SCORCHING,!TONY-NOMINATED!MUSICAL,! BLUESIN&THENIGHT ...

 

 
FOR
 IMMEDIATE
 RELEASE
 
 
CONTACT:
 Cindy
 Moran,
 Public
 Relations
 Director,
 414-­‐224-­‐1761,
 
 
[email protected]


 
SCORCHING,
 TONY-­‐NOMINATED
 MUSICAL,
 

BLUES
 IN
 THE
 NIGHT,
 
WILL
 HEAT
 UP
 THE
 REP’S
 STACKNER
 CABARET
 THIS
 FALL
 


 
October
 2,
 2012
 –
 [Milwaukee]
 – The
 universal
 language
 of
 the
 blues
 speaks
 eloquently
 in
 this
 
scorching,
 Tony-­‐nominated
 musical!
 The
 twenty-­‐six
 hot,
 torchy
 numbers
 that
 tell
 the
 sweet,
 
sexy
 and
 sorrowful
 stories
 of
 four
 colorful
 inhabitants
 of
 a
 1930s
 Chicago
 saloon,
 will
 leave
 
audiences
 energized,
 inspired
 and
 ready
 to
 wail.
 This
 dynamite
 revue
 features
 blues
 classics
 
from
 Duke
 Ellington,
 Benny
 Goodman,
 Bessie
 Smith
 and
 many
 more,
 packed
 into
 a
 larger-­‐than-­‐
life
 score
 that’ll
 bring
 down
 the
 house!
 The
 play
 was
 conceived
 and
 originally
 directed
 by
 
Sheldon
 Epps
 with
 original
 Vocal
 Arrangements
 and
 Musical
 Direction
 by
 Chapman
 Roberts
 and
 
Orchestrations
 and
 Additional
 Vocal
 Arrangements
 by
 Sy
 Johnson.
 The
 show
 will
 be
 directed
 by
 
Megan
 O’Brien,
 who
 returns
 to
 The
 Rep
 after
 having
 directed
 The
 Bomb-­‐itty
 of
 Errors
 during
 
the
 2010/11
 Season,
 and
 will
 feature
 a
 group
 of
 talented
 actor/singer/musicians:
 Carl
 Clemons-­‐
Hopkins
 (The
 Man/Tenor
 Sax/Bass),
 Zonya
 Love
 (The
 Lady),
 Halle
 Morse
 (The
 Girl/Percussion/
 
Washboard)
 and
 Lili
 Thomas
 (The
 Woman/Trumpet/Trombone).
 Associate
 Artist
 Dan
 Kazemi
 is
 
the
 Music
 Director
 for
 this
 production
 and
 will
 provide
 piano
 and
 clarinet
 accompaniment.
 
Patrick
 Morrow,
 a
 frequent
 Rep
 collaborator,
 also
 joins
 the
 cast
 in
 the
 orchestra
 and
 will
 be
 
playing
 drums,
 percussion,
 guitar
 and
 bass.
 Blues
 in
 the
 Night
 runs
 in
 the
 Stackner
 Cabaret
 from
 
October
 19
 –
 December
 23,
 and
 opens
 Sunday,
 October
 21.
 
 

 
“Blues
 in
 the
 Night
 is
 a
 great
 celebration
 of
 singers
 and
 dancers
 kicking
 back
 and
 doing
 what
 
they
 do
 at
 their
 very
 best,”
 says
 Artistic
 Director
 Mark
 Clements.
 “Our
 take
 on
 the
 piece
 –
 

utilizing
 actor/singer/musicians
 as
 the
 cast
 –
 will
 hopefully
 prove
 original
 and
 innovative.
 This
 
will
 definitely
 be
 one
 of
 those
 shows
 where
 we
 lift
 the
 roof
 off
 the
 Stackner
 Cabaret!”
 

 
“One
 of
 the
 most
 exciting
 things
 about
 this
 cast
 is
 that
 they
 are
 so
 multi-­‐talented,”
 added
 
Director
 Megan
 O’Brien.
 “They
 are
 great
 singers
 and
 actors
 and
 they
 also
 play
 instruments
 –
 
but
 above
 all,
 they
 are
 storytellers.
 They
 are
 able
 to
 accurately
 portray
 the
 stories
 of
 the
 blues
 
music
 in
 the
 show
 while
 giving
 the
 stories
 new
 life.
 I’m
 looking
 forward
 to
 the
 rehearsal
 process
 
and
 I
 can't
 wait
 to
 see
 what
 they
 bring
 to
 the
 table!”
 

 
Blues
 in
 the
 Night
 was
 originally
 staged
 at
 the
 Off-­‐Broadway
 Playhouse
 46
 by
 Sheldon
 Epps
 and
 
Gregory
 Hines
 (under
 the
 supervision
 of
 Norman
 René).
 The
 show
 ran
 March
 26
 to
 May
 11,
 
1980
 for
 51
 performances.
 Blues
 in
 the
 Night
 later
 reopened
 on
 Broadway
 at
 the
 Rialto
 Theatre
 
on
 June
 2,
 1982
 and
 was
 nominated
 for
 the
 Tony
 Award
 for
 Best
 Musical.
 

 
THE
 CAST
 
Carl
 Clemons-­‐Hopkins
 (The
 Man/Tenor
 Sax/Bass),
 will
 be
 making
 his
 Rep
 debut;
 regional
 credits
 
include
 the
 world
 premiere
 of
 Eclectic
 Society
 and
 My
 Way
 at
 Walnut
 Street
 Theatre;
 Pericles
 
(Georgia
 Shakespeare)
 and
 Avenue
 X,
 Rent
 and
 Little
 Shop
 of
 Horrors
 (11th
 Hour
 Theatre
 
Company),
 among
 others;
 Zonya
 Love
 (The
 Lady),
 just
 returning
 from
 Lyon,
 France,
 where
 she
 
performed
 as
 a
 solo
 gospel
 artist
 for
 the
 Absolute
 Gospel
 Festival,
 is
 also
 making
 her
 Rep
 debut;
 
credits
 include
 Celie
 in
 The
 Color
 Purple
 and
 the
 first
 national
 tour
 of
 Avenue
 Q
 as
 the
 
understudy
 for
 Gary
 Coleman,
 Dessa
 in
 This
 One
 Girl’s
 Story,
 Hattie
 in
 Kiss
 Me
 Kate
 and
 Lucy
 
Van
 Pelt
 in
 You’re
 a
 Good
 Man
 Charlie
 Brown;
 Halle
 Morse
 (The
 Girl/Percussion/Washboard),
 
making
 her
 Rep
 debut,
 comes
 directly
 from
 the
 Broadway
 company
 of
 Mamma
 Mia!
 where
 she
 
performed
 the
 role
 of
 Lisa
 for
 three
 years;
 other
 credits
 include
 Rent
 (Pioneer
 Theatre
 
Company),
 Hairspray
 (Sacramento
 Music
 Circus)
 and
 Hello,
 Dolly!
 (North
 Carolina
 Theatre),
 
among
 others;
 Lili
 Thomas
 (The
 Woman/Trumpet/Trombone),
 is
 happy
 to
 return
 to
 The
 Rep
 
after
 appearing
 in
 Cabaret
 in
 the
 2010/11
 Season;
 regional
 favorites
 include
 Mimi
 in
 Rent,
 
Fastrada
 in
 Pippin,
 Marcy
 Park
 in
 25th
 Annual
 Putnam
 County
 Spelling
 Bee,
 Gigi
 in
 Miss
 Saigon
 

and
 Tuptim
 in
 The
 King
 and
 I;
 New
 York
 credits
 include
 Reefer
 Madness,
 Sounds
 of
 Plaid,
 
Radiant
 Baby
 and
 Metropolis,
 the
 world
 premiere
 of
 Aaron
 Jay
 Kernis’
 Garden
 of
 Light
 (Disney
 
Millennium
 Symphonies)
 with
 the
 New
 York
 Philharmonic;
 Dan
 Kazemi
 (Musical
 
Director/Piano/Clarinet
 –
 see
 bio
 below)
 and
 Patrick
 Morrow
 (Drums/Percussion/Guitar/Bass),
 
was
 most
 recently
 seen
 at
 the
 Stackner
 Cabaret
 in
 Always
 .
 .
 .
 Patsy
 Cline
 and
 was
 just
 seen
 in
 
the
 Quadracci
 Powerhouse
 playing
 percussion
 in
 Assassins;
 other
 Rep
 credits
 include
 Next
 to
 
Normal
 and
 Cabaret.
 

 
CREATIVE
 TEAM
 
The
 Creative
 Team
 for
 Blues
 in
 the
 Night
 includes:
 Dan
 Kazemi
 (Musical
 Director),
 a
 Rep
 
Associate
 Artist,
 is
 a
 Philadelphia-­‐based
 composer,
 actor,
 music
 director
 and
 educator,
 and
 was
 
Musical
 Director
 for
 The
 Rep’s
 recent
 productions
 of
 Assassins,
 Always
 .
 .
 .
 Patsy
 Cline,
 Next
 to
 
Normal
 and
 Cabaret;
 he
 most
 recently
 orchestrated
 and
 musically
 directed
 the
 world
 premiere
 
musical,
 Tulipomania,
 at
 the
 Arden
 Theatre
 Company
 and
 musically
 directed
 Tick,
 Tick
 .
 .
 .
 
Boom!,
 Austentations,
 The
 PhillyRocks!
 concerts,
 The
 World
 Goes
 Round
 (Barrymore
 
nomination),
 Reefer
 Madness,
 Little
 Shop
 of
 Horrors,
 Rooms
 and
 The
 Great
 American
 Trailer
 
Park
 Musical
 for
 11th
 Hour
 Theatre
 Company;
 Kazemi
 is
 also
 the
 composer
 of
 a
 new
 
musical,
 The
 Tapioca
 Miracle
 (thetapiocamiracle.com);
 Megan
 Truscott
 (Scenic
 Designer),
 a
 
Chicago-­‐based
 scenic
 designer,
 is
 a
 graduate
 from
 The
 Theatre
 School
 at
 DePaul
 University
 
where
 recent
 credits
 include
 The
 Death
 of
 Gaia
 Divine
 (director
 John
 Jenkins)
 and
 Medea
 
(director
 Damon
 Kiely);
 she
 also
 assisted
 on
 the
 shows
 Sweeney
 Todd
 and
 Joseph
 and
 the
 
Amazing
 Technicolor
 Dreamcoat
 (designer
 Kevin
 Depinet);
 Holly
 Payne
 (Costume
 Designer),
 is
 
The
 Rep’s
 Costume
 Director
 and
 has
 designed
 many
 shows
 there;
 favorites
 include
 Lombardi,
 
The
 Bomb-­‐itty
 of
 Errors
 and
 Speaking
 in
 Tongues;
 other
 credits
 include
 Skylight
 Music
 Theatre,
 
Milwaukee
 Chamber
 Theatre,
 Renaissance
 Theaterworks,
 Milwaukee
 Shakespeare,
 University
 
of
 Tulsa
 and
 American
 Players
 Theatre,
 to
 name
 a
 few;
 Craig
 Gottschalk
 (Lighting
 Designer),
 The
 
Rep’s
 Lighting
 &
 Sound
 Director,
 is
 happy
 to
 return
 to
 the
 Stackner
 Cabaret
 after
 having
 
previously
 designed
 Always
 .
 .
 .
 Patsy
 Cline,
 The
 Bomb-­‐itty
 of
 Errors,
 Nobody
 Lonesome
 for
 Me
 
and
 Route
 66;
 other
 lighting
 credits
 include:
 Dirty
 Rotten
 Scoundrels;
 Ivey
 award-­‐winning
 Kiss
 of
 

the
 Spiderwoman;
 ‘Best
 in
 Twin
 Cities’
 award-­‐winning
 Jerry
 Springer
 –
 The
 Opera
 for
 
Minneapolis
 Musical
 Theatre;
 King
 Lear
 for
 Minnesota
 Shakespeare
 Project;
 Into
 the
 Woods
 and
 
Wizard
 of
 Oz
 for
 Minnetonka
 Center
 for
 the
 Arts
 and
 1940’s
 Radio
 Hour
 and
 3-­‐Way
 for
 8-­‐Ball
 
Theatre;
 Barry
 G.
 Funderburg
 (Sound
 Designer),
 returns
 to
 The
 Rep
 for
 his
 60th
 production;
 
memorable
 productions
 include
 Othello,
 In
 the
 Next
 Room,
 The
 39
 Steps,
 The
 Cherry
 Orchard,
 
Pride
 and
 Prejudice,
 Armadale,
 Mary
 Stuart,
 Work
 Song
 and
 Angels
 in
 America:
 Millennium
 
Approaches;
 Off-­‐Broadway,
 Barry
 designed
 the
 critically-­‐acclaimed
 New
 York
 premiere
 of
 
Wittenberg
 at
 The
 Pearl
 Theatre
 Company;
 other
 regional
 theater
 credits
 include
 Fake,
 Carter’s
 
Way
 and
 Mother
 Courage
 and
 Her
 Children
 at
 the
 Steppenwolf
 Theatre
 Company,
 and
 
productions
 at
 Utah
 Shakespeare
 Festival,
 Actors
 Theatre
 of
 Louisville,
 Kansas
 City
 Repertory
 
Theatre,
 Arizona
 Theatre
 Company,
 City
 Theatre
 (Pittsburgh),
 CenterStage
 (Baltimore),
 Alabama
 
Shakespeare
 Festival,
 Peninsula
 Players,
 American
 Players
 Theatre,
 LA
 Theatre
 Works
 and
 
Indiana
 Repertory
 Theatre;
 Kat
 Borrelli
 (Choreographer),
 choreographing
 her
 first
 show
 at
 The
 
Rep,
 recently
 graduated
 from
 The
 University
 of
 the
 Arts
 with
 a
 BFA
 in
 Musical
 Theatre;
 favorite
 
credits
 include:
 The
 Marvelous
 Wonderettes
 (Betty
 Jean/11th
 Hour
 Theatre
 Company);
 The
 
Adding
 Machine
 (Mrs.
 Zero);
 The
 Realm
 of
 the
 Unreal
 (world
 premiere/Choreographer)
 and
 
next
 up
 is
 Bloody,
 Bloody
 Andrew
 Jackson
 with
 11th
 Hour
 Theatre
 Company;
 Sandy
 Ernst,
 
(Casting
 Director),
 is
 The
 Rep’s
 Associate
 Artistic
 Director
 and
 Casting
 Director;
 Stephanie
 
Klapper
 (New
 York
 Casting
 Director),
 cast
 Assassins,
 Blues
 in
 the
 Night
 and
 The
 Mountaintop
 
this
 season
 for
 The
 Rep;
 other
 past
 Rep
 credits
 include:
 Cabaret,
 Next
 to
 Normal,
 Assassins,
 The
 
Bomb-­‐itty
 of
 Errors,
 From
 My
 Hometown,
 Fire
 on
 the
 Bayou,
 Grafton
 City
 Blues
 and
 The
 Night
 is
 
a
 Child;
 selected
 Broadway
 credits
 include
 A
 Christmas
 Story,
 the
 Musical!,
 Dividing
 the
 Estate
 
and
 Bells
 are
 Ringing;
 Laura
 F.
 Wendt
 (Stage
 Manager),
 now
 in
 her
 seventh
 season
 with
 The
 
Rep,
 just
 finished
 assistant
 stage
 managing
 for
 Assassins;
 Marissa
 Robinson
 (Stage
 
Management
 Intern),
 joins
 The
 Rep
 this
 season
 and
 is
 a
 recent
 graduate
 of
 Emerson
 College
 in
 
Boston
 and
 Maggie
 Ellsworth
 (Assistant
 Director),
 is
 a
 Directing
 Intern
 for
 the
 2012/13
 Season;
 
Rep
 credits
 this
 season
 include
 Gutenberg!
 The
 Musical!
 and
 The
 Mountaintop.
 

 

 

KEY
 BIOGRAPHIES
 
 
Sheldon
 Epps,
 (Playwright),
 Artistic
 Director
 of
 the
 renowned
 Pasadena
 Playhouse,
 conceived
 
and
 directed
 the
 Duke
 Ellington
 musical
 Play
 On!
 which
 received
 three
 Tony
 Award
 nominations
 
and
 was
 produced
 at
 Seattle
 Repertory
 Theatre
 and
 the
 Goodman
 Theatre
 in
 Chicago,
 where
 it
 
received
 four
 Jefferson
 Awards
 including
 Best
 Musical.
 He
 also
 conceived
 and
 directed
 the
 
highly
 acclaimed
 musical
 revue
 Blues
 in
 the
 Night.
 The
 Broadway
 production
 was
 nominated
 for
 
a
 Tony
 Award
 as
 Best
 Musical
 of
 the
 Year,
 and
 the
 London
 production,
 which
 he
 also
 directed,
 
was
 nominated
 for
 two
 Laurence
 Olivier
 Awards
 and
 ran
 for
 over
 a
 year
 on
 the
 West
 End.
 Mr.
 
Epps
 was
 a
 co-­‐founder
 and
 the
 Associate
 Artistic
 Director
 of
 the
 Off-­‐Broadway
 theater
 The
 
Production
 Company.
 He
 has
 directed
 plays
 and
 musicals
 for
 many
 of
 the
 country’s
 major
 
theaters
 including
 the
 Guthrie,
 the
 Old
 Globe
 Theatre,
 Manhattan
 Theatre
 Club,
 Seattle
 
Repertory
 Theatre,
 Playwrights
 Horizons,
 Crossroads
 Theatre,
 Cleveland
 Play
 House,
 Arizona
 
Theatre
 Company,
 Goodspeed
 Opera
 House,
 Coconut
 Grove
 Playhouse,
 Walnut
 Street
 Theatre,
 
George
 Street
 Playhouse
 and
 Asolo
 State
 Theatre.
 For
 television
 he
 has
 directed
 episodes
 of
 
Frasier,
 Friends,
 Everybody
 Loves
 Raymond,
 Joey,
 Veronica’s
 Closet,
 Evening
 Shade
 and
 Sister,
 
Sister.
 He
 is
 currently
 a
 member
 of
 the
 executive
 board
 of
 the
 Society
 of
 Stage
 Directors
 and
 
Choreographers.
 Mr.
 Epps
 is
 a
 two-­‐time
 recipient
 of
 the
 Theatre
 Communications
 Group/Pew
 
Charitable
 Trust
 National
 Theatre
 Artists
 Residency
 Grant,
 which
 supported
 his
 four-­‐year
 tenure
 
at
 the
 Old
 Globe
 Theatre
 as
 Associate
 Artistic
 Director.
 Mr.
 Epps
 was
 pleased
 to
 join
 the
 
Pasadena
 Playhouse
 as
 Artistic
 Director
 in
 1997.
 His
 directing
 credits
 there
 include
 As
 Bees
 in
 
Honey
 Drown,
 Blue,
 Play
 On!,
 Les
 Liaisons
 Dangereuses,
 The
 Importance
 of
 Being
 Earnest,
 The
 
Old
 Settler,
 The
 Real
 Thing,
 On
 Borrowed
 Time,
 Mr.
 Rickey
 Calls
 a
 Meeting,
 Blues
 in
 the
 Night,
 
and
 Purlie,
 a
 co-­‐production
 with
 the
 Goodman
 Theatre.
 He
 directed
 the
 world
 premiere
 of
 Blue
 
at
 Arena
 Stage
 Theatre,
 which
 was
 also
 produced
 Off-­‐Broadway
 at
 the
 Roundabout
 Theatre.
 
Following
 its
 record-­‐breaking
 engagement
 in
 Pasadena,
 Blue
 began
 a
 national
 tour
 co-­‐produced
 
by
 the
 Pasadena
 Playhouse.
 

Megan
 Nicole
 O’Brien,
 (Director),
 returns
 to
 The
 Rep
 after
 directing
 The
 Bomb-­‐itty
 of
 Errors
 in
 
the
 2010/11
 Season.
 Other
 credits
 include:
 Little
 Shop
 of
 Horrors
 (11th
 Hour
 Theatre
 

Company/Theatre
 Horizon);
 Reefer
 Madness
 and
 The
 Great
 American
 Trailer
 Park
 Musical
 (11th
 
Hour/Montgomery
 Theater,
 Barrymore
 Nomination);
 Rooms,
 Avenue
 X
 (Barrymore
 
Nomination),
 The
 Bomb-­‐itty
 of
 Errors
 (Barrymore
 Nomination)
 and
 Tick,
 Tick
 .
 .
 .
 Boom,
 (11th
 
Hour);
 John
 &
 Jen
 (Act
 II
 Playhouse);
 High
 Fidelity
 and
 Adding
 Machine:
 A
 Musical
 (University
 of
 
the
 Arts)
 and
 The
 Irish
 .
 .
 .
 and
 How
 They
 Got
 That
 Way
 (Walnut
 Street
 Theatre).
 
 

 
TICKETS
 
Tickets
 for
 Blues
 in
 the
 Night
 start
 at
 $35.00.
 Single
 Tickets
 for
 all
 of
 Milwaukee
 Repertory
 
Theater’s
 2012/13
 productions
 are
 now
 on
 sale
 and
 can
 be
 purchased
 online
 24/7
 at
 
www.MilwaukeeRep.com,
 through
 The
 Rep’s
 Ticket
 Office
 by
 calling
 414-­‐224-­‐9490
 or
 in
 
person
 at
 108
 E.
 Wells
 Street.
 Group
 tickets
 are
 also
 available
 for
 purchase
 by
 calling
 Patron
 
Relations
 Manager
 Christine
 Yundem
 at
 414-­‐290-­‐5340.
 
 

 
To
 learn
 more
 about
 The
 Rep
 or
 its
 productions,
 please
 visit
 www.MilwaukeeRep.com.
 

 
SPECIAL
 PROGRAMS
 AND
 EVENTS
 

• Audio-­‐Description
 Performance
 –
 On
 Sunday,
 October
 28
 at
 7:00
 p.m.
 there
 will
 be
 an
 
Audio-­‐Described
 Performance
 for
 patrons
 who
 are
 blind
 or
 have
 low
 vision.
 
 

 

#
 #
 #
 

 

FACT
 SHEET
 

WHAT:
 Blues
 in
 the
 Night
 
 

WRITTEN
 BY:
 Conceived
 and
 Originally
 Directed
 by
 Sheldon
 Epps
 
Original
 Vocal
 Arrangements
 and
 Musical
 Direction
 by
 Chapman
 Roberts
 
Orchestrations
 and
 Additional
 Vocal
 Arrangements
 by
 Sy
 Johnson
 

 
DIRECTED
 BY:
 Megan
 O’Brien
 
 

 
THEATER:
 Stackner
 Cabaret
 

 
DATES:
 October
 19,
 2012
 –
 December
 23,
 2012
 

 
DESCRIPTION:
 The
 universal
 language
 of
 the
 blues
 speaks
 eloquently
 in
 this
 scorching,
 
 
Tony-­‐nominated
 musical!
 The
 twenty-­‐six
 hot,
 torchy
 numbers
 that
 tell
 the
 sweet,
 sexy
 and
 
sorrowful
 stories
 of
 four
 colorful
 inhabitants
 of
 a
 1930s
 Chicago
 saloon,
 will
 leave
 you
 
energized,
 inspired
 and
 ready
 to
 wail.
 This
 dynamite
 revue
 features
 blues
 classics
 from
 Duke
 
Ellington,
 Benny
 Goodman,
 Bessie
 Smith
 and
 many
 more,
 packed
 into
 a
 larger-­‐than-­‐life
 score
 
that’ll
 bring
 down
 the
 house!
 
 

 

PERFORMANCES:
 
 

Friday,
 10/19/2012
 –
 8:00
 p.m.
 –
 Preview
 
Saturday,
 10/20/2012
 –
 8:00
 p.m.
 –
 Preview
 
Sunday,
 10/21/2012
 –
 7:00
 p.m.
 –
 Opening
 

 
Tuesday,
 10/23/2012
 –
 7:30
 p.m.
 
Wednesday,
 10/24/2012
 –
 7:30
 p.m.
 
Thursday,
 10/25/2012
 –
 7:30
 p.m.
 
Friday,
 10/26/2012
 –
 8:00
 p.m.
 
 
Saturday,
 10/27/2012
 –
 4:00
 p.m./8:00
 p.m.
 
Sunday,
 10/28/2012
 –
 2:00
 p.m./7:00
 p.m.
 –
 Audio
 Described
 
 

 
Tuesday,
 10/30/2012
 –
 6:30
 p.m.
 –
 Early
 Bird
 
Wednesday,
 10/31/2012
 –
 7:30
 p.m.
 
Thursday,
 11/1/2012
 –
 7:30
 p.m.
 
Friday,
 11/2/2012
 –
 8:00
 p.m.
 
Saturday,
 11/3/2012
 –
 4:00
 p.m./8:00
 p.m.
 
Sunday,
 11/4/2012
 –
 2:00
 p.m./7:00
 p.m.
 

 
Tuesday,
 11/6/2012
 –
 7:30
 p.m.
 
Wednesday,
 11/7/2012
 –
 7:30
 p.m.
 
Thursday,
 11/8/2012
 –
 7:30
 p.m.
 
Friday,
 11/9/2012
 –
 8:00
 p.m.
 
 
Saturday,
 11/10/2012
 –
 4:00
 p.m./8:00
 p.m.
 
Sunday,
 11/11/2012
 –
 2:00
 p.m./7:00
 p.m.
 

 
Tuesday,
 11/13/2012
 –
 7:30
 p.m.
 
Wednesday,
 11/14/2012
 –
 7:30
 p.m.
 
Thursday,
 11/15/2012
 –
 7:30
 p.m.
 
Friday,
 11/16/2012
 –
 8:00
 p.m.
 
 
 
Saturday,
 11/17/2012
 –
 4:00
 p.m./8:00
 p.m.
 
Sunday,
 11/18/2012
 –
 2:00
 p.m./7:00
 p.m.
 

 
Tuesday,
 11/20/2012
 –
 7:30
 p.m.
 
Wednesday,
 11/21/2012
 –
 7:30
 p.m.
 
Friday,
 11/23/2012
 –
 8:00
 p.m.
 
Saturday,
 11/24/2012
 –
 4:00
 p.m./8:00
 p.m.
 

Sunday,
 11/25/2012
 –
 2:00
 p.m./7:00
 p.m.
 

 
Tuesday,
 11/27/2012
 –
 7:30
 p.m.
 
Wednesday,
 11/28/2012
 –
 7:30
 p.m.
 
Thursday,
 11/29/2012
 –
 7:30
 p.m.
 
Friday,
 11/30/2012
 –
 8:00
 p.m.
 
 
Saturday,
 12/1/2012
 –
 4:00
 p.m./8:00
 p.m.
 
 
Sunday,
 12/2/2012
 –
 2:00
 p.m./7:00
 p.m.
 

 
Tuesday,
 12/4/2012
 –
 7:30
 p.m.
 
 
Wednesday,
 12/5/2012
 –
 7:30
 p.m.
 
Thursday,
 12/6/2012
 –
 7:30
 p.m.
 
Friday,
 12/7/2012
 –
 8:00
 p.m.
 
Saturday,
 12/8/2012
 –
 4:00
 p.m./8:00
 p.m.
 
Sunday,
 12/
 9/2012
 –
 2:00
 p.m./
 7:00
 p.m.
 

 
Tuesday,
 12/11/2012
 –
 7:30
 p.m.
 
Wednesday,
 12/12/2012
 –
 7:30
 p.m.
 
Thursday,
 12/13/2012
 –
 7:30
 p.m.
 
Friday,
 12/14/2012
 –
 8:00
 p.m.
 
Saturday,
 12/15/
 2012
 –
 4:00
 p.m./8:00
 p.m.
 
Sunday,
 12/16/2012
 –
 2:00
 p.m./7:00
 p.m.
 

 
Tuesday,
 12/18/2012
 –
 7:30
 p.m.
 
Wednesday,
 12/19/2012
 –
 7:30
 p.m.
 
Thursday,
 12/20/2012
 –
 
 7:30
 p.m.
 
Friday,
 12/21/2012
 –
 8:00
 p.m.
 
Saturday,
 12/22/2012
 –
 4:00
 p.m./8:00
 p.m.
 
Sunday,
 12/23/2012
 –
 2:00
 p.m./7:00
 p.m.
 –
 Close
 


 

TICKET
 PRICES:
 
 

Begin
 at
 $35.00
 
 


 
TICKETS/INFORMATION:
 414-­‐224-­‐9490
 or
 buy
 tickets
 online
 at
 www.MilwaukeeRep.com
 

TICKET
 OFFICE
 LOCATION:
 108
 East
 Wells
 Street
 in
 Milwaukee’s
 Downtown
 Theater
 District
 

TICKET
 OFFICE
 HOURS:
 Monday
 –
 Sunday,
 Noon
 –
 6
 pm*
 

*On
 days
 with
 performances
 the
 Ticket
 Office
 will
 stay
 open
 until
 show
 time
 


 
Please
 note:
 The
 Rep
 Ticket
 Office
 is
 closed
 Thanksgiving
 Day,
 Christmas
 Day
 and
 New
 Year’s
 
Day.
 

###
 

 

Milwaukee
 Repertory
 Theater
 is
 a
 nationally-­‐recognized
 company
 that
 presents
 compelling
 
dramas,
 powerful
 classics,
 award-­‐winning
 contemporary
 works,
 full-­‐scale
 musicals
 and
 side-­‐
splitting
 comedies
 housed
 in
 its
 three
 unique
 performance
 venues
 –
 the
 Quadracci
 
Powerhouse,
 Stiemke
 Studio
 and
 Stackner
 Cabaret.
 The
 Rep
 also
 produces
 an
 annual
 
production
 of
 A
 Christmas
 Carol
 at
 the
 Pabst
 Theater.
 Under
 the
 leadership
 of
 Artistic
 Director
 
Mark
 Clements,
 The
 Rep
 is
 committed
 to
 creating
 plays
 that
 are
 meaningful
 and
 relevant
 to
 the
 
society
 we
 live
 in
 –
 plays
 that
 are
 challenging,
 visceral
 and
 engage
 the
 community
 through
 the
 
issues
 they
 explore.
 


 

Milwaukee
 Repertory
 Theater
 
Patty
 &
 Jay
 Baker
 Theatre
 Complex
 
 
108
 E
 Wells
 St
 Milwaukee,
 WI
 53202
 
Ticket
 Office:
 414-­‐224-­‐9490
 Ticket
 Office
 Fax:
 225-­‐5490
 
Administrative:
 414-­‐224-­‐1761
 Fax:
 414-­‐224-­‐9097
 
Artistic
 Director
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 Managing
 Director
 
Mark
 Clements
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 Dawn
 Helsing
 Wolters
 
www.MilwaukeeRep.com