arshad-shahid_2015_11_21_10_57_29_858

35-

Divay balday rehan dio

aasaan nay divay balday rehan dio
khavray kad suraj niaan aakhan
maan
khud'gharzi na motiya lathi pavay

36-

TAAN JAY

Kalla charkhoo ki kar sain
Hanjoo poniaan,
Mahari akh tokri maan bohoot
Aa mufti jholay pa
Taan jay charkhoo ni ghokar
Tharay “hoon” ni akhkhi kholay

37-

Khavray

Savan nay atroo,
Paharaan na seno cheeran
Tada hirday khavray kadho banyoon
Chana akhaan ni kin min
Sheshay waangar,
Tot paj choori hondi

38-

jehray labun charnay
aakhar koon lab lainay
balni ag lae
pani na koe khuaan

39-

Kalay badal wass sun
Mein ki dassan
Saray badlaan nay teday
Pani Honda,

Eshq nay khaitay
Kayoon sukay mar day

Prof. Maqsood Hasni ki shakhsiat
ko oon ki shaeri kay hawala say
kisi mukhsus khool main moqaed
nahain kiya ja sakata. Es hawala
say oon ki shaeri bhi kisi mukhsus
khanay main fit nahain ki ja sakti.

Awal ta aakhar oon kay haan
bila’tafreq-o-imtiyaz insan
mad-e-nazar rehta hai. Yahhi waja
hai kah oon ki shaeri main insan ka
dukh sukh hi mad-e-nazar rehta
hai.

Woh fikri hawala say ravaet shikan
aur ravaet taraz shair hain.

Woh lisani hawala say bhi ravaet

kay paband nahain rehtay.

Na’ay mohavray nae tarkibaat,
na’ay marakabaat aur nae
tashbihaat paish karna oon kay
qalam ka khasa aur shooq hai.

Ooon kay qalam say nisbatan alamti
shaeri hoti hai.

Oon ka kuch kalam main moqami
zobanoon ka aamaiza mojood hai.

Oon ki Punjabi shaeri ka baish’tar
hissa mukhtalif Punjabi lehjoon
aur rangoon par ostawar nazar aata
hai.

Kuch kalam Gojri, Pothohari,
Rajistani, Saraeki, Mivati ya
Rajistani hai jissay Punjabi samjh
liya giya giya hai ya kaha jata hai
bilkul ossi tara jis tara

baba-e-urdu nay dakni kalaam ko
Urdu kalam samjh liya.

Woh ziyada’tar insan ki bai’basi,
bai’chargi, bhuk nang piyas aur
insan kay digar samaji-o-moashi
masael ko ahata-e-tehreer main
latay hai.

Woh na’seraf amraz ki tashkhis
kartay hain balkah moalja bhi
tajveez kartay hain.

Insan ko kuch na’kuch karnay ki
targheeb daitay rehtay hain. Yah
seraf shaeri main hi nahin oon kay
afsanay aur tanz-o-maza say
motalaq mazameen ka bhi khasa hai.

Istahsali tabqoon kay khalaf taqat
kay estamal kay haq main nazar
aatay hain.

Onhain molvi aur wa’az bannay ka
koe shooq nahain es kay ba’vajood
kahein na’kahein molvi aur wa’az
ka sa andaz zaroor nazar aa jata
hai.

Oon ki shaeri eak roshan khayaal
aur taraqi pasand shakhas ki
shaeri hai.

Oon ki shaeri main tanzia andaz bhi
parhnay ko milta hai.

Kaein kaein maqalmati andaz bhi
ekhtyar kartay hain. Yah doo tara
ka hota hai:

1- Kisi shakas say moqalma
2- Apni zaat say guftagu

Oon ki shaeri kay doo saliqay hain:

1- shakas say kaenat ki taraf

marjiat
2- kaenat say shakhas ki taraf
wapsi

woh shakhas ki shanakht gom ho
janay kay sakht khalaf hain. Es par
kisi toor maslihat karnay ko tayar
nahain hain. Oon kay khayaal main
shanakht bar’qarar rehnay say hi
vajood baqi reh sakta hai.

Oon ki shaeri kay motala say yah
haqiqat khalti hai kah zindgi
karna koe aasan kaam nahain. Zinda
rehnay kay liay masalsal aur
muwatar mehnat aur jid-o-johad
karnay ki zarorat rehti hai.

Oon ki Punjabi shaeri KO lisani
hawala say nae aur ajeeb’tareen
shaeri ka naam diya jasakta hai.

Oon kay kalaam main auroon kay dukh