned, a mix of different brands and surface finish is what he usually stocks. Brands like NovaJet, Epson and Mitsubishi is what he regularly uses. “When you have a printer of your own you are more likely to print your photographs, and the complete printing workflow is in your control. Good photographs always belong in prints and prints always inspires you to stay focused to the nuances of the image making process.” Is what Harry shared, and further adds, “With an in-house printer that provides superior quality, it becomes easy to impress upon customers to go in for prints. It also opens up avenues to market your own images.” “Investing in a printer is easy, but operating is a different story. Maintenance, investing in a variety of media, a good monitor, learning curve, all requires investment in time and resources. But yes, once these hurdles are met, the returns are satisfying apart from the new business opportunity that it creates for photographers and studio owners. Harry’s studio regularly prints, family photos, portraits, kids’ photos, model portfolios, travel photos, prints and canvas for wall décor and art reproduction for artists who sell multiple copies of their original work. Apart from that, a variety of personal work like his travel, street photography, prints for his own and extended family and not to forget his large circle of friends to whom he gifts often. “Making prints is as therapeutic as making photos, there is no alternative to seeing your work of art in a tangible form, which you can feel and keep forever.” is how Harry beautifully sums it up. MAKING PRINTS IS THERAPEUTIC Harry Verma Pixlue Studio, Dombivli, Maharashtra @iamharryverma/
1. The picture has to be horizontal. 2. Kindly ensure that the shorter side measures at least 10 inches at 300 ppi (approximately 3000 pixels). 3. Low resolution images will not be accepted. 4. We do not check images on online galleries. 5. Kindly ensure complete contact/address details are provided. 6. Please make sure that your picture does not have your name/logo on it. A note to our readers We are sure that all of you have a few pictures that you think are prize worthy. It happens very often that you don’t know where to send the image that could put a feather in your cap. If you have such images (we’re sure you have many!), send us ONE such horizontal image. If it qualifies, we shall publish it as a double-spread. a. You have to guarantee that the picture was shot by you b. If there are people in the picture who can be identified, we’ll need a model release c. The picture should not have been printed elsewhere (magazine, newspaper, or offered to any publication) d. Mark the entry as “Picture of the Month” and rename the file using your name e. You may send images via e-mail to: [email protected] Photograph by Sayan Paul
Riot of Colours 34 | Smart Photography | April 2023 www.smartphotography.in mastercraftsman As Told to Rohinton Mehta g How did you get into wildlife photography? I was always interested in photography but with a busy work schedule, could not devote much time to it. Finally, in 2018 I decided to retire early and spend time on what I like. Initial few trips with experts made me decide on wildlife photography as my thing. Within that, bird photography is my favourite but I do love mammals and macro photography as well. By nature, I like to keep quiet and listen, and this genre of photography worked perfectly. I don’t have to talk to my subjects, just understand them better and then share my ideas/views thru photos (without talking to anyone). g Did you undergo any training in photography or are you self-taught? I did a basic photography course with a friend of mine, to begin with. But most of my wildlife photography is on the field learning by watching the experienced guys. I take the opportunity to discuss their approach and specific settings for specific lighting conditions. A lot is also learned through various internet resources available freely. g Which are your favourite locations for wildlife (includes bird photography) photography in India? Bharatpur in Rajasthan, Bhigawan in Maharashtra, and Rann of Kutch in Gujarat are my favourite bird photography locations. I have been in the Indian IT industry since 1993 working for a few IT companies like TCS, i-flex, and Sutherland Global Services. Since 1st April 2018, have taken a break from the corporate lifestyle and have been enjoying life and spending time on my hobbies. Photography is something I was always interested in. It is primarily a play of light and being a Physics student, it was always a fascination for me. It won’t be wrong to say that “with easier access to digital technology, photography has reached the masses”, and I am one of the beneficiaries here. Within Photography, Birding is my preferred category. With my interests in nature, have participated in the following training programs by the Bombay Natural History Society: • Ornithology • Leadership in Biodiversity • Bird Migration Studies and Study Techniques Uday Agashe Thattekad-Crimson-backed Sunbird
www.smartphotography.in April 2023 | Smart Photography | 35 Latpanchar-Blue-throated Barbet Thattekad-Loten’s Sunbird Ranthambore in Rajasthan and Dudhwa in UP are the jungles I liked for wildlife. g How do you decide on a location and how do you prepare for the shoot? As my primary interest is in bird photography, I decide the locations where I can get to see new species. One important factor here about forest birding is, the birds are small plus they prefer to remain inside the foliage. This makes photographing them more difficult. So my preparations for these trips include understanding the kind of bird species I am likely to see (using eBird), then understanding their specific behavior (whether seen on top of trees or foraging on the ground, etc.). Another factor that I consider useful is the kind of weather or the terrain that I will be walking/trekking on. Forest areas would necessarily mean wearing shoes and for water birds, floaters are preferred. At times there are leeches in the habitat, so
36 | Smart Photography | April 2023 www.smartphotography.in mastercraftsman one should be prepared for that as well. For most of my trips, I do carry a tripod (even though that means carrying extra weight on my shoulders) for better stability. g According to you, what should one keep in mind as a wildlife photographer? As a wildlife photographer, one has to be patient but extremely alert at the same time. You never know where a photo opportunity might come from. There are times when you endlessly wait for a bird to come out from the clutter (you keep hearing their calls), straining your eyes, that when the bird eventually comes out, you are exhausted and may miss the opportunity (sometimes your hands are cramping holding the camera/lens and you feel like giving up). g Do you think that good equipment is important or do you think that the equipment is not important and it is only the photographer that counts? I will say good equipment can give you a head start in wildlife photography (faster-focussing ability, better ISO performance, glass quality) but it is more important to have a good understanding of the habitat and specific behavior of the subject. If I have to choose only one, I will say it is the photographer that is more important than the equipment. g As wildlife photographer, how important is it to understand the behaviour of the subject you photograph? Understanding subject behaviour is extremely important to me. Just as an example, we were observing and photographing a wild elephant in the Dudhwa jungle. We came to know that this particular one was a rogue and was out casted by the herd. It took a few steps towards us, frightening us like anything. But our guide was extremely Andaman-White-bellied Sea-Eagle
www.smartphotography.in April 2023 | Smart Photography | 37 Mumbai-Coppersmith Barbet Bhigawan-Spotted Owlets
38 | Smart Photography | April 2023 www.smartphotography.in mastercraftsman knowledgeable; he could sense the difference between a mock charge and rage. We continued to photograph from a close distance and at one point, the guide asked the driver to move back quickly (he had seen a behavior change that alerted him). Within a few seconds, the elephant ran towards the gypsys. Not just to sense the danger but to get good photos of birds as well, you have to have a good understanding of their behavior. Knowing things, like “a beeeater often takes to the same perch after a sortie” or “a bird will toss its prey a few times before gulping”, could help you in the field. g Have you any interesting stories to tell about your experiences as a wildlife photographer? There will be a lot of memories that I can think of. One of them was when we were on a safari in the Bandhavgarh National Park in Madhya Pradesh. This was our 5th safari and we had no luck with tigers so far. On reaching the gate, we were told that our permit was for another gate and our guide had bungled up. You always try to be the first vehicle to enter the park and this delay caused us to be the last one to enter. We were absolutely livid with our trip coordinator but as luck would have it, we heard about a tiger within a few minutes of entering. And as we looked at the other end of the river, we saw a tigress descending from the hillock followed by not 1, not 2 but 4 cubs. Little later we even saw their father. From a totally unfavorable safari experience, we hit the jackpot of 6 tigers in just an hour. g Any message you’d like to give to budding wildlife photographers? I will say, one should enjoy the journey. Avoid falling prey to the trap of more likes and comments on social media. More comments may not necessarily make you a better photographer. In your own judgment, if you are doing better than what you were a couple of years back, you are making progress. Be it in terms of framing, post-processing, picture sharpness, behavior understanding of subjects, overall photo quality, or any other parameter that you may choose. |SP Ranthambhore-Krishna and Cub
www.smartphotography.in April 2023 | Smart Photography | 39 Bhitarkanika-Black-capped Kingfisher
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Gudi Padwa Festival 44 | Smart Photography | April 2023 www.smartphotography.in sPECIAL Gudi Padwa is a spring festival at the start of the New Year, primarily for the Maharashtrians and the Konkanis, but people from other communities also join the celebrations. The women dress up in their most colourful traditional clothes and wear exquisite jewellery. Men too adorn themselves with new clothes and look smashing in their customary outfits. These are the photos taken during the Gudi Padwa festival at Girgaon in Mumbai on the 22nd March 2023 where the ladies (mostly) join the procession, riding their beautifully decorated motor cycles, dressed to kill! The festivities start around eight in the morning and go on till noon. It’s one of the most colourful, never-to-be-missed show! |SP Rohinton Mehta
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