Allegiant

CHAPTER
FIFTY-FOUR

TOBIAS

I GO TO see her body . . . sometime. I don’t know how long it is after Cara tells me what happened.
Christina and I walk shoulder to shoulder; we walk in Cara’s footsteps. I don’t remember the journey
from the entrance to the morgue, really, just a few smeared images and whatever sound I can make out
through the barrier that has gone up inside my head.

She lies on a table, and for a moment I think she’s just sleeping, and when I touch her, she will
wake up and smile at me and press a kiss to my mouth. But when I touch her she is cold, her body stiff
and unyielding.

Christina sniffles and sobs. I squeeze Tris’s hand, praying that if I do it hard enough, I will send
life back into her body and she will flush with color and wake up.

I don’t know how long it takes for me to realize that isn’t going to happen, that she is gone. But
when I do I feel all the strength go out of me, and I fall to my knees beside the table and I think I cry,
then, or at least I want to, and everything inside me screams for just one more kiss, one more word,
one more glance, one more.

CHAPTER
FIFTY-FIVE

IN THE DAYS that follow, it’s movement, not stillness, that helps to keep the grief at bay, so I walk the
compound halls instead of sleeping. I watch everyone else recover from the memory serum that
altered them permanently as if from a great distance.

Those lost in the memory serum haze are gathered into groups and given the truth: that human nature
is complex, that all our genes are different, but neither damaged nor pure. They are also given the lie:
that their memories were erased because of a freak accident, and that they were on the verge of
lobbying the government for equality for GDs.

I keep finding myself stifled by the company of others and then crippled by loneliness when I leave
them. I am terrified and I don’t even know of what, because I have lost everything already. My hands
shake as I stop by the control room to watch the city on the screens. Johanna is arranging
transportation for those who want to leave the city. They will come here to learn the truth. I don’t
know what will happen to those who remain in Chicago, and I’m not sure I care.

I shove my hands into my pockets and watch for a few minutes, then walk away again, trying to
match my footsteps to my heartbeat, or to avoid the cracks between the tiles. When I walk past the
entrance, I see a small group of people gathered by the stone sculpture, one of them in a wheelchair—
Nita.

I walk past the useless security barrier and stand at a distance, watching them. Reggie steps on the
stone slab and opens a valve in the bottom of the water tank. The drops turn into a stream of water,
and soon water gushes out of the tank, splattering all over the slab, soaking the bottom of Reggie’s
pants.

“Tobias?”
I shudder a little. It’s Caleb. I turn away from the voice, searching for an escape route.
“Wait. Please,” he says.
I don’t want to look at him, to measure how much, or how little, he grieves for her. And I don’t
want to think about how she died for such a miserable coward, about how he wasn’t worth her life.
Still, I do look at him, wondering if I can see some of her in his face, still hungry for her even now
that I know she’s gone.
His hair is unwashed and unkempt, his green eyes bloodshot, his mouth twitching into a frown.
He does not look like her.
“I don’t mean to bother you,” he says. “But I have something to tell you. Something . . . she told me
to tell you, before . . .”
“Just get on with it,” I say, before he tries to finish the sentence.
“She told me that if she didn’t survive, I should tell you . . .” Caleb chokes, then pulls himself up
straight, fighting off tears. “That she didn’t want to leave you.”
I should feel something, hearing her last words to me, shouldn’t I? I feel nothing. I feel farther away
than ever.
“Yeah?” I say harshly. “Then why did she? Why didn’t she let you die?”
“You think I’m not asking myself that question?” Caleb says. “She loved me. Enough to hold me at
gunpoint so she could die for me. I have no idea why, but that’s just the way it is.”

He walks away without letting me respond, and it’s probably better that way, because I can’t think
of anything to say that is equal to my anger. I blink away tears and sit down on the ground, right in the
middle of the lobby.

I know why she wanted to tell me that she didn’t want to leave me. She wanted me to know that this
was not another Erudite headquarters, not a lie told to make me sleep while she went to die, not an act
of unnecessary self-sacrifice. I grind the heels of my hands into my eyes like I can push my tears back
into my skull. No crying, I chastise myself. If I let a little of the emotion out, all of it will come out,
and it will never end.

Sometime later I hear voices nearby—Cara and Peter.
“This sculpture was a symbol of change,” she says to him. “Gradual change, but now they’re taking
it down.”
“Oh, really?” Peter sounds eager. “Why?”
“Um . . . I’ll explain later, if that’s okay,” Cara says. “Do you remember how to get back to the
dormitory?”
“Yep.”
“Then . . . go back there for a while. Someone will be there to help you.”
Cara walks over to me, and I cringe in anticipation of her voice. But all she does is sit next to me
on the ground, her hands folded in her lap, her back straight. Alert but relaxed, she watches the
sculpture where Reggie stands under the gushing water.
“You don’t have to stay here,” I say.
“I don’t have anywhere to be,” she says. “And the quiet is nice.”
So we sit side by side, staring at the water, in silence.

“There you are,” Christina says, jogging toward us. Her face is swollen and her voice is listless, like
a heavy sigh. “Come on, it’s time. They’re unplugging him.”

I shudder at the word, but push myself to my feet anyway. Hana and Zeke have been hovering over
Uriah’s body since we got here, their fingers finding his, their eyes searching for life. But there is no
life left, just the machine beating his heart.

Cara walks behind Christina and me as we go toward the hospital. I haven’t slept in days but I
don’t feel tired, not in the way I normally do, though my body aches as I walk. Christina and I don’t
speak, but I know our thoughts are the same, fixed on Uriah, on his last breaths.

We make it to the observation window outside Uriah’s room, and Evelyn is there—Amar picked
her up in my stead, a few days ago. She tries to touch my shoulder and I yank it away, not wanting to
be comforted.

Inside the room, Zeke and Hana stand on either side of Uriah. Hana is holding one of his hands, and
Zeke is holding the other. A doctor stands near the heart monitor, a clipboard outstretched, held out
not to Hana or Zeke but to David. Sitting in his wheelchair. Hunched and dazed, like all the others
who have lost their memories.

“What is he doing there?” I feel like all my muscles and bones and nerves are on fire.
“He’s still technically the leader of the Bureau, at least until they replace him,” Cara says from
behind me. “Tobias, he doesn’t remember anything. The man you knew doesn’t exist anymore; he’s as
good as dead. That man doesn’t remember kill—”
“Shut up!” I snap. David signs the clipboard and turns around, pushing himself toward the door. It

opens, and I can’t stop myself—I lunge toward him, and only Evelyn’s wiry frame stops me from
wrapping my hands around his throat. He gives me a strange look and pushes himself down the
hallway as I press against my mother’s arm, which feels like a bar across my shoulders.

“Tobias,” Evelyn says. “Calm. Down.”
“Why didn’t someone lock him up?” I demand, and my eyes are too blurry to see out of.
“Because he still works for the government,” Cara says. “Just because they’ve declared it an
unfortunate accident doesn’t mean they’ve fired everyone. And the government isn’t going to lock him
up just because he killed a rebel under duress.”
“A rebel,” I repeat. “That’s all she is now?”
“Was,” Cara says softly. “And no, of course not, but that’s what the government sees her as.”
I’m about to respond, but Christina interrupts. “Guys, they’re doing it.”
In Uriah’s room, Zeke and Hana join their free hands over Uriah’s body. I see Hana’s lips moving,
but I can’t tell what she’s saying—do the Dauntless have prayers for the dying? The Abnegation react
to death with silence and service, not words. I find my anger ebbing away, and I’m lost in muffled
grief again, this time not just for Tris, but for Uriah, whose smile is burned into my memory. My
friend’s brother, and then my friend, too, though not for long enough to let his humor work its way into
me, not for long enough.
The doctor flips some switches, his clipboard clutched to his stomach, and the machines stop
breathing for Uriah. Zeke’s shoulders shake, and Hana squeezes his hand tightly, until her knuckles go
white.
Then she says something, and her hands spring open, and she steps back from Uriah’s body. Letting
him go.
I move away from the window, walking at first, and then running, pushing my way through the
hallways, careless, blind, empty.

CHAPTER
FIFTY-SIX

THE NEXT DAY I take a truck from the compound. The people there are still recovering from their
memory loss, so no one tries to stop me. I drive over the railroad tracks toward the city, my eyes
wandering over the skyline but not really taking it in.

When I reach the fields that separate the city from the outside world, I press down the accelerator.
The truck crushes dying grass and snow beneath its tires, and soon the ground turns to the pavement in
the Abnegation sector, and I barely feel the passage of time. The streets are all the same, but my hands
and feet know where to go, even if my mind doesn’t bother to guide them. I pull up to the house near
the stop sign, with the cracked front walk.

My house.
I walk through the front door and up the stairs, still with that muffled feeling in my ears, like I am
drifting far away from the world. People talk about the pain of grief, but I don’t know what they mean.
To me, grief is a devastating numbness, every sensation dulled.
I press my palm to the panel covering the mirror upstairs, and push it aside. Though the light of
sunset is orange, creeping across the floor and illuminating my face from below, I have never looked
paler; the circles under my eyes have never been more pronounced. I have spent the past few days
somewhere between sleeping and waking, not quite able to manage either extreme.
I plug the hair clippers into the outlet near the mirror. The right guard is already in place, so all I
have to do is run it through my hair, bending my ears down to protect them from the blade, turning my
head to check the back of my neck for places I might have missed. The shorn hair falls on my feet and
shoulders, itching whatever bare skin it finds. I run my hand over my head to make sure it’s even, but I
don’t need to check, not really. I learned to do this myself when I was young.
I spend a lot of time brushing it from my shoulders and feet, then sweeping it into a dustpan. When I
finish, I stand in front of the mirror again, and I can see the edges of my tattoo, the Dauntless flame.
I take the vial of memory serum from my pocket. I know that one vial will erase most of my life,
but it will target memories, not facts. I will still know how to write, how to speak, how to put together
a computer, because that data was stored in different parts of my brain. But I won’t remember
anything else.
The experiment is over. Johanna successfully negotiated with the government—David’s superiors
—to allow the former faction members to stay in the city, provided they are self-sufficient, submit to
the government’s authority, and allow outsiders to come in and join them, making Chicago just another
metropolitan area, like Milwaukee. The Bureau, once in charge of the experiment, will now keep
order in Chicago’s city limits.
It will be the only metropolitan area in the country governed by people who don’t believe in
genetic damage. A kind of paradise. Matthew told me he hopes people from the fringe will trickle in
to fill all the empty spaces, and find there a life more prosperous than the one they left.
All that I want is to become someone new. In this case, Tobias Johnson, son of Evelyn Johnson.
Tobias Johnson may have lived a dull and empty life, but he is at least a whole person, not this
fragment of a person that I am, too damaged by pain to become anything useful.
“Matthew told me you stole some of the memory serum and a truck,” says a voice at the end of the

hallway. Christina’s. “I have to say, I didn’t really believe him.”
I must not have heard her enter the house through the muffle. Even her voice sounds like it is

traveling through water to reach my ears, and it takes me a few seconds to make sense of what she
says. When I do, I look at her and say, “Then why did you come, if you didn’t believe him?”

“Just in case,” she says, starting toward me. “Plus, I wanted to see the city one more time before it
all changes. Give me that vial, Tobias.”

“No.” I fold my fingers over it to protect it from her. “This is my decision, not yours.”
Her dark eyes widen, and her face is radiant with sunlight. It makes every strand of her thick, dark
hair gleam orange like it’s on fire.
“This is not your decision,” she says. “This is the decision of a coward, and you’re a lot of things,
Four, but not a coward. Never.”
“Maybe I am now,” I answer passively. “Things have changed. I’m all right with it.”
“No, you’re not.”
I feel so exhausted all I can do is roll my eyes.
“You can’t become a person she would hate,” Christina says, quietly this time. “And she would
have hated this.”
Anger stampedes through me, hot and lively, and the muffled feeling around my ears falls away,
making even this quiet Abnegation street sound loud. I shudder with the force of it.
“Shut up!” I yell. “Shut up! You don’t know what she would hate; you didn’t know her, you—”
“I know enough!” she snaps. “I know she wouldn’t want you to erase her from your memory like
she didn’t even matter to you!”
I lunge toward her, pinning her shoulder to the wall, and lean closer to her face.
“If you dare suggest that again,” I say, “I’ll—”
“You’ll what?” Christina shoves me back, hard. “Hurt me? You know, there’s a word for big,
strong men who attack women, and it’s coward.”
I remember my father’s screams filling the house, and his hand around my mother’s throat,
slamming her into walls and doors. I remember watching from my doorway, my hand wrapped around
the door frame. And I remember hearing quiet sobs through her bedroom door, how she locked it so I
couldn’t get in.
I step back and slump against the wall, letting my body collapse into it.
“I’m sorry,” I say.
“I know,” she answers.
We stand still for a few seconds, just looking at each other. I remember hating her the first time I
met her, because she was a Candor, because words just dribbled out of her mouth unchecked,
careless. But over time she showed me who she really was, a forgiving friend, faithful to the truth,
brave enough to take action. I can’t help but like her now, can’t help but see what Tris saw in her.
“I know how it feels to want to forget everything,” she says. “I also know how it feels for someone
you love to get killed for no reason, and to want to trade all your memories of them for just a
moment’s peace.”
She wraps her hand around mine, which is wrapped around the vial.
“I didn’t know Will long,” she says, “but he changed my life. He changed me. And I know Tris
changed you even more.”
The hard expression she wore a moment ago melts away, and she touches my shoulders, lightly.

“The person you became with her is worth being,” she says. “If you swallow that serum, you’ll
never be able to find your way back to him.”

The tears come again, like when I saw Tris’s body, and this time, pain comes with them, hot and
sharp in my chest. I clutch the vial in my fist, desperate for the relief it offers, the protection from the
pain of every memory clawing inside me like an animal.

Christina puts her arms around my shoulders, and her embrace only makes the pain worse, because
it reminds me of every time Tris’s thin arms slipped around me, uncertain at first but then stronger,
more confident, more sure of herself and of me. It reminds me that no embrace will ever feel the same
again, because no one will ever be like her again, because she’s gone.

She’s gone, and crying feels so useless, so stupid, but it’s all I can do. Christina holds me upright
and doesn’t say a word for a long time.

Eventually I pull away, but her hands stay on my shoulders, warm and rough with calluses. Maybe
just as skin on a hand grows tougher after pain in repetition, a person does too. But I don’t want to
become a calloused man.

There are other kinds of people in this world. There is the kind like Tris, who, after suffering and
betrayal, could still find enough love to lay down her life instead of her brother’s. Or the kind like
Cara, who could still forgive the person who shot her brother in the head. Or Christina, who lost
friend after friend but still decided to stay open, to make new ones. Appearing in front of me is
another choice, brighter and stronger than the ones I gave myself.

My eyes opening, I offer the vial to her. She takes it and pockets it.
“I know Zeke’s still weird around you,” she says, slinging an arm across my shoulders. “But I can
be your friend in the meantime. We can even exchange bracelets if you want, like the Amity girls used
to.”
“I don’t think that will be necessary.”
We walk down the stairs and out to the street together. The sun has slipped behind the buildings of
Chicago, and in the distance I hear a train rushing over the rails, but we are moving away from this
place and all that it has meant to us, and that is all right.

There are so many ways to be brave in this world. Sometimes bravery involves laying down your life
for something bigger than yourself, or for someone else. Sometimes it involves giving up everything
you have ever known, or everyone you have ever loved, for the sake of something greater.

But sometimes it doesn’t.
Sometimes it is nothing more than gritting your teeth through pain, and the work of every day, the
slow walk toward a better life.
That is the sort of bravery I must have now.

EPILOGUE

TWO AND A HALF YEARS LATER

EVELYN STANDS at the place where two worlds meet. Tire tracks are worn into the ground now, from
the frequent coming and going of people from the fringe moving in and out, or people from the former
Bureau compound commuting back and forth. Her bag rests against her leg, in one of the wells in the
earth. She lifts a hand to greet me when I’m close.

When she gets into the truck, she kisses my cheek, and I let her. I feel a smile creep across my face,
and I let it stay there.

“Welcome back,” I say.
The agreement, when I offered it to her more than two years ago, and when she made it again with
Johanna shortly after, was that she would leave the city. Now, so much has changed in Chicago that I
don’t see the harm in her coming back, and neither does she. Though two years have passed, she looks
younger, her face fuller and her smile wider. The time away has done her good.
“How are you?” she says.
“I’m . . . okay,” I say. “We’re scattering her ashes today.”
I glance at the urn perched on the backseat like another passenger. For a long time I left Tris’s
ashes in the Bureau morgue, not sure what kind of funeral she would want, and not sure I could make
it through one. But today would be Choosing Day, if we still had factions, and it’s time to take a step
forward, even if it’s a small one.
Evelyn puts a hand on my shoulder and looks out at the fields. The crops that were once isolated to
the areas around Amity headquarters have spread, and continue to spread through all the grassy
spaces around the city. Sometimes I miss the desolate, empty land. But right now I don’t mind driving
through the rows and rows of corn or wheat. I see people among the plants, checking the soil with
handheld devices designed by former Bureau scientists. They wear red and blue and green and
purple.
“What’s it like, living without factions?” Evelyn says.
“It’s very ordinary,” I say. I smile at her. “You’ll love it.”

I take Evelyn to my apartment just north of the river. It’s on one of the lower floors, but through the
abundant windows I can see a wide stretch of buildings. I was one of the first settlers in the new
Chicago, so I got to choose where I lived. Zeke, Shauna, Christina, Amar, and George opted to live in
the higher floors of the Hancock building, and Caleb and Cara both moved back to the apartments near
Millennium Park, but I came here because it was beautiful, and because it was nowhere near either of
my old homes.

“My neighbor is a history expert, he came from the fringe,” I say as I search my pockets for my
keys. “He calls Chicago ‘the fourth city’—because it was destroyed by fire, ages ago, and then again
by the Purity War, and now we’re on the fourth attempt at settlement here.”

“The fourth city,” Evelyn says as I push the door open. “I like it.”
There’s hardly any furniture inside, just a couch and a table, some chairs, a kitchen. Sunlight winks
in the windows of the building across the marshy river. Some of the former Bureau scientists are