FD333

Suggest Two
Interesting Films

Submitted by Shotipath Sriwattanatanyakorn
Student ID 630106060096

Present to Aj.Saksit Thaweekul
FD333 English for FD Sec 002

BLADE

RUNNER 2049

Officer K (Ryan Gosling), a new blade
runner for the Los Angeles Police
Department, unearths a long-buried secret
that has the potential to plunge what's left
of society into chaos. His discovery leads
him on a quest to find Rick Deckard
(Harrison Ford), a former blade runner
who's been missing for 30 years.

THEME Dying For The Right Cause. It's The Most Human Thing We Can Do.



Rating: R (Nudity Language Some Sexuality Violence)
Genre: Sci-Fi, Mystery & Thriller
Original Language: English
Runtime: 2h 44m
Sound Mix: Dolby Atmos
Aspect Ratio: Scope (2.35:1)

Producer: Andrew A. Kosove, Broderick Johnson, Bud Yorkin, Cynthia Sikes Yorkin
Writer: Hampton Fancher, Michael Green

DenisVilleneuve He is one of my favorite
directors. I love how he
A French Canadian film director and writer. creates a unique way for
his films such as Dune,
Prisoners, Arrival, Enemy
and Sicario.

Ryan Gosling As K S
Harrison Ford As Rick Deckard T
A
Ana de Armas As Joi R
Sylvia Hoeks As Luv R
Jared Leto As Niander Wallace I
N
G

"Be Human More Than Human"

is the word I keep talking about in this film.
What is human actually? Blade Runner 2049
isn’t just sci-fi or blockbuster feature film but
Blade Runner 2049 has questions about
philosophy and it has the ambitions of high art
. I love how a filmmaker takes the audience to
explore the world they create.

Roger Deakins
Cinematographer




Cinematography b
y Roger Deakins

is the one of most powerful things in this film, every
frame he takes it’s so full of art and takes the audience
deep down to cinematic with an arresting atmosphere.

Hans Zimmer

is a German film score composer and music producer.

Hans Zimmer's score is so beautiful and powerful
at the same time. It’s very deeply personal. Hans
is a genius when he brings the audience away
from the real world to cinematic. for me it’s not
just the score but it can be one of the characters
in this film.

Three shots come from my favorite scenes.
It's telling us that the K or Joe character is not
important, just a normal guy, not even
special. It's very hard to accept that fact but
it’s true. It made me consider Friedrich
Nietzsche’s words.

"The camel is a strong-spirited load carrier which is happy to take
on burdens. The camel says, “Load everything on my back. All the
joys, the sorrows and the knowledge. I want to experience
everything.” The camel goes through the most difficult things that
happens in life. We begin with being camels. As college students we
seek education, we seek to understand the world as much as
possible. There is so much knowledge, so many great minds that we
respect. The more we know, the heavier the weight is on our backs.
But the journey through the desert is lonely. The camel soon
develops the desire to stop bearing the burdens that are not its own
because it realizes that there are no universal values or a single
meaning of life. But the desert is lonely, and the camel spirit no
longer wants to bear the burden of ideas and knowledge that are
not its own. The world, the camel has discovered, does not have
essential or universal values. There is no one meaning of life. The
camel then metamorphosizes into a lion to unburden itself and to
create its own meaning"

Friedrich Nietzsche

"Existence Precedes Essence"

-Jean Paul Sartre-

THE

EDGE OF DAYBREAK

Rating: PG-15
Genre: Drama & Thriller
Original Language: Thai
Runtime: 1h 54m
Aspect Ratio: Scope (1.85:1)

The oppression of the student uprisings in the 1970s and the 2006 military coup are the
implicit historic anchors for an equal parts fluid and suffocating family chronicle marred
by psychological trauma, violence and guilt complexes. On the eve of a shift in political
power, a woman is taken to a safe house, sharing a final meal with her husband before
he is smuggled abroad. 30 years earlier, Ploy was a young girl in a coma after nearly
drowning. Her father, a soldier, has been missing for three years and her mother is
recovering from a nervous breakdown. Together with her lover, her husband’s younger
brother, she relives the traumas of their youth. Impending doom and repression pervade
monochrome shots of desolate, dilapidated locations with lanterns creating ghostly
shadow theatre. The dark soundtrack, minimal cinematic action and slow tempo conjure
up a hypnotic state. The characters seem imprisoned in emotional paralysis where past
and present meld into a single, endless nightmare. A shadow crosses the sun: is it an
omen or will it awaken everyone?

Executive Producer: Subhashok Angsuvarnsiri Examines the devastating psychological
landscape of a dysfunctional family as
it falls from grace in the shadow of wars.

Taiki Sakpisit
(Writer and Director)

The Edge of Daybreak is Taiki's first feature film.
He comes from video art and short films.

Manatsanun Phanlerdwongsakul
As PHAILIN

Starring

Chalad Na Songkhla

Sunida Ratanakorn As PHLOI

The Edge of Daybreak is a personal Taiki’s
film to explore his pain and memories of
October 14, until the October 16 Coup
d’etat.