sa to shi /modernist /sans serif
Satoshi Type Specimen Satoshi is a modernist sans serif typeface. Its design combines typically grotesk-style letterforms, with some characters that are quite geometrically-designed. In terms of its appearance, Satoshi was inspired by Modernism and Industrial-Era graphic and typographic design. The family has ten weights on offer, ranging from Light to Black with complimentary italics. It is an excellent choice for use in branding, editorial, and poster design. Satoshi’s lowercase ‘a’ and ‘g’ are double-storied; however, single-storied alternates are available, through an Open Type feature. The fonts’ other Open Type features include 10 ligatures per font, as well as alternate versions of the ‘G’ and ’t’. The default numeral style in each of the fonts is proportional lining figures; three other styles of numbers are included, too. There are tabular lining figures, as well as numerators and denominators for typesetting fractions. The fonts’ lining figures have the same height as the uppercase letters. The lowercase’s ascenders are drawn to be slightly taller than the common height of the capital letters and numerals. Each Satoshi font contains ten directional-arrow glyphs, as well as six glyphs of circles, squares, and triangles. There is also a peace sign in the character set, a smiling-face emoji, a check mark, and two versions of the numbers one through nine, each enclosed inside of differently-filled circles. modernism industrial era grotesk-style
Satoshi Type Specimen Aa Bb Cc Dd e Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz 0 1 2 3 4 5 6 7 8 9 9 8 7 6 5 4 3 2 1 0 ! @ # $ % ^ & * ( ) _ + - = { } [ ] | \ ; : ‘ “ , . / < > ? Aa Bb Cc Dd e Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz
Satoshi Type Specimen WABI-
Satoshi Type Specimen -SABI finding beauty in imperfection
Satoshi Type Specimen “Through acceptance, you find freedom; out of acceptance, you find growth” “Appreciate the beauty of all things, especially the great beauty that hides beneath the surface of what seems to be broken.” Kintsugi a a g g Cap height joint horizontal terminal horizontal terminal double-storey a and g minimal - medium contrast vertical stress Cap height X height X height Baseline Baseline Descender Descender
Satoshi Type Specimen “An intuitive appreciation of ephemeral beauty in the physical world that reflects the irreversible flow of life in the spiritual world.” Walther, A. (n.d.). "What is Wabi Sabi? The Elusive Beauty of Imperfection". Japan Objects. https://japanobjects.com/features/wabi-sabi Wabi Sabi: The Elusive Beauty of Imperfection What is Wabi Sabi? In a few words, one could say that wabi sabi is the beauty of imperfect things. Of course, that would be overly simplistic explanation for such a deep and profoundly rooted notion in the Japanese spirit. Something between an artistic concept, a philosophy of life and a personal feeling, wabi sabi is everywhere in Japanese culture. In Japan, wabi sabi is imperceptible but everywhere: a crack on a teapot, the wood of an old door, green moss on a rock, a misty landscape, a distorted cup or the reflection of the moon on a pond. In Wabi Sabi: The Japanese Art of Impermanence, Andrew Juniper defines wabi sabi as “an intuitive appreciation of ephemeral beauty in the physical world that reflects the irreversible flow of life in the spiritual world.” Related to landscapes, objects and even human beings, the idea of wabi sabi can be understood as an appreciation of a beauty that is doomed to disappear, or even a ephemeral contemplation of something that becomes more beautiful as it ages, fades, and consequently acquires a new charm.
Satoshi Type Specimen À Á Â Ã Ä Å Æ Ç È É Ê Ë Ì Í Î Ï Ð Ñ Ò Ó Ô Õ Ö × Ø Ù Ú Û Ü Ý Þ ß à à á á â â ã ã ä ä å å æ ç è é ê ë ì í î ï ð ñ ò ó ô õ ö ÷ ø ù ú û ü ý þ ÿ Ā ā ā Ă ă ă Ą ą ą Ć ć Ĉ Ċ ċ Č č Ď ď Đ đ Ē ē Ĕ ĕ Ė ė Ę ę Ě ě Ĝ Ĝ ĝ ĝ Ğ Ğ ğ ğ Ġ Ġ ġ ġ Ģ Ģ ģ ģ Ħ ħ Ĩ ĩ Ī ī Į į İ ı Ĵ ĵ Ķ ķ Ĺ ĺ Ļ ļ Ľ ľ Ŀ ŀ Ł ł Ń ń Ņ ņ Ň ň Ŋ ŋ Ō ō Ő ő Œ œ Ŕ ŕ Ŗ ŗ Ř ř Ś ś Ŝ ŝ Ş ş Š š Ţ ţ ţ Ť ť ť Ŧ ŧ ŧ Ũ ũ Ū ū Ů ů Ű ű Ų ų Ŵ ŵ Ŷ ŷ Ÿ Ź ź Ż ż Ž ž ƒ Ǻ ǻ ǻ Ǽ ǽ Ǿ ǿ Ș ș Ț ț ț ȷ Ω π Ẁ ẁ Ẃ ẃ Ẅ ẅ Ỳ ỳ – — ‘ ’ ‚ “ ” „ † ‡ • … ‰ ′ ‹ › ⁂ ⁄ ⁰ ⁴ ⁵ ⁶ ⁷ ⁸ ⁹ ₀ ₁ ₂ ₃ ₄ ₅ ₆ ₇ ₈ ₉ € № ℗ ™ ℮ ⅛ ⅜ ⅝ ⅞ ← ↑ → ↓ ↔ ↕ ↖ ↗ ↘ ↙ ∂ ∅ ∆ ∏ ∑ − √ ∞ ∫ ≈ ≠ ≤ ≥ ■ □ ▲ △ 0 0 0 0 1 1 1 1 2 2 2 2 3 3 3 3 4 4 4 4 5 5 5 5 6 6 6 6 7 7 7 7 8 8 8 8 9 9 9 9 : ; < = > ? @ [ [ \ ] ] ^ _ `a a b d e f i l t y { | } ~ ¡ ¢ £ ¤ ¥ ¦ § ¨ © « ¬ ® ® ¯ ° ± ² ³ ´ µ ¶ · ¸ ¹ » ¼ ½ ¾ ¿
Satoshi Type Specimen Light Italic Bold Light Italic Medium Bold Italic Regular Medium Italic Black Variable Black Italic Variable Italic
Satoshi Type Specimen transient worn faded elegant withered beatiful authentic resilient imperfection natural simplicity
Satoshi Type Specimen
Satoshi was designed by Deni Anggara for the Indian Type Foundry. Deni Anggara is a graphic and a typeface designer based in Jakarta, Indonesia. After working several years in the industry as a graphic designer, he is now working full time as a typeface designer. He graduated in the field of visual communication design from Indonesia. ITF is a digital type foundry, designing and distributing fine-quality fonts for Indian and Latin scripts. www.indiantypefoundry.com [email protected]