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Musical Masterworks Season 31 Program Guide

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Published by marketing, 2021-10-20 13:48:28

Season 31 Program Guide

Musical Masterworks Season 31 Program Guide

Keywords: Musical Masterworks,chamber music,Old Lyme,Edward Arron,Tessa Lark

Musical Masterworks
Season 31

sold by maddy! LISTED & SOLD

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• 14 Maple Street, Chester $485,000 LISTED & SOLD
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information is deemed reliable, but is not guaranteed.

Congratulates Musical Masterworks on its 31st Season

Hours

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May through October

Tuesdays-Saturdays 11:30am-2:30pm

For reservations call 860.434-5542 ext.126

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WMNR
Fine Arts Radio

An Oasis of Classical
and Classic Music

WMNR.org

Tune in 91.5 fm
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94.5 fm

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MUSIC, ART, AND CULTURE
Old Lyme has it all.

FALL/WINTER EXHIBITION
Revisiting America: The Prints of Currier & Ives

SPRING EXHIBITION
New London County Quilts & Bedcovers

SUMMER EXHIBITION
Dana Sherwood:

Animal Appetites & Other Encounters in Wildness

Celebrating Art, History and Nature

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Season 31 | 2021-2022 Chamber Music Series

Edward Arron, Artistic Director
Tessa Lark, Artistic Director Designate

Wendy Hayes, Managing Director
Robbin Myers, Marketing Director

Board of Directors
Alden Rockwell Murphy, President

Monique Foster, Vice President
Kathleen Maher, Vice President

Barbara Smith, Treasurer
Diane Mallory, Secretary

Virginia Becker
Richard Cersosimo
Frederick Crosby
William A. Lieber

Jan MacGregor
Mary Matthews
Mary Richardson
David Thompson
Robert Webster
Rolf Wolfswinkel
Manon Zumbaum
Founding Directors
David W. Dangremond
John A. Hargraves
Alden Rockwell Murphy
James B. Murphy II
Honorary Directors
Jonathan Butler
Lee Pritchard
George Willauer

Hamburg Steinway piano from Steinway & Sons, Cover by Ritz Henton Designs.
Musical Masterworks, Inc. is a non-profit corporation. Musical Masterworks, Inc.

Post Office Box 684, Old Lyme, Connecticut 06371
860.434.2252 | www.musicalmasterworks.org

9

extends special thanks to our sponsors

Endowment Sponsor
The Dangremond Fund for Musical Masterworks

Premier Sponsors
Freeman Trust

Howard Gilman Foundation

Piano Sponsor
Pasta Vita, Inc.

Composers’ Circle
Andy Baxter

Burnett's Landscaping
Ted and Rebecca Crosby

Privé-Swiss Wellness

Concert Sponsors
Mrs. Rogers M. Doering
Nancy Newcomb and John Hargraves
James B. and Alden R. Murphy
The Saunders Foundation
Penelope Miller and Victor Sitty

Barbara Smith
Lisa Holmes and Robert Stern
Pamela and David Thompson, Jr

List reflects donations received as of September 15, 2021.

10

extends special thanks to our sponsors

Musicians’ Circle
Gigi Becker

Danielle Danese
Jeb and Dianne Embree

Barbara Erskine
Nancy D. Grover
Linda and Paul Holt

Carol Klimek
John and Lee Pritchard
Chris and Roddy Roosevelt
Shipman & Goodwin LLP, Counselors at Law

Claudia Thompson
Betsey and Bob Webster
George and Cynthia Willauer

Outreach Sponsor
The Kitchings Family Foundation

Media Sponsors
CT Examiner

WMNR Fine Arts Radio
WSHU Public Radio Group

LymeLine

Learn about sponsorship benefits at musicalmasterworks.org.

List reflects donations received as of September 15, 2021.

11

extends special thanks to our donors

IMPRESARIOS
Richard Buel

Deborah and Jon Butler
Monique and Eric Foster
Capt. and Mrs. Jan MacGregor, U.S.N., Ret.
Chip Goodrich and Kathleen Maher

Mary Matthews
Michael and Elena Patterson
Lecia Harbison and Kenneth Roberts

Elizabeth and Harry White
Jaqueline Jaffe and Rolf Wolfswinkel

MAESTROS
Andrea and Allan Inglis
Allan Dodds Frank and Lilian M. King
Sandy and Curly Lieber

Diane Mallory
Sarah and Bob Martin
Newton P.S. and Polly Merrill

Eleanor J. Perkins
Shoreline Eye Group, P.C.

BENEFACTORS
Bank of America

Robin Baskett
Marcie and Howard Brensilver
Albert and Victoria Christian

Kay Knight Clarke
Barbara O. David
Mary and Toby Dunn

Alexandra Isles
Sue Joffray

David and Sandy Long
Charlie Potts and Lindy Lyman
Kristine Sudano and Colin Mahoney

List reflects donations received as of September 15, 2021.

12

extends special thanks to our donors

BENEFACTORS (continued)
Marilyn Percy

Robert and Mary Platt
Robin Sedgwick
Peter B. Tacy
Wade Thomas

Barbara and Hans Ullstein
Mr. and Mrs. Caroline and Sydney Williams

Andrea and Thomas Wing
Martha and Jonathan Worley

Manon Zumbaum

FRIENDS
Jean Adamus
Janice Atkeson
Debra Barnes
Carol Becker
Dale Bernardoni

Diana Blair
Ann and Alan Blanchard
Roland and Christine Breault

Mary Broughton
Carolyn C. Cook

Jane D'Arista
June K. Davison
Peter and Connie Dickinson
Mary Lee Duff
Judith G. duPont
Paul and Jessica Fletcher
John and Alison Forbes
Jim and Celia Francis
Pamela Hamilton

Lilo Hess
Jennifer G. Hillhouse

Anne Hull

List reflects donations received as of September 15, 2021.

13

extends special thanks to our donors
extends FsRpIeEcNiaDl Sth(caonnktsintuoeodu) r donors

FRIENJuDdSy (Kceolnsteiynued)
Evelyn Kropp

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AmandaSuasnadn JEa.mSealstuRsutledge
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LauJri.eSatunadrtJWacakrnSeurlger
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J. STtuinaartWWeasrtner
Walter and Elizabeth Welsh

Tina West

List reflects donations received as of September 15, 2021.
List reflects donations received as of September 15, 2021.

14

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Our PreSchool Through Grade 8 Students:
• Create
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• Tackle real-world problems

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Outreach Program
Acting on the belief that experiencing live classical music
presented by dynamic young musicians is vital to childhood
development, Musical Masterworks’ Outreach Program began
during the 1997-1998 season.
For over 20 years, Musical Masterworks has presented more than
125 chamber music programs and workshops to over 35,000
students in more than 20 schools, located in New London, Water-
ford, Old Lyme, Lyme, Old Saybrook, Deep River, Essex, Norwich
and Montville. Artists who have appeared include Project Fusion
Saxophone Quartet, Quinteto Latino, Imani Winds, Marian Ander-
son String Quartet, Asylum Quartet, Harlem String Quartet,
Chiara String Quartet and Ritz Chamber Players.
The pandemic challenges prevented us from doing in-person
programs in schools last season but we are hopeful that in 2022
we will once again be able to present our Outreach Program to
the children of our communities.

.

In the Fall of 2019, Project Fusion Saxophone Quartet visited the Jennings
School in New London as part of Musical Masterworks’ Outreach Program,
continuing our commitment of bringing great music to the children of our
communities. Project Fusion got the students so energized with their upbeat

playing, that the children were moving to the beat in their seats!
Many thanks to The Kitchings Family Foundation for
sponsoring our Outreach Program.
17

To Our Audience

As we emerge from this surreal year of isolation and “virtual”
music making, I can imagine nothing sweeter than our long-await-
ed return to the magical in-person concert experience that we all
have come to cherish at Musical Masterworks. We have a marvel-
ous cast of esteemed MM musicians returning to our stage this
season—along with a couple of exciting Musical Masterworks
debuts—to perform masterworks spanning from the early 18th
Century to the present day. Our opening concert weekend in
October will feature the debut of harpsichordist Paolo Bordignon,
alongside violinists Jesse Mills and Tessa Lark in a program of
Baroque delights that served as the inspiration for Stravinsky’s
ballet, Pulcinella; in December, we will welcome back pianist
Orion Weiss, violinist Amy Schwartz Moretti and violist Nicholas
Cords for a program of glorious piano quintets; in February,
celebrated guitarist Colin Davin will return to perform Bach,
Schubert, and other gems; in March, we will celebrate the return
of two Musical Masterworks veterans—flutist Tara Helen O’Connor
and pianist Adam Neiman; and for a very special season finale on
April 30 and May 1, I will be joined by pianist Jeewon Park, double
bassist Michael Thurber, and violinist Tessa Lark.

And now for a bit of news. With mixed emotions and great love
for this organization, I have decided after 15 fulfilling years of
artistic leadership at Musical Masterworks to step down as Artistic
Director after this concert season. It is my belief that every great
arts organization must allow for renewal and fresh creative ideas in
order to remain vibrant. To that end, I am thrilled to announce that
my dear colleague and longtime beloved Musical Masterworks
veteran, violinist Tessa Lark, will take the reins as Artistic Director
beginning in the 2022–23 concert season. Since Tessa’s trium-
phant Musical Masterworks debut nearly a decade ago, she has
formed a bond with our audience unlike any other artist I have
seen. She has delighted us not only with her exquisite violin
playing, but also with her warmth and charm, and she has amazed
us with her extraordinary range of musical interests and talents.

18

To Our Audience
Tessa shares my values and reverence for the golden age of
musical composition and all that we hold dear at Musical Master-
works, while also bringing fresh and wonderful ideas—including
her own musical creations—to the table. This season, Tessa will
assume the title of Artistic Director Designate, and she will be
joining me onstage for four out of the five concert weekends.
As I celebrate my final year as Artistic Director, I will remind you
frequently from the stage that I intend never to be a stranger. I will
look forward to many happy returns to Musical Masterworks as a
cellist and as a smiling audience member. And I will treasure every
moment of this coming concert season filled with glorious music,
extraordinary musicians, and the pure joy of sharing it with you all
in the place that I will always call my musical home.

- Edward Arron
- Artistic Director

A Lasting Legacy
As enduring as the chamber music we love, your planned gift to
Musical Masterworks helps to assure our continued performances
and the sense of renewal and enrichment they will provide to
future generations. We encourage you to consider:

• A will bequest in favor of Musical Masterworks
• A charitable annuity or charitable remainder or lead trust
• A gift of appreciated properties (such as securities)

Such planned giving may realize major income and estate tax
savings.

For more information, please contact:
Wendy Hayes at [email protected]

19

20

The Fifth Meetinghouse of the
First Congregational Church of Old Lyme

The First Congregational Church of Old Lyme has a long tradition of
support for the arts. Offering the Meetinghouse as a “home” for Musical
Masterworks is in keeping with what the theologian Paul Tillich termed
the “Theology of Culture;” believing that spiritual revelations and
epiphanies come to us not only through scripture, but also from the
broad tapestry of all the culture around us: music, theatre, visual arts,
and more.
In his famous poem, “Archaic Torso of Apollo,” Rilke concludes with
these words, “You must change your life.” So it is with the power of
music. It has the ability to transport us to ever higher places, and open
the door to epiphanies in our lives. In this time of coronavirus, given the
uncertainty and strain we are all feeling, the gift of music through
Musical Masterworks concerts is a particularly precious gift to our
community.
The Meetinghouse is thought to be one of the finest small halls for
chamber music in the state of Connecticut. Part of the reason for this
may be that it is the ideal size for chamber music. Another reason may
be that the domed ceiling distributes sound evenly throughout the
sanctuary. But part of the reason might lie in the unique construction of
this particular building.
The fourth Meetinghouse, also located on this site, burned to the
ground on July 3, 1907. There were no architectural plans to be found
for the destroyed building, so Ernest Greene of New York City relied on
the measurement of the old foundation (49’2” x 58’6”) and a number of
photographs, as well as paintings by the artists within Old Lyme’s
impressionist tradition. The building committee gave their architect one
new specification: the building had to be fireproof.
To fulfill this last request, Greene created an inner core of steel and
concrete for the new structure. Thus, like a great piano, the building has
a rigid steel frame beneath its beautiful wooden veneer. And therein
may lie the reason for its superb acoustics.
The members and friends of The First Congregational Church of Old
Lyme are proud to offer Musical Masterworks this home for their perfor-
mances, and we welcome all who attend.
– The Rev. Carleen R. Gerber, Associate Minister

21

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25

October 23 & October 24, 2021
Paolo Bordignon, harpsichord
Tessa Lark, violin
Jesse Mills, violin
Edward Arron, cello

Trio Sonata No. 1 in G Major Domenico Gallo
Moderato – Andantino - Presto (1730-1796)

Adagio from Sonata in E-flat Major, J.S. Bach
BWV 525 (arr. Bernard Labadie) (1685-1770)

Minuet from Suite in the Old Style for Alfred Schnittke
Violin and Harpsichord (1972) (1934-1998)

Trio Sonata No. 2 in B-flat Major Domenico Gallo
Perfetto – Adagio - Presto

Suite for Two Violins, Georg Philipp Telemann
“Gulliver’s Travels,” TWV 40:108 (1681-1767)
Intrada
Lilliputian Chaconne
Brobdingnagian Gigue
Reverie of the Laputans and their attendant flappers
Loure of the Well-Mannered Houyhnhnms and Wild Dance
of the Untamed Yahoos

Trio Sonata No. 3 in c minor Domenico Gallo
Allegro – Andante - Allegro

Intermission

Program for this concert is continued on the following page.

26

October 23 & October 24, 2021
Program continued from previous page

Trio Sonata No. 7 in g minor Domenico Gallo
Non Presto – Andante – Allegro

Vivo from Sinfonia in F Major for Giovanni Battista Pergolesi
Cello and Harpsichord (1710-1736)

Trio Sonata No. 8 in E-flat Major Domenico Gallo
Allegro ma non tanto – Andantino – Allegro

Gavotte and Six Doubles from Suite Carlo Ignazio Monza
in D Major for Solo Harpsichord (1680-1739)

Trio Sonata No. 12 in E Major Domenico Gallo
Allegro – Adagio - Presto

Many thanks to John Hargraves and Nancy Newcomb for sponsoring Saturday’s
concert and to Lisa Holmes and Robert Stern for sponsoring Sunday’s concert.

Program and artists are subject to change. Edward Arron’s biography appears on page 25.
Tessa Lark's biography appears on page 31. All other artist biographies begin on page 29.

27

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Musical
Masterworks.

Contact:
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860.251.5000

Shipman & Goodwin LLP

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CONNECTICUT | NEW YORK | WASHINGTON, DC

34

December 11 & December 12, 2021

Orion Weiss, piano
Amy Schwartz Moretti, violin

Tessa Lark, violin
Nicholas Cords, viola
Edward Arron, cello

Terzetto in C Major for Two Violins and Antonín Dvořák
Viola, Opus 74 (1887) (1841-1904)
Introduzione: Allegro ma non troppo
Larghetto
Scherzo: Vivace
Tema con Variazioni

Piano Quintet in g minor, Opus 57 (1940) Dmitri Shostakovich
Prelude: Lento (1906-1975)
Fugue: Adagio
Scherzo: Allegretto
Intermezzo: Lento
Finale: Allegretto

Intermission

Rag-Gidon-Time for String Trio (1995) Giya Kancheli
(1935-2019)

Piano Quintet in f minor, Opus 34 (1864) Johannes Brahms
Allegro non troppo (1833-1897)
Andante, un poco Adagio
Scherzo: Allegro
Finale: Poco sostenuto; Allegro non troppo

Many thanks to our Piano Sponsor Pasta Vita and
to Ted and Becky Crosby for sponsoring Saturday’s concert and
to The Saunders Foundation and Andy Baxter for sponsoring Sunday’s concert.

Program and artists are subject to change. Edward Arron’s biography appears on page 25.
Tessa Lark's biography appears on page 31. All other artist biographies begin on page 37.

35

CAPTIVATING PERFORMANCES IN AN INTIMATE SETTING

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Save These
2022 Dates!

Tickets on sale mid-fall!

Concerts are Sundays at 3 p.m.

Mihae Lee, Artistic Director

JAN Brentano String FEB Vince Giordano &
9 Quartet with 20 The Nighthawks
pianist Mihae Lee
Celebrating the jazz greats

Beautiful pieces by Gesualdo, of the 1920s and 1930s

Beethoven and Schumann MARCH Resurgam Quartet
JAN Patricia Schuman, 20 A fresh offering of classical

30 soprano saxophone arrangements

The return to our stage of from this year’s Fenton Brown

this fan-favorite opera singer Emerging Artists

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860.434.1792

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LYME ACADEMY

Lyme Academy has returned to its founding roots to offer foundational skills in the
fine arts; providing a curriculum that combines rigorous studio instruction in drawing
and painting with anatomy, sculpture, and the histories of art. The Academy affirms its

legacy and commitment to the community of Old Lyme by providing a vibrant
schedule of lectures, exhibitions, workshops, and part-time programs.
Learn more by visiting: www.lymeacademy.edu

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February 12 & February 13, 2022

Colin Davin, guitar J.S. Bach
Tessa Lark, violin (1685-1750)
Edward Arron, cello
Prelude from Cello Suite No. 6 in D Major,
arranged for Solo Guitar (1723)

Twist for Violin and Guitar (2014) Vivian Fung
Twisted Prelude (b. 1975)
Twisted Pipa
Twisted Jam

Sonata in a minor for Arpeggione and Piano, Franz Schubert
D.821 (1824) Played on Cello and Guitar. (1797-1828)
Isaac Albéniz
Allegro moderato (1860-1909)
Adagio
Allegretto

Intermission
Asturias for Solo Guitar (1892)

Recuerdos de las Alhambra for Francisco Tárrega
Solo Guitar (1899) (1852-1909)

Arrangements for Violin and Guitar: Fritz Kreisler
La Gitana (1875-1962)
Manuel Ponce
Estrellita (arr. Jascha Heifetz) (1882-1948)
I. Albéniz
Tango (arr. Fritz Kreisler) Enrique Granados
Danza española (arr. F. Kreisler) (1867-1916)
Manuel de Falla
Danza española (arr. F. Kreisler) (1876-1946)
Django Reinhardt
Minor Swing (1910-1953)
Daphne

Many thanks to Burnett's Landscaping for sponsoring Saturday’s concert and to
Howard Gilman Foundation for sponsoring Sunday’s concert.

Program and artists are subject to change. Edward Arron’s biography appears on page 25.
Tessa Lark's biography appears on page 31. All other artist biographies begin on page 47.

45

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