The Octatrack Notebook : Reference & Guide 347 Effects13 NOTES Compressor - Main Page Main Menu [FX1] or [FX2] (A) (D) (B) (E) (C) (F) (A) ATK Data Entry (B) REL Data Entry (C) THRS Data Entry Attack Time Release Time Threshold Adjust the compressor attack time, how aggressive the compressor kicks in. The range represents 0.5ms to 100ms. Adjust the compressor release time, how fast / slow the compressor stops. The range represents 50ms to 5s. Adjusts the compressor threshold and knee point at which the compressor will act on the level. 0-127 0-127 0-127 (D) RAT Data Entry (E) GAIN Data Entry (F) MIX Data Entry Ratio Make Up Gain Dry / Wet Mix Adjust the compressor ratio and how aggressive the gain is reduced. Range represents 1:1 to 1:255. Adjust the output gain of the compressor Adjust the dry level of uncompressed audio between wet fully compressed audio. 0-127 0-127 0-127 or
348 The Octatrack Notebook : Reference & Guide 13 Effects 13.8 Lo-Fi Collection NOTES The Lo-Fi collection effect is a variety of gritty and aggressive distortion type effects available within one slot. Bit rate and sample rate reduction plus amplitude modulation is build in. Note: The AMP page also contains the envelope which effects amplitude modulation. These settings, which effect how the envelope is applied are explained in the AMP settings. Lo-Fi Setup Menu [FUNC] + [FX1] or [FX2] (A) (D) (B) (E) (C) (F) (A) Data Entry (B) Data Entry (C) AMPH Data Entry Modulation Start Phase Sets the amplitude modulation start phase for the Lo-Fi effect. Starts high at 90 Deg and 270 Deg starts low. Off, 0-354 Deg (D) Data Entry (E) Data Entry (F) Data Entry + Also double pressing [FX1] or [FX2] or
The Octatrack Notebook : Reference & Guide 349 Effects13 NOTES Lo-Fi Collection - Main Page Note: The AMP page also contains the envelope which effects amplitude modulation. These settings, which effect how the envelope is applied are explained in the AMP settings. Main Menu [FX1] or [FX2] (A) (D) (B) (E) (C) (F) (A) DIST Data Entry (B) Data Entry (C) AMF Data Entry Overload Distortion Amplitude Modulation Freq Controls the overload distortion of the audio signal Adjusts the amplitude modulation frequency. This is an LFO type modulation of the volume. The higher the setting the more aggressive the sound. 0-127 0-127 (D) SRR Data Entry (E) BRR Data Entry (F) AMD Data Entry Sample Rate Reduction Bit Rate Reduction Modulation Depth Adjusts the amount of sample rate reduction. Adjusts the amount of bit rate reduction. Controls the amount of amplitude modulation applied to the effect. 0-127 0-127 0-127 or
350 The Octatrack Notebook : Reference & Guide 13 Effects 13.9 Delay NOTES A delay is a classic audio effect which delays the audio signal by a defined amount. When feedback is applied this can create repetitive echo like effects and is great for time based sounds. Different types of delay exist such as ping-pong, tape delay. Delays are used to add interest, thicken sounds, blend a mix and fill space in an arrangement. They are also commonly used to thicken vocals in a mix. Definitions: Basic Delay Delay Time Chart Input Output Delay Time Time delay between input and output. Time Synchronization As this is time based, sync to the track is important to ensure musical alignment. Feedback Connecting the output to the input creates feedback and increases the delays and creates and echo effects. Filter options are also available in the feedback loop in the Octatrack Freeze Delay. Dotted delay values add 1/2 of the note value to its delay repeat timing rather than just repeats of the ‘on beat’ standard values. Delay Line Time Divide Ratio Time Divide Ratio 1 1/128 16 1/8 2 1/64 24 1/8 dotted 3 1/64 dotted 32 1/4 4 1/32 48 1/4 dotted 6 1/32 dotted 64 1/2 8 1/16 96 1/2 dotted 12 1/16 dotted 128 1
The Octatrack Notebook : Reference & Guide 351 Effects13 NOTES The Octatrack Freeze Delay brings a wide range of features into a classic delay. The Freeze Delay can only be applied into an FX2 Slot. This effect also has dedicated controls within the Trig Mode. Delay Setup Menu [FUNC] + [FX2] (A) (D) (B) (E) (C) (F) (A) X Data Entry (B) TAPE Data Entry (C) DIR Data Entry Ping Pong Delay Mode Dry Mix Sets the delay state to ping pong (on) or normal (off). Ping-Pong will behave with the delays left to right in the stereo image. Sets the delay mode between interpolation of delay times (on) and no interpolation (off). These operate in conjunction with TIME changes in the main page. Sets how much of the dry signal is mixed into the delay. Minimum setting will play purely the delay. Off, On Off, On 0-127 (D) SYNC Data Entry (E) LOCK Data Entry (F) PASS Data Entry Sync to Tempo Repeat Dry Signal Routing Sets the delay state to synchronise to tempo (on) or unsynchronised (off). Sets the delay to repeat (on). If main page FB = 127, SEND = 0 will repeat infinitely. Lower FB to fade the echoes. SEND >0 wont repeat. Repeat lengths controlled by TIME. Sets how the dry signal is routed when LOCK = On which will mix in the dry signal. When Off, only delay buffer is heard. DIR controls dry signal level. When PASS = On, delay buffer level controlled by VOL, when set to Off, VOL does not affect level. Off, On Off, On Off, On + Also double pressing [FX2]
352 The Octatrack Notebook : Reference & Guide 13 Effects NOTES Delay - Main Page Delay Main Menu [FX2] (A) (D) (B) (E) (C) (F) (A) TIME Data Entry (B) FB Data Entry (C) VOL Data Entry Delay Time Feedback Delay Output Volume Controls the delay time of the audio loop. Will synchronise to tempo if SYNC is on. See timing chart for reference. Controls how much of the delay output is fed back into the signal input. This creates echo effects. Adjusts the main volume output of the delay effect. 0-127 0-127 0-127 (D) BASE Data Entry (E) WDTH Data Entry (F) SEND Data Entry High Pass Filter Low Pass Filter Audio Send Adjusts the high pass filter frequency of the delay feedback audio Adjusts the low pass filter frequency, relative to BASE, of the delay feedback audio Controls the amount of audio signal sent to the delay line. 0-127 0-127 0-127
The Octatrack Notebook : Reference & Guide 353 Effects13 NOTES 13.10 Reverb Reverb or reverberation is essentially how the behaviour of an audio signal acts in its defined space. Audio will bounce and reflect from walls and objects in the room before it arrives, at different points in time, to the hearing point. In basic terms a human will also hear the reflected audio delayed from any direct audio.The reverb dynamics are therefore represented by the shape and space in which it is generated. Definitions: Basic Reverb Reverbs normally come equipped with some sort of filtering either on the input audio, output wet audio or both. This is particularly useful given that the overlaid harmonics and audio can become congested. While electronic music replicates reverb as traditional effects, they were originally developed using physical real world formats. Metal plates and springs were commonly used to replicate room space as well as tape machines. Octatrack has 3 reverb types to choose from. all available only in FX2 slot. The sound will represent the room or space in which it is generated. Reflections will also be heard, at different times from that of the direct audio. Initial original direct signal. Pre-Delay. Early reflections typically 80-100ms from the initial signal. Reverb Tail. Time for sound to fully dissipate. Subsequent reflections. May be dampened from softer impacts and late reflections. Diffusion. Time between reflections. 50-80ms
354 The Octatrack Notebook : Reference & Guide 13 Effects NOTES Gatebox Plate Reverb - Setup Page The gatebox reverb represents the classic plate reverb and includes integrated gating features. Only available as FX2. (A) GVOL Data Entry (B) BAL Data Entry (C) MONO Data Entry Threshold Balance Mono Sets the threshold volume level for the gated signal Adjusts the left / right balance of the reverb audio signal Adjusts the reverb signal from mono to stereo continuously 0-127 -64 to +63 0-127 (D) Data Entry (E) Data Entry (F) MIXF Data Entry Main Mix Function Sets the functionality of the main MIX on the reverb main page. Can be either MIX or SEND Mix, Send Gatebox Reverb Setup Menu [FUNC] + [FX2] (A) (D) (B) (E) (C) (F) + Also double pressing [FX2]
The Octatrack Notebook : Reference & Guide 355 Effects13 NOTES Gatebox Plate Reverb - Main Page Gatebox Reverb Main Menu [FX2] (A) (D) (B) (E) (C) (F) (A) TIME Data Entry (B) DAMP Data Entry (C) GATE Data Entry Decay Time Damping Gate Time Determines how long the reverb will be present. Represents the softer reverb. The higher the value the faster the reverb signal will reduce. Simulates absorbed audio in a room. Sets the gate time at which point the reverb signal is gated. Max setting is infinite gate time i.e. gate off. Also based on threshold. 0-127 0-127 0-127 (D) HP Data Entry (E) LP Data Entry (F) MIX Data Entry High Pass Filter Low Pass Filter Dry / Wet Mix Adjusts the high pass filter frequency of the reverb audio Adjusts the low pass filter frequency of the reverb audio Adjust between the dry level of audio and wet reverb audio. Also affected by the MIXF parameter on the setup page where it can be assigned to function as an auxiliary send control. 0-127 0-127 0-127
356 The Octatrack Notebook : Reference & Guide 13 Effects NOTES Spring Reverb - Setup Page The spring reverb represents the classic spring reverb with a more grungy natural variable sound. Only available as FX2. (A) TYPE Data Entry (B) BAL Data Entry (C) Data Entry Spring Type Balance Sets the type of spring from 3 settings. Adjusts the sound from a subtle spring to a more twangy sound. Adjusts the left / right balance of the reverb audio signal 1, 2, 3 -64 to +63 (D) Data Entry (E) Data Entry (F) Data Entry Spring Reverb Setup Menu [FUNC] + [FX2] (A) (D) (B) (E) (C) (F) + Also double pressing [FX2]
The Octatrack Notebook : Reference & Guide 357 Effects13 NOTES Spring Reverb - Main Page Spring Reverb Main Menu [FX2] (A) (D) (B) (E) (C) (F) (A) TIME Data Entry (B) Data Entry (C) Data Entry Decay Time Determines how long the reverb will be present. 0-127 (D) HP Data Entry (E) LP Data Entry (F) MIX Data Entry High Pass Filter Low Pass Filter Dry / Wet Mix Adjusts the high pass filter frequency of the reverb audio Adjusts the low pass filter frequency of the reverb audio Adjust between the dry level of audio and wet reverb audio. 0-127 0-127 0-127
358 The Octatrack Notebook : Reference & Guide 13 Effects NOTES Dark Reverb - Setup Page The dark reverb represents a more wide ranging expansive reverb sound. Only available as FX2. (A) PRE Data Entry (B) BAL Data Entry (C) MONO Data Entry Pre Delay Balance Stereo Width Length of the short delay before the signal reverberates Adjusts the left / right balance of the reverb audio signal Adjusts the width of the stereo signal between stereo and mono. 0 - 127 -64 to +63 0 - 127 (D) Data Entry (E) Data Entry (F) MIXF Data Entry Mix Function Determines the role of the MIX control found in the main page. This can be mix or send. Mix, Send Dark Reverb Setup Menu [FUNC] + [FX2] (A) (D) (B) (E) (C) (F) + Also double pressing [FX2]
The Octatrack Notebook : Reference & Guide 359 Effects13 NOTES Dark Reverb - Main Page Dark Reverb Main Menu [FX2] (A) (D) (B) (E) (C) (F) (A) TIME Data Entry (B) SHVG Data Entry (C) SHVF Data Entry Decay Time Shelving Damping Shelving Frequency Determines how long the reverb will be present. Sets the shelving filter damping applied. Max value includes treble ranges into the reverb and min value dampens the signal. Sets the shelving filter frequency at which the SHVG damping will be applied. Can adjust the tone of the reverb to a dark or lighter sound. 0-127 0-127 0-127 (D) HP Data Entry (E) LP Data Entry (F) MIX Data Entry High Pass Filter Low Pass Filter Dry / Wet Mix Adjusts the high pass filter frequency of the reverb audio Adjusts the low pass filter frequency of the reverb audio Adjust between the dry level of audio and wet reverb audio. Also affected by the MIXF parameter on the setup page where it can be assigned to function as an auxiliary send control. 0-127 0-127 0-127
360 The Octatrack Notebook : Reference & Guide NOTES
Octatrack has a powerful feature set to support 8 Audio tracks but in addition also has the ability to sequence 8 MIDI tracks. This allows control of externally connected equipment in sync with the Octatrack sequencer. An external MIDI keyboard controller can also be connected. Octatrack has MIDI IN, MIDI OUT and also a MIDI Thru. All 3 use 5 Pin midi cables. A USB 2.0 connector also enables external connection to a PC / MAC and has the ability to also control MIDI. Octatrack is not however a USB class compliant host nor does it support Elektron’s Overbridge functions. MIDI and USB can be configured in the GLOBAL Settings menu, found within the System, Audio Routing and MIDI Config sub-menus respectively. Output to USB is recommended instead of both MIDI+USB if only USB is required as this avoids speed limitations of the MIDI+USB output. Control of MIDI CC, chords, and general control of external MIDI equipment is possible. MIDI Tracks also operate with parameter locks and modulation. The set up of most equivalent parameters on MIDI tracks are the same as for audio tracks. The parameter pages of interest other than setup pages are SRC, FLTR and AMP. Trigs also have specific MIDI settings for MIDI tracks. MIDI communications have the Elektron turbo speed option when communicating with other compatible Elektron gear and can communicate on the Sysex protocol for transferring data between devices and PC/MAC. Transfer is a bespoke utility for communicating with Octatrack but features are limited to updates. MIDI of course relies on more than just Octatrack to operate correctly. It is strongly advised to read the manufacturers documentation to ensure compatibility and smooth operation of connected devices. MIDI 14 The Octatrack Notebook : Reference & Guide 361
362 The Octatrack Notebook : Reference & Guide 14.1 MIDI Definitions To clarify some of the terminology and technology around MIDI with respect to Octatrack a summary of key definitions is provided. 5 PIN MIDI MIDI DIN 24 This is available from MIDI Out and Thru and enables syncing of classic devices. This uses 0v & 5v messages as sync signals at 24 pulses per quarter note (PPQN). When set to DIN 24 in the settings MIDI sync pulses are available but no MIDI data is transmitted. MIDI CC MIDI Control and Note change messages are used to communicate messages across MIDI values of 0-127. Control Changes (CC) affect parameter values while note data triggers notes or tracks. SYSEX System Exclusive. This is an expansion of the normal MIDI communications set up and is typically used for transferring data such as back ups, patches, presets and firmware updates to and from devices. MIDI Musical Instrument Digital Interface. A protocol for communicating between electronic musical gear. Never connect MIDI gear to incompatible DIN signals. MIDI STANDARDS While there are MIDI standards defined, many synth developers interpret this in slightly different ways. Its always worth reviewing the documentation with each to fully understand each device level implementation. SDS Sample Dump Standard. This is an older transfer protocol used for transferring data to and from devices. Elektron used the obsolete C6 Software in the past, however elektron Transfer software is more current. MIDI DIN 48 This is available from MIDI Out and Thru and enables syncing of classic devices. This uses 0v & 5v messages as sync signals at 48 pulses per quarter note (PPQN). When set to DIN 48 in the settings MIDI sync pulses are available but no MIDI data is transmitted. MSB & LSB Most Significant Byte and Least Significant Byte. MSB provides the 128 data resolution which is ok for most MIDI applications. More advanced devices use MSB and LSB values increasing resolution to 16,384 steps. NRPN Non-Registered Parameter Number is part of the MIDI standard. CC and NRPN are technically very similar but NRPN is less well defined in the standards. NRPN uses more data and can give better control. 14 MIDI NOTES
The Octatrack Notebook : Reference & Guide 363 NOTES MIDI 14 14.2 MIDI Input & Output Settings Overview Octatrack communicates between external devices using the MIDI protocol. Typically applications include using an external keyboard, pads or control knobs to trigger notes or functions and / or to control parameter values remotely. Equally Octatrack can also control and trigger external devices. What can MIDI Control in the Octatrack? • All parameters found on the track main pages (i.e. SRC, AMP, LFO, FX1, FX2) can be controlled by Control Change (CC) messages. • Triggering of tracks, samples and track recorders. • Triggering of samples chromatically from an external keyboard. In order to operate correctly with MIDI its important to have a clear view of what you intend to achieve. There are several considerations when setting up MIDI with other devices, some of which are clearly under the control of the external device and its parameters. At a minimum, it is important to consider the following topics:- 1. The base MIDI configuration settings found in the PROJ menu. 2. The external device to connect. Setting up a MIDI rig is about mapping devices and matching up settings. Establish answers to questions like, which device will lead and which will follow? 3. STANDARD Note Mapping. This is the default mapping using the Standard MIDI mapping of defined parameters. Or 3. TRIG mode. This will affect how MIDI behaves as each mode sets the interface for different control environments. For example chromatic trig mode is aimed at playing musical notes. 4. MIDI Map configuration reference. This should be a choice based on the objective of your setup and whether Standard or a Trig Mode is used. MIDI mapping reference tables are documented which will guide on what message controls what function.
364 The Octatrack Notebook : Reference & Guide 14 MIDI The MIDI Settings are found under the Project [PROJ] settings options. These should be checked or changed first to suit the configuration needed. ▌CHANGING THE MIDI SETTINGS 1. Press [PROJ] to open the project settings menu. 2. Navigate using [UP] [DOWN] to the MIDI option. 3. Press [RIGHT] or [YES] to select the right side MIDI Submenu. 4. Navigate using [UP] [DOWN] to the desired option. The available submenu options include CONTROL, SYNC, CHANNELS and TURBO Settings. 5. Press [YES] to select the desired submenu and view the parameters and settings. These can be adjusted to align to the MIDI set up desired. Defaults should be used as the starting point. 6. Press [NO] to exit the menu. NOTES Octatrack The MIDI settings in [PROJ] should be reviewed (Default may be a good start) and if needed edited to suit the setup. This covers channels, audio track behaviour, synchronisation and Elektron’s Turbo mode. MIDI needs a minimum of two connected devices. The settings and configuration should be checked for compatibility of parameter settings in the manufacturers manual and documentation. In this manual the single main controlling device will be called the ‘primary lead’ and any secondary devices that are being controlled by the lead will be referred to as the ‘follower’. Alternative terminology may be used elsewhere. Physical Connections Out Out Out In In In External Device 1 External Device 2
The Octatrack Notebook : Reference & Guide 365 MIDI CONTROL - Project Settings Menu Defines the behaviour of audio tracks when responding to external keyboards, pad notes or CC knob changes and internal functions from the Octatrack knobs and trig keys affect external gear. Navigate with [UP] [DOWN] and Press [LEFT] [RIGHT] to change the setting. MIDI 14 Context Main Function Sub Menu Options Parameters What does it do? MIDI CONTROL AUDIO CC IN Refers to audio tracks only ON / Checked (Default) - The audio tracks will react to any incoming MIDI Control Change (CC) messages. This is how parameters are adjusted remotely. OFF / Unchecked - The audio tracks will NOT react to any incoming MIDI Control Change (CC) messages. MIDI CONTROL AUDIO CC OUT Refers to audio tracks only INT - Internal control only. The audio tracks will NOT send any MIDI control change messages out when the knobs are changed in Octatrack. EXT - External control only. The audio tracks will send MIDI out but will NOT affect any internal parameters. Consider this ‘local off’. INT+EXT (Default) - Allows audio track knobs to control both internal parameters and externally communicate MIDI control change messages. MIDI CONTROL AUDIO NOTE IN Refers to audio tracks only OFF / Unchecked - The audio tracks will NOT react to any incoming MIDI Note messages. For example tracks cant be triggered from an external keyboard. STANDARD (Default) - The audio tracks will react to any incoming MIDI note messages. Octatrack will respond based on the STANDARD MIDI mapping. FOLLOW TM - The audio tracks will react to any incoming MIDI note messages. Octatrack will respond based on the active TRIG Mode’s note mapping. MAP / TRACK - The audio tracks will react to any incoming MIDI note messages. Octatrack will respond based on the active TRIG Mode’s note mapping. The difference from FOLLOW TM is that this function allows for a separate MIDI Note mapping per individual track using [MIDI] + [UP][DOWN] MIDI CONTROL AUDIO NOTE OUT Refers to audio tracks only INT - Internal control only. The audio tracks will NOT send any MIDI messages out when Trig [1] - [16] keys are pressed in Octatrack. EXT - External control only. The audio tracks will send MIDI out but will NOT trigger any internal machines or tracks when Trig [1] - [16] keys are pressed in Octatrack.. Consider Trig keys as ‘local off’. INT+EXT (Default) - Allows audio Trig [1] - [16] keys to trigger both internal machines and tracks and also externally communicate MIDI notes
366 The Octatrack Notebook : Reference & Guide 14 MIDI MIDI SYNC - Project Settings Menu Defines the synchronisation behaviour of sequencer related functions such as clock, transport controls as well as program changes when communicating to / from external gear. Access by [FUNC] + [MIDI] and navigate with [LEFT] [RIGHT] and adjust the setting by turning (LEVEL) or toggle with [YES]. Context Main Function Sub Menu Options Parameters What does it do? MIDI SYNC TRANSP Transport SEND - OFF / Unchecked (Default) - Realtime MIDI messages are NOT sent out for the transport functions play, stop, continue and song pointer. SEND - ON / Checked - Realtime MIDI messages are sent out for the transport functions play, stop, continue and song pointer. This allows the sequencer commands to also trigger external playback etc. RECV - OFF / Unchecked (Default) - Ignores realtime MIDI messages that are received for the transport functions play, stop, continue and song pointer. RECV - ON / Checked - Realtime MIDI messages that are received will be applied to the transport functions play, stop, continue and song pointer. This allows external sequencer commands to also trigger Octatrack playback etc. MIDI SYNC CLOCk MIDI Clock SEND - OFF / Unchecked (Default) - Realtime messages are NOT sent out for the MIDI clock. SEND - ON / Checked - Realtime messages are sent out for the MIDI Clock. RECV - OFF / Unchecked (Default) - Ignores incoming clock messages. RECV - ON / Checked - Realtime messages are received from external devices for sync of Octatrack’s MIDI Clock. MIDI SYNC PROG CH Program Change SEND - OFF / Unchecked (Default) - Program change messages are NOT sent out to the external device when a pattern is changed on the Octatrack. SEND - ON / Checked - Program change messages are sent out when a pattern is changed on Octatrack. In turn this will message a control to change a program on the external device. Ch (Located under the SEND function) - Channel on which a program change message will be sent. AUTO (default) means first MIDI channel used by audio tracks but not one used in MIDI tracks. Alternatively a defined channel can be selected. RECV - OFF / Unchecked (Default) - Program change messages from an external device are ignored in the Octatrack. RECV - ON / Checked - Program change messages are received from an external device which will initiate an Octatrack a pattern change. Ch (Located under the RECV function) - Channel on which a program change message will be received. AUTO (default) means any channel in CHANNELS menu option list. Alternatively a defined channel can be selected. Program Change Notes: Ch set to AUTO does not refer to ‘auto channel’. Program change messages are ignored on the auto channel if in MIDI mode. Program change will be remapped to the active MIDI Track NOTE SETUP. If Transport and Clock receive are set to active, then the Octatrack will wait for a MIDI clock for 16 secs after start or continue message to determine if external sync is lost. This allows for synchronisation between devices when pre-roll start vs clock start is managed differently. + Also within PROJ Settings, MIDI Options
The Octatrack Notebook : Reference & Guide 367 MIDI 14 MIDI CHANNELS - Project Settings Menu Defines the audio track assignment of channels for communicating to and from external MIDI devices. Navigate with the [LEFT] [RIGHT] buttons and adjust the setting by turning (LEVEL) or by pressing [UP] [DOWN]. If the Audio and MIDI tracks share the same MIDI channel the following applies. The MIDI Track will block the Audio track from sending MIDI. The Audio track will block the MIDI track from receiving MIDI. As such it is recommended to set Audio and MIDI tracks to different channels or turn off Audio Channels when using MIDI. The Auto Channel may be the simplest option to ensure easy communications set ups. Context Main Function Sub Menu Options Parameters What does it do? MIDI CHANNELS AUTO Ch Auto Channel Options - OFF / 1-16 (11 Default) - Allows communication to be automatically connected to the currently active track. Any CC messages can be recorded in Live Recording mode. Note messages on this channel can play chromatically. The behaviour of the auto channel is also associated with the MIDI Mode (On/Off) and CC DIRECT CONTROL (Enabled / disabled). If both are enabled the auto channel CC are automatically routed to MIDI Out. MIDI CHANNELS TRIG CH Individual track channel 1 - Refers to Audio Track 1. MIDI Channel assignment 1-16 directly to the track. 2 - Refers to Audio Track 2. MIDI Channel assignment 1-16 directly to the track. 3 - Refers to Audio Track 3. MIDI Channel assignment 1-16 directly to the track. 4 - Refers to Audio Track 4. MIDI Channel assignment 1-16 directly to the track. 5 - Refers to Audio Track 5. MIDI Channel assignment 1-16 directly to the track. 6 - Refers to Audio Track 6. MIDI Channel assignment 1-16 directly to the track. 7 - Refers to Audio Track 7. MIDI Channel assignment 1-16 directly to the track. 8 - Refers to Audio Track 8. MIDI Channel assignment 1-16 directly to the track MIDI responds based on MIDI CONTROL Mapping and can send MIDI on same channel from Trigs and Knobs. Off will ignore any MIDI In and Out.
368 The Octatrack Notebook : Reference & Guide 14 MIDI MIDI TURBO STATUS - Project Settings Menu Turbo mode is an Elektron specific protocol that can increase bandwidth which improves accuracy for MIDI communications of clock signals and CC timing between other Turbo compatible devices. Select the negotiation option with the [LEFT] [RIGHT] buttons and press [YES] to start negotiation. Note: Only Turbo Speed compatible devices can communicate together using the Turbo Protocol. Given that this is an Elektron protocol, then most compatible devices are part of the Elektron family. Context Main Function Sub Menu Options Parameters What does it do? MIDI TURBO MODE CURRENT SPEED Indicator Only Shows the currently active multiplier when connected to a turbo compatible device. Normally this is x1.0. MIDI TURBO MODE NEGOTIATE Individual track channel Negotiate - Selects the turbo speed MIDI transfer speed multiplier to be used. Press [YES] to initiate negotiation.
The Octatrack Notebook : Reference & Guide 369 MIDI 14 NOTES 14.3 MIDI Channels. Octatrack applies some MIDI channel concepts that on first sight may be confusing. It is therefore important to consider and note the following. Auto Channel vs Track Channels Octatrack can communicate on a per track basis, with manually assigned MIDI channels to control tracks individually. Also, one channel is allocated as the ‘Auto Channel’. Auto Channel automatically connects external devices that are assigned to this MIDI channel, directly to the currently selected track. The Octatrack default for the auto channel is channel 11. Live recording of CC and Note data can therefore be performed on any currently active track using an external MIDI device. MIDI Track vs Audio Track Channels. The Audio and MIDI tracks can share the same MIDI channel. If they are communicating on the same channel, the MIDI Track will block the Audio track from sending MIDI. Equally the Audio track will block the MIDI track from receiving MIDI. It is therefore advised to set MIDI track and Audio channels to different ones. Also it may be worth setting audio track channels to off when using MIDI Mode. Using the Auto Channel may be a better option in these scenarios. What are Ctrl 1 and Ctrl 2? These pages include 10 parameter control settings that are available in MIDI tracks (MIDI Mode). These also allow configuration of MIDI to control external gear from Octatrack. These have a relationship with the Auto Channel and overall MIDI configuration. What is CC DIRECT CONNECT? This is a MIDI Sequencer mode found in the Project Control settings. This applies one of two operating modes when working with MIDI CC In and the Auto Channel. 1. When CC DIRECT CONNECT is ON / Checked (Default), and MIDI Mode is ON, specific Ctrl 1 / 2 Page CC messages (i.e. knob changes) can be played and live recorded from an external MIDI controller. Also CC messages will be directly routed from MIDI In to MIDI Out. 2. When CC DIRECT CONNECT is OFF / Unchecked, then the Auto Channel is used based on the MIDI Mappings. Only defined CC controls (CC 16 - 45) are available to be recorded. CC 36 - 45 are always linked to the Ctrl 1 / Ctrl 2 parameters.
370 The Octatrack Notebook : Reference & Guide 14 MIDI NOTES The first step in creating a MIDI set up is to ensure the channels are configured to suit the application. For most applications the default value may be good enough. Understanding the concepts applied is useful. Keyboard and CC Controller can be connected by 5 Pin MIDI or USB. The example shows the Faderfox EC4 (The EC4 use TRS MIDI Dongles) into the KeyStep (Set as MIDI Thru = On) and one single MIDI connection to Octatrack. Connected devices for this application, should be set to the Auto Channel as defined in Octatrack. The auto channel will enable the currently active audio track to be automatically connected to incoming MIDI on this channel. MIDI can be played and recorded to the selected track. It is recommended to turn all other Track Channel assignments off if not needed. Example: Auto Channel Set Up with Audio Tracks MIDI IN MIDI OUT Channel 11 Channel 11 MIDI OUT MIDI IN T1 T2 T3 T4 T5 T6 T7 T8 A keyboard connected for chromatic note data input will require the MIDI Settings ‘Audio Note In’ to be setup. A MIDI controller for parameter changes will require the MIDI Settings ‘Audio CC In’ to be setup. OFF OFF OFF OFF OFF OFF OFF OFF
The Octatrack Notebook : Reference & Guide 371 MIDI 14 NOTES Keyboard and sequencer can be connected by 5 Pin MIDI or USB. The example shows the KeyStep into the Deluge and a single MIDI connection to Octatrack. Each device is set on a different MIDI Channel to access individual tracks. KeyStep - MIDI Channel 1 will control Octatrack Track 1. Set Octatrack ‘Audio Note In’ to On / Enabled. Deluge Sequencer MIDI Channel 7 - Track 7. Set Octatrack ‘Audio Note In’ to On / enabled. Dedicated MIDI channels will be assigned to each individual audio track meaning MIDI can be played and recorded to the track from the equivalent external device channel. Channels in Octatrack are by default aligned to tracks i.e. Track 1 = Channel 1. Messages are based on the MIDI Control Mappings. Track 8 would typically be set as master track Tracks can send Data Entry and Trig MIDI out on the same channel Example: Dedicated MIDI Channel Set Up for Audio Tracks MIDI OUT MIDI IN MIDI OUT MIDI OUT T1 T2 T3 T4 T5 T6 T7 T8 Ch 1 Track 1 KeyStep Track 7 Deluge Ch 2 Ch 3 Ch 4 Ch 5 Ch 6 Ch 7 Ch 8 OFF
372 The Octatrack Notebook : Reference & Guide 14 MIDI MIDI Channels for the audio tracks are configured in the PROJ Settings under the MIDI Channels section. ▌EDITING THE MIDI CHANNEL CONFIGURATION 1. Press [PROJ] to access the global settings. 2. Navigate to highlight the MIDI option, Press [UP] [DOWN]. 3. Press [YES] or [RIGHT] to select the MIDI submenu. 4. Press [YES] to select MIDI CONFIG and reach the sub menu’s. 5. Navigate to highlight the CHANNELS option, Press [UP] [DOWN]. 6. Press [YES] to select CHANNELS and reach the setup options 7. Press [LEFT] [RIGHT] to navigate to the desired option to change. The selection will be highlighted. 8. On the highlighted and selected option, Press [UP] [DOWN] or Turn (LEVEL) to change the parameter value. 9. Channels can be set between 1-16 or Off. Auto Channel default is 11 and channels are by default assigned per track, i.e. Track 1 = Channel 1, Track 2 = Channel 2 etc. The defined control messages will then be transmitted across these channels. Off means messages will be ignored. Defaults can be changed. 10. Press [NO] to back up and exit the menu. NOTES Auto Channel. Sets the auto channel. Trig Ch. Sets how the audio tracks will respond and send to MIDI channels and the defined control messages (control reference).
The Octatrack Notebook : Reference & Guide 373 MIDI 14 NOTES MIDI Input - Output Application MIDI that is received can also be routed directly to the MIDI out depending on the setup applied. The MIDI thru output will simply reflect the MIDI in messages but MIDI In can also be transmitted on the MIDI Out. An example is shown for Track 1. Example Auto Channel CC Routing MID CC (Control Change) Messages sent on the Auto Channel can be live recorded in Octatrack on the active track. In MIDI MODE and CC DIRECT CONNECT enabled, the MIDI input on the Auto Channel is directly sent out. The ‘Audio CC In option should be enabled in the MIDI CONTROL settings. Auto Channel gives direct access to the active track which can then be live recorded MIDI IN MIDI OUT T1 A keyboard can be connected to control note data and the Octatrack MIDI Settings ‘Audio Note In’ should be setup. The MIDI controller for parameter changes will require the Octatrack MIDI Settings ‘Audio CC In’ to be setup.
374 The Octatrack Notebook : Reference & Guide 14 MIDI 14.4 MIDI Mapping of Incoming Note Control The audio track main page parameters can be controlled by CC messages and audio tracks, samples and track recorders can be triggered by external MIDI gear. The convention employed in Octatrack is by assignment of a set of defined MIDI messages directly to specific parameters and functions. This is called MIDI Mapping and various Note and CC Mappings are available. The behaviour on how these are applied depends on the current Trig Mode and MIDI settings. There are some differences when working with MIDI tracks. Standard mapping is the default. MIDI Note & CC Mapping Modes Mapping Mode Trig Mode Audio Note In Comments None - Off Incoming MIDI notes from external devices do NOT affect or trigger audio tracks and machines. Standard Mapping All Tracks Standard Follow TM Triggers various functions including samples playback, tracks and recording. Hold Trig + Play Notes / Turn CC in LIVE RECORDING Mode on the auto channel or track channel to record locked PTCH or CC. Chromatic Mapping Chromatic Follow TM Trigger samples chromatically. Audio tracks play over 2-Octave range. MIDI tracks play over the full 128 note range. Slots Mapping Slots Follow TM Trigger the sample slots for flex and machines. Slice Slices Follow TM Trigger the sample slices for a track. The track must created slices available. Mute Quick Mute Follow TM Allows MIDI and Audio tracks to be muted Delay Delay Control Follow TM Allows control of a echo freeze delay assigned to the effect. Triggered by sending both a note plus the timing from the controller. Control Change All - Control Change (CC) Parameter mapping for modifying parameters. MIDI Mode CC All - Control Change (CC) Parameter mapping for modifying parameters in MIDI Mode. NOTES
The Octatrack Notebook : Reference & Guide 375 MIDI Note Mapping The default settings in Octatrack are a good starting point for working with external MIDI Note inputs to the Octatrack Audio tracks. The MIDI control input behaviour can be configured to adjust to the Trig Mode by automatically switching to a different MIDI map than the STANDARD default. ▌CHANGING THE MIDI NOTE MAP SETTINGS FOR AUDIO TRACKS 1. Press [PROJ] to open the project settings menu. 2. Navigate using [UP] [DOWN] to the MIDI option. 3. Press [RIGHT] or [YES] to select the left side MIDI Submenu. 4. Navigate using [UP] [DOWN] to the CONTROL option. 5. Press [YES] to select. 6. To set the tracks to respond based on the Trig Mode selected and its appropriate map set:- • AUDIO NOTE IN from STANDARD to FOLLOW TM. This will allow the MIDI mapping to ‘follow the trig mode’ when a change in Trig Mode is applied. 6. Press [NO] to back up and exit the menu. MIDI 14 Chromatic Map Quick Mute Map Slots Map Delay Control Map Slices Map Octatrack STANDARD FOLLOW TM Audio Note In Setting Trig Mode [FUNC] + [UP] [DOWN] MIDI Map MIDI Map will define how the incoming MIDI Notes controls the functions for the audio tracks. Option to set the mode per track is also available Tracks Chromatic Slots Slices Quick Mute Delay Control Standard Map Default
376 The Octatrack Notebook : Reference & Guide 14 MIDI NOTES The Trig Mode Mapping can also be set on a track by track basis for incoming MIDI Note messages. ▌SETTING A MIDI NOTE MAP PER AUDIO TRACKS 1. Press [PROJ] to open the project settings menu. 2. Navigate using [UP] [DOWN] to the MIDI option. 3. Press [RIGHT] or [YES] to select the right side MIDI Submenu. 4. Navigate using [UP] [DOWN] to the CONTROL option. 5. To set the individual tracks to respond based on the Trig Mode selected and a selected map set:- • AUDIO NOTE IN from STANDARD to MAP / TRACK. This will allow the MIDI mapping to be assigned per track when Trig Mode is applied. 6. Press [NO] to back up and exit the menu. 7. Select each track to assign a map. When a track is selected, Press [FUNC] + [UP] [DOWN] to scroll through the maps available. 8. Release the buttons when the desired map is selected.
The Octatrack Notebook : Reference & Guide 377 NOTES MIDI 14 Standard Note Mapping (Default). MIDI Note Behaviour Note CC Function Note CC Function C1 24 Audio Track 1 Play C4 60 Combo Record C#1 25 Audio Track 2 Play C#4 61 INAB Record D1 26 Audio Track 3 Play D4 62 INCD Record D#1 27 Audio Track 4 Play D#4 63 SRC3 Record E1 28 Audio Track 5 Play E4 64 Pickup Play / Stop F1 29 Audio Track 6 Play F4 65 Multiply F#1 30 Audio Track 7 Play F#4 66 Mute Active Track G1 31 Audio Track 8 Play G4 67 Cue Active Track G#1 32 G#4 68 Active Track Up (Auto Chan) A1 33 Sequencer Stop A4 69 Active Track Down (Auto Chan) A#1 34 Sequencer Start A#4 70 Toggle Sequence Sync B1 35 Sequencer Restart B4 71 Toggle Sequence Sync + Start C2 36 Audio Track 1 Sample Trigger C5 72 Track Sample Pitch -12 C#2 37 Audio Track 2 Sample Trigger C#5 73 Track Sample Pitch -11 D2 38 Audio Track 3 Sample Trigger D5 74 Track Sample Pitch -10 D#2 39 Audio Track 4 Sample Trigger D#5 75 Track Sample Pitch -9 E2 40 Audio Track 5 Sample Trigger E5 76 Track Sample Pitch -8 F2 41 Audio Track 6 Sample Trigger F5 77 Track Sample Pitch -7 F#2 42 Audio Track 7 Sample Trigger F#5 78 Track Sample Pitch -6 G2 43 Audio Track 8 Sample Trigger G5 79 Track Sample Pitch -5 G#2 44 G#5 80 Track Sample Pitch -4 A2 45 A5 81 Track Sample Pitch -3 A#2 46 A#5 82 Track Sample Pitch -2 B2 47 B5 83 Track Sample Pitch -1 C3 48 MIDI Track 1 Play C6 84 Track Sample Pitch 0 C#3 49 MIDI Track 2 Play C#6 85 Track Sample Pitch +1 D3 50 MIDI Track 3 Play D6 86 Track Sample Pitch +2 D#3 51 MIDI Track 4 Play D#6 87 Track Sample Pitch +3 E3 52 MIDI Track 5 Play E6 88 Track Sample Pitch +4 F3 53 MIDI Track 6 Play F6 89 Track Sample Pitch +5 F#3 54 MIDI Track 7 Play F#6 90 Track Sample Pitch +6 G3 55 MIDI Track 8 Play G6 91 Track Sample Pitch +7 G#3 56 G#6 92 Track Sample Pitch +8 A3 57 A6 93 Track Sample Pitch +9 A#3 58 A#6 94 Track Sample Pitch +10 B3 59 B6 95 Track Sample Pitch +11 C7 96 Track Sample Pitch +12 Plays / Triggers sample, track playback and pitch adjustments. TRIG Mode How 16 Trig keys are used. MIDI Map Configuration - Audio Note In How MIDI IN affects audio tracks All or Tracks Standard or Follow TM Press [FUNC] + [UP] [DOWN] to change mode. Press [PROJ] then select: MIDI > CONTROL
378 The Octatrack Notebook : Reference & Guide 14 MIDI NOTES Chromatic Note Mapping. NOTE: Audio tracks play over a 2 Octave range. MIDI Tracks will span the full MIDI range of 128 Notes Incoming MIDI notes trigger the sample playback chromatically TRIG Mode How 16 Trig keys are used. MIDI Map Configuration - Audio Note In How MIDI IN affects audio tracks Chromatic Follow TM Press [FUNC] + [UP] [DOWN] to change mode. Press [PROJ] then select: MIDI > CONTROL MIDI Note Behaviour Note CC Function Note CC Function C5 72 Track Sample Pitch -12 C#5 73 Track Sample Pitch -11 D5 74 Track Sample Pitch -10 D#5 75 Track Sample Pitch -9 E5 76 Track Sample Pitch -8 F5 77 Track Sample Pitch -7 F#5 78 Track Sample Pitch -6 G5 79 Track Sample Pitch -5 G#5 80 Track Sample Pitch -4 A5 81 Track Sample Pitch -3 A#5 82 Track Sample Pitch -2 B5 83 Track Sample Pitch -1 C6 84 Track Sample Pitch 0 C#6 85 Track Sample Pitch +1 D6 86 Track Sample Pitch +2 D#6 87 Track Sample Pitch +3 E6 88 Track Sample Pitch +4 F6 89 Track Sample Pitch +5 F#6 90 Track Sample Pitch +6 G6 91 Track Sample Pitch +7 G#6 92 Track Sample Pitch +8 A6 93 Track Sample Pitch +9 A#6 94 Track Sample Pitch +10 B6 95 Track Sample Pitch +11 C7 96 Track Sample Pitch +12
The Octatrack Notebook : Reference & Guide 379 NOTES MIDI 14 Slot Note Mapping. MIDI Note Behaviour Note CC Function Note CC Function C-1 0 Sample Slot 0 C2 36 Sample Slot 36 C#-1 1 Sample Slot 1 C#2 37 Sample Slot 37 D-1 2 Sample Slot 2 D2 38 Sample Slot 38 D#-1 3 Sample Slot 3 D#2 39 Sample Slot 39 E-1 4 Sample Slot 4 E2 40 Sample Slot 40 F-1 5 Sample Slot 5 F2 41 Sample Slot 41 F#-1 6 Sample Slot 6 F#2 42 Sample Slot 42 G-1 7 Sample Slot 7 G2 43 Sample Slot 43 G#-1 8 Sample Slot 8 G#2 44 Sample Slot 44 A-1 9 Sample Slot 9 A2 45 Sample Slot 45 A#-1 10 Sample Slot 10 A#2 46 Sample Slot 46 B-1 11 Sample Slot 11 B2 47 Sample Slot 47 C0 12 Sample Slot 12 C3 48 Sample Slot 48 C#0 13 Sample Slot 13 C#3 49 Sample Slot 49 D0 14 Sample Slot 14 D3 50 Sample Slot 50 D#0 15 Sample Slot 15 D#3 51 Sample Slot 51 E0 16 Sample Slot 16 E3 52 Sample Slot 52 F0 17 Sample Slot 17 F3 53 Sample Slot 53 F#0 18 Sample Slot 18 F#3 54 Sample Slot 54 G0 19 Sample Slot 19 G3 55 Sample Slot 55 G#0 20 Sample Slot 20 G#3 56 Sample Slot 56 A0 21 Sample Slot 21 A3 57 Sample Slot 57 A#0 22 Sample Slot 22 A#3 58 Sample Slot 58 B0 23 Sample Slot 23 B3 59 Sample Slot 59 C1 24 Sample Slot 24 C4 60 Sample Slot 60 C#1 25 Sample Slot 25 C#4 61 Sample Slot 61 D1 26 Sample Slot 26 D4 62 Sample Slot 62 D#1 27 Sample Slot 27 D#4 63 Sample Slot 63 E1 28 Sample Slot 28 E4 64 Sample Slot 64 F1 29 Sample Slot 29 F4 65 Sample Slot 65 F#1 30 Sample Slot 30 F#4 66 Sample Slot 66 G1 31 Sample Slot 31 G4 67 Sample Slot 67 G#1 32 Sample Slot 32 G#4 68 Sample Slot 68 A1 33 Sample Slot 33 A4 69 Sample Slot 69 A#1 34 Sample Slot 34 A#4 70 Sample Slot 70 B1 35 Sample Slot 35 B4 71 Sample Slot 71 Plays / Triggers samples in the flex and static sample slot list. TRIG Mode How 16 Trig keys are used. MIDI Map Configuration - Audio Note In How MIDI IN affects audio tracks Slot Follow TM Press [FUNC] + [UP] [DOWN] to change mode. Press [PROJ] then select: MIDI > CONTROL
380 The Octatrack Notebook : Reference & Guide 14 MIDI NOTES Slot Note Mapping (Cont). MIDI Note Behaviour Note CC Function Note CC Function C5 72 Sample Slot 72 C8 108 Sample Slot 108 C#5 73 Sample Slot 73 C#8 109 Sample Slot 109 D5 74 Sample Slot 74 D8 110 Sample Slot 110 D#5 75 Sample Slot 75 D#8 111 Sample Slot 111 E5 76 Sample Slot 76 E8 112 Sample Slot 112 F5 77 Sample Slot 77 F8 113 Sample Slot 113 F#5 78 Sample Slot 78 F#8 114 Sample Slot 114 G5 79 Sample Slot 79 G8 115 Sample Slot 115 G#5 80 Sample Slot 80 G#8 116 Sample Slot 116 A5 81 Sample Slot 81 A8 117 Sample Slot 117 A#5 82 Sample Slot 82 A#8 118 Sample Slot 118 B5 83 Sample Slot 83 B8 119 Sample Slot 119 C6 84 Sample Slot 84 C9 120 Sample Slot 120 C#6 85 Sample Slot 85 C#9 121 Sample Slot 121 D6 86 Sample Slot 86 D9 122 Sample Slot 122 D#6 87 Sample Slot 87 D#9 123 Sample Slot 123 E6 88 Sample Slot 88 E9 124 Sample Slot 124 F6 89 Sample Slot 89 F9 125 Sample Slot 125 F#6 90 Sample Slot 90 F#9 126 Sample Slot 126 G6 91 Sample Slot 91 G9 127 Sample Slot 127 G#6 92 Sample Slot 92 A6 93 Sample Slot 93 A#6 94 Sample Slot 94 B6 95 Sample Slot 95 C7 96 Sample Slot 96 C#7 97 Sample Slot 97 D7 98 Sample Slot 98 D#7 99 Sample Slot 99 E7 100 Sample Slot 100 F7 101 Sample Slot 101 F#7 102 Sample Slot 102 G7 103 Sample Slot 103 G#7 104 Sample Slot 104 A7 105 Sample Slot 105 A#7 106 Sample Slot 106 B7 107 Sample Slot 107
The Octatrack Notebook : Reference & Guide 381 NOTES MIDI 14 Slice Note Mapping. NOTE: The SRC Setup Page SLIC Parameter must be on in order to play the slices. MIDI Note Behaviour Note CC Function Note CC Function C0 12 Slice 1 A2 45 Slice 34 C#0 13 Slice 2 A#2 46 Slice 35 D0 14 Slice 3 B2 47 Slice 36 D#0 15 Slice 4 C3 48 Slice 37 E0 16 Slice 5 C#3 49 Slice 38 F0 17 Slice 6 D3 50 Slice 39 F#0 18 Slice 7 D#3 51 Slice 40 G0 19 Slice 8 E3 52 Slice 41 G#0 20 Slice 9 F3 53 Slice 42 A0 21 Slice 10 F#3 54 Slice 43 A#0 22 Slice 11 G3 55 Slice 44 B0 23 Slice 12 G#3 56 Slice 45 C1 24 Slice 13 A3 57 Slice 46 C#1 25 Slice 14 A#3 58 Slice 47 D1 26 Slice 15 B3 59 Slice 48 D#1 27 Slice 16 C4 60 Slice 49 E1 28 Slice 17 C#4 61 Slice 50 F1 29 Slice 18 D4 62 Slice 51 F#1 30 Slice 19 D#4 63 Slice 52 G1 31 Slice 20 E4 64 Slice 53 G#1 32 Slice 21 F4 65 Slice 54 A1 33 Slice 22 F#4 66 Slice 55 A#1 34 Slice 23 G4 67 Slice 56 B1 35 Slice 24 G#4 68 Slice 57 C2 36 Slice 25 A4 69 Slice 58 C#2 37 Slice 26 A#4 70 Slice 59 D2 38 Slice 27 B4 71 Slice 60 D#2 39 Slice 28 C5 72 Slice 61 E2 40 Slice 29 C#5 73 Slice 62 F2 41 Slice 30 D5 74 Slice 63 F#2 42 Slice 31 D#5 75 Slice 64 G2 43 Slice 32 G#2 44 Slice 33 Plays / Triggers the slices that have been created in the tracks sample. TRIG Mode How 16 Trig keys are used. MIDI Map Configuration - Audio Note In How MIDI IN affects audio tracks Slices Follow TM Press [FUNC] + [UP] [DOWN] to change mode. Press [PROJ] then select: MIDI > CONTROL
382 The Octatrack Notebook : Reference & Guide Quick Mute Note Mapping. 14 MIDI NOTES MIDI Note Behaviour Note CC Function Note CC Function C0 12 Audio Track 1 Mute / Unmute C#0 13 Audio Track 2 Mute / Unmute D0 14 Audio Track 3 Mute / Unmute D#0 15 Audio Track 4 Mute / Unmute E0 16 Audio Track 5 Mute / Unmute F0 17 Audio Track 6 Mute / Unmute F#0 18 Audio Track 7 Mute / Unmute G0 19 Audio Track 8 Mute / Unmute G#0 20 MIDI Track 1 Mute / Unmute A0 21 MIDI Track 2 Mute / Unmute A#0 22 MIDI Track 3 Mute / Unmute B0 23 MIDI Track 4 Mute / Unmute C1 24 MIDI Track 5 Mute / Unmute C#1 25 MIDI Track 6 Mute / Unmute D1 26 MIDI Track 7 Mute / Unmute D#1 27 MIDI Track 8 Mute / Unmute Mutes and unmutes audio and MIDI tracks TRIG Mode How 16 Trig keys are used. MIDI Map Configuration - Audio Note In How MIDI IN affects audio tracks Quick Mute Follow TM Press [FUNC] + [UP] [DOWN] to change mode. Press [PROJ] then select: MIDI > CONTROL
The Octatrack Notebook : Reference & Guide 383 NOTES MIDI 14 Delay Control Note Mapping. NOTE: Will be applied on the tracks where an Echo Freeze Delay is assigned. Firstly the track should be selected (hold the keyboard note) and then select the timing )press second keyboard note simultaneously) MIDI Note Behaviour Note CC Function Note CC Function C0 12 Delay Time - Value 1 C2 36 Delay Time - Value 1 C#0 13 Delay Time - Value 2 C#2 37 Delay Time - Value 3 D0 14 Delay Time - Value 4 D2 38 Delay Time - Value 6 D#0 15 Delay Time - Value 8 D#2 39 Delay Time - Value 12 E0 16 Delay Time - Value 16 E2 40 Delay Time - Value 24 F0 17 Delay Time - Value 32 F2 41 Delay Time - Value 48 F#0 18 Delay Time - Value 64 F#2 42 Delay Time - Value 96 G0 19 Delay Time - Value 128 G2 43 Delay Time - Value 128 G#0 20 Track 1 for Delay Time (CC12-19) G#2 44 Track 1 for Delay Time (CC36-43) A0 21 Track 2 for Delay Time (CC12-19) A2 45 Track 2 for Delay Time (CC36-43) A#0 22 Track 3 for Delay Time (CC12-19) A#2 46 Track 3 for Delay Time (CC36-43) B0 23 Track 4 for Delay Time (CC12-19) B2 47 Track 4 for Delay Time (CC36-43) C1 24 Track 5 for Delay Time (CC12-19) C4 48 Track 5 for Delay Time (CC36-43) C#1 25 Track 6 for Delay Time (CC12-19) C#4 49 Track 6 for Delay Time (CC36-43) D1 26 Track 7 for Delay Time (CC12-19) D4 50 Track 7 for Delay Time (CC36-43) D#1 27 Track 8 for Delay Time (CC12-19) D#4 51 Track 8 for Delay Time (CC36-43) Activates a track + the delay timing of the echo freeze delay TRIG Mode How 16 Trig keys are used. MIDI Map Configuration - Audio Note In How MIDI IN affects audio tracks Delay Control Follow TM Press [FUNC] + [UP] [DOWN] to change mode. Press [PROJ] then select: MIDI > CONTROL
384 The Octatrack Notebook : Reference & Guide 14 MIDI 14.5 MIDI Mapping of Incoming CC Control MIDI CC Mapping The default settings in Octatrack are a good starting point for working with external MIDI CC inputs to the Octatrack Audio tracks. The Control Change (CC) messages can be applied to audio track main parameters and defined MIDI CC controls. The MIDI CC Mappings are applied based on the defined parameter CC which would need to be set on the external controller. The Auto Channel and CC DIRECT CONNECT also affect the MIDI CC behaviour. Octatrack MIDI Map CC as defined in the Ctrl 1 & 2 Setup pages (1) CC 36 - 45 Remapped to the Ctrl 1 & 2 Setup CC is received on the Auto Channel based on the CC MIDI Map (1) Non CTRL Page messages sent directly out when CC Direct Connect is on. Notes: (1) When in LIVE RECORDING Mode, recording is also possible into the sequencer. (2) If the Audio and MIDI tracks share the same MIDI channel the following applies. The MIDI Track will block the Audio track from sending MIDI. The Audio track will block the MIDI track from receiving MIDI. Controls Track Main Page and Parameters as per CC Map (1) Control Change Map (Audio) Control Change Map (MIDI Mode) MIDI Mode ON CC DIRECT CONNECT ON Ctrl 1 Ctrl 2 MIDI Out (2) MIDI In (2) MIDI Out MIDI Mode OFF
The Octatrack Notebook : Reference & Guide 385 MIDI 14 The MIDI sequencer CC DIRECT CONTROL setting can affect the behaviour of CC messages received by Octatrack. ▌SETTING CC DIRECT CONTROL 1. Press [PROJ] to open the project settings menu. 2. Navigate using [UP] [DOWN] to the CONTROL option. 3. Press [RIGHT] or [YES] to select the left side MIDI Submenu. 4. Navigate using [UP] [DOWN] to the MIDI SEQUENCER option. 5. Press [YES] to select. 6. The CC DIRECT CONTROL option is presented. To toggle between activate / checked or deactivate / unchecked, Press [YES]. Default is active / checked. 7. Press [NO] to back up and exit the menu. NOTES
386 The Octatrack Notebook : Reference & Guide 14 MIDI NOTES Control Change Mapping. MIDI CC Message Control Hex # Dec Function Transmit Receive 07 07 Track Level Yes 08 08 Track Balance Yes 10 16 Playback Parameter 1 Yes Yes 11 17 Playback Parameter 2 Yes Yes 12 18 Playback Parameter 3 Yes Yes 13 19 Playback Parameter 4 Yes Yes 14 20 Playback Parameter 5 Yes Yes 15 21 Playback Parameter 6 Yes Yes 16 22 Amp Parameter 1 - Attack Yes Yes 17 23 Amp Parameter 2 - Hold Yes Yes 18 24 Amp Parameter 3 - Release Yes Yes 19 25 Amp Parameter 4 - Volume Yes Yes 1A 26 Amp Parameter 5 - Balance Yes Yes 1B 27 Amp Parameter 6 - N/A Yes Yes 1C 28 LFO Parameter 1 - Speed 1 Yes Yes 1D 29 LFO Parameter 2 - Speed 2 Yes Yes 1E 30 LFO Parameter 3 - Speed 3 Yes Yes 1F 31 LFO Parameter 4 - Depth 1 Yes Yes 20 32 LFO Parameter 5 - Depth 2 Yes Yes 21 33 LFO Parameter 6 - Depth 3 Yes Yes 22 34 FX1 Parameter 1 Yes Yes 23 35 FX1 Parameter 2 Yes Yes 24 36 FX1 Parameter 3 Yes Yes 25 37 FX1 Parameter 4 Yes Yes 26 38 FX1 Parameter 5 Yes Yes 27 39 FX1 Parameter 6 Yes Yes 28 40 FX2 Parameter 1 Yes Yes 29 41 FX2 Parameter 2 Yes Yes 2A 42 FX2 Parameter 3 Yes Yes 2B 43 FX2 Parameter 4 Yes Yes 2C 44 FX2 Parameter 5 Yes Yes 2D 45 FX2 Parameter 6 Yes Yes 2E 46 Track Level Yes Yes 2F 47 Cue Level Yes Yes 30 48 Crossfader Yes Yes 31 49 Track Mute; Unmuted = 0, Mute = 1-127 Yes Yes 32 50 Track Solo; No Solo = 0, Soloed = 1-127 Yes Yes 33 51 Track Cue; Note Cued = 0, Cued = 1-127 Yes Yes
The Octatrack Notebook : Reference & Guide 387 Control Change Mapping (cont). NOTES MIDI 14 MIDI CC Message Control Hex # Dec Function Transmit Receive 34 52 Track Arm; Disarm = 0, Armed = 1-127 Yes Yes 35 53 Recorder Arm; Disarm = 0, Armed = 1-127 Yes Yes 36 54 All Arm; Disarm All = 0, Arm All = 1-127 Yes Yes 37 55 Scene A Select Yes Yes 38 56 Scene B Select Yes Yes 39 57 Pickup SRC AB Level Yes 3A 58 Pickup SRC CD Level Yes 3B 59 Note On 0 = C1, 127 = G9 Yes 3C 60 Note Off 0 = C1, 127 = G9 Yes 3D 61 Send request 0 = All Audio CC Yes 70 112 MIDI Track 1 Mute; Unmuted = 0, Mute = 1-127 Yes Yes 71 113 MIDI Track 2 Mute; Unmuted = 0, Mute = 1-127 Yes Yes 72 114 MIDI Track 3 Mute; Unmuted = 0, Mute = 1-127 Yes Yes 73 115 MIDI Track 4 Mute; Unmuted = 0, Mute = 1-127 Yes Yes 74 116 MIDI Track 5 Mute; Unmuted = 0, Mute = 1-127 Yes Yes 75 117 MIDI Track 6 Mute; Unmuted = 0, Mute = 1-127 Yes Yes 76 118 MIDI Track 7 Mute; Unmuted = 0, Mute = 1-127 Yes Yes 77 119 MIDI Track 8 Mute; Unmuted = 0, Mute = 1-127 Yes Yes 78 120 MIDI Track 1 Solo; No Solo = 0, Soloed = 1-127 Yes Yes 79 121 MIDI Track 2 Solo; No Solo = 0, Soloed = 1-127 Yes Yes 7A 122 MIDI Track 3 Solo; No Solo = 0, Soloed = 1-127 Yes Yes 7B 123 MIDI Track 4 Solo; No Solo = 0, Soloed = 1-127 Yes Yes 7C 124 MIDI Track 5 Solo; No Solo = 0, Soloed = 1-127 Yes Yes 7D 125 MIDI Track 6 Solo; No Solo = 0, Soloed = 1-127 Yes Yes 7E 126 MIDI Track 7 Solo; No Solo = 0, Soloed = 1-127 Yes Yes 7F 127 MIDI Track 8 Solo; No Solo = 0, Soloed = 1-127 Yes Yes
388 The Octatrack Notebook : Reference & Guide 14 MIDI NOTES MIDI Mode Control Change Mapping. MIDI Mode = Active / On, CC DIRECT CONNECT = Deactivated / Off, the Auto Channel responds to the following CC messages. MIDI CC Message Control Hex # Dec Function Transmit Receive 10 16 Playback Parameter 1 - Note Yes 11 17 Playback Parameter 2 - Velocity Yes 12 18 Playback Parameter 3 - Length Yes 13 19 Playback Parameter 4 - Note 2 Yes 14 20 Playback Parameter 5 - Note 3 Yes 15 21 Playback Parameter 6 - Note 4 Yes 16 22 Amp Parameter 1 - Transpose Yes 17 23 Amp Parameter 2 - Legato Yes 18 24 Amp Parameter 3 - Mode Yes 19 25 Amp Parameter 4 - Speed Yes 1A 26 Amp Parameter 5 - Octave Range Yes 1B 27 Amp Parameter 6 - Arp Note Length Yes 1C 28 MIDI LFO Parameter 1 - Speed 1 Yes 1D 29 MIDI LFO Parameter 2 - Speed 2 Yes 1E 30 MIDI LFO Parameter 3 - Speed 3 Yes 1F 31 MIDI LFO Parameter 4 - Depth 1 Yes 20 32 MIDI LFO Parameter 5 - Depth 2 Yes 21 33 MIDI LFO Parameter 6 - Depth 3 Yes 22 34 Pitch Bend Yes 23 35 Aftertouch Yes 24 36 CC1 Parameter Yes 25 37 CC2 Parameter Yes 26 38 CC3 Parameter Yes 27 39 CC4 Parameter Yes 28 40 CC5 Parameter Yes 29 41 CC6 Parameter Yes 2A 42 CC7 Parameter Yes 2B 43 CC8 Parameter Yes 2C 44 CC9 Parameter Yes 2D 45 CC10 Parameter Yes 31 49 MIDI Track Mute; Unmuted = 0, Mute = 1-127 Yes 32 50 MIDI Track Solo; No Solo = 0, Soloed = 1-127 Yes 36 54 All Arm; Disarm All = 0, Arm All = 1-127 Yes 37 55 Scene A Select Yes 38 56 Scene B Select Yes
The Octatrack Notebook : Reference & Guide 389 MIDI Mode Control Change Mapping (cont). MIDI Mode = Active / On, CC DIRECT CONNECT = Deactivated / Off, the Auto Channel responds to the following CC messages. NOTES MIDI 14 MIDI CC Message Control Hex # Dec Function Transmit Receive 70 112 MIDI Track 1 Mute; Unmuted = 0, Mute = 1-127 Yes 71 113 MIDI Track 2 Mute; Unmuted = 0, Mute = 1-127 Yes 72 114 MIDI Track 3 Mute; Unmuted = 0, Mute = 1-127 Yes 73 115 MIDI Track 4 Mute; Unmuted = 0, Mute = 1-127 Yes 74 116 MIDI Track 5 Mute; Unmuted = 0, Mute = 1-127 Yes 75 117 MIDI Track 6 Mute; Unmuted = 0, Mute = 1-127 Yes 76 118 MIDI Track 7 Mute; Unmuted = 0, Mute = 1-127 Yes 77 119 MIDI Track 8 Mute; Unmuted = 0, Mute = 1-127 Yes 78 120 MIDI Track 1 Solo; No Solo = 0, Soloed = 1-127 Yes 79 121 MIDI Track 2 Solo; No Solo = 0, Soloed = 1-127 Yes 7A 122 MIDI Track 3 Solo; No Solo = 0, Soloed = 1-127 Yes 7B 123 MIDI Track 4 Solo; No Solo = 0, Soloed = 1-127 Yes 7C 124 MIDI Track 5 Solo; No Solo = 0, Soloed = 1-127 Yes 7D 125 MIDI Track 6 Solo; No Solo = 0, Soloed = 1-127 Yes 7E 126 MIDI Track 7 Solo; No Solo = 0, Soloed = 1-127 Yes 7F 127 MIDI Track 8 Solo; No Solo = 0, Soloed = 1-127 Yes
390 The Octatrack Notebook : Reference & Guide 14 MIDI 14.6 Recording MIDI Notes and CC. NOTES Recording incoming MIDI control is possible as parameter locks. Note that the term ‘recording’ here, means capturing the MIDI messages into the sequencer pattern. This process does not record audio which would need to be applied based on the audio recording and sampling process. ▌LIVE RECORDING PARAMETER LOCKS FROM MIDI IN 1. Ensure the MIDI in settings and channel are configured and mapped to enable communication from the external device. 2. When recording to audio track parameter changes the Trig Ch for the track or Auto Channel can be used. It is recommended to use the Auto Channel and set Trig Ch 1-8 to off for recording the 10 CTRL parameters in MIDI Mode. 3. Press [MIDI], to toggle MIDI Mode to ON. MIDI Mode is on when the button is lit yellow. The tracks in the display also indicate an ‘x’ instead of the track machine type when a channel isn't assigned. 4. Select LIVE RECORDING Mode, Press [REC] + [PLAY]. 5. Play the notes to be recorded into the track sequencer. Chords can be recorded with up to 4 notes. Note length, velocity and aftertouch will also be recorded. The recording process will effectively parameter lock the values. 6. Recording CC knob control value changes when using the Auto Channel will be dependant on the configuration employed. Option 1: Auto Channel: is Used, CC Direct Control: Enabled. Only Ctrl 1 and Ctrl 2 Assigned parameters can be recorded. Option 2: Auto Channel: is Used, CC Direct Control: Disabled. Messages on CC 16-45 can be recorded. Control Change CC 36 Control Change CC 37 CC#1 CC#2 See the MIDI Mode CC Mapping Table for full details Note: Messages 36-45 are, by design, linked to the 10 parameters on the Ctrl 1 & 2 pages. Example:
The Octatrack Notebook : Reference & Guide 391 NOTES MIDI 14 MIDI Notes and MIDI CC messages can also be recorded on an individual Trig basis as parameter locks. ▌RECORDING TRIG PARAMETER LOCKS FROM MIDI IN 1. Ensure the MIDI in settings including channels are configured and mapped to enable communication from the external device. 2. When recording to audio track parameter changes the Trig Ch for the track or Auto Channel can be used. It is recommended to use the Auto Channel and set Trig Ch 1-8 to off for recording the 10 CTRL parameters in MIDI Mode. Only the active track will record if multiple tracks have the same MIDI channel. This active track will also behave as if CC DIRECT CONNECT is activated. 3. Press [MIDI], to toggle MIDI Mode to ON. MIDI Mode is on when the button is lit yellow. The tracks in the display also indicate an ‘x’ instead of the track machine type when a channel isn't assigned. 4. Select GRID RECORDING Mode, Press [REC]. 5. Hold Trig [1] - [16] + Play the notes or adjust the CC to be recorded into the selected Trig. Chords can be recorded with up to 4 notes. Note length, velocity and aftertouch will also be recorded. The recording process will effectively parameter lock the values. 6. As with Live Recording, CC knob control value changes when using the Auto Channel will be dependant on the configuration employed. Option 1: Auto Channel: is Used, CC Direct Control: Enabled. Only Ctrl 1 and Ctrl 2 Assigned parameters can be recorded. Option 2: Auto Channel: is Used, CC Direct Control: Disabled. Messages on CC 16-45 can be recorded. Notes: Messages 36-45 are, by design, linked to the 10 parameters on the Ctrl 1 & 2 pages. A personalise menu option can affect the length of the notes recorded when Grid Recording.
392 The Octatrack Notebook : Reference & Guide 14 MIDI Practical MIDI & Audio Example. MIDI OUT 5 Pin MIDI MIDI IN 5 Pin MIDI MIDI IN MIDI OUT Novation Bass Station II Midi Channel = 1 Distortion is set to CC94 in the Bass Station II with a 0-127 range. Set Bass Station II to MIDI Local Off to only allow parameter control from Octatrack. An external MIDI keyboard or synth keyboard can be used to play and record Note data into Octatrack. Up to 4 MIDI notes are available in Octatrack’s MIDI Tracks. Elektron Octatrack MkII Midi Channel = 1 (Track 1) Set the MIDI Note Setup for Channel 1 control with the configurable parameter CC7 in Ctrl 2 page to control CC94, Bass Station II Distortion. FX2 Ctrl 2 Setup 100 0 - 127 100 FX2 Ctrl 2 Main CHAN CC7 CC7 1 94 C Volume 0 - 127 SRC Note Setup AUDIO OUT (Mono) AUDIO IN Input ‘A’ Record In MIDI Learn / Setup and optionally record to sequence Play Out Sequenced trigs and / or manual knob changes
The Octatrack Notebook : Reference & Guide 393 NOTES MIDI 14 Octatrack has a MIDI Learn function for CC when operating in Ctrl 1 and Ctrl 2 Setup pages. This allows the selected parameter to ‘listen’ for any changes in incoming MIDI CC i.e. changing in a knob. When this is detected it registers the CC for the specific parameter. This makes it easy to set up external controllers or synths to the 10 CTRL parameters. ▌LEARNING INCOMING MIDI CC TO CTRL PAGE PARAMETERS 1. Ensure the MIDI in settings including channels are configured and mapped to enable communication from the external device. 2. When recording parameter changes the track channel or Auto Channel can be used. It is recommended to use the Auto Channel or set Trig Ch 1-8 to off for recording the MIDI 10 CTRL parameters in MIDI Mode or use different channels than those used for Trig Ch Audio tracks. 3. Press [MIDI], to toggle MIDI Mode to ON. MIDI Mode is on when the button is lit yellow. 4. Select the CTRL Setup page in which to learn the parameter. Example, Ctrl 2. Ensure this is the setup and not the main page as this function only works in setup pages. 5. Press [FUNC] + Press, Data Entry (A) - (F) for the control to learn. Example, CC7 - Press [FUNC] + (C). 6. A display message will indicate it is ‘listening’ to the incoming MIDI in order to learn the message received. 7. Turn the control that will be automatically learnt and mapped to the control. It is advised that for an external synth, set the global ‘MIDI Local mode’ to OFF. This should allow messages to be sent out when the control knob is physically adjusted but the control wont affect the internal parameters of the synth. Example, set Bass Station II to MIDI Local = Off and turn the distortion control (CC 9) on Bass Station II. 8. The message will disappear and the CC parameter will be automatically be assigned to the control. In this example CC7, Data Entry (C) will be mapped to CC94 - Bass Station Distortion. 9. In the CTRL Main page, the set parameter now will control the external device i.e. synth or controller. In addition the external device will also control this parameter in Octatrack. In this example distortion CC can be learnt, recorded into a sequence then controlled directly from Octatrack.
394 The Octatrack Notebook : Reference & Guide 14.7 Overview of MIDI Tracks in MIDI Mode Octatrack has 8 tracks dedicated to MIDI which allows the control of external devices from within Octatrack and especially using its sequencer. These generally use the same basic command convention as audio tracks. Press the [MIDI] button to select MIDI Mode - access to 8 MIDI tracks. Typical basic configuration example. Patterns can be sequenced to control notes and CC on external gear. MIDI Mode ON - Button will be lit Yellow, Tracks with unassigned channels displays as ‘x’. Digitone Synth for example controlled by Track 1, Channel 1 BassStation II Synth for example controlled by Track 2, Channel 2 Tracks can share MIDI Channels. Data priority goes to lowest numbered track. MIDI tracks can play and record: - Chords (Max 4 notes) - Velocity and Length - Pitch Bend & Aftertouch - The 10 Assignable CC Controls MIDI tracks cannot; - Send audio out, only data - Have parameters assigned to scenes. MIDI OUT T1 T2 T3 T4 T5 T6 T7 T8 Ch 1 Ch 2 MIDI IN Ch 3 Ch 4 Ch 6 Ch 7 Ch 8 14 MIDI NOTES A03 Data Entry Ch 5 MIDI THRU
The Octatrack Notebook : Reference & Guide 395 NOTES MIDI 14 MIDI Mode. Recording Operation. In LIVE RECORDING Mode: [REC] Button flashing. Disconnected Tracks Note Trigs Audio Tracks MIDI Tracks Sample & Trigless Trigs Disconnected Trigs Audio Tracks MIDI Tracks Trig [1] - [8] controls any ‘disconnected’ tracks 1-8. Ideal for manual playback. Disconnected means these tracks are not controlled by the sequencer and play free. Option to play free is found in the Pattern Settings menu. Trig [1] - [8] represents the MIDI assigned to tracks 1 - 8. If the sequencer is running these will indicate activity for the relevant track. Trig [9] - [16] represents the samples that are triggered within the machines assigned to tracks 1 - 8. Also Track [Tx] + [PLAY] and [Tx] + [STOP] plays and stops track machines. If the sequencer is running these will indicate activity for the relevant track. Trigless Trigs can also be played, [FUNC] + Trig [9] - [16] Trig [9] - [16] represents the ‘disconnected’ MIDI tracks 1 - 8, ideal for manual playback. Disconnected means these MIDI tracks are not controlled by the sequencer and play free. Option to play free is found in the Pattern Settings menu. MIDI Track Operation. Not in GRID RECORDING or LIVE RECORDING Mode: [REC] Button unlit. Trigs [1] - [8] initiate C1 to G1 MIDI Notes Out * Any of the manual trig operations including sample / note trigs and trigless trigs can be real time recorded in LIVE RECORDING Mode. This offers the opportunity to improvise and play live to capture performances. * Assumes Octatrack configuration is set for MIDI Out Trigs [9] - [16] initiate C2 to G2 MIDI Notes Out * Audio: Trigger Track 1- 8 Machines MIDI Mode: Trigger Disconnected Tracks 1- 8 Audio: Trigger disconnected Tracks 1- 8 MIDI Mode: Trigger Notes for Tracks 1- 8
396 The Octatrack Notebook : Reference & Guide MIDI activity can be observed on the display, in any mode with dots showing MIDI activity top left, above the tempo. The sequencer behaviour for also outputs MIDI when stopping. In MIDI Mode and playing notes in a pattern, pressing STOP will also send a MIDI ‘Note Off’ command for currently playing notes. In MIDI Mode and when the sequencer is stopped, pressing STOP & STOP will send an MIDI ‘All Notes Off’ command, resend CC values and any program change values for all tracks assigned to a MIDI channel. MIDI In Activity indicator MIDI Tracks. Inactive tracks show an ‘X’ or the MIDI channel that is assigned to the track. MIDI Out Activity indicator Left Blink = MIDI Receive Right Blink = MIDI Send 14 MIDI NOTES