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Published by juili.naukudkar, 2017-09-08 03:50:30

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PORTFOLIO



JUILI NAUKUDKAR

ADDRESS 280/281 Indraprastha Society,Next to Akashwani kendra,
Behind Bajaj Showroom,Pune Solapur Road,
EMAIL Hadapsar
PHONE
EDUCATION [email protected]

+91 8552931652

NIRMALA CONVENT HIGH SCHOOL,NASHIK
R.Y.K. COLLEGE OF SCIENCE,NASHIK
NDMVP COLLEGE OF ARCHITECTURE,NASHIK

EXPERIENCE Sm6 CORP,Bangalore
#149, 2nd Floor, 10th Cross, 1st Stage, Indiranagar,
SKILLS Bengaluru, Karnataka 560038
SALARY
EXPECTATION SANJAY PURI ARCHITECTS,Mumbai
20, Famous Studio Lane, Off. Dr. E. Moses Road,
Mahalakshmi, Mumbai, Maharashtra 400011

RUMY SHROFF AND ASSOCIATES,Mumbai
209, 29, Dalamal Chambers, New Marine Lines,
Mumbai - 400020

Autodesk AutoCAD
Autodesk Revit
Adobe Photoshop
Autodesk Sketchup
Lumion
M S Office

20,000 - 25,000





INTERNATIONAL SYDNEYOPERA MARINABAY C
CRUISE A
TERMINAL HIVEARCHITECTURE S
AWMRAACLTHEDIRITVEECSTURE E
Ciesareneverintended
tobecomplete,assystems INDIA S
framework,structures, T
habitatsororagnisms. U
Waterfrontsmakethese D
ciesmorelivableand I
vibrantastheyare E
powerfulspacesofreflecon S
scenicintegrity,recrea on,
historyandlocaliden ty

Manyciesareoriginated
nearorontheedgeof
waterbodiesaswaterisan
essen alpartofthecies
andtheirtranforma ve
development..
Waterfrontsarese lements,
civiliza onsorcommercial
developmenrsthatcome
upalongthewaterbodies
acngaslifelinesfor
developmentofcies.The
crea onofwaterfrontis
consideredabe er
commercialideafor
transorminginto
aboomingcentrefor
tourismandculture.

SITESELECTION 2.Changeintheshapeofsiteby
WatertransportinMumbai addingdeckstosegreatethe
consistsofferries,hovercra s acvieswithinthesite
andcatamarans. 1.Theoriginalshapeofthesite
Themainreasonofselecng
thesiteinMumbaiisits
developmentinwater
transportandferryacvies.
Theprojectthuswilladdto
beautyofthewaterfront
ofMumbai,architecturally.

CONCEPT

Architecture esthe Theaimoftheproject
structuralelementsand conceptistoachieve
spacestogetherto privateandpublicspaces
achievecohesive.
nearwaterfrontand
connecngthehuman
Theconceptistoachieve acvitesandthenature
connecvitybetweenthe witharchitecture.
spaceswiththebuilding
flow.

Oceanwavescomeinmanyshapesandsizes.waterisalwaysbeen
consideredasacalmfeature.theconceptrefelectsthedarkersideos
waterasinseawavesandbeendesignedaccordingly.

PROCESSMODEL

EXPLORATIONS

E1 E2 E3 E4 E5

Busstopandtaxistand
havebeenproposed
withtheseperatebays
forbusandtaxiand
seperateentrancefor
privatevehicles.
Aseperateparking
buildingisbeendesigned
tomaintainthepedestrian
andvehicularow
withinandaroundthe
site.

Theparkingbuilding
andtheCruiseterminal
isconnectedwithan
overheadpedestrian
walkwayallowingthe
InternationalCruise
Terminalvehicular

owtopassthrough
belowit.

HydraulicParkingSystem
hasbeenproposed
inordertoaccumulate
maximumnumberof
carswithinthebuilding.

CB A



3DVIEWS

MODELPICTURES











GROUND LEVEL PLAN AT 0.00 MM
LOWER LEVEL PLAN AT -2830 MM











Balsara House,Malcolm Baug,Mumbai

A house proposed on a plot where
currently stands an existing residence
for the same family

The proposal provides a residence
standing right opposite to the
existing residence providing a central
landscape space between the two
bungalows. The main house on the
ground floor is been visually
connected to the second residence
unit by creating a large outdoor
sit out space, open to sky and
partially enclosed with high free
standing walls.

First Floor Plan The first floor consists of bedrooms,
study room and internal courtyard.
The elevation is the combination of
RCC and wood.

Ground Floor Plan

“Design is not making
beauty, beauty
emerges from

selection, affinities,
integration, love”

-Louis Kahn

‘Veera’SANTACRUZ

A small plot located in Santacruz ,Mumbai developed for high end residential
units.

GROUND FLOOR PLAN
TYPICAL FLOOR PLAN

SECTION

Dyaneshwar Nagar Project,Mumbai

This project is a residential project
located in Dyaneshwar nagar, Thane
west,Mumbai.The building is divided
into three parts Base, Body and
Crown.
The Base is three floors consisting
of 2 basement floors and a stilt
floor consisting of aminities and
flat. The Body consists of flats and
refuge floors. The Crown consists
of terraces and varying height of
building wings.
The elevation is design as band
running along with the building and
above it.

Section

First and Second Podium Level
Architecture starts when you carefully put two bricks
together. There it begins

Stilt Floor Level

Member Wing: 1st Floor Plan

Member Wing: 10-12 & 14-17 Floor Plan

Member Wing: 6th Floor Plan

Member Wing: 18th Floor Plan

Member Wing: Terrace Floor Plan
“Even a space intended to be dark should have
just enough light from some mysterious opening
to tell us how dark it really is.”

- Louis Kahn

Section Through Staircase Section Through Reuge

Basement
Details

Detail A Detail B

Sale Wing: Section Through Parking Ramp Side Section

INOX, Vadodara “ “Architecture is the
wise,correct and
Inox is a commercial complex. magnificient play of
The building is composed of shops, volumes gathered
restaurants on first two floors and under light.”
theatres on the last two floors.
The elevation is composed of RCC
walls,glass and louvres.
The elevation gives a feel of solids
and voids.Thus making the
building a beautiful architecture
piece.

- Le Corbusier

Front Elevation

Basement Plan

Ground Floor Plan
“Architecture is about public space held by
buildings.”

- Richard Rogers

First Floor Plan

Section Through Theatre

Section Through Kitchen
Section Through Atrium
Back Elevation

Plan Showing Structural Plan At Third Floor Level
Members With Suspenders Showing False Ceiling

Section AA

Section BB

Yokogawa,Bangalore Furniture Layout

Yokogawa office is situated
at Lavelle road,Bengaluru.

. The office is about 45k sqft.

to provide around 300
workstations and support
facilities for MD and his
associates.
Mix of spaces ranging from
Director’s cabin, meeting
rooms, VC rooms, break
out spaces, open cubicles
and services.
Enclosed cabins and
meeting rooms are
arranged along the
periphery to take maximum
advantage of natural light.
Corridors are designed to
break the monotony of
work stations allowing break out
spaces in between.

“Architecture should speak of its time and place,
but earn for timelessness”

- Frank Gehry

Plan of Honeycomb Screen

Vertical Section
Detail B
“Less is only more where more is no good”

-Frank Lloyd Wright

Plan of V C Room Elevation 11
Elevation 12 Elevation 14

Bluefish,Bangalore

An existing building whose
interior was to be redesigned.
To add to complexity of the
task was the shape of the
floor plan of the building.
The project consists of 180
workstations and meeting
spaces ,cabins and break out
spaces.

Architecture is the thoughtful making of space

- Louis Khan

Key plan Furniture Layout

“The details are not
the details.
They make design”

Manager Cabin Plan - Charles Eames

Elevation 09 Elevation 11

Elevation 10 Elevation 12
Section II
Section I


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