The specific scientific meaning of the text of Exodus 9.

Concrete scientific meaning parts of text Exodus. 9.
Reviving the ancient manuscript of Atlantis.

Skeleton bars for the Tabernacle - Internal Shell of the Core - Nuclear
Lamina.

Veil - Sheath for compartment of Ark Covenant and Entrance of
Tabernacle.

Altar - Filter and Food Sorting for the Cell Core and organells.
Tabernacle Courtyard - "Cell Shell" / without proof /.
Collecting Oil - "Closed Chain of Communication": Jehovah - Moshe –

Aharon - sons Israel - Jehovah. / Explained through the 3 main RNAs /.
Aharon's clothes - Ribosomal RNA, its structure and properties.
Ephod - Device for interacting with Ribosomes.
Confidant – Device Selection of System Type Cell.
Coat - Circle of Ribosomal RNA.
Kidar - A closed ring of communication with Jehovah Ribosomal RNA.
Belt - Code cycle of Aharon and Ribos.
Underwear - ????

And make the boards for the tabernacle of shittim wood, standing. 10 cubits
length of a bar and 1.5 cubits width of each bar. Two handles each bars
connecting one to the other: so do all the bars of the tabernacle.

And make planks for the tabernacle: 20 planks for the noon side, to south.
and 40 silver sockets make under 20 beams each: 2 sockets under one bar for
its handles, and 2 feet under another bar for 2 of its handles. And for the other
side of the tabernacle, to the north side - 20 beams. And 40 silver sockets for
them: 2 sockets under one bar and 2 sockets under another beam. For the
hips of the tabernacle, towards the sea, make 6 beams. And 2 beams make a
tabernacle for the thighs. And they be closed below, and together yes will be
closed at the top, to one ring: this is how it should be with them both, for both
sides let them be. And there will be 8 bars and there are 16 silver sockets: - 2
sockets under one bar and 2 soles under another beam.

And make bolts out of shittim wood: 5 for the beams of one side
tabernacle, and 5 bars for the boards of the other side of the tabernacle, and 5
bars for the beams of the tabernacle of the thighs to the sea. The hasp is
average inside the bars runs from one end to the other. Overlay the bars with
gold, and make their rings of gold, containers for the bolts; overlay and
bolts in gold. And set up a tabernacle according to the ordinance that was
indicated to you on the mountain.

From the linguistic meaning of "bars" made of shittim wood, it is clear, that
this is "Solid Construction", reminiscent of the "Frame". And this structure
strengthens the Tabernacle thanks to the material and "Cross-beam
construction". But the main question is "width bar", because a 1.5 cubit
section of a bar is an incredibly thick log? That is, transferring its problem.
But the most discouraging question for us, that this frame is "oriented to the
cardinal points", and why? After all, neither the Ark, the Table, and the
Tabernacle are not oriented.

And with the Tabernacle, which the frame strengthens, there is no

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connection, except for her "Hips", and towards the sea. However, the problem
is, that at the Tabernacle itself, no "Hips" are described!

From the text of the description of the "Bars for the Tabernacle", we are
again faced with "the impossibility to perceive this in reality". If for two sides
frame, the construction of 20 bars, 40 handles and 40 feet is clear. For a third
party, how to connect "Together" 6 + 2 bars with handles and feet, and
"Connect from above together with a Ring" is completely unclear! And it is
unclear how the side of the sea is built 16 = 6 + 2 + 6 + 2. bars? And the sizes
of the gold rings are unclear? And connect the "Squares in a ring
impossible"!

And it is not clear, why it is said about the "Average Deadbolt" of 5, that he
is "From edge to edge"? After all, if the bars are made for square beams, then
they must be" the same length "?

From all these logical contradictions, it follows, that the "Bars" is
"Flat Surfaces", the frame of the Tabernacle, forming the Frame structure of
the "Bag" type. But the Role of this "Bag" is not described, and perhaps the
study of the roots can give us some "Hint".

Roots paragraph through their constituent letters:
Bar - "Composite el. - Managing el. - Change".
Tree - "Informational el. - Boundary el.".
Shittim - "Change - Code - Information - Chain".
Standing - "Informational el. - Chain - Border".
Handles - "Information - Border".
Connected - "Chain - Change - Movement - Internal".
Direction - "Functional el. - External - Structure".
South? - "Cycle - Boundary transition - Internal".
Thaiman - "Structure - Information - Chain - Cycle".
Foot - "Outside - Border - Cycle".
Silver - "Code Search – El. Movement - Functional el.".
Under - "Structure - Function - Structure".
Party - "Boundary email - Movement - Informational el.".
North? - "Boundary el. - Functional el. - Cycle".
Hips - "Information – Managing el. - Search code".
Sea - "Information - Chain".
6-
2-
Thigh edge - "Chain - Composite el. - Boundary el. - Informational el. –

Structure ".
Identical - "Structure - External - Chain".
Bottom - "Movement - Chain - Code - Volume".
Together - "Information - Function - Border".
Solid - "Structure - Chain - Information - Chain".
Head - "Managing el. - External - Change".
Ring - "Code - Internal - Informational el. - Structure".
Deadbolt - "Internal - Managing el. - Information - Function".
five -
Medium - "Structure - Information - Code Search - Cycle".
Edge - "Composite el. - Boundary el. - Volume".
House - "Internal - Information - Structure".

First, we need to understand why we need to "Orient" the wireframe

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design? And we know, that the compass was unknown in the old days, and
it was possible to navigate only on the "Concrete Terrain", indicating "Local
Landmarks". But what landmarks can there be in the Cell? Only certain
Critical Structural Elements, but unfortunately, we have no idea about them.
And therefore information maybe only the "Roots of these Landmarks"!

And these are the roots: "Direction" - has sense - "Functional el. - External
- Structure". South? - has sense - "Cycle - Boundary transition - Internal".
Thaiman? - has sense - "Structure - Information - Chain - Cycle". North? - has
sense - "Boundary el. - Functional el. - Cycle". "Sea" - has sense -
"Information - Chain". From the content of the roots, we also cannot
understand the meaning of these "Cell directions". Because the Kernel
construction, that the text describes, unknown to us.

From the plot of the description of the frame of beams and its two sizes, it
is clear, that this is "Flat and solid construction". But personally I am
confused by the location of the "Handles". I am sure, that in a Cell, in principle
it cannot to be "Free end" at the Bar - Protein for the frame! This means, that
the "Two Handles" are located at different ends of the Bar! And from the
linguistic meaning of "Hand", it is clear, that they "Hold each other", and
therefore they are called "Woman and Sister". It means, just like people have
"Right and Left", hands are the same, but symmetrical.

And then the "Feet" holding the "Two Handles" are located both above
and below the Frame. And the whole Frame is "One solid construction", which
you can "Pull into One Chain of Bars", if you remove the trailing ends of the
beams of the Foot. Root "Foot" - has sense - "External - Border - Cycle". And
the meaning of the root confirms, that mine reasoning is correct, and the
frame of the Tabernacle is solid, but "Stretchable structure", with the help of
the Feet.

And in general, I suppose, that the "Frame of the bars", is that
constructive part, with the help of which "The core is stretched in length
when dividing the Nucleus in half "! Therefore, the feet are made of "Silver".
The root "Silver" - has sense - "Code Search – El. Movement - Functional el.".
It means, it is a Code Controlled Movement Element. And then the "One Ring"
on the marine part of the frame is part of the "Core Separation System".

And make a curtain of blue and purple and scarlet and twisted
fine linen: let them do it with skillful work, with cherubs. And lay it down
4 pillars of shittim, overlaid with gold, with gold hooks, 4 the foothills of silver.
And attach the curtain to the hooks, and bring it there, behind the veil, the ark
of the revelation: And the veil will separate you the sanctuary from Holy of
Holies.

And put the lid on the ark of the testimony in the Holy of Holies.
And place the table outside the veil, and the sanctuary against the table on
the side the tabernacle to the south, and set the table on the north side.
And make a curtain at the entrance to the tent of blue and purple, and
scarlet, and fine woven linen, patterned work. And make for curtains 5 pillars
of shittim, and overlay them with gold: their hooks are gold, and pour 5
copper sockets for them.
This plot of the paragraph explains that the purpose of the first "Veil" is to
separate the "Ark of Revelation Jehovah," called the "Holy of Holies," from

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the Sanctuary, where the Table and Lamp are located. The purpose of the
second "Veil" is to highlight the "Entrance to the Outer Shell of the Core",
called the Tent.

It is clear from the plot, that the first Veil is pulled over 4 strong proteins,
with hooks and sockets similar to the tabernacle. The Second Veil has
5 strong proteins, and therefore has a large area.

The location of all attributes is very clearly described. To get into
"Holy of Holies to Jehovah", you need to go through Control - "Outer Veil",
then Control - "Table and Lamp", then Control - "Inner Veil". The presence of
the "Keruvs" on the first Veil tells us, that this is a special Information
Passage!

The clarity of the plot, in my opinion, does not require an analysis of the
roots.

And make an altar of shittim wood, 5 cubits long and 5 cubits width: the
altar must be square, and 3 cubits high his. And make its horns on its four
corners. It should have horns him, and overlay them with copper. And make
pots for him to shovel ashes his, and his shovels, and his bowls, and his
forks, and his shovels, all make the accessories of copper. And make a grid
for it work from copper, and on the lattice make four copper rings on four
ends of it. And lay it under the circumferential ledge of the altar below,
so that there is a grid up to half of the altar. And make the poles for altar,
poles of shittim wood, and overlay them with brass, so that his poles were
threaded into the rings, and so that there were poles on both sides the altar
when to carry it. Hollow inside, plank? Do it like shown to you on the
mountain, so let them do it.

From the description of the large number of elements of the "Altar", it is
clear, that this "A very complex design". But why? After all, the Altar, from the
point of view of the linguistic meaning, is simply "The place where Food is put
for Jehovah". Although, in principle, it is not very clear, why "God in heaven
need food".

However, from the point of view of the "Cell", where the place of Jehovah's
disintegration is in the Core, as the "Specially Protected Information of the
body", food must undergo "Special Control"! Therefore, "Food is like
elements of building DNA, and functional structures of the Nucleus", that gets
into the Core must pass "Sorting", and after that "Special Filter" check. And
where not only the sizes but also the qualities of these elements are
important.

But no less important is the "Sorting of elements to build all Organelles of
the cell"! Therefore, the "Altar" is in the Tabernacle at the border between the
"Core and Protoplasm", and is the "Main Part of Protoplasm", where the
Ribosomes are given the building task!

Therefore, three important design qualities of the Altar can be noted:
Material - Copper. Lattice - A shape, that has holes all over its surface.
Emptiness inside the Altar. These qualities of course easier to understand by
analyzing the roots of a paragraph.

Roots of paragraph through their constituent letters:
Altar - "Chain - Divider - Internal - Function".
Square - "Managing el. - Internal - Informational el.".

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Horns - "Composite el. - Managing el. - Cycle".
4-
Angles - "Functional el. - Cycle".
From - "Double Chain".
Will be - "Volume - Double Information - Cycle".
Cut - "Boundary el. - Functional el.".
Copper - "Cycle - Function - Change - Structure".
Pot - "El. Movement - Information – Managing el.".
Ash? - "Border - Change - Cycle".
Scoop - "Information - Informational el.".
Bowl? - "Chain - Separator – Managing el. - Composite el.".
Forks - "Chain - Separator - Movement - Boundary transition".
Scoop? - "Chain - Function - Structure".
Accessories - "Code Search - Movement - Information - Chain".
Lattice - "Chain - Search code - Internal - Managing el.".
Grid - "Managing el. - Change - Structure".
Rings - "Code - Internal - Informational el. - Structure".
Edge - "Composite el. - Boundary el. - Volume".
Protrusion - "Code search - Managing el. - Code search - Internal".
Bottom - "Movement - Chain - Code - Volume".
Before - "Informational el. - Border".
Half - "Function - Boundary el. - Information".
Pole? - "Internal - Border".
Party - "Boundary el. - Movement - Informational el.".
Wear? - "Change - External".
Empty - "Cycle - Double Internal".
Board - "Movement - Function".

From the meaning of the roots of this paragraph, we can make the
following conclusions:

First, the root "Altar" - has sense - "Chain - Separator - Inner - Function".
And this means, that the Purpose of the altar is "To separate the elements
according to Qualities - Functions".

Secondly, the general construction of the Altar is a "Half-Empty Box of
Planks", inside which is inserted a "Copper Lattice Grid", from the middle of
the Altar, holding on to the "Round Rim" from below. The classic form of the
modern "Filter" for sifting materials, where only the dimensions of the
"Lattice Window" are not specified. Therefore, as I understand it, these
windows can be "Rebuilt". Where are the roots: "Ring", "Lattice" and "Grid",
they say, that only certain "Code Chains" go through lattice. And the Roots:
"Empty" and "Board", say that it is possible "Double lattice inside".

Thirdly, I suppose, that the "Accessories" of the altar, are those
"Sorting Tools and Filter Settings", which give to special "Elements"
movement, that must pass through the "Filter - Altar Grid". And I suppose,
that all the "Accessories" are inside "Cavity" of the upper part of the Altar at
the same time. But appreciate the meaning all 6 Roots of the altar
accessories, in such a concrete sense of filtration, I cannot.

Forthly, the material "Copper" covers all the wooden parts, and
constitutes all other parts of the Altar. The root "Copper" - has sense - "Cycle
- Function - Change - Structure". As I understand it, the Altar has a
"Changeable Structure", which is "Controlled by 4 Horns at the entrance of

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the Altar". And this is confirmed by the root "Horn" – has sense - "Composite
el. - Managing el. - Cycle".

Fifth, the text says, that 2 "Poles?" And 4 "rings" are needed to "Carry" the
Altar. But how to explain the movement of the altar in the cell, if everyone in
the cell "Floats"? Therefore, if we analyze these roots, then in these roots
there is no hint of "moving" at all. And accordingly, I cannot explain anything.

What real element of the Cell's Nucleus has an analogy with the "Altar", I
also cannot say.

And make the courtyard of the tabernacle to the side of the noon, south.
Courtyard curtains twisted fine linen, 100 cubits long on one side. And pillars
to it 20, and 20 copper sockets. The hooks of the pillars and the ties on them
from silver. Likewise, along the north side, the curtain is one hundred cubits
long. There are 20 pillars for him and 20 of their sockets made of copper, the
hooks of the pillars and their ties are of silver.

The width of the courtyard on the western side is a curtain of 50 cubits.
There are 10 pillars for them and 10 sockets for them. And the width of the
courtyard on the east side - 50 cubits at sunrise. And 15 cubits of the curtain
for one side, 3 pillars to them and their feet 3. And for the other side 15
curtains, 3 pillars to them and 3 sockets for them.

And for the gate of the courtyard, a curtain of 20 cubits of blue, purple and
wormwood and fine linen twisted, patterned work, pillars for them 4 and their
sockets 4. All the pillars of the courtyard are connected around them with ties
of silver. Their hooks are made of silver, and their feet are made of copper.
Yard length 100 cubits, and the width is 50 against 50. The height (of the
curtain) is 5 cubits of twisted fine linen, and the sockets to this are made of
brass. All the instruments of the tabernacle for all its construction, and all the
stakes of it, and all the stakes of the court, are brass.

From the plot description of the "Court" for the Tabernacle, it is clear, that
this is the volume that "surrounds the Tabernacle", and the size of the court
confirms this.

Root "Court" - has sense - "Function - Boundary el. - Managing el.". And
the meaning of the root is in good agreement with the "Cell shell", which on
the one hand is permeable, and on the other hand is the "Protective Shell of
the entire contents of the cell".

For the length of the Court, the plot gives 100 ama of the veil and its
material. Where the root "Veil" - has sense - "Composite el. - Movement -
Informational el.". And this means, that through the Veil there is "Movement
Information Items".

Note, however, that the Court does not have a "Solid Construction"!
Because material "Pillars?" not specified! And the root "Pillar?" - has sense -
"Informational el. - Chain - Border". And the meaning of the root confirms,
that this is not a pillar, but the "Border" in the Cloth of the Veil, which is
divided into 20 parts, that is, through the length of 5 ama.

And this "Border" has - "Hooks and Loops" made of silver, the number of
which is not specified. Root "Loop" - has sense - "Function - Change -
Composite el.". The root meaning says, it may well be a loop. And this
construction is "Disassembled". However, each borders have "Copper feet",
but their purpose cannot be understood from the text.

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For the width of the Court, the plot describes a Veil of 50 ama. However,
right there the text gives 15 more ama for "Shoulder" with 3 three borders for
both parties. But it is impossible to understand where the "Shoulder of 15
ama" is!

Therefore, it can be assumed, that "Shoulder" is "Top and Bottom" over a
"width of 50 ama". And then the Courtyard turns out to be a "Closed Volume",
as it should be for a "Cage Shell"! But unfortunately we can no longer
establish it. Although there is an option, that "Shoulder is added to Width",
and then the structure of the Court gets the dimensions "100 by 65". And then
the court looks more like an Egg.

If the Courtyard has 4 closed sides of the Veil, then which side need to
attach the "Gate of 20 ama", we do not know? Although the root of the "Veil of
the Gate" - has sense - "Chain – El. Movement - Code Search". It means,
through the Gate, the "Code Chains Movement" is indeed carried out!

The fact, that at the end text of paragraph the Court dimensions are
repeated, with the addition of "Height", gives reason to believe, that this is
"Addition". It means, the text is clearly changed.

However, it should be noted, that the number of 20 Borders - for the Court,
is the same number of 20 beams for the Tabernacle Frame. And this means,
that both the Tabernacle and the Court - "Can be divided Simultaneously
along the same lines of communication". And the materials of the Veil of the
court match the materials of the Tabernacle. And the principle of the hook-
and-loop connection is also consistent with the Tabernacle.

I suppose, that the "Changes in the text" were made so, that the
"Courtyard" does not look "Closed, like a Tabernacle space". And it looked
like the courtyards of people's houses.

Due to the incompleteness of the description of the Court, I do not do a
complete analysis of the roots, but the main roots have already been
investigated in the text.

But you told the sons of Israel to bring you clean oil, beaten out of olives,
for consecration, to light lamps constantly. In the tent of meeting, outside the
Veil, that is before the ark of the testimony, may Aharon and his sons make it
up, from evening to morning before Jehovah. This is an eternal charter for
their generations from the sons of Israel.

This short paragraph explains to us, that "The connection of the sons of
Israel with Moshe" occurs through the "Source of Information Lamp of Oil of",
which on "Night", from evening to morning, and always, is carried out
by Aharon and his sons. And the "Information", like butter, is delivered by the
sons of Israel. In other words, the "Closed Chain of Communication" is once
again described: Jehovah - Moshe - Aharon - the sons of Israel - Jehovah.
And how this happens, can be seen from the plot and the meaning of the
roots from below.

Roots of paragraph through their constituent letters:
Order - "Boundary el. - Unification - Volume".
Oil - "Change - Chain - Cycle".
Olive - "Source - Information - Structure".
Net - "Source - Search code".

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Embossed - "Code Search - Structure - Information - Structure".
Lamp - "Chain - External - Union - Managing el.".
Ignite - "Informational el. - Movement".
Candle - "Cycle - Managing el.".
Always - "Structure - Chain - Information - Border".
Tent - "External - Volume - Movement".
Meetings? - "Chain - Informational el. - Border".
Outside - "Function - Boundary el.".
Veil - "Functional el. - Managing el. - Search code - Structure".
Revelation - "Volume - Informational el. - Border - Structure".
Locate - "Informational el. - Managing el. - Code search".
Aharon -
Evening - "Informational el. - Managing el. - Internal".
Morning - "Internal - Composite el. - Managing el.".
Law - "Function - Composite el.".
Eternal - "Informational el. - Movement - Chain".
Generation - "Border - Managing el.".

The following paragraphs of the Torah plot describe the "Clothes of
Aharon". But this description is so complex, incomprehensible, and so
beautiful according to the plot, that easy to believe in "The Reality of These
Clothes". And to tie this description with the processes of "Real Cell" is very
difficult. Therefore, before exploring the plot and roots of these paragraphs,
let's try more to understand in detail the "Closed Chain of Communication":
Jehovah - Moshe - Aharon - sons of Israel - Jehovah. And these are the main
characters in the Torah plot.

Since we are talking about a process, that takes place on the border of the
Core, since the process is attended by the sons of Israel - Ribosomes. Then
we can imagine the "Roles of the actors in reality" as follows:

Jehovah God, speaking from the "Ark of the Covenant" as the Core of a
cell, it is: "Messenger RNA", which is selected and copied from DNA, for the
execution of construction work by Ribosomes, which leads.

Moshe, who has a Jehovah connection, and transmits Jehovah's orders for
execution, is: "Transport RNA", which accurately transmits information to
"Jehovah", and at the same time moves in the right direction Amino acids,
that "collect" Ribosomes as food for Jehovah.

Aharon, Moshe's brother, who directly supervises the actions of the sons
of Israel - Ribosomes, is: "Ribosomal RNA", which really associated with
Ribosomes, Moshe and Jehovah. And in fact is the "Key Information" of cell
construction.

In the plot of the description of the "Clothes of Aharon", where the "Stones
of the 12 sons of Israel" are described, the Atlanteans explain to us, that there
is no "Simple Division of the Structure in Half" in the Cell. That the birth of
new cells, programmed in the "Ribosomal RNA Confidant". And it is the
confidant of Aharon, that gives the "Ways of specialization of all cells of the
body", as its 12 systems!

But this is a general idea of the plot, so it is worth clarifying with the help
of roots, which will reveal additional information to us.

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And you draw close to you Aharon, your brother, and his sons with him,
from among the sons of Israel for his Divine service to Me: Aharon, Nadav and
Avihu, Elazar and Itamar, the sons of Aharon. And make sacred garments for
your brother Aharon, for honor and splendor. And speak with all the wise in
heart, whom I have filled with the spirit of wisdom, so that they make
garments for Aharon to consecrate him to serve Me. And here are the clothes
they need to make: Confidant, Ephod, riza, checkered kutonet, kidar and belt.
Let them make sacred garments for your brother Aharon and for his sons to
serve Me. May they take gold, blue and purple, and scarlet and fine linen.

It is not clear from the plot of the paragraph, why the sons of Aharon are
mentioned. And it is not clear, with whom Moshe should speak in order to
make Aharon's clothes? Although it is clear, that Aharon is a "Composite
structure, like the Ribosome itself".

And it is important to note, that all the materials of the clothes exactly
repeat the materials of the Tabernacle.

Paragraph roots through their constituent letters:
Aharon - External - Memory – Managing el. - Cycle.
Nadav - "Cycle - Border - Internal".
Avihu - "External - Internal - Information - Memory - External".
Elazar - "External - Movement - Informational el. - Source - Managing el.".
Itamar - "External - Information - Structure - Chain - Managing el.".
Honor - "Search code - Internal - Border".
Decoration - "Structure - Functional el. - External - Managing el.".
Smart - "Function - Code Search - Chain".
Heart - "Movement - Internal".
Filled in - "Chain - Movement - External".
Spirit - "Managing el. - Association - Function".
Clothes - "Internal - Boundary transition - Border".
Sacred - "Composite el. - Border - Change".
Priest - "Code Search - Memory - Cycle".
Me - "Movement - Information".

Confidant - "Function - Change - Cycle".
Ephod - "External - Functional el. - Border".
Riza - "Chain - Informational el. - Information - Movement".
Ktonet - "Code Search - Structure - Cycle - Structure".
Checkered - "Change - Internal - Boundary el.".
Kidar - "Chain - Boundary el. - Cycle - Functional el.".
Belt - "External - Internal - Cycle - Code".

From the roots of the names of the sons of Aharon, only the difference in
their role in the action "Outside and Inside" is visible, but I cannot understand
the very role of the sons.

From the roots: "Clever at heart ..... To me." we cannot understand, who
makes the "Aharon's Clothes", and the "Ribosomal RNA" itself, and perhaps
in the following paragraphs we will clarify this issue.

And they will make Eiphod out of gold, blue and purple, and wormwood,
and fine linen twisted, by skillful work. Two shoulder straps must be at both
ends of it, so that it is attached. And the tie for girdling it, which is on top of it,

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should be of the same work as it, from it, gold, blue and purple, and scarlet,
and fine linen twisted.

And take two onyx stones, and carve on them the names of the sons of
Israel: Their six names are on one stone, and the names of the six others are
on the other stone, in the order of their birth. Carve the names of the sons of
Israel on both stones with the work of a stone carver, carve the seal on both
stones, make them with golden nests. And place these two stones on the
shoulders of Eiphod: these are stones for the memory of the sons of Israel.
And may Aharon wear their names are before Jehovah on both shoulders for
remembrance.

And make nests out of gold. And two chains of pure gold, make them
twisted, braided work, and attach the braided chains to the nests.

From the description of Ephod, it follows, that it is made of the same
material as the Tabernacle. And the plot emphasizes, that the stones are
"Memory" for the sons of Israel. And the same chain inscription Aharon
should show Jehovah, when he enters the Tabernacle.

The roots of the Eiphod paragraph through their constituent letters:
Ephod - "External - Functional el. - Border".
Leverage - "Code Search - Structure - Functional el.".
Connected - "Function - Internal - Managing el.".
Edges - "Composite el. - Boundary el. - Union - Structure".
A tie? - "Function - Change - Internal".
Took - "Movement - Composite el. - Function".
Stone - "External - Internal - Cycle".
Onyx - "Change - Memory - Chain".
Cut out? - "Functional el. - Structure - Function".
Names - "Change - Chain".
6-
One - "External - Function - Structure".
Rest - "Cycle - Structure - Managing el.".
Birth - "Structure - Unification - Movement - Border".
Thread - "Function - Managing el. - Change".
Print - "Function - Structure - Chain".
Surrounding - "Chain - El. Movement - Internal".
Grooves - "Chain - Change - Internal - Boundary el.".

From the plot, it is clear, that Ephod is the construction Duble, and the
names on 2 stones are written in order of birth. It is clear, that the
construction of Ephod, the religious interpreters of the text, "Fitted to the
Figure of a Man". Although the informational part of Ephod is on the "Stones",
and the fabric of the "Stripes - Shoulders" form only holds these Stones.
And the golden "Chain" surrounds all the stones.

Therefore, Ephod is a "Pair of interconnected Shoulders, on which a Pair
of Onyx stones with names"! That is, it's just the Chain of Memory from the
"Names of the Sons of Israel", and there is no Form of Man in it.

The root "Ephod" - it has sense - "External - Functional el. - Border". Root
"Leverage" - it has sense - "Code search - Structure - Functional el.". The root
"Stone" - it has sense - "External - Internal - Cycle". The root "Onyx" - has
sense - "Change - Memory - Chain". From the meaning of these roots, it
follows, that Ephod is the "External code Functional Element of the Memory
Chain", which has an "Externally - Internally Cycle" connection. And the fact

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that the names are separated by "Square Grooves" means, that the names are
separated in the "Common Chain" for reading them. And the fact, that the
description of Ephod in the text earlier descriptions of the Confidant, speaks
about the order of their action.

From the linguistic sense of the sentence, what will Aharon do with
"Onyx stones", it clearly follows, that these stones are needed to the "Sons of
Israel",
as "their program of action". And the fact, that Aharon shows Jehovah's
"Stones - Programs" is secondary, because Jehovah constantly "controls
the work of Ribos". In other words, Aharon needs Ephod to interact with the
Ribos!

And make the Confidant of judgment by skillful work. Use the same work
as Eiphod to make it: from gold, blue, purple and scarlet, and from twisted
fine linen, make it. It should be quadrangular, double, an inch is its length and
an inch is its width. And insert the insert stones into it, four rows of stones: a
row of Ruby, Topaz and Emerald, one row. And the second row: Carbuncle,
Sapphire and Diamond. And the third row: Yakhont, Agate and Amethyst. And
the fourth row: Chrysolite, Onyx and Yashfa. They should be framed in gold.
And these stones should be by the names of the sons of Israel, twelve by their
names, printing carvings, each with his own name, they will be for 12 tribes.
And make a chain on the confidant border thick of solid gold

And make 2 gold rings to the confidant, and attach both of these rings
to the 2 ends of the confidant. And in the afternoon, both golden whips? In
both rings at the ends of the confidant. And 2 ends of both Pleshkov? Attach
to both sockets, and attach to the shoulder of the eiphod from the front of it.
Also make 2 gold rings and attach them to the two ends of the confidant, on
the edge of it, which is on the inside of the eiphod. Make 2 more rings
gold and attach them to both shoulders of the eiphod from below, from the
front side of it, at its junction, above the belt of the eiphod. And let them
attach the confidant with its rings to the rings of the eiphod with a blue cord
so that it is above the eiphod's belt, and so that the confidant does not move
from the eiphod. And Aharon will bear the names of the sons of Israel on the
breastplate by the ship In his heart, when he enters the sanctuary, for
constant remembrance before Jehovah. And insert the judgment Urim and
Thummim into the breastplate, and they will be on the heart of Aharon when
he appears before Jehovah. And may Aharon bear the judgment of the sons
of Israel in his heart before Jehovah constantly.

The plot of the Confidant paragraph description has two parts. The first
part describes the names of the Confidante Stones in order of birth, but the
names of the sons of Israel carved on them are not indicated. The second part
describes "The Confidant's connections with Ephod".

From the meaning of the first part of the plot of the description of
Confidant, of course immediately attract the following qualities:

1. Correspondence of the names of the Stones to the names of sons
of Israel, in the order of their birth.

2. The confidant has the addition of "Judgment", where there is a
linguistic allusion to the quality of "Choice", which of course refers to
the Stones.

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3. The breastplate is made of Ephod and Tabernacle material.
From these qualities of the Confidant, it follows, that for each specific cell
under construction from 12 systems of the body - "Only one Stone is selected
and activated". Which in turn means, that it is Aharon, due the instructions of
Jehovah and the help of Moshe, who chooses on the Confidant - "Which
cellular system to build the Ribosomes".
However, why on the Confidant the "names of the Stones" correspond to
the "Systems of the Sons of Israel"? Because the root "Stone" - has sense -
"External - Internal - Cycle". And this means, "The whole program of actions"
recorded by Jehovah, which is "Permanent", like the solid structure of the
Stone. It means, each stone has "Its permanent Program", written in the name
of the Stone. And the fact, that the names of the stones for the sons of Israel
were chosen "Crystals", confirms their "Stability and Directionality".
And this stability, and the difference in the impact of the Crystals, on our
organism, each person can practically check for himself. This means, that
when Atlanteans gave names to the Crystals of stones, they knew exactly,
what System of the body they affect.

The roots first part of Confidant through their constituent letters:
Confidant - "Function - Change - Cycle".
Judgment - "Chain - Change - Functional el. - Code".
Skillful - "Function - Change - Internal".
Ruby - "External - Border - Chain".
Topaz - "Functional el. - Code - Border - Volume".
Emerald - "Internal - Managing el. - Composite el. - Structure".
Carbuncle - "Cycle - Functional el. - Code Search".
Sapphire - "El. Movement - Functional el. - Information - Managing el.".
Diamond - "Information - Volume - Movement - Chain".
Yakhont - "Movement - Change - Chain".
Agate - "Change - Internal - Unification".
Amethyst - "External - Function - Movement - Chain - Volume".
Chrysolite - "Structure - Managing el. - Change - Information - Change".
Onyx - "Change - Volume - Chain".
Yashfa - "Information - Change - Functional el. - Volume".
12 -
Tribe - "Change - Chain - Code".
Chain - "Change – Managing el. - Change - Managing el. - Structure ".
Boundary - "Boundary transition - Internal - Movement - Structure".
Thick - "Informational el. - Internal - Structure".
Gold - "Separator - Volume - Internal".
Clean - "Code - Memory - Managing el.".

We have already essentially described the Confidant's "Role" as choosing
the "Type of Cell being built". Where for each type of cell there is "Its own
constant program written in the Name of the Stone"! However, explain with
the help of names of the Stones and their "Systemic assignment", I cannot.
Although, I can really demonstrate their effect on the body with the help of
sessions of magic. Because the connection of the entire Living World with the
Inanimate World, from which we "Grow", is deeper than we imagine.

The roots of second part of Confidant through their constituent letters:
Ring - "Code - Internal - Information el. - Structure".
Edges - "Composite el. - Boundary el. - Union".

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Leverage - "Code Search - Structure - Functional el.".
Against - "Chain - Movement".
Face - "Functional el. - Cycle - Information".
Beach - "Change - Functional el. - Structure".
House - "Internal - Information - Structure".
Bottom - "Movement - Chain - Code - Volume".
Fasten - "Managing el. - Code search – El. Movement".
Thread - "Functional el. - Structure - Information - Movement".
Slide - "Double Split".
Above - "Chain - Informational el. - Movement".
Heart - "Movement - Internal".
Urim - "External - Managing el. - Information - Chain".
Tumim - "Structure - Chain - Information - Chain".
Always - "Structure - Chain - Information - Border".

The plot of the second part of Confidant, describes the Confidant's
connection with Ephod. This connection of the Confidant with Ephod is 6
golden rings, which attached on the 2 edges of the Shoulder Stone Nests, on
both sides inside the Shoulder, and on both sides of the "Ephod Belt". In
other words, communication there is a connection with the "Shoulders of
Ephod", but there is no connection with the Stones of names sons of Israel.
And as the plot says, this structure is solid and does not move! Therefore
the root "Moves" - has sense - "Double Split".

The root "Ring" has a meaning - "Code - Internal - Informational el. -
Structure". The root "Gold" - has sense - "Separator - Volume - Internal". Root
"Pure" - has sense - "Code - Memory - Managing el.". The meaning of these
roots tells us, that Confidant and Ephod are linked by Codes. And the Ephod
for the confidant is the "Guiding Landmark". And therefore, the Golden Rings
are located on the sides of the Ephod.

At the same time, one of the Confidant stones is "Active", and
accordingly, it will "Determine the Program of the transmitted Confidant
Codes" for Ribos. And as I understand it, the "Active Stone of the Confidant"
lies in the "Heart of Aharon". Where is the root of the "Heart" - has sense -
"Movement - Internal", as an allusion to constant action. And in order to
select this "Active Stone", two elements "Urim and Thumim" are required.
Where is the root "Urim" - has sense - "External - Managing el. - Information -
Chain". And the root Tumim - has sense - "Structure - Chain - Information -
Chain". And this means, that in order to select the "Active Stone", there must
be "External Controlling Influence", and "Structural Controlling Influence".
But where do these" Controlling Influences "come from, we unfortunately
do not know, since no data available. But it is precisely about these "Signals
of the Urim and Thumim", that Jehovah should know, directing the process of
Ribos's work, as recorded in the plot.

And make Coat for eiphod. All blue. And let there be a hole for the head in
the middle of it. Should the casing be around the hole of it, work woven, like
the hole in the armor? She must have it so that it does not break. And make
on the hem of her a pomegranate of blue and purple and scarlet, on the hem
around her. And the bells are golden there is a circle between them. Golden
bell and pomegranate, golden bell and pomegranate, around the hem of the

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robe. And she will be on Aharon in the service, so that his sound may be
heard when he enters the sanctuary before Jehovah and when leave him out
so, that he does not die.

From the first phrase of Coat's description, we meet a clear contradiction.
First it is written, that "All Coat is from Sineta", and then the usual description
of the composition of materials is given. Therefore, I suppose, that the first
letter in the word "Sineta" was "Tet", which was considered erroneous,
and was replaced by "Tav". And the replacement led to a contradiction.

As far as I understand, Riza's design is similar to the South America
Poncho. This is the "Hole", around which the hem is with bells. Where did the
"Pomegranates" come from in the text, about which nothing is said?
Pomegranate can be either Stone or Color. But the plot does not say, that it is
a stone. Is it crazy to make pomegranate out of fabric? I suppose, that the first
word "Pomegranate", that accidentally appeared in the description of "Robe's
Material", was multiplied by Fanatics of faith for the "beauty of Coat on man",
and the meaning in the text they not have. Moreover, the possible "Death of
Aharon upon leaving Jehovah", is an unconditional addition.

I hope the meaning of the Roots of the paragraph will clarify the purpose of
Riza, because it cannot be, that it was needed only for the "Ringing".

Roots of Coat's paragraph through their constituent letters:
Coat - "Chain - Informational el. - Information - Movement".
All - "Code Search - Movement - Information - Movement".
Sineta? - "Code - Search code - Movement - Structure".
Hole - "Functional el. - Information".
Head - "Managing el. - External - Change".
Inside - "Structure - Unification - Code Search".
Surface - "Functional el. - Cycle - Information".
Around - "El. Movement - Internal - Information - Internal".
Fabric - "External - Managing el. - Boundary transition".
Shit - "Structure - Function – Managing el. - External".
Rip - "Composite el. - Managing el. - Informational el.".
Hem - "Change - Movement - Information".
Bell - "Functional el. - Informational el. – Chain – Unification - Cycle".
Gold - "Separator - Volume - Internal".
Serve - "Change - Managing el. - Structure".
Hear - "Change - Chain - Informational el.".
Voice - "Composite el. - Unification - Movement".
Entry - "Internal - External".
Sanctuary - "Composite el. - Border - Change".
Output - "Boundary el. - External".

The roots of the first sentence of Coat's description, and the last sentence,
tell us about the "Role of Coat in the Structure of Aharon". And this is "Lead
the Codes of all Movements", and at the same time transmit information to
Jehovah through the "Bell". And from the roots of the text, one can
understand, that it is "Hole Fabrics as for Shit", are "Code Information", but
the text does not say anything about Ribosomes. And this means, that all the
Information of Coat is "Aharon's Ribosomal RNA located in a circle". And
the "bell" conveys information to Jehovah.

It is clear, that a lot of bells along the hem are "added to the text", since

14

one bell is enough to communicate with Jehovah. And if it was wrote Atlanta,
it would be the number of bells and stones.

And make a headband of pure gold, and carve a seal on it: Holy place
Jehovah. And put it on a blue cord to have it on the kidar, on the front side of
the kidar, let him be. And he will be on the forehead Aharon, and Aharon will
bear the guilt in initiations, that the sons of Israel with all the holy gifts?
Them. And let it be on his forehead constantly for the blessing of Jehovah to
them.

And cut fine linen cutonets, and make fine linen chitar, and make a belt
patterned work. And for the sons of Aharon, make kutonets, and make them
belts, and headpieces make them for honor and decoration. And clothe in
them your brother Aharon, and his sons with him, and anoint them, and
authorize them, and consecrate them to sacred service to Me.

And make them linen underwear to cover the nakedness of the body, from
the loins to the thighs they should be. And let them be on Aharon and on his
sons when they enter the cathedral tent or when they approach the altar to
serve in the sanctuary, so that they do not bear the guilt and die. This is an
eternal charter for him and for his descendants after him.

This paragraph is divided into three sections of Aharon's different last
garments.

The content of the first part paragraph describing is simple, but there is no
description of Kidar at all, there is only the linguistic meaning of "Headdress".
The fact, that it is necessary to carve on the Flower - "The Holy Place of
Jehovah", speaks of its connection with the first room of the "Tabernacle",
where Aharon has access.

But it is worth noting, that the "Flower" should be located opposite the
surface of the "Kidar". And the fact, that Kidar has a "Surface" casts doubt on
the fact, that "Kidar has the form of a Headdress".

That Aharon bears the guilt for the "Holy Gifts of sons of Israel" is
simply explains, that Aharon is "Responsible and Controls everything, that
sons of Israel bring to the Tabernacle sanctuary at the direction of Jehovah".
And this Controlling Body is located on his Forehead. Or in other words, the
role of Kidar Aharon with additions, to control the "Offering of the sons of
Israel". Hopefully, exploring the roots of a paragraph will give us a deeper
understanding of the paragraph.

The roots of first part Kidar's paragraph through their constituent letters:
Flower - "Boundary el. - Information - Boundary el.".
Clean - "Code - Memory - Managing el.".
Open - "Functional el. - Structure - Function".
Signet - "Function - Structure - Chain".
Holy - "Composite el. - Border - Change".
Thread - "Functional el. - Structure - Information - Movement".
Kidar - "Chain - Boundary el. - Cycle - Functional el. - Structure".
Surface - "Functional el. - Cycle - Information".
Forehead - "Chain - Boundary el. - Function".
Carries – "Cycle - Change - External ".
Guilt - "Informational el. - Association - Cycle".

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Offerings - "Chain - Structure - Cycle".
Desire - "Managing el. - Boundary el. - Cycle.

From the content of the paragraph roots, we can draw the following
conclusions:

The key root of a paragraph for understanding its meaning is the root
"Guilt". And it has sense - "Informational el. - Unification - Cycle". The root
meaning means, that Aharon is "Informational unification of Jehovah and the
sons of Israel in the Cycle". And since he makes the connection between the
"Jehovah's sanctuary" and the sons of Israel, who bring "The results of his
work in the Jehovah Sanctuary", then he bears "Guilt" for this process. And
this is a very beautiful Atlantean language hint.

The structure of this connection of Aharon is described by the roots of the
Chain of Elements: "Flower - Thread - Kidar - Forehead". And since Aharon
rules over the sons of Israel, in essence the roots describe the "Impact on the
Ribosomes". Where is the root "Flower" - has sense - "Boundary el. -
Information - Boundary el.". It means, Aharon acts on the Border
Informational Elements of the Ribos, at the signal of the "Jehovah Sanctuary",
which is written on the flower. The root "Thread" - has sense - "Functional el.
- Structure - Information - Movement". It means, Aharon transfers the
Movement Information to the Ribosomes to get them started. The root "Kidar"
- has sense - "Chain - Boundary el. - Cycle - Functional el.". The linguistic
meaning of this root "Wrap" clearly hints at the process of Aharon's influence
on "Polis Ribos". And on the other hand, this root as a "Structure" - can be
imagined, as a "Boundary Chain of a functional element closed in a Ring".
And both meanings of this root coincide well. And if you remember, that on
Kidar there is a Flower with the inscription "The Shrine of Jehovah", then it is
clear, that this "Ribosomal RNA Chain".
The root "Forehead" - has sense - "Chain - Boundary el. - Function". It means,
Aharon informs Jehovah in the Sanctuary about process, according to his
"Desire". Where is the root of "Desire" - it has sense - "Managing el. -
Boundary el. – Cycle". That is, these are Jehovah's Governing signals,
controlling the process of work by Ribos.

The roots of 2nd part of paragraph Ktonet through their constituent letters:
Insert - "Change - Internal - Boundary el.".
Ktonet - "Code Search - Structure - Cycle - Structure".
Kidar - "Chain - Boundary el. - Cycle - Functional el.".
Belt - "External - Internal - Cycle - Code".
Weave - "Managing el. - Composite el. - Chain".
Headpieces? - "Chain - Boundary transition - Internal - Informational el.".
Honor - "Search Code - Internal - Border".
Decoration - "Functional el. - External - Managing el.".
Clothed - "Movement - Internal - Change".
Anoint - "Chain - Change - Function".
Authority - "Chain - Movement - External".
Hands - "Information - Border".
Sanctify - "Composite el. - Border - Change".
Serve - "Code Search - Memory - Cycle".

From the content of the roots of the second part of the paragraph, you can
see:
The root "Insert", has the linguistic meaning "Insert into something", and this

16

Means, that "Ktonet", as a structure, is part of another part of the "Clothes of
Aharon". But which part is not indicated in the text, it is possible this is
Kedar, who is recorded next to Ktonet in this part. And unfortunately, there is
no description of the form and purpose of Ktonet in the text.

The root "Belt" - has sense - "External - Internal - Cycle - Code". And as I
understand it, this is the "Control Code of Aharon as Ribosomal RNA" for
Ribosomes. And the root "Wicker" - meaningful - "Managing el. - Composite
el. - Chain", confirms, that the Belt performs the function of control.

Let's pay attention, that the sons of Aharon do not have "Kidar", as
"Ribosomal RNA Chains", but there are "Ktonet", "Belt" and "Heads", and the
purpose of these elements is "Honor and Ornament"? A very dubious goal,
that only the roots can clarify.

However, the fact, that the sons of Aharon have a "Belt" suggests, that
they participate in the "Outer Inner Code Cycle". A Root "Clothed"
- it has sense - "Movement - Inner - Change", tells us, that the Sons carry
these codes inside Ribos. And the root "Headpices" - has sense - "Chain -
Boundary transition - Internal - Informational el.", and he tells us, that the
sons "Transfer the Codes" through a special "Boundary transition". And the
linguistic meaning of this root hints, that the "Transition" stands out as a Hill.

The root "Anoint" makes sense - "Chain - Change - Function".
Root - "Empower" has two roots. The root "Full" - has sense - "Chain -
Movement - External". The root - "Hand" - has sense - "Information - Border".
And together the roots speak of the process and direction of the movement of
Information.

Roots of part 3 of the paragraph Pants through their constituent letters:
Pants - "Chain - Code Search - Cycle – El. Movement".
Fabric - "Internal - Border".
Cover - "Code Search – El. Movement".
Flesh - "Inner - Change - Managing el.".
Pubis - "Informational el. - Managing el. - Association - Volume".
Hips - "Chain - Structure - Cycle".
Thighs - "Information - Managing el. - Code search".
Tent - "Outer - Volume - Movement".
Festive - "Chain - Association - Informational el. - Border".
Approach - "Boundary transition - Change".
Altar - "Chain - Separation - Inner - Function".
Guilt - "Information el. - Association - Cycle".
Seed - "Separation - Managing el. - Informational el.".

From the content of the plot and the roots of the 3rd part of the paragraph,
you can see:
First, the plot has "Incomprehensible content of the necessary Defense
for Aharon and his sons from Jehovah? ”After all, the plot this way give
instructions. What is the reason for the need for Pants?

If we take the meaning of the roots: "Pants", "Cloth" and "Cover", then
they mean "Elements of the Movement of Codes" within the "Internal Border".
And how can they cover the area of "Flesh" - "Hips", "Pubis" and "Ribs"?

Secondly, this "Area of Human Flesh" contains a semantic hint from the
plot, that for a person it is - "The area of the beginning of all Energy channels
and Sexual Organ of the body". And for Aharon and his sons as "Governors
of Ribos", this must mean, that this "Such an important part of Aharon and

17

the sons", for visiting the Tabernacle. However, I cannot explain the special
importance of the hip area through these 4 roots. And explain how this area
can be covered by the "Movement of Code Elements", I also cannot.

Yacov Ioffe.

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