Catalogue for 2018:19

shelton lea shelton lea

258. 263.

The Paradise Poems. Greensborough, Vic: Seahorse Advantage Receiver. No place: no publisher, no date. One

Publications, 1973. One of 500 copies printed by Bob of Shelton’s home made books. Nine poems copied

Cugley at the National Press, and done at the same time from the typewritten sheets with his paste–up artwork.

as his friend, Robert Harris’ first book, Localities. Octavo These sheets were created individually over a period of

[215 x 140] 55 pages in illustrated wrappers. A little rubbed, time, and whenever Shelton had the urge he would go

else unused. $60.00 to the photocopier, reproduce and assemble them. The

259. order and content could thus vary from copy to copy. This
Chockablock with Dawn. St Lucia, Qld: Makar Press, 1975.
Poems. No 13 in the Gargoyle Poets Series. Octavo [220 volume contains: “I was born in the year dot”, “I don’t like
x 140] 24 pages in illustrated gilt foil wrappers. $30.00
photographs of people”, “A conspicuous absence”, “I gave

my friend a thief ”, “A poem to my sons – Zero – Asmodeus

– Danay”, “A kids tale”, “The Dip’s Dilemma”, “In Defence

Of Drunks”, and “Your lips are soft and wet”. A4 [12] sheets

rectos only, stapled twice at top edge. From the library of

Cornelis Vleeskens, with his small paw print stamp. [held

only at monash.] $60.00

shelton lea
michael sharkey [1946 – ]

264.
In 20 Years: Poems for Shelton Lea. Armidale, NSW: Fat Possum
Press, 1983. A friendship that began in Kings Cross in 1964.
An affectionate memoir/poems, with reproductions of
contemporary documents and photos across the years. no
5 of 40 numbered copies produced for the Montsalvat
poetry festival in December 1983. Octavo [210 x 150]18
pages, stapled. A very good copy of an obviously elusive
item. (Only two copies held in public collections).

$45.00

265.

Poems from a Peach Melba Hat. Cheltenham, Vic: Abalone

Press, 1985. inscribed by the poet. Octavo [210 x 155]

[vii]+88ages in illustrated wrappers featuring a drawing

by Joy Hester. $45.00

260. shelton lea
robert harris [1951 – 1993]
Palantine Madonna. Melbourne, Vic: Outback Press, 1978. barrett reid [1926 – 1995]

Octavo [210 x 140] 80 pages in illustrated wrappers with signed typescript poem

featuring Gail Hannah - his incipient publisher - standing

in a St Kilda doorway. $35.00 266.

A Flash of Life. Compiled by Shelton Lea and Robert Harris.

261. Mountain View, Vic: Christine Webb, 1986. Published on
Poems. No place: no publisher, no date. One of Shelton’s
home made books. Reproduces from typescripts and the occasion of Barrett Reid’s sixtieth birthday on the
paste up of art work by Chrissy Webb the following poems
“Domestics”, “Prison poem with heavy…”, “I would like 8th of December, 1986 in an edition of 120 copies. this
a memento of your eyes”, and “A poem on a peach melba
hat”. Trimmed f/cap folio [315 x 215] [10] sheets, rectos copy inscribed by reid to his close friend the
only, stapled four times along the top edge. $60.00
historian, marjorie tipping “my fellow explorer”

Quarto [300 x 210] 62 pages stapled into illustrated

wrappers. Laid in is a a signed typescript poem by Shelton

Lea, “For Barrett Reid”. $175.00

262. 267.
Two Poems. “A Kid’s Tale” and “The Dip’s Dilemma”. With The Love Poems. Eaglemont, Vic: Eaglemont Books, 1993. A
two unattributed illustrations. Single sheets A3 folded selection by Patrick McCauley with drawings and cover art
once for an internal two panels, of image and typescript. by Jenni Mitchell. this copy inscribed by the poet.
Insect damage to lower right, through to rear. With the Octavo [210 x 145] 62 pages in illustrated wrappers.
paw print stamp of poet, Cornelis Vleeskens. $35.00
$65.00

shelton lea leatherjacket

268. 271.
Nebuchadnezzar Poems. [Clifton Hill, Vic]: Oral Hygiene
Records,2001. Twenty-one readings with Lea performing Leatherjacket. [Issue No 3], July 24, [1976]. one of 150
at his best. Production by Robert Price. Audio CD. As new.
copies. Keith Russell, Anna Couani, Eric Beach, Rae
$25.00
Desmond Jones, Robert Adamson, Vicki Viidikas, Michael
269.
Nebuchadnezzar. North Fitzroy, Vic: Black Pepper, 2005. Witts, Rudi Kruasmann, J.S. Harry, Kerry Leves, Michael
“Poems which kick through inner-city street as well as
prison cells and a cast of characters real and imagined Wilding, Robert Creeley, Keith Shadwick, Tom Thompson,
such as the incendiary half-crazed King Nebuchadnezzar
reclaiming Fitzroy.” Octavo [205 x 140] ix 114 pages in Elizabeth Smither, and others. Printed offset. Octavo [200
illustrated wrappers. With launch invite $20.00
x 125] 28 pages stapled into card wrappers with a printed
leatherjacket [1973]
label. $50.00

gerard lee [1951 – ]

272.

Manual for a Garden Mechanic. Clifton Hill, Vic: Rigmarole

of the Hours, 1976. Prose pieces 1972 – 1974, illustrated by

Dharma Yeomans. No 7 in the Rigmarole Series designed

and published by Robert Kenny. from the numbered

issue. With the stamp of Brisbane’s Peoples Bookshop—

the Communist Party of Australia’s bookshop managed by

Bill Sutton, a man who held a broad and tolerant interest in

small press publications. Small octavo [160 x 120] 70 pages

gathered into plain card wrappers with printed dust jacket.

With the discreet pawprint stamp of Cornelis Vleeskens.

A very good copy. $35.00

jeannie lewis [1945 – ]

273.

Ephemera. 1. Programme: “Jeannie Sings the Blues”.

1967. Essay by Craig McGregor. Advertises Third World

Bookshop (35 Goulburn Street) and Whitty’s Wine Bar

270. (207 Oxford Street—later to be the residence of Exiles
Leatherjacket. No 2, June 1973. [Sydney, NSW: Cheryl &
Robert Adamson.] no 49 of 100 numbered copies. Bookshop, and today, the Bookshop) 4 pages [230 x 150]
Contributors include Robert Adamson, Bill Beard, Bruce
Beaver, John Blay, Garth Clarke, Michael Driscoll, Laurie folded from a single sheet. 2. Programme: Nueva Canción
Duggan, John Forbes “Ode to Tropical Skiing”, Garrie
Hutchinson, Rudi Krausmann, Shelton Lea, Jennifer Chilena; Venceremos: Quilapayún: Chile’s famous folk
Maiden, Ken Quinnell, Lorraine Roche, John A. Scott,
John Tranter, Michael Witts and a supplement of poems singers: live in concert with Jeannie Lewis. Tour, 1975.
written by children from the Dhupuma primary school
in the Northern Territory. F/cap [18] pages duplicated [240 x 170] 12 pages stapled; 3. Handbill by Martin Sharp:
typescript stapled into black card wrappers with typed
label on upper and tape to spine. Rare. $60.00 “Jeannie Lewis viva Diva: for two nights only 50th birthday

concert” [1995]: Friday 10th & Saturday 11th February,

Harbourside Brasserie; Printed both sides [200 x 140];

4. Information sheet: “So You Want Blood” [Sydney,

NSW: Kinsellas, 1983.] Single f/cap [335 x 218] duplicated

typescript with a full breakdown of performers and crew,

and a listing of musical sources. Folded twice and with

some discolouration. The four items $45.00

kerry leves 1948 – 2011] magic sam [1975 – 1982]

274.

Green: Poems, 1971 – 1978. Darlington, NSW: Sea Cruise

Books, 1978. With three drawings. His first collection.

from an edition of 300 handmade copies. Quarto

[280 x 217] [46] pages of duplicated typescript. Stapled

into heavy two colour card wrappers with silkscreened

dust jacket. Cover art and drawings by Seacruise. A fine

copy. $75.00

kate llewellyn [1936 – ]

275.

Trader Kate and the Elephants. Unley, SA: Friendly Street

Poets, 1982. Her first collection of verse (preceded only

by the envelope collection of typescript, Teeth and Other

Verses). this copy signed by the poet. Octavo [210 x

135] [x11] + 91 pages in illustrated wrappers. Slight edge

wear. $35.00

peter lyssiotis [1949 – ] 278.

While Peter Lyssiotis has been a well-known and respected artist for Magic Sam. No 1.Darlington, NSW: An Absolutely Furious
many years, this is his first published collection of poetry. His poems
in this book range between Cyprus (the author’s native country) and Production, [1975]. Edited by Ken Bolton. Contributors
Australia; between the village of Xylotymbou in Cyprus and the suburb
of East Burwood in Melbourne. They capture something of the ‘outsider’ include: John Walker, Kerry Leves, Noel Sheridan, Gary
observing two places and are all the more accomplished because of the
delayed publication and “distance” between the two countries. The form Oliver, A.F. Drawings, John Jenkins, Vicky Viidikas, Laraine
of the poems ranges between the lyrical (acknowledging their debt to
Lorca and Ritsos) and the prose poem (as practised by Max Jacob and Roche, Allen Fisher, Peter Murphy, Denis Gallagher, David
Francis Ponge). The present collection of poems The Bird, the Belltower is a
bilingual edition with translations into Greek and a scholarly introduction Miller, ∏ O, Joanne Burns, Rae Desmond Jones, Anna
on the poems by its Greek translator.
Couani, Ken Bolton, Robert Lax, and Neil Moore. Quarto

[260 x 205] [140] pages stab bound into printed card covers

276. with silkscreened dust jacket. $120.00

The Bird, the Belltower. Brighton, Vic: Owl Publishing, 2005.

A bilingual collection of poems in English translated into

Greek by Dimitris Vardoulakis with an introduction in

English and Greek. This volume also includes fourteen

works of photomontage by Lyssiotis. Octavo [210 x 150]

180 pages in illustrated wrappers. $25.00

nan mcdonald [1921 – 1974]
brindabella press

277.
For Prisoners: An Unpublished Poem. Canberra, ACT:
Brindabella Pess, 1995. one 150 numbered to copies.
Her last published work brought to press by Alec Bolton.
McDonald was a significant force at A&R and was a
close friend and confidant of Rosemary Dobson and
the publisher, Alec Bolton. Set in Centaur and printed on
Archive Text, with a decorative capital by Kathie Griffiths.
Tall octavo [240 x 150] 8 pages on good antique laid sewn
into terracotta printed wrappers. A very good copy.

$50.00

magic sam [1975 – 1982] magic sam [1975 – 1982]

280.
Magic Sam. No 3. Darlington, NSW: An Absolutely Furious
Production, [1978].Edited by Ken Bolton and Anna
Couani. Contributors include: Robert Kenny, Ken Bolton,
Stephen K. Kelen, Laurie Duggan, Sue Richardson, Kris
Hemensley, Kerry Leves, Rae Desmond Jones, Gerard
Lee, Alexandra Seddon, Arthur Winfield Knight, Laraine
Roche, Pamela Cocabola Brown, Moystn Bramley-Moore,
Damien White, Eric Beach, Joanne Burns, and Walter
Billiter. Quarto [260 x 205] [126] pages stab bound into
printed card covers with illustrated dust jacket.

$120.00

279.
Magic Sam. No 2.Darlington, NSW: An Absolutely Furious
Production, [1975].Edited by Ken Bolton. Contributors
include: Robert Kenny, Philip Hammial, John Tranter,
David Miller, Michael Witts, John Jenkins, Anna Couani,
Kerry Leves, ∏ O, Terry Smith, David Mayor, Noel
Sheridan (interview) Laurie Duggan, Tony Kirkman,
Stephen Bowers, Katherine Gallagher, Rudi Krausmann,
Rae Desmond Jones, Allen Fisher, Nigel Roberts, Kris
Hemensley, Carol Novack, Gary Oliver, Bernie O’Regan,
Bill Beard, Stephen Wells, Denis Gallagher, and Ken
Bolton. Quarto [260 x 205] [232] pages stab bound into
printed card covers with illustrated dust jacket. $120.00

281.

Magic Sam. No 4.Darlington, NSW: An Absolutely Furious

Production, [1978].Edited by Ken Bolton and Anna

Couani. Contributors include: Anna Couani, (reviews

Gerard Lee’s Manual for a Garden Mechanic) Philip Hammial,

Michael Brownstein, John Forbes, Lawrence Buttrose,

Leith Morton, David Miller, Colin Symes, Denis Gallagher,

Sal Brereton, Kevin Brophy, and Alan Jeffries. Quarto [260

x 205] [144] pages stab bound into printed card covers

with illustrated dust jacket. $120.00

magic sam [1975 – 1982] magic sam [1975 – 1982]

283.

Magic Sam. No 6.Darlington, NSW: An Absolutely Furious

Production, [1982]. Edited by Ken Bolton and Sal Brereton.

Contributors include: Laurie Duggan (“Adventures in

Paradise”), Erica Callan, Robert Kenny (Christian Doom),

Sal Brereton, Pam Brown (interview), Luke Davies, John

Jenkins, Tom Thompson, Alexandra Seddon, Stephen

K. Kelen, and Denis Gallagher. Quarto [280 x 205] [224]

pages stab bound into plain card covers with silkscreened

dust jacket. $120.00

282.

Magic Sam. No 5.Darlington, NSW: An Absolutely Furious

Production, [1978].Edited by Ken Bolton, Salk Brereton

and Anna Couani. Contributors include: Sue Wray, Philip

Hammial, Anna Couani, Alan Jeffries, Tom Thompson,

Stephen K. Kelen, Julie Powell, Kris Hemensley, John

Tranter, Sal Brereton, Denis Gallagher, Joanne Burns,

Erica Callan, Eduard Battarde, Rae Desmond Jones, John

Jenkins, and Ken Bolton. Quarto [260 x 205] [168] pages

in illustrated card covers. $120.00

mail art - assembly book [1979 – 1980]

284.
Post-Modern Writing Nos, 1, 2 & 3. All published. Edited
by Nigel Roberts and Michael Wilding. [Darlington/
University Of Sydney], 1979-1980. For such a recent
magazine, Post-Modern Writing is fugitive to the point of
rarity. Contributors submitted their own printed sheets,
and were in turn sent their own collated copies of the
magazine. Inevitably the distribution was unusually
specific though in its own way strangely dispersed. Each
issue contains important work by Australian writers, as
well as by those visiting, or of an acknowledged influence
from afar. Because of the mail art nexus, the magazines
also contain significant offerings from the ranks of that
wider genre.

[No 1] Contributors include: Jonah Raskin, Louis Johnson,
Jack Lindsay, John Montgomery, Michael Wilding,
John Tranter, Nigel Roberts, Geoffrey Carlisle, Frank
Moorhouse, Eric Beach, Rae Desmond Jones, Margaret
Randall, Kate Llewellyn, Damian Sharp, and Billy Jones.
[20 pages stapled, mixed foolscap & quarto, roneo and
other copy]

[No 2] Contributors include: Damian White, Bill
Gaglione, Bob Beale, Opal Louis Nations, Nigel Roberts,
Paul Shakey Brown, Richard Deutch, Jon Silkin, Vicki
Viidikas, Thomas Fitzsimmons, Sue Hampton, Billy Jones,
Nicholas Mansfield, Chris Aulich, Gregory Stephenson,
David Albahari, Michael Dransfield, John Montgomery,
Margaret Randall, Michael Wilding, Alastair Fowler,
Richard Tipping, and Rudi Krausmann [28 pages stapled,
mixed foolscap & quarto, roneo and other copy]

No 3. Contributors include: Cliff Smyth, Wanda Coleman,
Brian Turner, Thomas Fitzsimmons, Michael Wilding,
Cornelis Vleeskens, Colin Talbot, Bill Jones, Jane Zageris,
Richard Tipping, Dorothy Featherstone Porter, Chris
Mansell, πO, Michael Andre, Rod Moran, Nigel Roberts,
Opal Louis Nations, Rae Desmond Jones, Margaret
Randall, John Montgomery, Lucio Saffaro, Ania Walwicz,
Neil Murray, Darmanto/Harry Aveling, and Billy Marshall-
Stoneking. [34 pages stapled, foolscap photocopy].

A fine set. $120.00

Rear Post-Modern Writing No3.
See item 284.

makar press [1972] mixed concrete [1993 – 94]

289.

Mixed Concrete No 1. Richmond East/Melbourne, Vic:

Paper Virus Press/Collective Effort Press, December

1993. Edited by Tony Figallo. Contributors: Jas. H. Duke,

Lindsay Clements, Lloyd Jones, Thalia, Peter Murphy, Alex

Selenitsch, Pete Spence, Norma Pearse, ∏.O., ACR, Ernie

Althoff, Lauren Williams, Julie Clarke, Cornelis Vleeskens,

and Tony Figallo. Octavo [210 x 150][56] pages sewn into

illustrated wrappers. $35.00

285. 290.
Poster. St. Lucia, Qld: Makar, [1972]. Promotional poster
for the Makar magazine and the first three numbers in the Mixed Concrete No 2. Richmond East/Melbourne, Vic:
Gargoyle Poets Series. Hand set and hand printed from
metal on the Shapcott Press. [580 x 325] Fine. $150.00 Paper Virus Press/Collective Effort Press, June 1994.

Edited by Tony Figallo. Contributors: Jas. H. Duke,

Amanda Stewart, Eric Beach, Ooni Peh, Jeltje, Ashley

286. Higgs, Richard Tipping, Albert Rotstein, Peter Sulllivan,

Four poetry postcards. St. Lucia, Qld: Makar Press, 1974– Lindsay Clements, Lloyd Jones, Thalia, Peter Murphy, Alex

1975. Printed on the “Shapcott Press” in the Department of Selenitsch, Pete Spence, Norma Pearse, ∏.O., ACR, Ernie

English at the University of Queensland and sent out as a Althoff, Lauren Williams, Julie Clarke, Cornelis Vleeskens,

treat with subscription renewal for Makar. The four cards are: and Graham Parker. Octavo [210 x 150][56] pages sewn

“The Child Tries To Pick Up The Hose By Its Waterstream” into illustrated wrappers. $35.00

by Norman Talbot, “Grasshopper” by Norman Talbot, “Back

And Beyond” by Peter Annand, and “Finished Poem” by

Michael Dugan. On various coloured card [150 x 110] with

conventional postcard guidelines (stamp address lines etc.)

on reverse. All fine. Uncommon. $50.00

chris mann [1949 – 2018]

287. mok [1969]
The Rationales. [Elwood, Vic.]:NMA Publications/ Post Neo,
1986. Pocket size [150 x 110] [16] pages, perfect bound on
the top edge, notebook style. A very fine copy. $25.00

291.

288. Mok. Adelaide, SA: 1969. No 4. Edited by Richard Tipping

Working Hypothesis. Barrytown, NY: Station Hill Arts, 1998. and Rob Tillet. Contributors include: Russell Deeble,

“Deconstruction/Poetry/Music”. A selection of texts from Andrew Prowse, Sweeney Reed, Linda Harry, Brian

one of Australia’s better known experimentalists, prepared Medlin, Peter Hicks, Raphael Smith, Mal Morgan, Michael

while Mann was Fellow at Bard College, New York. Crown Dugan, Rosemary Richards, Simon Bronsky, and Martin

octavo [185 x 125] [105] pages perfect bound into printed Fabinyi. Octavo 205 x 170] 48 pages stapled into illustrated

wrappers. A fine copy. $25.00 wrappers. $40.00

from Mok No 5, 40th Anniversary Facsimile Edition, 2009.
See item 292

mok [2009] kathleen monypenny

294.

292. Australian Rhyme Sheets. Sydney, NSW: Beacon Press, [1931].

Mok. Melbourne Vic: Artpoem/The Narrows, 2009. No 5. Three examples, each with verse by Kathleen Monypenny:

Edited by Richard Tipping and Rob Tillet. 40th Anniversary “Brush Not The Butterfly” with decorations by G. Ridley;

facsimile edition. one of fifty copies numbered and “The Plains” also decorated by G. Ridley; and “The

initialled by tipping. Vicki Viidikas, John Goodall, Dancers” decorated by Ellen Gray. Each 400 x 180, and

Nigel Roberts, Bill Beard, Alison Hill, Toy Dorgon, Kris each printed in colour at the Beacon Press. All recently

Hemensley, Peter Bruce, Simon Bronsky, Terry Gillmore, mounted and glazed in fresh beechwood frames, these

Martin Fabinyi, Frank Starrs, Garrie Hutchinson, and Rob three wall poems are ready to hang. $300.00

Tillet. Small quarto [280 x 215] [36] pages stapled into See: Kathleen Monypenny, Songs Of The Lyrebird, designed and
illustrated by Maisie Duloy, with a recollection by Marjorie
printed card wrappers. In a plastic string tied wallet with Barnard, The Saturday Centre, 1975.

5 x A3 + 9 x A4 stapled photocopies of contemporary press

coverage. As issued. $50.00

montsalvat [1979] finola moorhead [1947 – ]

293. ...the serendipitous gift of a notebook and the writing in 3 weeks in 1977
of A Handwritten Modern Classic whose first edition has a print-run of
Poster: Montsalvat Poetry Festival (1979). “Designed one. For all those apparently sane people who collect things, especially
rare books this one is the very definition of unique. Start bidding. In
by ‘X’”. Offset lithography in two colours, with later 1985 it was published by Pete Spence, who opted in his concrete-poetic
way to keep the hand-writing. ....it is the picture of a thirty-year old’s
handcolouring. [755 x 510]. Some creases and a little edge mind, which I recognise as mine. fm

wear, but no real sign of use. $65.00 first printed edition
295.
A Handwritten Modern Classic. Fitzroy, Vic: “A Post-Neo
Book” printed by Sybylla Co-operative Press, [1983].
Frontispiece portrait by Bernie O’Regan. Facsimile
of the author’s holograph manuscript dated at its
conclusion 17th December 1977. A manifesto on writing
and the imagination, fuelled by the politics of the time.
(Interesting to see that the title page notes in this facsimile
“The Private as the Social Meeting Place 26.11.77” which
was an issue of Etymspheres edited by Walter Billeter; this,
along with O’Regan’s contribution, gives some insight into
the milieu in which this work was written.) Octavo [201
x 147] 75 pages perfect bound into printed wrappers. (a
reprint was issued by Spinifex books in 2013). A fine copy.
Seldom offered in recent times. Scarce. $50.00

kathleen monypenny [1894 – 1971] drusilla modjeska [1946 – ]

One innovative project was the publication of the Australian Rhyme Sheets from modjeska, bail & garner
and Australian Broadsheets, of which four are held in Australian libraries.
296.

The Orchard. Chippendale, NSW: Pan Macmillan, 1994.

NSW Premier’s Douglas Stewart Award for Non-Fiction,

1995. This copy a presented to the artist, Lina Bryans on

her birthday, by Murray Bail, Helen Garner and Drusilla

Modjeska. Crown octavo [195 x 120] 268 pages. A fine

copy in like dust jacket. $75.00

They combined verse, in simple clear typography, and artwork, and were philippe mora [1949 – ]
produced in the style of the English broadsheets popularised in the first
decades of the twentieth century as an accompaniment of the private press 297.
movement by, for example, the Cuala Press, Dublin, and Nonesuch Press and More Really Good Taste Art. Goulburn, NSW: South Hill
St Dominic’s Press in England.23 Mortlock relates how he was approached Gallery, 2013. signed by the artist. Exhibition
in early 1931 by Kathleen Monypenny (1894–1971), then with the Mitchell catalogue, the title of which harks back to Mora’s show at
Library to produce the Rhyme Sheets which were released in April 1931 with Clytie Jessop’s London gallery in 1971, “Really Good Taste
a very positive notice in the Sydney Morning Herald. “Harrie P. Mortlock Art”. Some twenty-five works reproduced in colour with
and the Beacon Press”, Mark J. Ferson (Script & Print, Vol 35 No 2 extended captions as memoir and commentary. Octavo
June 2011, pages 80-98). [210 x 150] [28] pages stapled into printed wrappers. As
new. $25.00

peter murphy [1945 – ] gregory o’brien
ken bolton [1949 – ]
298.

A Stab in the Dark. No place [Peter Murphy, 1975]. Twelve 302.

visual poems in a stapled xerographic gathering. Mannix & Culhane.[Adelaide, SA]: Little Esther Books, 2018.

“Conceptually evocative and visually stark statement Poetry by O’Brien with colour illustrations by Ken Bolton.

focusing on the design of road markings on urban In an edition of a “few round dozens.” Octavo [205 x 135 ]

Australian streets.” (ADFA catalogue note.) Octavo [210 [44] pages stapled in plain card wrappers with illustrated

x 150][10] pages, stapled into illustrated wrappers. Early dust jacket. $65.00

and rare. $40.00 off the page [1990 – 1991]

new poetry [1974 – 1975]

a complete set all five
299.
Beyond Poetry. Brooklyn, NSW: Adamson, 1974-1975. Edited 303.
by Chris Edwards and Cheryl Adamson, with layout and
production by Robert Adamson. All eight issues of this poetry Off the Page, Nos 1-5, edited by Nigel Roberts and Billy
foldout. [No 1.] Robert Duncan’s “Museum”; [No 2.]Poetry
by Cheryl Adamson, Mark McGuire, John Millett and Max Marshall-Stoneking, and after Issue No 1, ∏.O. Balmain,
Williams; [No 3.] Visual poetry by ∏.O., other work by John
Millett, Paul Desney, K.L. Macrae and Larraine Roche; [No NSW: Nigel Roberts, 1990-191. Issue 1 “Dummy Run”: Eric
4.] Translations of Paul Eluard and Joyce Mansour by Henri
Quin and Sylvia Kantarizis; [No 5] Visual poetry by ∏.O., Beach, Richard Tipping, Myron Lysenko, Carl Rakosi, Geoff
other work by Chris Edwards, Sylvia Kantarizis, K.L. Macrae
and Larraine Roche; [No 6.] Visual poetry by ∏.O., other work Goodfellow, Jenny Boult, Grant Caldwell and others. Issue
from Robert Adamson, Leith Morton, Kris Hemensley, and
Sylvia Kantarizis; [No 7.] Translations of Osip Mandelstam No 2 “Morphic Resonance”: ∏.O. and work by Eric Beach,
by David Campbell and Rosemary Dobson worked up from
preliminary translations by Natalie Staples; [No 8.] Poems Jas H. Duke, Michael Sharkey, letters from Alan Wearne
by Bruce Beaver, David Campbell and John Millett. Each
sheet 405 x 255 folded twice to form a six panel leaflet. Each and Ken Bolton, ∏.O., Billy Jones, Kerry Loughrey, and
fine. $150.00
Rudi Krausman. Issue Nos 3/4 “Orthophonic Curve”: Jas H.
carol novack [1948 – 2011]
Duke, Chris Mansell, Neal Murray, David Eggleton, Nigel

Roberts, Grant Caldwell, Billy Marshal-Stoneking, Tim

Thorne, Myron Lysenko, Heather Cam, T.A. Whitebeach,

Billy Jones, Martin Langford, Kerry Scuffins and others.

Issue No 5 “Death & Taxes”: “In Memorium Jas. H. Duke”,

“In Memoriam Roland Robinson”, Terry Whitebeach, Paul

“Shakey” Brown, Grant Caldwell, Billy Jones, Louise Craig,

Laura Hope-Gill, Nicole Beer, Robyn Mathison, Lauren

Williams, Jolanta Janavicius, Michele Morgan, Marietta

Elliot, Susanne Gervay, Jutta Sieverding, Adrian Wiggins,

Lynn Hard, Poets Respond to the Tranter/Mead Anthology.

300. Each issue is duplicated typescript and graphic stapled into

Living Alone Without a Dictionary. St Lucia, Qld: Makar Press, card wrappers with a mounted photograph on the upper.

1974. Gargoyle Poet No 11. Her first book, poems written The set. $200.00

in a year. Octavo [220 x 140] 24 pages in illustrated foil

wrappers. $20.00

gregory o’brien [1961 – ]

301.
Dunes and Barns. Auckland, NZ: Modern House, 1988.
Poems and drawings. one of a hundred signed and
numbered copies. A work achieved with grant of a Frank
Sargeson Fellowship. More than a chapbook. Octavo [205 x
135] [14] pages on art stock sewn into illustrated wrappers.

$75.00

nightclub poetry
melbourne poetry cup[1989]

304.

[Fitzroy, Vic: Street Poetry Lab,] 1989.

Reverse is advertising a Rochester Castle

Hotel (Fitzroy) event “Spring Poetry

Carnival—Melbourne Poetry Cup” to be

held on September 16. A3 both sides. Minor

See Item 72. creases. $25.00

otis rush [1987 – 1996] otis rush

305.

Otish Rush: New Writing, New Art & Reviews. No. 1 (Oct.

1987)-No. 12/13 (Dec. 1996). North Adelaide, SA: South

Australian Publishing Ventures and Futures; Michael

Zerman and Friends; Experimental Art Foundation,

1987-1996. Edited by Ken Bolton. All published. The

creative continuation of Magic Sam. Bolton’s talent as

an editor and stylist has always been of the first order,

and this publication demonstrates that fact once again.

As much for the way they are made as the contents and

their arrangement in each number—Otis Rush was one of a

kind, and a genuine alternative in the world of Australian

literary magazines. Eleven volumes, each roughly demy

octavo in illustrated wrappers, and each very good to fine.

With related ephemera. $100.00

performance poetry [1985] performance poetry

∏.O. [1951 – ]

306.
Off the Record. Ringwood, Vic: Penguin Books Australia,
1985. An anthology of performance poetry compiled
and introduced by ∏.O. With contributions by: Jenny
Boult, Eric Beach, Pam Brown, Joanne Burns, Grant
Caldwell, Jas H. Duke, Laurie Duggan, Kate Jennings,
Steven Herrick, Dorothy Hewett, Susan Hampton, Rae
Desmond Jones, Chris Mann, Billy Marshall Stoneking,
Peter Murphy, Nigel Roberts, Gig Ryan, Alex Selenitsch,
Leigh Stokes, Richard Tipping, Thalia, Ana Walwicz,
among others. Small square quarto [210 x 210] 204 pages
in illustrated wrappers. With extended play audio disc
of recorded performances. Very good. $45.00

308.
Fitzroy Brothel. Melbourne: Strawberry, 1974. ∏.O.’s first book.
[32] pages stapled into printed wrappers. $50.00

∏.O.
stephanie bennett

309.

Shade. Annandale, NSW: Khasmick, 1974. Khasmick Poets

performance poetry No 1. Half and half Bennett and ∏.O. Poetry, concrete,

calligraphy, and graphics. signed by both poets and

307. dated 1974. Octavo [210 x 140] 48 pages in illustrated

Off the Page & On the Stage: A Night of Performance Poetry, Jazz & wrappers. Fine. $85.00

Comedy. [Rozelle, NSW: N. Roberts, 1989.] Magazine cum

programme to accompany the event at the Stables Theatre, ∏.O.

Darlinghurst on Monday 18 December. Performers and

performing poets included Grant Caldwell, Jenny Sheard 310.

(singing Eric Beach), Michael Simic, Geoffrey Hinchcliffe, Emotions in Concrete. Collingwood, Vic: Flying Duck

Edwina Blush, Phil Marks, Racheal Richardson (sings Jas Enterprises in conjunction with Born to Concrete, 1975.

Duke), Nigel Roberts, Cabaret Doo Dah, and Billy Marshall Octavo [220 x 140] [10] pages stapled into illustrated

Stoneking. Octavo [210 x 150][36] pages stapled into printed wrappers. Fine. $25.00

wrappers. $25.00

∏.O. ∏.O.

315.

311. Panash. [Shepparton, Vic.]: Collective Effort, 1978. Poems

∏.O. Revisited. Glebe, NSW: Wild & Woolley, 1976. The and drawings. Octavo [200 x 125] 148 pages in illustrated

poet’s first substantial selection, derived from reworkings wrappers. $35.00

of Fitzroy Brothel, Street Singe, and πpoems, with a final section 316.
The Fuck Poems. Melbourne: Collective Effort, [1982]. The
of previously unpublished work. Dedicated to Joan and best vintage of performance wine and it has improved
with age. The “Hi Fuck” is given to Michael Vale’s graphic.
ACR, with photographs by Terry Bennett. Octavo [220 x [180 x 140] [16] pages, in printed card wrappers.

140] 94 pages + adverts. Very fine. $40.00 $50.00

312.
∏.O. Revisited. Glebe, NSW: Wild & Woolley, 1976. Reprint.
Octavo [220 x 140] 94 pages + adverts. As new. $15.00

317.

Ockers - Re: The National Neurosis. [Melbourne: Collective

313. Effort Press ?, 1983]. His epic ethnic invective against the
Humble ∏. Thornbury, Vic., Bird in the Hand Press, 1977. A
hand numbered edition, printed letterpress on Abbey Mills Aussie bloke, completed and published in December, 1983.
Greenfield laid by the Cloister Press, Northcote. Octavo
[220 x 160] [24] pages sewn into printed card wrappers. [22] pages, stapled into illustrated wrappers featuring

$25.00 the work of ∏.O. and, on the lower panel, Karen-Maree.

Octavo [210 x 135] [20] pages stapled into illustrated

wrappers. $45.00

314.

Fitzroy Poems. North Sydney, NSW: Red Press, 1978. Note:

NOT Fitzroy Poems (1989). A publisher’s retribution. Tom

Thomson reproduces a hand written note from the poet

which reneges on the arrangement to publish “Fitzroy 318.

stuff ”. Single f/cap quarto sheet folded twice to four Fitzroy Poems. Melbourne: Collective Effort Press, 1989.

panels[140 x 110]. Obscure, ephemeral and ultimately Poetry and graphics. Octavo [200 x 140] 144 pages in

desirable. $40.00 printed wrappers. A fine copy. $30.00

∏.O. outsider [1990]

320.

Meusia - Another World, by Heather V. Thomas. Ballarat,

Vic: Lakeside Hospital, 1990. Edited by Brian Sardeson.

The other world of Thomas’ imagination, populated with

friends she gathered from the age of six. This work was

the result of coming to terms with schizophrenia, and

accepting the help that she had avoided. A brilliant mix

of evolved fantasy decorated throughout with her vibrant

artwork. Produced with the assistance of the Western

Region School Of Psychiatric Nursing, and Ballarat

Community Psychiatric Services. Small quarto [250 x

175] 35 pages stapled into card wrappers with design by

Lyn Connellan. A very good copy. $40.00

319. ploughman[1973 – 74]
fragment press

Spanish American Pie. Melbourne, Vic: Collected Effort This, the first number of Ploughman’s Lunch, being the first item published
by Fragment Press....
Press, 1997. A6 No 10. A Spanish language translation

of a selection of ∏.O.’s works, by Oscar Socías, issued

to commemorate his participation in the VII Festival 321.

Internacional de Poesía en Medellín, Columbia. A6 [148 Ploughman’s Lunch No 1. Royal Exchange, Sydney: Fragment

x 105] 32 pages stapled into rubber stamped hand coloured Press, September, 1973. Edited by Gary Oliver. no 60

wrappers. A fine copy. $45.00 of 275 numbered copies. Contributors: Anna Gibbs,

Andrew Darlington, John-Peter Horsam, Margaret Male,

Karen Hughes, Gary Oliver, and Chris Witty. Octavo [220 x

150] [24] pages duplicated typescript stapled into printed

wrappers. $35.00

322.

Ploughman’s Lunch: Poems & Poets. No 2. Royal Exchange,

Sydney: Fragment Press, November, 1973. Edited by Gary

Oliver. Contributors: Rae Desmond Jones, Stuart Flavell,

Steve Kemp, John Edwards, Gary Oliver, Philip Hammial,

Richard Coady, Robert C. Boyce, Alison Hughes, John-

Peter Horsam. David Hall, Patrick Alexander, Norman

Thompson, S.T. Cutler, and Jenny Johnson. Octavo [220 x

155] [32] pages [from 8 loose folds]duplicated typescript

in illustrated card folder. $35.00

323.
Ploughman Poems. Nos 3&4. Royal Exchange, Sydney:
Fragment Press, January, 1974. Edited by Gary Oliver.
no [13]of [39] numbered copies signed and numbered
linocut “Ploughman’s Wife” bound in. Contributors: Anna
Gibbs, Philip Hammial, Gary Oliver, Robert C. Boyce, Allan
Lauchlin Roberts, Jenny Johnson, D.S. Long, Steve Sneyd,
Alison Hughes, Rae Desmond Jones (first publication
of “The Deadshits”), A.B. Ghosal, Joanne Burns, Mal
Morgan, Tony Farrell, Gaby, Norman Thompson, Ken
Bolton, Peter Murphy, Stuart Flavell, David Wakeham,
Richard Coady, Rette, Patrick Alexander, Leith Morton,
John Edwards, and Graham Rowlands. Octavo [215 x 160]
44 + pages stapled into illustrated wrappers. $45.00

324.

Ploughman Poems. Nos 3&4. Royal Exchange, Sydney:

Fragment Press, January, 1974. Edited by Gary Oliver.

no 181 of 210 numbered copies with a tipped linocut

frontispiece .Octavo [215 x 160] 44 + pages stapled into

illustrated wrappers. $35.00

∏.O.

325.

Newsletter/Flyer. [Wollongong, NSW: Alan

Wearne, [2004].2 A4 sheets for two events 22 &

23 September. $15.00

new poetry [1976]

326.
Hand coloured flyer. [Sydney, NSW: Poetry
Society, 1976.] A4 one side only. $15.00

P76 [1983 – 2014] 328.

P76. No. 2 [Darlington, NSW:] Rochford Street Press,

Autumn [June], 1984. Edited by Adam Aitken, Mark

Roberts. Contributors include: Gig Ryan, Alan Jeffries,

Rory Harris, Chris Kelen, Jurate Sasnaitis, Philip

Hammieal, Kate Lilley, Anna Couani, Rae Desmond

Jones, Anna Munster, Cliff Smyth, Mark Roberts, and Ken

Bolton. Adam Aitken reviews Ken Bolton’s Talking to You.

Quarto [297 x 210] 81 + [6] pages duplicated typescript

stapled into silkscreened jacket. $15.00

327. 329.
P76. No. 1 [Darlington, NSW:] Rochford Street Press, P76. No. 3 [Darlington, NSW:] Rochford Street Press,
Spring, 1983. Edited by Adam Aitken, Mark Roberts. Summer [December], 1984/5. Edited by Adam Aitken,
Poetry, Prose, Art, Reviews. Contributors include: John Mark Roberts, and a collective. Contributors include:
Forbes, Grant Caldwell, Chris Burns, Chris Mansell, Laurie Berni Janssen, Marcus Breen, J.S. Harry, Philip Hammial,
Duggan, Les Wicks, S.K. Kelen, Mark Roberts, Adam Colleen Burke, Pam Brown, Ted Hopkins, Dorothy
Aitkin, and Robert Harris. Quarto [297 x 210] 50 pages Featherstone Porter, Carmel Kelly, Amanda Stewart,
duplicated typescript stapled into silkscreened jacket. Moya Costello, Susan Hampton, Cliff Smyth, and
Amanda Stewart. Quarto [297 x 210] 111 + [2] pages
$15.00 duplicated typescript stapled into silkscreened jacket.

$15.00

P76 [1983 – 2014]

330. 331.

P76. No. 5 “Special Recession Issue.” [Concord, NSW:] P76. No. 6 [Chatswood, NSW:] Rochford Street Press,

Rochford Street Press, 1991. Edited by Linda Adair and Summer 1993/94 [in fact 2012]. Poetry, Prose & Reviews

Mark Roberts. Contributors include: Chris Mansell, Myron “The Lost Edition”. Contributors include: M.T.C. Cronin,

Lysenko, Philip Hammial, Jenny Boult, Jurate Sasmaitis, Adrian D’Ambra, Rae Desmond Jones, Garry Dunne,

Javant Biarujia, Martin Smith, and Graham Rowlands. Margaret Bradstock, and Joanne Burns. Commercially

Quarto [297 x 210] 45 pages duplicated typescript stapled printed. Quarto [297 x 210] 63 pages stapled into illustrated

into plain wrappers. $15.00 wrappers. $15.00

332.
P76. No. 7 [West Chatswood, NSW:] Rochford Street Press, Summer, 2014. “Cornells Vlkeeskens Special Issue” Quarto [297 x
210] 86 pages, stab bound into illustrated card covers. Introduction by Mark Roberts. Preface by Pete Spence. A sampling of
his best, and a deeply moving memoir by Jenni Mitchell. Quarto [297 x 210] 85 pages stapled into illustrated card wrappers.

$15.00

banjo paterson [1994]

333.

Sydney Morning Herald. Newsagent

banner. 610 x 430 Saturday April 2,

1994. $25.00

poets’ ball [1981] dorothy featherstone porter
[1954 – 2008]

337.
Bison. Sydney, NSW: Prism, 1979. Her second collection.
This copy with the poet’s name and address (in her own
hand). Laid in is “Driving To Your Place” a two page
typescript poem circa 1982. Clean copy with one Tippex
correction (movement of line ending) and again, with the
poet’s name and address in her hand in ink on each page.
Also is a Victorian Writers Centre postcard portrait of
the poet by Vicki Jones. Typeset by the poet. Octavo [210
x 145] 54 pages in illustrated wrappers with artwork by
Norman Ingram. Spine slightly darkened, else very good.

$50.00

peter porter [1929 – 2010]

signed

338.

Poems Ancient & Modern. Lowestoft, Suffolk: Scorpion

Press, 1964. His second collection. A very good copy

with the publisher’s announcement laid in. this copy

signed by the poet. Octavo [220 x 145] 65 pages in

mottled blue cloth with dust jacket. $60.00

334. 339.

Poster: “Sydney Festival Poets’ Ball”. Held on Sunday 18th Words Without Music. Oxford: Sycamore Press, 1968.

January 1981 at the Cell Block Theatre, East Sydney Tech. Sycamore Broadsheet No 4. Two poems. “Paroles sans

Announces the performances of Leigh Stokes, Joanne Chant” and “Rondo Burlesque”. Single sheet [330 x 205]

Burns, Richard Tipping, ∏.O., Dorothy Hewett, Margaret printed on both sides, folded twice to form six panels,

Roadknight, Eric Beach, Billy Marshall-Stoneking, Gig printed letterpress in two colours on watermarked bond.

Ryan, Laura Molino and others. Screenprint [505 x 380] A fine copy, $20.00

from two stencils by “D[runk] Persons” [ie. Ken Bolton].

One short tear, without loss, at lower edge, else clean and 340.

unused. (See Coalcliff Days, page 77.) $85.00 After Martial. London: Oxford University Press, 1972. This

copy inscribed “For Geoffrey Dutton from Peter Porter,

poet’s choice 29 x ’72”. Porter began translating Martial in 1963 and the

earlier pieces from Poems Ancient & Modern are included here

335. with thirty-two more. While the epigrams are Martial’s

Poets Choice. Edited by Philip Roberts. Lavender Bay, in subject matter and spirit, each is a naturalised English

Bundeena and Sydney: Island Press, 1970, 1971, poem in its own right and is offered as a tribute to their

1972, 1973, 1974, 1976, 1977, 1978, 1979. Hand printed great originator. Octavo [215 x 138] 48 pages. Near fine

by Roberts with moveable type until 1976, when in illustrated wrappers. $50.00

Southwood Press took over production. A fine project

that illustrates the arc and range of poetic practice in jennifer rankin [1941 – 1979]

that decade. All issued in printed wrappers but for 1978, signed by rankin with a letter

which came in boards and dustjacket. Nine volumes.

A very good set. $75.00

polar bear [1980]

336. 341.

Polar Bear. No 1. Darlinghurst, NSW: Nicholas Pounder, Ritual Shift. St. Lucia, Qld: Makar Press, [1976]. The poet’s

1980. Contributors: Rae Desmond Jones, Reiner Kunz, first collection. No 17 in the Gargoyle Poets series. this

Alan Wearne, Joanne Burns, Stephen K. Kelen, Graham copy signed by the poet (a decidedly uncommon

Rowlands, Laurie Duggan, Anna Couani, Eric Beach, signature) with a three page autograph letter (c. 1978

Dorothy Hewett, Gig Ryan, John Tranter, Richard Tipping, from the artist, Edwin Tanner, laid in. Octavo [220 x 140]

Robert Kenny, Carl Harrison-Ford, Leonie Blair, Dorothy 24 pages stapled into printed wrappers designed by her

Featherstone-Porter, Rudi Krausmann, ∏.O., Humphrey husband, David Rankin. Book, fine; letter on good laid

McQueen, and Nicholas Pounder. Quarto [260 x 205] 50 stationery, fine with folds for delivery, in worn addressed

pages stapled into plain card wrappers with silkscreened envelope. $50.00

dust jacket. A fine copy. $30.00

rewording ‘87

342.
Rewording ‘87: A Weekend of Poetry and Prose. University
of Sydney, NSW: Poets Union of NSW, 1987. Barbara
Brooks, Pam Brown, Anna Couani, David Kelly, Dorothy
Porter, Sasha Soldatow, Amanda Stewart, Leith Morton,
Martin Langford. Quarto: various papers from stencils
[86] pages stapled into printed card wrappers.

$35.00

jennifer rankin [1941 – 1979] w. s. rendra [1935 – 2009]
john olsen [1928 –]
presented to eric rolls
343.
346.
Earth Hold. London: Secker & Warburg, 1978. Poetry with Indonesian Poet in New York. Melbourne, Vic. Research
Publications, 1972. Translated from the Indonesian
illustrations by John Olsen. review copy with the by Harry Aveling. Produced to mark the beginning of
Rendra’s Australian tour by the Fellowship of Australian
publisher’s slip laid in. Quarto [290 x 220] 56 pages Writers in October of that year. Second edition. The first
edition was issued in a small quantity by the Department
in brown cloth boards with dust jacket featuring an Olsen of Indonesian and Malay at Monash University for a
seminar on poetry of the South Pacific held at Macquarie
drawing. $40.00 University NSW in August 1971. this copy presented
to eric rolls by the faw two days prior to publication.
adrian rawlins [1939 – 2001] Octavo [215 x 140] 32 pages stapled into illustrated card
martin sharp [1942 – 2013] wrappers. A few creases and slight darkening to lower
wrapper.

$40.00

rigmarole of the hours [1974]

347.
Rigmarole of the Hours. No 1. Ivanhoe, Vic: Robert Kenny,
August 1974. Edited by Robert Kenny. Contributors: John
Jenkins, John Anderson, Finola Moorhead, Robert Harris,
Kris Hemensley, John Tranter, and Walter Billiter. one
of three hundred numbered copies. Octavo [210 x
150] [56] pages stapled into illustrated wrappers.

$30.00

344.

Mr. Fogg’s Music Hall Proudly Presents, Adrian, the Cabaret.

[Bellevue Hill/Paddington, NSW: Roger Foley, 2002.]

Poster/very large handbill by Martin Sharp, announcing

a variety evening in memory of Rawlins. Artists and 348.

performers at the event include, Edwina Blush, Jeannie The Antipodean-Summer Postcard Series. Clifton Hill, Vic:

Lewis and Steve Blau, Austen Tayshus, Ellis D. Fogg, Ragman Productions, [1975]. Rigmarole of the Hours

Jim Anderson (of Oz fame), Kavisha Mazzella, Nicolas No 6: Eight colour postcard poems in a printed envelope.

Lyon, and Alistair Jones. Sheet [295 x 210] on heavy stock. 1: Laurie Duggan; 2: J.S Harry; 3: Ken Taylor; 4: Kris

Fine. $30.00 Hemensley; 5: Bernie O’Regan; 6: Robert Kenny; 7: Gerard

Lee (prose); 8: Walter Billeter. Each unused and each fine,

refrain [1992 ] in only slightly worn envelope. $45.00

345. nigel roberts [1941 – ]
Refrain: Poetry Review. Melbourne, Vic: Australian Book
Review, 1992. Essays by Bruce Beaver, Dorothy Hewett, 349.
Dorothy Porter, Robert Harris, Ruby Langford, Kevin In Casablanca for the Waters. Glebe, NSW: Wild & Woolley,
Brophy (on performance poetry), Don Anderson, Jennifer 1977. The poet’s first collection. a presentation copy.
Maiden, Laurie Duggan, Catherine Kenneally, John Forbes With photos by Rick Harris and Angela Korvisianos.
and others. Tabloid [450 x 290] 24 pages. $25.00 Introduction by Robert Duncan. Octavo [220 x 145] 94
pages + adverts. A fine copy in illustrated wrappers.

$45.00

nigel roberts tadeusz różewicz [1921 – 2014]
geoffrey thurley [1936 – ]

353.

Green Rose. Darlington, WA : John Michael Group, 1982.

Poems translated from the Polish by Geoffrey Thurley.

With an introduction for Australians by Ethel Webb.

Octavo [210 x 125] [64] pages in wrapppers with artwork

by Robert Juniper. A fine copy. $30.00

gig ryan [1956 - ]

A deeply coherent ‘discontinuous narrative’ in verse of hallucinatory
vividness and continual dry wit… martin johnston

354.

Manners Of An Astronaut. Sydney, NSW: Hale & Iremonger,

1984. review copy with publisher’s notice laid

in. Her second collection, in the most difficult and

most desirable state — the hardcover, in dust jacket with

brilliant artwork by Peter Ivor Wilson. Octavo [225 x 145]

80 pages. A fine copy. $40.00

scripsi [1981 – ]

350. 355.
Scripsi. No 1 Vol 1. Winter, 1981. University of Melbourne,
Steps for Astaire. Sydney, NSW: Hale & Iremonger, 1983. Vic: July 1981. Edited by Peter Craven and Michael
Heyward. Contributors include: Alan Wearne’s (extract
from The Nightmarkets), John Scott, Evan Jones, Laurie
Duggan, Gig Ryan, Chris Wallace-Crabbe, Amanda
Buckley, D. J. O’Hearn, and Peter Steele. Octavo [210 x
145] 72 pages stapled into printed wrappers. $25.00

signed by the poet. Review copy with publisher’s alexandra seddon [1944 –]

slip laid in. Octavo [220 x 145] 101 pages in illustrated

wrappers. $40.00 356.

351. Sparrows.Oxford: Carcanet Press, 1970. this copy

Déjà vu Tours. Sydney, NSW: Hale & Iremonger, 1995. inscribed to anna couani and ken bolton. Octavo

signed by the poet. His third collection. Review copy [180 x 130] 31pages stapled into plain card wrappers with

with media release laid in. Octavo[220 x 145] [101]pages fixed printed green dust jacket. $35.00

in illustrated wrappers. $40.00

laraine roche [1948 - ]
tomato press

352. 357.
Child on the Rocks. Glebe, NSW: Khasmik Enterprises,
1975. this copy signed. Poetry and prose. Stefanie Green Feet. Darlington, NSW: Glandular Press, 1981.
Bennett’s Khasmik commenced publishing in 1974 with
a broad but innovative editorial policy that included review copy with the slip of rigmarole books
concrete and visual poetics. By 1975 the press was
registered as an all women publishing venture, and laid in. Produced to an almost Sea Cruise template,
by 1976 was publishing women’s writing exclusively.
This was Roche’s first and only book, and was issued at though typeset and photo offset on glossy paper. Format,
the same time as Gillian Hanscombe’s Hecate’s Charms.
Printed by Tomato Press. Illustrated wrappers with binding, prelims and jacket pure Coalcliff. Small quarto
author portrait and strong endorsement from Bennett.
A little rubbed and with slight creasing to covers. [205 x 175] 58+ pages stapled into plain card wrappers with

$35.00 screenprinted dust jacket from a drawing by “D. Persons”

[Ken Bolton] based on a photo by Owen Kilby. A fine copy.

[not in mitchell ?] $40.00

see page 207 [1978] chook chook [1978]

Chook Chook. Carlton, Vic: [1978]. The second in a quarterly
series begun with See Page 207. Contributors include:
Peter Murphy, Gary Oliver (on ∏O), Neil Murray, Donna
Maegraith, Rory Harris, Jeltje, Patrick McCauley, Eric
Beach, Billy Marshall Stoneking, Kate Ahearn, Gig Ryan,
Susan Hampton, Brendan Hennessey, Thalia, Jas H. Duke,
John Jenkins, Andrew McDonald, Larry Buttrose, and
Morris Lurie. Quarto [270 x 210] [64] pages stapled into
illustrated wrappers. [not in mitchell] $65.00

great australian whiting [1978]

a planned series of three publications

358.

See Page 207. Carlton, Vic: Waverley Offset Publishing Group

[March, 1978]. Produced in time for the 1978 Adelaide

Festival Writers Week. Coordinated by Kate Ahearn.

Contributors include: Neil Emmerson, Billy Marshall

[Stoneking], Tom Thompson, Eric Beach [with original

amendments and additions to his poem] Kate Ahearne,

Thalia, Walter Adamson, Jas H. Duke, Ken Smeaton,

Patrick McCauley, Chris Long, Catherine Hoffman, Cathie

Messenger, Neil Murray, Barry MacDonald, Sally Hook,

Rosemary Edwards, Graeme Doyle, Marian Rennie, and 359.

Andrea Stretton. this copy from the library of The Great Australian Whiting. Carlton, Vic: Shepparton

cornelis vleeskens with his pawprint stamp. Quarto News, [1979]. Contributors include: Morris Lurie, Richard

[270 x 215] 48 pages stapled in hand painted card wrappers. Deutch, Lyndon Walker, Les Wicks, Kate Ahearn, Andrew

[not in mitchell] $65.00 McDonald, Rory Harris, Barbara Giles, Rae Desmond

Jones, Frank Moorhouse, Peter Murphy, Anne King, Gig

Ryan, Cathy Messenger, Laurie Duggan, Larry Buttrose,

Richard Tipping, Rosemary Nissen, and Paul Kelly. Quarto

[260 x 210] [56] pages in illustrated wrappers. [not in

mitchell] $65.00

alex selenitsch [1946 – ]

360.

Toora Lee: 4 Pieces For Pedal Organ. Melbourne: [The Artist],

1973. Oblong printed envelope [260 x 110] holding four

printed oblong cards. Early and uncommon. Some age

toning to envelope, else fine. $50.00

361.

Some-one. Mooroolbark, Vic: Post Neo Publications, 1985.

“This is the fourth booklet in the series.” Each copy hand

numbered. Octavo [202 x 145] 8 pages stapled into printed

wrappers. Near fine. $40.00

alex selenitsch sasha soldatow

362.

Yarns & Threads: A Pattern Book. Heidelberg, Vic: Up to

Something, 1990. Devised by Alex Selenitsch. Issued

as a program for a performance of Yarns & Thread “an

arts project building community in West Heidelberg and

Rosanna”. Octavo [210 x150] [16] pages in card wrappers

with illustrated dust jacket. Fine. (apparently not in

mitchell.) $30.00

363.
Magpie Song. [Melbourne, Vic: J. Ryrie], 1999. A poem by
Alex Selenitsch with a woodcut by John Ryrie. one of 30
copies signed by poet and illustrator. Sheet
[Arches] [420 x 220] folded to four panels [220 x 110].
Letterpress. In handmade printed envelope. Very fine.

$75.00

keith shadwick [1951 – 2008]

364.

Windows & Mirrors. Bundeena, NSW: Island Press, 1977.

Shadwicks poetry with drawings by Julie Clarke. this

copy signed by both shadwick and clarke.

Errata slip laid in. Octavo [200 x 145] 65 pages in printed

wrappers. A fine copy. $60.00 367.

sasha soldatow [1947 – 2006] What is this Gay Community Shit ? Sydney, NSW: Sasha

tomato press Soldatow, 1983. This pamphlet sets out an important

historical analysis of the early history of the Sydney

Gay Mardi Gras, and the pursuit of the gay dollar to the

detriment of the development of sexual politics which

broadly challenges the power relationships in society. “I

wrote What is this Gay Community Shit? in February 1983 after

the Darlinghurst cops busted Club 80, a male fuck and

suck joint or, as they were known in Oscar Wilde’s days, a

common bawdy house. I published this pamphlet myself

because it was impossible in the gay press of the time,

or for that matter any other press, to discuss the issues I

wanted to raise. In fact, the gay press then was part and

parcel of the problem.” sasha soldatow. Typeset by Lyn

Tranter and illustrated with cartoons by Jenny Coopes.

Octavo [205 x 150] [12] pages in a loose gathering within

illustrated wrappers. $25.00

365.
Ilustrates Mark Young, “A Season In Hell” — Patterns
No Three. Glebe, NSW: Patterns, [1975]. Printed by
Tomato Press. Single sheet [440 x 280] folded to four
panels. Poem by Mark Young with two vigorous pen and
inks by SS. Some insect damage and a few stains.

$45.00
366.
Adventures of Rock-n-Roll Sally. [Potts Point, NSW: by
command of the artist, 1977.] Poster advertising a
performance of Adventures Of Rock-n-Roll Sally at the
Ivan Dougherty Gallery, 200 Cumberland Street, The Rocks,
on 11 October, 1977. one of six copies designed and
printed by gary lester. A very early event for this venue
which opened that year. Precedes the best known poster
(by Chips Mackinolty) by three months. Poster [760 x 555]
screenprinted on heavy wove with two colours and a third
added by hand filling the lettering. Some minor creasing
and ageing, but less than would be expected. $120.00

sasha soldatow pete spence [1946 – ]

Pete Spence. Photo by Norma Pearse

368.
Rock-N-Roll Sally, A Burlesque. Sydney, NSW: BlackWattle
Press, 1990. A memoir and verse for performance. A class
act that always shocked. Octavo [205 x 145] 32 pages in
illustrated wrappers with art and design by Soldatow.
With spoof wraparound band. A fine copy. $35.00

370.
Since Since.[Mooroolbark, Vic.]: Neo Books, 1984. His
first stand alone publication, and the first [Post] Neo
publication. “Printed in early 1984 in an edition of 250
this is No 209.” A single sustained sonic piece and an early
example of Spence’s extraordinary virtuosity. “The first in
a possible series.” Octavo [205 x 150] [8] pages stapled into
printed wrappers with drawing by Jan Orr. Discolouration
to poor paper, else a well preserved copy. $35.00

solstice reading [1977] 371.

369. B ok ok K. No place: Neo Books, 1984. Wordplay. Oblong
Poster: “Winter Solstice Poetry & Punk Night”. [Stephen
K. Kelen. Darlington, NSW: 1977.] For one of two such octavo SIZE [9] pages, rectos only held with staples and
events that Zen Kelen organised at this venue. Screenprint
[575 x 450] from two stencils onto newsprint. No evidence tape. $25.00
of use—only one short tear without loss.

$60.00

pete spence pete spence

372.

Mampt/Croin. [Mooroolbark, Vic:] Post Neo Publications,

1985. “‘Mampt’ for Jan Orr ‘Croin’ for Pete Spence”.

One of a 100 handmade numbered copies. Post Neo

Publications were edited by Pete Spence. 110 x 82 in heavy

art paper wrappers with printed label. 18 pages. Slight

discolouration to card, else very good. $30.00

376.
Five Poems. Melbourne: Nosukumo, [1986]. “Produced
during Spring 1986 at Labassa”. one of 100 signed and
numbered copies. [212 x 152] 20 pages sewn into card
wrappers with dust jacket designed by the poet. $20.00

373.
Jurassic Colosseum. [Melbourne, Vic]: Post Neo Publications,
1985. Artists book. Octavo [210 x 148] [10] pages in double
folds, stapled into illustrated wrappers. $30.00

374. 377.
MWFo*oooC. [No place, the author, c. 1986.Stark
Granite Breath. Artists book. A4 [13] pages rectos only, monochromatic typographical invention. A4 [12] pages,
rectos only, stapled into printed wrappers. $30.00
stapled and taped into plain card wrappers with printed
378.
label. $30.00 Zutgraffites. [Melbourne, Vic]: Post Neo Publications, 1986.
A collection of word art dedicated to fellow practitioner,
Graeme Cutts. The copy from the library of Cornelis
Vleeskens, bearing his small pawprint stamp. A4 [10]
pages stapled into illustrated wrappers. $35.00

375. 379.
The Carrionflower Writ. Issue 1, 1985. Melbourne, Vic:
Nosukumo, 1985. Edited “at Labassa” by Javant Biarujia. Constellations. [Melbourne]: Post Neo Publications,
Pete Spence, Alison Briars, Alvyn Davy, Judi Dyson, Ian
Hance, Berni Janssen, Chris Mann, Massimo Modenese, [1988]. “Being 10 simple Constellations relating to
David N. Pepperell, G. Maree Teychenné, Ann Weir. this
copy inscribed by the editor to spence with Kircher’sdiagram on the problem of diversity in the Ars
thanks for his contribution—dated 20 September
1985. Broadsheet 994 x 440 folded to eight panels. Magna Sciendi.” Visual poems adding up to twelve works

$40.00 by Spence if we include the pieces that decorate the two

surfaces of the wrapper. Octavo [210 x 165] 5 stapled folds.

Uncommon. $35.00

pete spence pete spence

388.

Communicarte No 99. Poços de Caldas, Brasil: [insert

in] Journal Da Cidade, 29-30 May, 1999. Edited by Hugo

Pontes. Mail Art. Broadsheet, displaying the work of seven

international visual poets: Pete Spence, Irineu Volpato,

Dmitry Butatov, Antônio Andrade, Constança Lucas, J.

Madeiros and Artur Soares. Single sheet [470 x 320] folded

twice. Very fine. $35.00

380. 389.

Abregement: An Essay. Look! Poetry, 1996. Visual Poetry. Communicarte No 126. Poços de Caldas, Brasil: [insert in]

Oblong A4, [20] pages stapled into plain card wrappers. Journal Da Cidade, 29-30 September, 2001. Edited by Hugo

$25.00 Pontes. Mail Art. Broadsheet, displaying the work of four

381. international visual poets: Pete Spence, Antônio Andrade,

T()T (Envelope from Cornelis!). [1998 ?)A letter to Cornelis Paco Cac, Avelino de Araūjo, Constança Lucas, J. Madeiros

Vleeskens in the form of a poem and two drawings. Likely and Artur Soares. Single sheet [470 x 320] folded twice.

a response to receiving CV’s book, T()T (Earthdance, 1998). Very fine. $35.00

A4 single sheet folded to four pages. $25.00 390.

382. Communicarte No 142. Poços de Caldas, Brasil: [insert in]

Four Visual Poems, by Luisa La Fornara & Pete Spence. Journal Da Cidade 29-30 September, 2001. Edited byHugo

Geelong, Vic: Open Hand Press, 1999. Printed by Spence Pontes. Mail Art. Broadsheet, displaying the work of

and David Dellafiora. A5 [4] pages stapled into illustrated international visual poets: Pete Spence, Antônio Andrade,

wrappers. $20.00 Paco Cac, and Adrian Valdes. Single sheet [470 x 320]

folded twice. Very fine. $35.00

383.
Hnmwuhuh. [Geelong, Vic]: Look! Poetry! [1999].
Typographic visuals. 105 x 70 [10] pages stapled.

$15.00

384.
ABCDEFGHIJKLMNOPQRSTUVwxyz (Konigsberg-St.Kilda 1997).
Geelong: Look! Poetry!, 1999. Visual Poetry. Printed by
Spence and David Dellafiora at the Open Hand Press. A5
[12] pages stapled into illustrated wrappers. $25.00

385. 391.
Brain Cell Fractal. Tokyo: Ryōsuke Cohen, 2005 - 2007. Eight
Communicarte No 51. Poços de Caldas, Brasil: [insert in] issues in envelopes addressed to participating Australian
artist, Pete Spence. Sheets[420 x 300] rectos only. Each
Journal Da Cidade, 20-21 May, 1995. Edited byHugo Pontes. sheet unique in various inks, surfaces and onlays: rubber
stamps, stickers, photos, postage stamps, signs, business
Mail Art. Broadsheet, displaying the work of international cards, logos, drawings and cartoons. Each fine.

visual poets: Pete Spence, J. Medeiros, Almandrade, $150.00
392.
Fernando Aguiar, Bianor Paulino, Ricardo Corona & Eliana Rubber Stamp Working. 2006.Single narrow sheet [395 x 75]
folded once. Titled and signed by the artist. $15.00
Borges, Geraldo Magela and Ricardo Alfaya. Single sheet

[470 x 320] folded twice. Very fine. $35.00

386.
Communicarte No 76. Poços de Caldas, Brasil: [insert
in] Journal Da Cidade, 29 June, 1997. Edited by Hugo
Pontes. Mail Art. Broadsheet, displaying the work of six
international visual poets: Pete Spence, Davi Pereira,
Mano Melo, Almandrade, Dorian Ribass Marihnho, and
Fernando de Andrade.

387.

Communicarte No 94. Poços de Caldas, Brasil: [insertin]

Journal Da Cidade, 31 December, 1998. Edited by Hugo

Pontes. Mail Art. Broadsheet, displaying thework of five

international visual poets: Pete Spence, Sérgio Almeida,

Márcio Almeida, Fernando. Single sheet [470 x 320] folded

twice. Very fine. $35.00

pete spence pete spence

394.

Mezzo. Clearwater, Florida [USA]: Avantacular Press, 2011.

Visual poetics. A brilliant production by Andrew Topell

in solid crisp monotones. [170 x 125] [24] pages sewn

into illustrated wrappers. $30.00

leigh stokes [1953 – ]

395.

Twenty Performance Poems & How To Use Them. East

Wollongong, NSW: Rathole Press, 1981. The poet’s first

collection. Cover artwork and printing by Ken Bolton

and Sal Brereton and executed at their Coalcliff studio.

Oblong quarto [295 x 207] 58 pages duplicated typescript

in vivid silkscreened wrappers. $30.00

396.

Bad Reviews. East Wollongong, NSW: Rathole Press, 1983.

A parody of the form in fifteen sections with the book

itself (Bad Reviews) as a text under consideration. An

ingenious, almost Borgesian proposition involving the

aesthetics and marginal literary styles of the time. Small

quarto [243 x 170] [36] pages stapled into illustrated

wrappers. $25.00

bobbi sykes [1943 – 2010]

397.

Love Poems and other Revolutionary Actions. Cammeray, NSW:

The Saturday Centre, 1979. First edition (a mass market

edition did not appear until 1988). Octavo [205 x 145] 60

pages in printed wrappers. Very good. $40.00

randolph stow [1935 – 2010]

398.

393. Eight Songs Shiraz. Tanunda, SA: Peter Lehmann Wines
Original artwork for four collages by Pete Spence, all
demonstrating incredible cutting skill and vision. Each Limited, [1998]. Poems by Randolph Stow, originally
150 x 115 and each fine, initialled and stamped on rear “a
pete spence kard”. written to accompany music by Sir Peter Maxwell Davies

The four, $120.00 for the work “Eight Songs for a Mad King”. With eight

paintings by Rod Schubert reproduced in full colour.

Includes tasting notes for the Peter Lehmann Wines

1997 Eight Songs Shiraz. “Eight Songs Shiraz was born

of our love of art and music and inspired by an operatic

work, ‘Eight Songs for a Mad King’, first performed in the

Barossa in 1993.” (The songs derive from tunes played by an

extant mechanical organ owned by George III, tunes that

he attempted to train bullfinches to sing.) Small quarto

[205 x 200] [11] folds of good cream wove paper [200 x 400

folded to 200 x 200] hole punched and tied (secured with

a paintbrush) in double folded heavy black card wrappers

printed in gilt and reflective shadow halftone. A very good

copy of a decidedly uncommon item. Only held in four

public collections. $85.00

surfers paradise [1975 – 2009] surfers paradise

399. 401.

Surfers Paradise. No 1. [Newtown, NSW: 1975.] Edited by Surfers Paradise. No3. Petersham, NSW, NSW: [1983].Edited

Laurie Duggan and John Forbes. Contributors: Stephen by John Forbes. Contibutors: Gig Ryan, Stephen K. Kelen,

Murray, Kris Hemensley, Chris Edwards, Angela Chris Burns, Adam Aiken, John A. Scott, John Tranter,

Korvisianos, John Forbes, Laurie Duggan, Terry Larsen, Martin Johnson, Dipti Sara, Ted Colless, Dave Kelly, Rod

Martin Johnston, F/cap [28] pages duplicated typescript Gibson, Mark O’Connor, John Forbes, Laurie Duggan,

stapled into illustrated wrappers. $75.00 Pam Brown, and Bobby Hull. A4, Rubber stamped title

page, 30 pages stapled into silkscreened card wrappers

Frivolous poetry we enjoy, but difficult frivolous poetry we resent.” by Mary-Anne Johnston. $75.00
christopher pollnitz

402.

400. Surfers Paradise. No 4. Newton, NSW: Spring, 1986.Edited

Surfers Paradise. No 2. Erskineville NSW: Surfers Paradise by John Forbes. “Thanks to the Rochford Street Press

Productions, March, 1979. “Steve McGarrett Issue.”Edited for the use of their Gestetner, and to Jim Tulip and the

by John Forbes. in an edition of 25o copies only. University of Sydney English Department secretaries

Contributors: Stephen Kelen, Laurie Duggan, Martin for the use of theirs.” Contributors: Ken Bolton, John

Johnston, Mark O’Connor, John Forbes, Robert Harris, Jenkins, Stephen K. Kelen, Ralph Hennessy, Adam Aiken,

Philip Hammial, Michael Forbes, Gig Ryan, Nicholas Arthur Drew, Judith Beveridge, John Forbes, Alan Wearne,

Pounder, Chris Kelen, John Tranter, Alan Jefferies. Dipti Saravanamuttu, John Tranter, Michael Forbes, Chris

Artwork by Tim Johnson and Frank Littler. F/cap [46] Burns, Laurie Duggan, Gig Tyan, and Denis Gallagher. A4,

pages stapled into illustrated wrappers using photographs rubber stamped title page, 40 pages duplicated typescript

by Mark Ray. $75.00 stapled into illustrated wrappers. $75.00

surfers paradise sydney womens writing [1979]

403.

Surfers Paradise. No 5. [Erskineville, NSW: Mick Forbes,

2009.] A posthumous issue assembled from the working

editorial files. Contributors: John Kinsella, Louise Crisp,

Alan Wearne, Pam Brown, Stephen K. Kelen, John Tranter,

Laurie Duggan, Gig Ryan, and Ken Bolton. A4, 20 pages

photocopied typescript stapled into illustrated wrappers

by “Drunk Persons” [Ken Bolton]. $50.00

sydney womens writing [1979] Artwork by Anna Couani

404. sydney womens writing [1980]
No Regrets: An Anthology of Some Sydney Women Writers.
Darlington, NSW: Sao Press, 1979. “Edited by
themselves.” one of 250 copies. Contributors. Micky
Allan, Barbara Atkinson, Leonie Blair, Sal Brereton, Pam,
Brown, Joanne Burns, Erica Callan, Lee Cataldi, Robyn
Clark, Anna Couani, Gail, Susan Hampton, Diane King,
Loma Bridge, and Maggie Wilson. The result of monthly
workshops and readings begun in May the previous
year. “Produced by Drunk Persons” [Ken Bolton and Sal
Brereton] with dust jacket artwork by Anna Couani, and
acknowledgement of financial assistance to the Poets
Union (Sydney Cell). Quarto [260 x 204] [130] pages
duplicated typescript on two papers (cream antique
laid and pink bond), stapled into plain card wrappers
with silkscreened dust jacket. Late original corrections
to Loma Bridge’s text. A very good copy in dust jacket.

$45.00

sydney womens writing [1980]

405.
Poster. “No Regrets Reading.” [Coalcliff, NSW]; Drunk
Persons. [Ken Bolton, 1980]. Advertising a reading by
members of the Sydney Women Writers’ Workshop in
Wollongong. See Coalcliff Days, page 84.A star studded line
up, including Jane Ahlquist, Barbara Atkinson, Pam Brown,
Anna Couani, Kathleen Berriman [Fallon], Moya Costello,
Erica Callan, Maggie Wilson and Kate Richards. Held at the
Federated Ironworkers Association, the event was a capacity
evening, such was the vitality of the group and interest in
an event such as this staged in the Steel City. Silkscreen on
litho paper [510 x 380] from several stencils, and with the
application of gilt aerosol. A fine unused example.

$75.00

406.

Syd’s Filmmakers & Poets Coop. Poster for a short lived venue for readings.

Syd’s was popular for many things under Elaine Townshend’s brief regime, but

poetry was in a lull, or perhaps happening on the other side of town. The ghosts

of stalwart Greek communists, whose haunt this building was in its many years

as the Atlas Club, would have approved of the poetry, its gestures and defiance.

However, Darlinghurst as it extended from Oxford Street was approaching a new

climate. [760 x 560] on heavy black fibrous card, screened once in an icy cold

blue. Edges frayed with a few closed tears and insignificant scuffs on its surface.

A moment solidly caught. $100.00

colin talbot [1948 – 2018] thalia

407. albie thoms [1941 – 2012]

Creek Roulette. Armadale, Vic: Contempa Publications, 1973. 412.
Marinetti. Handbill for a single showing of Albi Thoms’
Poems, documents and photographs. His first book and 1969 film at the Dendy Cinema, Middle Brighton.
Regarded as Australia’s first avant–garde experimental
the second book of the press. Typeset by Sally Dugan and feature–length film. A Melbourne screening – For One
Night Only. Thoms removed certain sections of the film to
designed by Robert Kenny. [260 x 200][20] pages stapled satisfy the Commonwealth Censor and gain a certificate
to show it in Victoria, only to later reinsert the banned
into illustrated wrappers. $35.00 footage and present the film in its original form. Single
sheet [260 x 205] printed in red ink on yellow paper.
tasmanian poetry festival [1985]
$15.00
10 copies only
413.
408. Polemics for a New Cinema: Writings to Stimulate New Approaches
to Film. Glebe, NSW: Wild & Woolley, 1978. hardcover.
Fester–Text. Launceston, Tas: TFAW (North) Tasmanian This copy with a large Wild & Woolley promotional
postcard for the title laid in. Octavo [205 x 140] 428 pages
Poetry Festival, 1985. Edited by Tim Thorne. A special in blue cloth with printed label. A fine copy—as new.

publication for this, the first Tasmanian Poetry Festival $45.00

which Thorne founded and directed until 2002. no 5

of 10 numbered copies, signed by each of the

contributors: Kominos, Marilyn Arnold, Jenny Boult,

Mollie Hildyard, Bruce Penn, Margaret Scott, and Geoff

Goodfellow. Oblong f/cap [330 x 215] [6] pages from three

sheets printed each side and stapled. Insect damage to the

upper edge, and 1 cm of fore edge darkened. Obviously

scarce. $50.00

ken taylor [1930 – 2014]

409.

At Valentines: Poems 1966-1969. Armadale, Vic: Contempa

Publications, 1975. one of seventy-five copies signed

and numbered by the poet. In every respect, a stand-

out book from the period and one for which he will be

remembered. Designed by Robert Kenny. Octavo [215 x

145] 104 pages. A very good copy in printed wrappers.

$.50.00

410.

Five, Seven, Fives: Travel Notes March 1984. Eltham, Vic: Fling

Poetry, 1984. Chapbook with drawings by Jenni Mitchell.

Octavo [205 x 145] [20] pages stapled into illustrated

wrappers. $25.00

thalia [1952 – ]

411.
Night Flowers. Melbourne: Collective Effort Press, 1988. A6
[154 x 98] [36] pages duplicated typescript and drawings
with handprinted title page, stapled into hand printed
wrappers. Modest, smart, and eyecatching. $25.00

richard tipping [1949 – ] john tranter

414.

Soft Riots. St. Lucia, Qld: University of Queensland Press,

1972. signed by the poet His first book. No 10 in the

ground-breaking Paperback Poets Series. Slightly age

darkened but otherwise untouched. Octavo [185 x 115]

70 pages perfect bound into illustrated wrappers with a

candid snap by Scott Hicks showing the poet sharing a

smoke with a dalmatian. $45.00

415. 419.
The Image: Four Poems. [St Lucia, Qld:] Makar,[1973]. Single
sheet of good heavy wove [470 x 200] folded to eight panels. The New Australian Poetry. St Lucia, Qld: Makar Press,
Set in Pastonchi italic and printed by Martin Duwell. A
fine specimen signed by the poet. This is from a Makar [1979]. “The work of twenty–four poets from Australian
insider’s collection and he has appropriately laid it into
Makar Vol 9, No 1, July 1973—the issue that features “Keep poetry’s most exciting decade.” Typeset at Rat Graffix
Moving: An Interview with Richard Tipping”. Magazine
and hand-printed keepsake each perfect. $50.00 by Lyn Tranter, and this copy with the small pawprint

416. stamp of the tireless Makar factotum Cornelis Vleeskens,
Domestic Hardcore. St. Lucia, Qld: University of Queensland
Press, 1975. signed by the poet. No 9 in the Second and the flyer/order form designed by the Tranters as an
Series Paperback Poets, and Tipping’s second collection
from this press. The scarce cloth issue. Octavo [183 x 115] insert for Surfers Paradise laid in. The scarce cloth edition.
92 pages in typographic dust jacket. A fine copy.
A near fine copy in dust jacket. $45.00
$50.00
lyn tranter

420.

Four Australian Poets. Chippendale, NSW: printed

by Southwood Press for Pavilion Press Set, [1985].

Promotional booklet for the tour of the USA by four

Australian poets: John A. Scott, Geoff Page, Dorothy

Hewett and ∏.O. Note: Due to ill health, Hewett did not

tour, and was replaced by Joanne Burns. Produced with

the assistance of the Literature Board of the Australia

Council, and the Cultural Exchanges Section of the

Department of Foreign Affairs. Preface by Tom Shapcott

john tranter [1943 – ] and introduction by Lyn Tranter, principal of Pavilion

417. Press, who organized the tour. With a loose insert giving
Transit. Number One. Sydney: JohnTranter, September
1968. This issue includes work by Tim Thorne, Geoff Joanne Burns’ biography and publishing history.Printed
Eggleston, Terry Gillmore, Robert Adamson, Nigel
Roberts, Mark Pallas [John Tranter] Patrick Alexander, wrappers. 28 pages. Very good. ` $25.00
Bruce Beaver, John Tranter and David Rankin. [205 x 160]
36 pages stapled into printed wrappers. $25.00 vicki viidikas [1948 – 1998]

418. 421.
Condition Red. St. Lucia, Qld: University of Queensland
Crying in Early Infancy: 100 Sonnets. St Lucia, Qld: Makar Press, 1973. Paperback Poets No18. The small volume
that announced her arrival as a poet. signed on the
Press, 1977. Octavo [230 x 160] 58 + [6] pages. A very fine title page. Very good in bright red card wrappers.

copy of the cloth issue in dust jacket, with Tom Shapcott’s $50.00

review laid in. $35.00

422.

Poster. Reading. Syllable/Backyard

Press, 1992. A3 on one side folded

once. $15.00

victoria bitter [1973] visual poetics
fragment press
427.

423. Born to Concrete: Visual Poetry from the Collections of Heide Museum
Victoria Bitter One. Royal Exchange, Sydney, NSW: Fragment
Press, 1975. Released in January of that year. Poems by of Modern Art and the University of Queensland. Bulleen, Vic/St
Rae Desmond Jones, Ken Bolton and ∏.O. Three sheets
[300 x 210] one side only, stapled. Lucia, Qld: Heide Museum of Modern Art /The University

of Queensland, 2013. Curated by Heide Museum of

Modern Art, Katarina Paseta, Linda Short,the University of

Queensland Art Museum, Gordon Craig, Michele Helmrich;

Who, or what, is bunny melody ? essays by Dr Anne Kirker, Alex Selenitsch. Octavo [205 x 165]

32 pages (16 pages of plates). A fine illustrated catalogue of

Victoria Bitter Two. Royal Exchange, Sydney, NSW: Fragment this important exhibition. $20.00
press, 1975. Released in March of that year. Poems by
Rae Desmond Jones and Ken Bolton. With an editorial cornelis vleeskens [1948 – 2012]
comment by Gary Oliver who raises the question, once
again, “Who, or what, is Bunny Melody?”. Three sheets 428.
[300 x 210] one side only, stapled. The pair $50.00
Sketches, By CV and Jenni Mitchell. Eltham, Vic: Fling

Poetry, 1982. An account of the Fifth Poet’s Festival at

Montsalvat. $30.00

visual poetics 429.

424. Red Shift 9. Armidale, NSW: Fat Possum Press, 1980. Five

Just Wot !? An Exhibition Of Visual Poetry. North Fitzroy, Vic: poets: Paul Burns, Arthur Chaffey, C.E.G. Moisa, Julian

Artists Space Gallery, [1987]. Catalogue for an exhibition Croft, and Cornelis Vleeskens. Single sheet [355 x 230]

featuring the work of Bev Aisbett, Julie Clarke- Powell, folded twice to six panels. $25.00

Mimmo Cozzolino, Graeme Cutts, Jas. H. Duke, Anthony 430.

Figallo, Peter Murphy, Norma Pearse, David Powell, Alex Black Satin: A Sequence of Lines and Spaces.[Melbourne, Vic:

Selenitsch, Pete Spence, and Thalia. Single sheet [420 x Fling Poetry, 1987.] A variant in hand titled black card

295] folded 4 times to 16 panels showing samples of the wrappers and corrections in the text. With no statement

work on show. $25.00 of limitation (The “published” edition was limited to ten

425. copies only.). Octavo [235 x 155] [12] pages stapled.

International Visual Poetry Exhibition. Programme. October $45.00

7-27, Oxford St. Café, Leederville, Western Australia. 431.

Australian participants: Pete Spence, Thalia, Nicholas The Departure Lounge. Elwood, Vic: Post-Neo, 1987. In the early

Zurbrugg, Peter Murphy, Ruth Cowen, Graeme Cutts, Julie Spring of 1986 the author accompanied artist Jenni Mitchell

Clarke-Powell, Rosemary Edwards, John Waller, David on a painting trip to Broken Hill and its surroundings.

Powell, Charles Roberts, Simon Gevers, Rob Finlayson, This book is a response to that trip and the cover features

Michele Sharp, Claire Belton, Daphne Middleton, Patrick one of Mitchell’s drawings. The in-text graphics are by the

Cook, Albert Rotstein, Cornelis Vleeskens, Andrew Burke, author and form part of the text. Octavo [214 x 150] [28]

and David Symons. Single sheet [297 x 210] folded once pages stapled into stiff art card wrappers printed in two

to four pages. $15.00 colours. $30.00

432.

426. Naked Dreams: Dutch Poetry In Translation. Melbourne, Vic:
The Visualised Page: A Codex Of Visual Poetry, Rebuses &
Interactive Script. [Geelong, Vic]: Field Study Production Post Neo Publications, 1988. Selected and translated by
[2001].one of 70 copies only. “The Visualised Page
offered the opportunity for Boundless Books students Cornelis Vleeskens. Introductory essay by Vleeskens,
to contribute to the visual poetry debate. Developed as
an assembling project, participants in the visual poetry followed by a fascinating selection, that includes: Bernlef,
community were invited to ‘visualise’ a page. The resulting
pages, alongside the student contributions, have gone to Campert, Herzberg, Schierbeek, Vlek, van Ostaijen, Appel,
form this book which transcends nationality and meaning
through the international language of poetry.”—david Vinkenoog, Elburg, van Vliet, and Schippers. Octavo [210
dellafiora, from his introduction. Other than the
students, established artists include, ACR, Denis Mizzi, x 150] [44] pages, stapled into decorated wrappers with
Pete Spence, Cornelis Vleeskens, and David Dellafiora.
The international cast is impressive: Clemente Padin, the translator’s artwork. $40.00
Keiichi Nakamura, Pascal Lenoir, and Guido Vermueulen.
Octavo [210 x 150] [32] sheets, comb bound on various cornelis vleeskens
papers, often with stamps, stickers, onlays or original jeltje fanoy [van ooij] [1951 –]
markings, and most signed and numbered. A fine copy.
433.
$50.00 Young Heroes: Performance Poetry From Amsterdam, selected
and translated by Cornelis Vleeskens and Jeltje Fanoy.
Melbourne: Fling Poetry, 1989. With illustrations by Hugo
Kaagman. Poets include, Eddie Kagie, Diana Ozon, Steef
Davidson, Cassie Wijle, Randell, Aja, Dorpoudste de Jong,
Rob de Reus, Thomas White, and P. Josephs. Octavo [210 x
150] [28] pages stapled into illustrated wrappers.

$30.00

cornelis vleeskens alexander watt [1978 – ]

434. 443.
Accidentals.[Burra, NSW: Accidentals. Org], 2008. Twelve
01 <<Vijf Teksten>> 40. Fling Dutch-Australian Broadsheet poems on a “poemcard”. Watt, a so called “commando
poet”, would surreptitiously slip these sheets into the
No 4. Clifton Hill, Vic, 1989. Single sheet of good wove poetry shelves of unsuspecting booksellers thus effecting
distribution. Single sheet of card [200 x 200] printed both
[415 x 290] folded to six panels. $30.00 sides. Handsomely done and a cute strategy. $20.00

435.
Earth My Faith. Clifton Hill, Vic: Earthdance Publications,
1993. A poet’s history, dreaming and complex ancestry.
Decorated with the poet’s brushwork. Octavo [210 x 150]
[20] pages stapled into illustrated wrappers. $40.00

436.

The Wider Canvas.Cape Patterson, Vic: EarthDance. 1996.

Poetry, prose and collage—“a retrospective” 1988-1996.

Octavo [205 x 150]100 pages perfect bound into glossy

card covers featuring a self-portrait. $30.00

437. wattle grove press [1958 – 1968]
Please Add To Too. Geelong, Vic: David Dellafiora & Pete rolf hennequel [1895 – 1971]
Spence at the Open Hand Press, 1999. A collection of rigby graham [1931 – 2015]
Vispo collaborations. Artists working with CV are: Sandra
Valastro, David Dellafiora, Cynthia, Waz Sahr, Andrea
McPherson, Pete Spence, and Karen Elliot.Octavo [210
x 150] [8] pages stapled into illustrated wrappers.

$40.00

438. a unique state
10 Mighty Thin books published by his close friend, Pete
Spence between 1998 and 1999 at Ocean Grove, Victoria. 444.
Garwen: Heron Songs (1998), Big Jolt Funk (1998), 50/50 (1998), Petra. Rigby Graham in Leicester. [Newnham, Tas.]: Wattle
Homage (1998), Foreshore (1998) Catch (1998)Jeaanzeehuis Grove Press, [1966]. An essay by Rolf Hennequel
(1999), Salmon Wind (with Pete Spence, 1999) Manifesto providing an historical survey and contemporary
(1999), and Set Pieces (1999). Each in stapled folds. account of Petra, with illustrations by Rigby Graham.
The work (and the ambitions of the press) are introduced
The ten $50.00 by the colourful Maurice Willoughby. this is copy no
1/100 of the edition in a unique binding. Ten
439. tipped prints, and five prints from blocks in the body.
Broken Glass & Driftwood. [Melbourne] Earthdance/ Text set in Coronet, Garamond and Ludlow Samson and
Donnithorne Street Press, 2012. Octavo [210 x 150] [26] printed by Hennequel on a Wayne platen. Small quarto
pages stapled into illustrated wrappers. $35.00 [265 x 195] 20 folds for text and prints + 5 folds and a
single leaf for mounted prints; silkscreened endpapers.
ania walwicz [1951 – ] Cancels at xv and xvi. All tied with yellow silk cords
into a single fold of solid red calf, with a hand lettered
440. title label (in Greek) on green solid calf on the upper.
Other copies in this edition were issued in plain paper
Street Poems.[Melbourne]: The Street Poetry Lab, [1980]. wrappers with a printed paper label in English. The
first copy of the edition, and obviously special.
Three poems to this single sheet: “Street Poem”,
$150.00
“Shadow” and “One God”. Dated January 4, 1980 and
archie weller [1957 – ]
advertising the Dial-A-Poem service. A4 creased and a

little discoloured. $35.00

441.

Writing. Clifton Hill, Vic: Rigmarole Books, 1982. Prose

poems. Her first book, and the scarcest title of both

author and press. this copy inscibed by walwicz

to cornelis vleeskens. Octavo [205 x 127] 67 pages +

adverts, perfect bound into pink card wrappers with three 445.

passport snaps of the poet. A very good copy. The Unknown Soldier & Other Poems. Bassendean, WA:

$40.00 Access Press, 2007. Poetry. Foreword by John Harper–

442. Nelson. a numbered copy from the limited

Artloud. Issue 12-86. Leichhardt, NSW: Mori Gallery, edition. With endpapers and dust jacket design by

[1986]. Features Walwicz’s “Crazy”. A4. 4 pages photo- Celian Whalley. A fine copy. $35.00

offset. $15.00

war

446.
Newsagent banner. Sydney Morning Herald, 8 August 2006. “IT IS a vicious, below-the-belt skirmish in Australia’s poetry wars.
The poet John Kinsella was due to speak about the writing of memoir at the Byron Bay Writers Festival last weekend. “Moving
on from the past is essential” was the session’s title. He didn’t show. The past had caught up with him, resulting in his taking
out restraining orders against two highly respected poets and Kinsella facing a possible defamation suit.” angela bennie.

Poignant ? Ephemeral ? A fine memento. 610 x 430 $50.00

women writers’show [1981]

447.
Poster for a Festival of Sydney reading. Participating
writers: Anna Couani, Joanne Burns, Moya Costello, Pam
Brown, Ann Jarjoura, Jane Alquist, Kathleen Berryman
[Fallon], Barbara Atkinson, Maggie Wilson and many
others. Designed and printed by Ken Bolton—a Coalcliff
production. Silkscreen from stencils in two colours. 510
x 380. A fine and unused example. $75.00

michael wilding [1942 – ] xmas [1977]
kit guyatt earthworks [1969 – 1980]
chips mackinolty [1954 –

448.

The Phallic Forest. No 2 of two prints (one for Michael Wilding,

and one for director, Kit Guyatt) in canister returned from 450.
Poster: “Second Annual Christmas is a False Consciousness
Sydney Film Co-op. Funded by the Experimental Film and Eve Party”, by Chips Mackinolty et al. Darlington,
NSW: Earthworks Poster Collective (The Tin Sheds Art
Television Fund in 1970 - the budget was just over $2000.00. Workshop, University of Sydney. Wasted Daze and Mental
As Anything performing. Printed in colour inks, from
Actors included the poets, Robert Adamson and Nigel multiple stencils. 580 x 450. A fine example. $275.00

Roberts. The story of a lady who flees her failing relationship

with a man. This short caused an uproar when it was

released because of its sexual content and phallic images,

but is considered a ground breaking film. Black and white,

16mm—37 minutes. Released 1972 and shown at the Co-op,

St. Peter’s Lane Darlinghurst. With the script and costing

breakdown dated October 15th, 1969, and a few snaps taken

on location. A collection of short stories by Wilding with this

as its title piece was published in 1978 - the rarely seen cloth

bound issue is included. $350.00

wollongong poets’ union [1980]

449. xmas show [1983]
Programme and ticket for the 1980 Wollongong Poets’
Union Reading & Ball. F/cap sheet from stencils and This time of year usually carries some nostalgia and too much
handprinted ticket on card. A Coalcliff production. sentimentality, so let’s indulge in both. 1977 was a truly great year
for anti-xmas festivity. The Tin Sheds on City Road was a-hopping
The pair $35.00 and a-bopping. The Lean Sisters, from the Precipice of Simpleton
Theatre, performed a Workers-Control themed santamime, the Crunk
Boonk Xmashow, where Santa was portrayed as a rapacious profiteer
who had already sold the rights to easter to god’s agent, Gabriel,
before the previous year had ended, and his ‘helpers’ suffered mightily
under his cruelly exploitative conditions of employment. After the
fabulously didactic performance the audience danced on into the
sweaty summer night to the music of the rockin’ all-girl band, Sheila.

pam brown

xmas show your friendly fascist

the ghosts of xmasses past

451.

The Lean Sisters Present, from the Precipice of Simpleton Theatre,

The Crunk Boonk Xmashow – A Santamime”. Poster: Darlington,

NSW, 1983. “The Lean Sisters present from the Precipice

of Simpleton Theatre...” Designed by Jenny Coopes and

printed by Netta Perrett and Pam Brown at the “Tinsel

Sheds”. Screenprint [325 x 430] from several stencils. A

fine unused poster. $125.00

william butler yeats [1865 – 1939]
ezra pound [1885 – 1972]

452. 453.
A Packet for Ezra Pound. [Sydney, NSW]: Xpmr (Amanuensis)
Editions. 1973. An Exprimitur reprint. Made in Australia, Your Friendly Fascist. No 2. Edited by Rae Desmond Jones
and screened from the Cuala Press edition. “Yeats’s Packet
for Ezra Pound presents one side of an intriguingly unlikely and John Edwards. Sydney South, NSW: [1971]. Printed
literary and personal friendship; Yeats, who lived with
Pound more than once (first in Ashdown Forest, where on the Gestetner of the Socialist Youth Organisation
Pound’s ostensibly secretarial status produced the drastic
renovation of Yeats’s poetic style in his 1914 collection in Surry Hills. Rae Desmond Jones, Billy Ah-Lun,
Responsibilities, and later in Rapallo during the late 1920s,
the period of association with which Yeats’s ‘Packet’ Robert Carter, John Edwards, Bruce Hembrow, Patrick
is concerned), describes Pound as a man ‘whose art is
the opposite of mine, whose criticism commends what Alexander, among others. F/cap [12] stapled pages from
I most condemn, a man with whom I should quarrel
more than with anyone else if we were not united by stencils. $50.00
affection.’” A wonderful Sydney printing by James Taylor.
Crown octavo [220 x 145] 40 pages stapled into printed

wrappers with a Henri Gaudier-Brzeska profile of Pound.

your friendly fascist [1971 – 1986]

Your Friendly Fascist

Ars Gratia Pecuniae

454.

Your Friendly Fascist Proudly Presents Another Load of Pig

Crap. Edited by Rae Desmond Jones and John Edwards.

Sydney South, NSW/London: [1972]. Robert C. Boyce,

Mike Lenihan, Jenny Johnson, Span, Christopher

Pollnitz, John Edwards, D.S. Long, Karen Hughes, David

Mason, Stuart Flavell, B.E. Pilcher, Ann Watkinson,

Peter Murphy, Joanne Burns, A.J. Cuff, Rob Andrew,

John Peter Horsham, Patrick Alexander, Steve Sneyd,

Larry Buttrose, Les Wicks, Rae Desmond Jones, and

Rae Desmond Jones c.1975 Photo by Ken Bolton Peter Finch, among others. Folded f/cap [205 x 170] [22]

stapled pages from stencils. $50.00

your friendly fascist your friendly fascist

455.
Your Friendly Fascist. Edited by Rae Desmond Jones and
John Edwards. Sydney South, NSW/London: [1973].
Peter Murphy, Stuart Flavell, Patrick Alexander, Peter
Finch, Graham Rowlands, Span, Andy Rose, John Peter
Horsham, Robert C. Boyce, Larry Buttrose, Rae Desmond
Jones, Billy Ah-Lun, Joanne Burns, Susan Straightarrow,
and Karen Ellis, among others. Folded f/cap [205 x 170]
[22 ] stapled pages from stencils. Cover artwork executed
by Johnny Stephenson and Nagel Kent. $50.00

Your Friendly Fascist. No 12. Cover artwork by Andrew Whorhol.
[Ken Bolton and Rae Desmond Jones.]

456. 457.
Your Friendly Fascist. No 11.Edited by Rae Desmond Jones,
Paul Maher, Carol Novack and John Edwards. Darlington, Your Friendly Fascist. No 12. Darlington, NSW: [1974]
NSW/London: [nd]. Graham Rowlands, Joanne Burns,
Larry Buttrose, Gary Langford, D.S. Long, Ken Bolton, Edited by Ken Bolton. Production by Dostoevsky Bros.
Philip Hammial, Peter Murphy, Billy Ah-Lun, Patrick
Alexander, Carol Novack, Gary Oliver, Richard Coady, Authorized by B. Askin & S. Beckett. Contributors: Peter
Stephanie Bennett, Steve Sneyd, among others. [210
x 170] [24] pages in oversized photocopied wrappers. Murphy, Gary Oliver, Ken Bolton, D.S. Long, Patrick

$50.00 Alexander, Rae Desmond Jones, Carol Novack, Eric

Beach, Gary Langford, “Avoril Fink”, among others. [205

x 170] [24] stapled pages from stencils with silkscreened

cover. $50.00

your friendly fascist your friendly fascist

458. 460.
Your Friendly Fascist. No 13. “Hail Our Leader Celebration
Issue/Comprehending the Arseholes Issue”. Darlington, Your Friendly Fascist No 18.Edited by Rae Desmond Jones
NSW: [1975]. Fraser seizes power. Larry Buttrose, Ken
Bolton, Robert C. Boyce, Susan Straightarrow, Adrian and John Edwards. East Wollongong, NSW, [1978].
Flavell, Steve Sneyd, Antigone Kefala, Joanne Burns,
Claire O’Connor, John Peter Horsham, ∏.O., Patrick Typeset by Lyn Tranter at Rat Graffix and printed
Alexander, Rollin Schlicht, and Eric Beach, among
others. F/cap [14] stapled pages from stencils. $50.00 offset. Cornelis Vleeskens, Nicholas Pounder, V. Glen

Washburn, Ranald Allan, Stephen K. Kelen, Rae

Desmond Jones, Eric Beach, John Jenkins, Peter Date,

Billy Marshall-Stoneking, Philip Neilson, Peter Murphy,

Philip Hammial, Chris Kelen, and Steve Sneyd, among

others. F/cap [14] stapled pages. $50.00

459. 461.
Your Friendly Fascist. No 21.”Contemporary Nadir Issue”.
Your Friendly Fascist. No 17. [1978]. “This issue edited by Edited by Billy Ah-Lun “Malaysia’s finest son”. Summer
Hill, NSW: [1978 ?]. Art and production by Ken Bolton
John Edwards in Ultima Thule”. Contributors: Cornelis and Rae Desmond Jones. Printed by Drunk Persons at Bier
Rhymes with Beer Press, Coalcliff, NSW. Contributors:
Vleeskens, Nicholas Pounder, Graham Rowlands, Chris Kelen, Larry Buttrose, Jenny Boult, K.B. Lager,
Paul “Shakey” Brown, John Edwards, Jenny Boult, among
Billy Ah-Lun, Steve Sneyd, ∏.O., Rollin Schlicht, John others. [260 x 205] [18] stapled pages from stencils.

Edwards, and Stephen K. Kelen, among others.[16] $50.00

stapled pages from stencils. $50.00

your friendly fascist classifieds

462.

Your Friendly Fascist No 22.”New Ones”.Summer Hill, NSW:

[1978 ?] Edited by John Edwards and Ruth Saunders.

Art and production by Ken Bolton and Rae Desmond

Jones. Printed by Drunk Person at Bier Rhymes with

Beer Press, Coalcliff, NSW. Contributors: Sue Hampton,

Rory Harris, Kenneth Gaunt, Gig Ryan, Geoff Aldridge,

Bruce Hembrow, Liliana Rydzynski, Chris Kelen, Graham

Rowlands, Cornelis Vleeskens, Patrick Alexander,

Trevor Corliss, Rae Desmond Jones, John Edwards,

Billy Marshall-Stoneking, Denis Gallagher, and Jenny

Boult, among others. [260 x 205] [24] stapled pages

from stencils. $50.00

end catalogue

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