Phantom/ Erik ......................................................................................... Max J. Swarner*
Christine Daae ............................................................................................... Anna Fagan
Gerard Carriere ................................................................................................... Perry Liu
Carlotta ....................................................................................................... Carly Callahan
Cholet ................................................................................................................. Brian Cook
Count Philippe de Chandon ......................................................................... Josh Hahn
Ensemble: Marques Christopher (Head Waiter/Policeman), Abby Sara Dahan,
Sean Davis (Ballet Master/Policeman), Eric James Dino (Minister of Culture/
Policeman), Nicholas Ferreira (Young Erik 11/17, 19, 25, 30, 12/1, 3, 9), Molly Forker,
Bonnie Gregson (Acolyte/Ballerina/Gypsy Woman), Bobby Henry (Buquet/Oberon),
Nathan Horne (Young Erik 11/18, 24, 26, 12/2, 8, 10), Eric Hu (Young Gerard), Angela
Jackson, McNeil Johnston (Street Violinist), Maggie Kruse (Acolyte/Ballerina), Alexis
Kurtz (Flora), Lauren Linn, Patrick McMenamey, Olivia Rivera (Acolyte/Ballerina/
Belladova), Brooke Robinson (Acolyte/Ballerina/Dance Captain), Kellen Schult
(Jean-Claude), Rachel Salem (Fleure), Nora Watson, Kay/in Weller (Florence),
Virgil Watson (Inspector Ledoux)
Understudies:
for Erik: Nicholas Kuell; for Christine: Alexis Kurtz; for Chandon: Sean Davis;
for Belladova: Brooke Robinson; for dancers: Madeleine Tommins
*The Actor appears through the courtesy ofActors' Equity Association, the Union of
Professional Actors and Stage Managers in the United States
University of Bridgeport Tony Leone
Denise Pundy Jens Haulund
Keisha Cox Lennie Grimaldi
Phil Grasso Kevin McNair
Warner Theatre Donald Birely
Lauren Linn Renee Purdy
Anne Regan
Alysia Miller Westchester Broadway Theatre
Bristol Tech Students
Joe Hanlon
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Written by the Tony Award-winning team of Maury Yeston (music and lyrics) and Arthur Kopit (book), and based on Gaston Leroux’s 1910 novel “The Phantom of the Opera”, the romantic musical takes a fresh look at the mysterious young phantom, Erik, who lives in the catacombs of the Paris Opera House and shares glorious music with the enchanting vocal prodigy, Christine. Not to be confused with Andrew Lloyd Webber’s 1986 mega-musical, the Yeston and Kopit version, more operetta-like in musical style, seeks to more closely reflect the Leroux novel and offers a deeper exploration of the phantom’s past.
“This Phantom is not Sir Lloyd Webber’s Phantom of the Opera, AND THAT’S GREAT. Yeston’s Phantom is smaller, but in my opinion, better. It has a heart and they delve into the characters in a warmer, more human way.”
– Garrett Stack, WMNR
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