For more product information on Christopher Guy, CLICK HERE
WWW.CHRISTOPHERGUY.COM For more product information on Christopher Guy, CLICK HERE
cosmo collection transitional modern fUrnitUre ‘cosmo’politan style For more product information on Jonathan Charles, CLICK HERE
j o n a t h a n c h a r l e s . c o m UK & eUrope | tel 0044 (0) 114 245 2777 | email [email protected] Usa & canada | tel 001+252+446-3266 | email [email protected] It’s all in the detail... For more product information on Jonathan Charles, CLICK HERE
Christopher hyde Ltd Tel: +44 (0) 20 7351 0863 Fax: +44 (0) 20 7351 0893 [email protected] www.christopherhyde.com Unit 2/12 Second Floor, Centre Dome, Design Centre Chelsea Harbour, London SW10 0XE the ‘Benson’Range Encouraged by Sir Edwyn Byrne Jones and William Morris, W A S Benson established a metal workshop in London in 1880. These Arts & Crafts lights are inspired by his designs. CF981 Rise & Fall Pendant Light H240 x D400mm; Cream or green shade TL980 Table Lamp H650 x D380mm WL980 2-Light Wall Sconce H310 x W480mm For more product information on Christopher Hyde, CLICK HERE
Lighting for Prestige Interiors the ‘Jazz’ Range Murano glass spheres and polished nickel on brass: WL711 2-Light Wall Sconce, H155 x D29mm TL711 Table Light Spheres, H520 x D160mm CF711 6-Light Chandelier, H530 x D720mm Silk lampshades for the new Jazz range: Oval 5” Laminate Candle Shade, H4.25” x W5” x PROJECTION 3” LS205BLAM (Blue Silk); LS205RLAM (Red Silk) Oval 14” Laminate Doup Shade, Self Trim H11” x W14” x PROJECTION 10.25” LS214BLAM (Blue Silk); LS214RLAM (Red Silk) Christopher hyde Ltd Tel: +44 (0) 20 7351 0863 Fax: +44 (0) 20 7351 0893 [email protected] www.christopherhyde.com Unit 2/12 Second Floor, Centre Dome, Design Centre Chelsea Harbour, London SW10 0XE For more product information on Christopher Hyde, CLICK HERE
TROWBRIDGE AUSTRALIA CAVIT & CO. 148 Foveaux Street, Surry Hills, Sydney, NSW 2010 +61 2 9326 9161 www.cavitandco.com.au ROBERTSONS DESIGN 86 Bundall Road, Bundall, Queensland, QLD 4217 +61 (07) 5592 1677 www.robertsonsdesign.com.au CANADA 31 WESTGATE 2698 Agricola Street, Halifax, Nova Scotia, B3K 4C9 +001 902 457 3131 JORDANS INTERIORS 1470 West Broadway, Vancouver, BC, V6H 1H4 +001 604 733 1174 www.jordans.ca ELTE 80 Ronald Avenue, Toronto, Ontario M6E 5A2, Canada +001 (416) 785-7885 www.elte.com EGYPT LIVING IN INTERIORS Abu Rawash Industrial Zone, Cairo +202 35390883 www.livinginq.com FRANCE COLLECTION PRIVEE 3 Rue Des Etats-Unis, Cannes, 06400 +33 4 9399 2322 www.collection-privee.com GERMANY WOHNKULTUR Elbchaussee 97, Hamburg, 22763 +49 (0) 40 33 55 53 www.wohnkultur-behrens.de MONACO MCLAREN FURNITURE SARL Monte Carlo Sun, 74 boulevard d’Italie Monaco, 98000 +377 98 80 12 20 www.mclarengroup.com NEW ZEALAND CAVIT & CO PTY LTD 547a Parnell Road, Parnell, Auckland 1052 +64 9 358 3771 www.cavitco.com QATAR LIVING IN INTERIORS S 186-187 12 La Croisetter Porto Arabia, The Pearl +974 44953510 www.livinginq.com RUSSIA CHARLES CAMERON 39, Bolshaya Gruzinskaya St., Moscow +7(495) 982 3830 www.charlescameron.ru GALERIE 46 46 Bolshaya Morskaya Street, St Petersburg, 19000 +7 812 312 7141 www.galerie46.com AMERICAN LIGHTING 31 Novinksy Boulevard, Novinsky Passage, Moscow, 123242 +7 495 627 60 28 www.americanlg.ru THAILAND DM HOME 555 Park Thonglor Tower, Thonglor 19 Sukhumvit 55, Klongton-nua, Wattana, Bangkok 10110 +66 2 365 0789 93 www.decormart.com DM HOME 3rd Fl. Siam Paragon 991 Rama 1, Patumwan, Bangkok 10330 +66 2 610 9850 www.decormart.com DM HOME 78 Moo 5, Chalerm Prakiat Road, Wichit Sub District, Muang Phuket District, Phuket 83000 +66 76 612 687 8 www.decormart.com UNITED KINGDOM ANDREW MARTIN INTERNATIONAL LTD 198-200 Walton Street, South Kensington, London, SW3 2JL +44 (0)20 7225 5100 www.andrewmartin.co.uk ARTHUR BRETT & SONS LTD 103 Pimlico Road, London, SW1W 8PH +44 (0) 20 7730 7304 www.arthurbrett.com HARRODS LTD 68 Hammersmith Road, London, W14 8YW +44 (0) 20 7730 1234 www.harrods.com LINLEY 60 Pimlico Road, London, SW1W 8LP +44 (0) 20 7730 7300 www.davidlinley.com UNITED STATES CALIFORNIA SUNRISE HOME 831 B Street, San Rafael, CA 94901 +1 415 456 3939 www.sunrisehome.com NORIEGA FURNITURE 1455 Taraval Street, San Francisco, CA 94116 +1 415 564 4110 www.noriegafurniture.com HD BUTTERCUP 290 Townsend Street, San Francisco, CA 94107 +1 415 820 4788 www.hdbuttercup.com FLEGELS FINE FURNITURE 870 Santa Cruz Ave, Menlo Park, CA 94025 +1 650 326 9661 www.flegels.com MOGUL 8262 Melrose Avenue, Los Angeles, CA 90046 +1 323 658 5130 www.mogullife.com HD BUTTERCUP 3225 Helms Avenue, Los Angeles, CA 90034 +1 310 558 8900 www.hdbuttercup.com ROBERT WESTLEY DESIGNS SOCO, 3323D Hyland Avenue, Costa Mesa, CA 92626 +1 714 546 7100 www.robertwestleydesigns.com DESIGNERS RESOURCE COLLECTION 2915 Redhill Ave, Suite E-101, Costa Mesa, CA 92626 +1 714 754 1577 www.drcshowroom.com BLISS HOME AND DESIGN 3321 East Coast Highway, Corona Del Mar, CA 92625 +1 949 566 0304 www.blissdesignfirm.com TOMMY BAHAMA HOME Fashion Island Mall, 401 Newport Center Dr. Suite A218, Newport Beach, CA 92660 +1 949 706 9928 www.tommybahamafurniture.com CENTURY FURNITURE 23811 Aliso Creek Road, #144, Laguna Niguel, CA 92677 +1 949 643 1585 www.centuryfurniture.com COLORADO SLIFER DESIGNS Riverwalk at Edwards, 216 Main Street, Suite C -100 Edwards, CO 81632 +1 866 926 8200 www.sliferdesigns.com HW HOME 4246 Carson Street, #101, Denver CO, 80239 +1 720 564 1286 www.hwhome.com CONNECTICUT LILLIAN AUGUST 32 Knight Street, Norwalk, CT 06851 +1 203 847 1596 www.lillianaugust.com RINFRET HOME & GARDEN 354 Greenwich Avenue, Greenwich, CT 06830 +1 203 622 0204 www.rinfretltd.com WAKEFIELD COLLECTION 652 Glenbrook Road, Stamford, CT Stamford +1 203 358 0818 www.wakefielddesigncenter.com POUGH INTERIORS 1 Main Street, Essex, CT 06426 +1 860 581 8344 www.poughinteriors.com MILLIE RAE’S 1799 Post Road East, Westport, CT 06880 +1 203 259 7200 www.millieraesstore.blogspot.com TROVARE HOME 245 East Putnam Avenue, Cos Cob, CT 06807 +1 203 869 5512 www.trovarehomedesign.com SUSAN ANDERSON DESIGNS / WHITE BIRCH STUDIO 3 Sconset Square, Westport, CT 06883 +1 203 557 9137 [email protected] HOAGLAND’S 175 Greenwich Ave, Greenwich, CT 06830 +1 203 869 2127 www.hoaglands.com FLORIDA ISLAND HOME 334 Worth Avenue, Palm Beach, FL 33480 +1 561 832 6244 www.islandhomepalmbeach.com JALAN JALAN 3921 NE 2nd Avenue, Miami, FL 33137 +1 305 572 9998 www.jalanmiami.com ALLISON PALADINO 18396 SE Heritage Dr, Jupiter, FL 33469 +1 561 514 0155 www.apinteriors.com SHARRON LEWIS DESIGN CENTRAL 1601 NE 2nd Avenue, Miami, FL 33132 +1 305 373 7330 www.sharronlewis.com BAY DESIGN 326 13th Avenue South, Naples, FL 34102 +1 239 649 0906 www.baydesignstore.com PHOEBE HOWARD 4128 Herschel Street, Jacksonville, FL 32210 +1 904 387 1202 www.phoebehoward.com TRADITIONS 870 6th Avenue South, Naples, FL 34102 +1 239 213 1240 www.traditions.com GEORGIA PHOEBE HOWARD 425 Peachtree Hills Avenue, Suite #23, Atlanta, GA 30305 +1 404 816 3830 www.phoebehoward.com OWEN LAWRENCE 87 West Paces Ferry Road NW, Atlanta, GA 30305 +1 404 869 7360 www.owenlawrence.com ILLINOIS PEACHTREE PLACE 303 Happ Road, Northfield, IL 60093 +1 847 441 7585 www.peachtreeplaceonline.com KENTUCKY BITTNERS 731 East Main Street, Louisville, KY 40202 +1 502 584 6349 www.bittners.com MARYLAND SHEFFIELD FURNITURE 1582 Rockville Pike, Rockville, MD, 20852 +1 301 881 6010 www.sheffieldfurniture.com THE KELLOGG COLLECTION 6241 Falls Road, Baltimore, MD 21209 +1 410 296 4378 www.kelloggcollection.com MASSACHUSETTS VINEYARD DECORATORS 835 Airport Road, Vineyard Haven, MA 02568 +1 508 693 9197 www.vineyarddecorators.com VU DESIGN 33 Bassett Lane, Hyannis, MA 02601 +1 774 470 1363 [email protected] DAYTON HOME LLC 276 Washington Street, Wellesley, MA 02481 +1 617 227 5343 www.dayton-home.com MICHIGAN THE QUIET MOOSE 2666 Charlevoix Avenue, Petoskey, MI 49770 +1 231 348 5353 www.quietmooseonline.com MINNESOTA THE SITTING ROOM 380 2nd Street, Excelsior, MN, 55331 +1 952 473 4440 www.thesittingroomstudio.com MISSOURI KDR DESIGNER SHOWROOMS 11660 Page Srvc. Dr., St. Louis, MO 63146 +1 314 993 5020 www.kdrshowrooms.com NEW JERSEY LAWRENCE MAYER WILSON 709 Riverview Drive, Brielle, NJ 08730 +1 732 223 0900 www.lmw-interiors.com SURROUNDINGS FURNITURE & DESIGN 200 Tilton Road, Northfield, NJ 08225 +1 609 407 5002 www.surroundingsfurniture.com WOSTBROCK HOME 225 Goffle Road Ridgewood, NJ 07450 +1 201 445 0807 www.wostbrockhome.com NEW YORK ENGLISH COUNTRY ANTIQUES 26 Snake Hollow Road, Bridgehampton, NY 11932 +1 631 537 0606 www.ecantiques.com ABC CARPET & HOME 888 & 881 Broadway, New York, NY 10003 +1 212 473 3000 www.abchome.com COCOBOLO 37 Maple Avenue, Armonk, NY 10504 +1 914 273 4485 www.cocoboloarmonk.com HABITAT LTD PO Box 1071, 710 Montauk Highway, Water Mill NY 11976 +1 631 726 9311 www.habitatltd.com HAMPTON WHITES 509 North Main Street, Port Chester, NY 10573 +1 914 967 1867 www.hamptonwhites.com GANSETT LANE HOME 6 South Etna Avenue, Montauk, NY 11954 +1 631 668 8050 www.gansettlane.com PENNSYLVANIA LUXE HOME 1308 Chestnut St, Philadelphia, PA 19107 +1 215 732 2001 www.luxehomepa.com SHEFFIELD FURNITURE 211 East King Street, Malvern, PA 19655 +1 610 644 7450 www.sheffieldfurniture.com NORTH CAROLINA FURNITURE LAND SOUTH 5635 Riverdale Drive, Jamestown, NC 27282 +1 336 822 3000 www.furniturelandsouth.com DEMI RYAN 1001 Park Glen Pl, Durham, NC 27713 +1 918 806 8708 www.demiryan.com SOUTH CAROLINA J BANKS DESIGN GROUP INC. 35 North Main Street, Suite 120, Hilton Head Island, SC 29926 +1 843 681 5122 www.jbanksdesign.com POSTCARD FROM PARIS 631 S Main Street, Greenville, SC 29601 +1 864 233 6622 www.postcardfromparis.com TEXAS BERNADETTE SCHAEFLER 1616 Hi Line Drive, Suite 100, Dallas, TX 75207 +1 214 749 0816 www.bernadetteschaeffler.com LOUIS SHANKS 2930 West Anderson Ln, Austin, TX 78757 +1 512 451 6501 www.louisshanksfurniture.com LOUIS SHANKS 2800 Fondren Rd, Houston, TX 77063 +1 713 780 9770 www.louisshanksfurniture.com LOUIS SHANKS 11035 West Interstate 10San Antonio, TX78230 +1 210 691 1400 www.louisshanksfurniture.com CARLIN & CO. 150 Turtle Creek Blvd, Suite 211, Dallas, TX 75207 +1 214 760 7216 www.carlinandcompany.net SHABBY SLIPS 1126 1/2 West 6th Street, Austin, TX 78703 +1 512 478 5666 www.shabbyslipsaustin.com VIRGINIA SHEFFIELD FURNITURE 21080 Dulles Town Center, Dulles, VA 20133 +1 571 323 6000 www.sheffieldfurniture.com THE KELLOGG COLLECTION 1353 Chain Bridge Road, McLean, VA 22101 +1 703 506 0850 www.kelloggcollection.com THE KELLOGG COLLECTION 6227 River Road, Richmond, VA 23229 +1 804 285 9143 www.kelloggcollection.com WASHINGTON DC THE KELLOGG COLLECTION 5215 Wisconsin Ave NW, Washington, DC 20015 +1 202 363 6879 www.kelloggcollection.com SCHOENER’S INTERIORS 2045 120th Ave NE, #200, Bellevue, WA, 98005 +1 425 454 9000 www.schoenersinteriors.com WEST INDIES ARCHER’S HALL DESIGN CENTRE Queen’s Street, Speightstown, Barbados WI +1 246 422 0400 www.archershall.com CASTLE CARY 2 Market Place, Castle Cary, Somerset, BA7 7AL T: +44 (0) 1963 351 212 E: [email protected] LONDON 555 Kings Road, London, SW6 2EB T: +44 (0) 20 7371 8733 E: [email protected] ATLANTA AmericasMart, Building 1, Floor 14, Suite A5, Georgia 30303 T: +001 404 749 5017 E: [email protected] HIGH POINT Only During Market, C + D Building, Suite 2A, High Point T: +001 336 886 3549 E:[email protected] A series of signed and limited edition dog portraits by watercolour artist Ian Mason. They are available from our stockists above For more details on any of the companies on this page, click on the Blue Highlight
www.trowbridgegallery.com For more product information on TROWBRIDGE, CLICK HERE
42 16 24 30 32 34 36 38 CONTENTS 40 16 42 32 34 38 24 Design News Names and events in the US design world What’s New at TROWBRIDGE Decorating with Blue If you choose the right shade, blue can make a striking statement in a room An iconic showroom turns 50 It is an Aladin’s cave of wonderful decorative antique treasures on London’s King Road The making of modern classics Lillian August says that new traditionalists have fallen in love with colour and vibrancy Memories that sparked design ideas Barry Dixon remembers how snapshots from his early life have helped shape some of his most successful fabric designs A new Chinese revolution Liliane Fawcett celebrates a young generation of spirited designers who are making their mark in China Learning the Interior Design trade If you want to make your mark you need to go back to school says Jenny Gibbs Are you sitting comfortably? Soft and sensuous is the new style for contemporary furniture says Tina Nicole Don’t chase trends There isn’t a wrong colour, only colour in the wrong place says Julia Brendel The Romance of Art Deco Elegant and chic, there is nothing to beat it says Christopher Guy Harrison Chilling out in the corporate world Tim Armitt on why it is time to sit back and relax in the new business environment Weaving a new magic rug Tufted now rules in the rug world says Arash Yaraghi Outdoor News The latest styles for outdoor furniture Fabric News New collections of fabrics for 2014 Bathroom News What’s new for your bathroom 44 42 44 46 48 50 36 40 46 48 30 50 56 22 22 58 56 58
For more product information on Hancock & Moore, CLICK HERE
90 108 78 100 Cover story: Antiques dealer and avid collector Richard Shapiro is obsessed with old Europe. See more on page 110 www.bridgefordesign.com 68 74 82 70 68 70 74 78 In Conversation The celebrated interior designer Nicholas Haslam shares his style tips and colour passions Sandra Nunnerley reveals her style The New York based interior designer has published a book called Interiors in which she explains her design vision A library holding the furniture worlds’ secrets The Bienenstock Furniture Library in High Point holds the largest collection of furniture design books in the United States and is a treasure trove of great furniture design The Barcelona chair – is it an Icon or a Diva? Rita Ora asks why is there such fascination with this 20th century statement chair Designer Focus Timeless design in a Sydney pied-a-terre from San Francisco based interior designer Phillip Silver A stunning contemporary home in Boca Raton Florida-based design firm Marc-Michaels has created a striking riverside house which they describe as having ‘barefoot elegance with an organic feeling’ A Greek island delight A house on Spetses was designed and built by John Stefanidis ‘from the inside out’ The making of a Parisian palace This breath-taking Paris apartment was designed by Londonbased designer Louis Henri Buhrmann, four years in the making, everything about it is bespoke An updated New York townhouse Designer Miles Redd was called upon when a New York couple wanted to rework their quirky townhouse to accommodate their young family Obsessed with old Europe COVER STORY: Antiques dealer and avid collector Richard Shapiro confesses to having a fascination with the old surfaces and patinas he found on European buildings and how he was determined to re-create them in his LA home A riverside apartment in central London Michael Reeves created the contemporary interior of his Thameside home in just six weeks Scandinavian style in Palm Beach Lars Bolander opens up his home to reveal his design style 82 90 100 108 116 126 134 116 126 134 ¨ 62 62
Visit lillianaugustfinefurniture.com for a showroom near you. LA BridgeAD_final_2014.indd 1 1/31/14 10:58 AFor more product information on Lillian August, CLICK HERE
CONTACT US www.bridgefordesign.com Copyright 2014 BRIDGE FOR DESIGN, Trowbridge Gallery, ISSN 1764-4404. Printed by Butler Tanner & Dennis, Caxton Road, Frome, Somerset BA11 1NF T: 01373 458220. Published quarterly. All rights reserved. Reproduction in whole or in part without prior written permission is strictly prohibited. The views expressed by contributors are independent and are not necessarily those of BRIDGE FOR DESIGN 16 Sybron Way, Jarvis Brook, East Sussex, TN6 3DZ, United Kingdom PUBLISHER Martin Trowbridge E: [email protected] T: +44 (0)20 7371 8733 ADVERTISING SALES DIRECTOR Vivien Brockwell E: [email protected] T: +44 (0)1732 461 090 C: +44 (0)786 754 7712 UK ADVERTISING Simon Hemsley E: [email protected] T: +44 (0)7919 375 159 US ADVERTISING Shelba Cornelison E: [email protected] T: +001 336 869 2528 EDITORIAL MANAGING EDITOR Rob Cork E: [email protected] T: +44 (0)1892 667 600 Kelly Wenham E: [email protected] T: +44 (0)1892 667 600 Sam Finley E: [email protected] T: +44 (0)1892 667 600 DESIGN & LAYOUT CREATIVE DIRECTOR Guy Davis E: [email protected] T: +44 (0)1892 667 600 SUB-EDITOR Francois Jarzabek E: [email protected] T: +44 (0)1892 667 600 CONTRIBUTORS The Interior Archive + 44 (0)20 8964 3804 [email protected] Tim Armitt Lillian August Julia Brendel Eleanor Busing Wayne Clarke Barry Dixon Liliane Fawcett Jenny Gibbs Christopher Guy Arash Yaraghi ACCOUNTS Cisca Cowling E: [email protected] T: +44 (0)1892 667 600 SUBSCRIPTIONS Bridge For Design E: [email protected] T: +44 (0)786 754 7712 T: +44 (0)1892 667 600 F: +44 (0)1892 667 007 E: [email protected] For more product information on Savoir Beds, CLICK HERE
Sabine Bed Design Tina NicoleTM © 2014 Nathan Anthony Furniture. All rights reserved. nathananthonyfurniture.com Available through To-The-Trade Showrooms, Architectural Firms and select Fine Furniture Retailers MADE IN THE USA NATHAN ANTHONY® SecTionAlS | SoFAS | chAiRS | upholSTeRed bedS | dininG | oTTomAnS | FAbRicS 14BridgeAD-SabineBed-RR.indd 1 1/13/14 11:09For more product information on Nathan Anthony, CLICK HERE
DESIGN | news THE LATEST Lillian August introductions by Hickory White expand the classics incorporating fresh materials, finishes and styles infused with a modern elegance such as this Maison sofa and Guy clipped corner console shown in a new finish. Each design exemplifies Lillian’s attention to a sophisticated, vibrant and engaging lifestyle. She is passionate about colour, comfort and visual appeal. T: +001 828 322 2640 | www.lillianaugustfinefurniture.com MODERN MAISON ELEGANCE Neo-classic Hancock buffet-server is an ideal addition to the dining room or foyer. It features solid brass circular fretwork complemented by graceful solid brass stretchers and hardware as well as antiqued mirrored door fronts. Adjustable shelves add greater flexibility to this stylish design finished in a rich Espresso colour. T: +001 904 279 1617 | www.aldenparkes.com Inspired by Greek Revival architecture of the early 19th century, this black painted Jonathan Charles side chair with full upholstery and a pierced back creates comfortable seating while enjoying dinner with friends and family. T: +001 252 446 3266 www.jonathancharles.com The aesthetic ideals common to traditional Japanese design and Western modernism are prominently shown in the stylish Kyoto dining collection by Copeland Furniture. Its broad useage of surfaces and simple geometry give way to the natural beauty of Kyoto’s solid walnut grain, offering easy integration and freshness to contemporary decor. T: +001 802 222 9282 | www.copelandfurniture.com EVOK by Nathan Anthony is a four-piece modular seating group designed with distinct colour-blocked layers. Each piece features a band of wood (in eight finishes) for extra contrast. This combination consists of an armless chair, corner unit and two ottomans providing a myriad of configurations. T: +001 323 584 1315 | www.nafurniture.com SIMPLE JAPANESE LINES For more details on any of the companies on this page, click on the Blue Highlight
Biltmore® by Fine Furniture Design is inspired by George and Edith Vanderbilt’s comfortable approach to gracious living and hospitality. BiltmoreFineFurniture.com Produced under license by Fine Furniture Design. For more product information on Biltmore, CLICK HERE
DESIGN | news THESE hand-sculpted fish are cast in artisan-grade resin and hand finished in real silver leaf to create unique pieces of wall décor from The Phillips Collection. The characteristics are realistic down to the hand crafted eye, while the silver leaf finish gives it the ultimate contemporary look. While wood, vine, bark and branch has been used to create their unique and sustainable headboard (left). T: +001 336 884 9287 | www.phillipscollection.com These flying fish are quite a catch THIS EXCLUSIVE City Signs series of decorative books by E. Lawrence, shows original photography printed on handmade paper bound by hand. Inspired by some of the greatest cities of the world and their quintessential signage, these are personally designed by Eddie Lawrence for specific decorative use. T: +001 404 355 0226 | www.elawrenceltd.com T: +44 (0)20 7371 8733 | www.trowbridge.co.uk This stylish Windsor chair designed by Mark Goetz combines new Glitzy pink and Lena Raspberry leather and is highlighted with Java finish with nickel nails for trim. Transitional in style, this innovative design comes with curved arms or no arms for a variety of decorative uses. Hancock & Moore strives to build fine furniture of uncompromising quality to endure for generations. T: +001 828 495 8235 | www.hancockandmoore.com Taking inspiration from an iconic square in the heart of London, Fine Art Lamps has initiated a lighting programme of gradually and steadfastly introducing solid brass transitional shapes in both antique brass and polished nickel. The umbrella for this developing collection is Grosvenor Square, filled with classical houses now being furnished with today’s looks. T:+001 305 821 3850 | www.fineartlamps.com TICKLED PINK INSPIRED BY A SQUARE For more details on any of the companies on this page, click on the Blue Highlight
From decorative casegoods to tailored upholstery, Alden Parkes reinterprets and remasters the icons that defi ne gracious living. Visit our SHOWROOM or scan our QR code to discover High Point’s best-kept secret. High Point Showroom: 200 North Hamilton Street, Suite #207. Located in the prestigious Hamilton-Wrenn Design District on the 2nd Floor in the NORTH COURT of the 200 Building. Showroom Phone # 336-883-0221. www.aldenparkes.com Alden Parkes BRDG 011014.indd 1 1/13/14 10:04 AM For more product information on Alden Parkes, CLICK HERE
DESIGN | news WE COULD refer to this striking 78 inches long Thomas credenza as ‘black tie’ as it brings together some of the best in design elements including brightly polished handles and black glass doors for a truly distinctive look. This four-door design from John-Richard offers a stylish silhouette and may be used in a variety of decorating environments. T: +001 662 453 5809 | www.johnrichard.com SUSAN CALHOUN of Collage Designs creates a serene blue room in the living area of this getaway home in Siesta Key, Florida. A cool celadon green is used on the walls as a soothing canvas for the array of blues used in the furnishings, rugs, curtains and accessories; ranging from grey-blue through cornflower to indigo. The darker blue details highlighted in the cushions on the sofa, the turtle artwork on the wall and the decorative boxes on the coffee table ensure the theme flows seamlessly through the room. T: +001 416 932 0302 | www.collagedesigns.ca The graceful Comtesse chair and ottoman are designed with comfort in mind. As part of Biltmore by Fine Furniture Design, these are just two of seventy-plus exceptional items curated to work beautifully together. The entire Biltmore collection exhibits a fresh look on grand time-honoured classics. Tel: +001 336 883 9918 www.BiltmoreFineFurniture.com Susan Calhoun’s serene blues BILTMORE’S COMFORT AND GRACE LUXURY stone specialist Lapicida is opening a Manhattan flagship showroom this Spring. With a commanding position on the ground floor of the D&D Building at East 59th Street, the new showroom flies the flag for European heritage; from antique floors reclaimed from French chateaux to intricate geometric designs in native British stones, inspired by 18th Century references. Bespoke walls, floors and decorative pieces create a dazzling showcase for Lapicida’s admirable collection. T: +44 (0)80 0012 2220 | www.lapicida.com For more details on any of the companies on this page, click on the Blue Highlight
DALLAS | HIGH POINT | MIAMI | MOSCOW Original lighting designs handcrafted in America and specified worldwide since 1940 | www.fineartlamps.com FINE A R T LAMP S MARQUISE Available in brushed gold, platinized silver leaf and antique bronze, with either faceted or smooth crystals. For more product information on Fine Art Lamps, CLICK HERE
A striking pop of colour from one of our newest acquisitions to our contemporary art portfolio, cries out for a modern, chic placing. Didier Guth enjoys exploring colour and form, often pairing soft curves with harsh lines and clashing colours such as bright yellow and navy blue. Code: DGH Size: 27” x 32” | 68cm x 81cm With a passion for lines, be it in nature or drawn by man, Vinça Monadé has a very definite way of creating her regimented images. Form precedes both colour and placement and Vinça insists that ‘art made by the hand is of the purest creation’. Code: VCM Size: 27” x 32” | 68cm x 81cm The Star, Sulcata and Aldabra Tortoise shells are given a contemporary and decorative finish in these three new statement pieces we have added to our collection. Code: TAJ832, TAJ833 and TAJ834 Size: 44”x52” | 112cm x 132cm For a bit of kitsch glamour, we have given the crown jewels a pop art makeover. Code: PAC Size: 44”x44” 112cm x112cm A world weary wooden boat at rest, tied to the dock awaiting its next adventure on the high seas. Code: TAJ826 Size: 44”x52” | 112cm x 132cm WHAT’S NEW | TROWBRIDGE POP OF COLOUR PURE FORM www.trowbridgegallery.com Living up to its semiaquatic nature, the hippopotamus remains cool by staying submerged in peaceful waters during the heat of the day. Barely moving, a perfect reflection is seen in the glass-like surface. Code: TAJS801 Size: 52”x44” | 132cm x112cm Tel: +1 404 816 8612 For more product information on TROWBRIDGE, CLICK HERE
Jami Tarris’s stunning high quality and artistic wildlife photographs showcase some of the world’s most beautiful animals. This visually impacting image captures the personality of this magnificent leopard while it remains at ease in its natural habitat. Code: TISJ2 Sizes: 20”x 24” | 40cm x 60cm , 27” x 31” | 65 cm x 78 cm, 52” x 44” | 132cm x 112cm Our popular motorboat blue prints are given a new grand scale to showcase the intricate detail of these comprehensive plans. Code: SMGP4 Size: 50” x 22” | 127cm x 55cm This stylised photographic study showcases the expertly designed, curved tips of a pair of retro skis. Chosen here for their symmetry and simplicity, they are quite far removed from the aerodynamic beauties being used in this year’s Sochi Winter Olympics. For the most part the piece remains abstract but it does pay homage to winter sports and the pursuit of activity. Code: TAJ798 Size: 44”x52” | 112cm x 132cm Tel: +1 404 816 8612 WHAT’S NEW | TROWBRIDGE Two Skis The soft velvet heads of wild flowers captured in this photograph by Anne Loustaunou sway in the rolling breeze of a French meadow. Code TAJ793 An intricate portrait of the lily in its infancy; the tightly curled leaves will slowly unravel to eventually reveal the brightly coloured treasure within. Code TAJS802 A delicate and tranquil overhead view of a Japanese Aralia arranged in a circular vase. Code TAJ795 Each image measures 44”x44” | 112cm x 112cm For more product information on TROWBRIDGE, CLICK HERE
Erró’s art can certainly be typecast as Pop Art, with bold comic-strip characters taken from dozens of cultural resources, the art draws close comparison with propaganda posters. Erró embodies many pastiches and styles of other 20th century artists such as Picasso, Léger and Dalí. Available in our contemporary frame in white, black or silver with a linen slip. Code: ERO Size: 25”x33” | 64cm x 84cm SUSAN HICKS uses the classical composition of life study to create a modern stylised series of figurative works. The collection speaks volumes of traditional sophistication, with tones of early 20th century masters, interspersed with the blotting of watercolour upon a crisp background. Also available as full colour on white images. Code: SHNB6 Size: 27”x31”| 68cm x 78cm THE MAJESTIC African elephant featured in this image commands instant attention, with eye-catching grandeur that inspires further study. The composition of this modern portrait is from an upward angle that can’t help but make the arresting mammal appear even greater in size and presence. However, the initial spell cast by the elephant renounces a softness that begins to show a wisdom and tenderness to the mature character. Photographer Chris Clor describes himself as a ‘visual communicator’ with a basis in photography that has expanded to ‘hybrid illustration’ that resonates conceptual narrative and utilises current computer technologies. Code: TAJS796 Size: 44” x 44” | 112cm x 112cm CHARLOTTE MORGAN presents hand painted silver finger prints. Their large scale has an abstract quality and unique detail. The applique brushed silver leaf adds a semi precious quality yet remains delicate on the white surround. Each image is unique and hand painted to order by Charlotte. Code: FPS1 Size: 27”x31” | 68cm x 78cm Cubism lives in the simple lines of this 1970’s-inspired chair which in black and white makes it an even more striking design statement. We have completed the contemporary look with our new polished chrome frame. Code: TAJ814 Size: 44”x 44” | 112cm x112cm WHAT’S NEW | TROWBRIDGE www.trowbridgegallery.com Tel: +1 404 816 8612 For more product information on TROWBRIDGE, CLICK HERE
Pinball Wizard The soft and clustered head of the Chive remains a delicate and intriguing flower that despite its origin as a common garden herb is soft and feminine. Here the flower gives a burst of abstract texture in our popular triptych format. Code: TACT792 Sizes: 67” x 49” | 170cm x 125cm and 46”x 35” | 117cm x 88cm New to TROWBRIDGE, watercolour artist Ian Mason has captured the endearing personalities of canines with his contemporary collection of portraiture. The art bears the charm of a loose and free style that echoes traditionalist techniques but in a far more modern palette. Ian mostly works in ink washes but occasionally introduces other media such as charcoal to great effect. Ian depicts a huge range of breeds in his portfolio which we are offering in a simple silver frame with a linen slip. Code: IMG6 Size: 28”x28” | 71cm x 71cm CHARLES BELL was an American photo realist painter, known primarily for his largescale still life images. With a subject matter primarily of vintage toys, pinball machines, gumball machines, dolls and action figures, Charles sought to bring pictorial majesty and wonder to the mundane. The use of bright colours and illuminated subject matter captivate the viewer’s imagination. Code: TAJ783 Size: 52”x44” | 132cm x 112cm This photographic study features the exquisite ‘flower-head’ of a budding artichoke. The perennial plant has wonderfully symmetric characteristics that add uniqueness, along with a beautiful palette of colour ranging from purples and silvers to green. The photograph is a stunning alternative to classical botanical study. Code: TAJ791 Size: 44”x 52”|112cm x 132cm Drawing on 25 years’ experience in creating gardens Jill Ray uses her love of art to create these stunning landscapes. Often using her iPad as her sketch pad, Jill ‘loves the way layers of translucent blocks of colour can build up an image’. With her work often resembling overlaid strips of tissue paper, Jill is focused on ‘colour, light and the rhythms of the landscape. Code: JRL3 Size: 26”x 26” | 66cm x 66cm Mason’s Dogs Tel: +1 404 816 8612 WHAT’S NEW | TROWBRIDGE TROWBRIDGE SPRING 2014 CATALOGUE CLICK HERE to see our new 186 page Spring Catalogue For more product information on TROWBRIDGE, CLICK HERE
DESIGN | news The inspiration for this bed came from leafing through the ‘pages of the past’, as the designer Tiziano Bistaffa describes it. Its value lies in the complexity of the traditional craftsmanship, which enhances the detail in production and highlights the heritage of the Italian cabinet making experience. T: +001 336 885 2239 | +44 (0)1273 385 255 www.selva.com THESE life-like botanicals by New Growth Designs show the artistry of Ed Glenn - owner/designer - whose incredible skill and dedication to perfection allows designers to bring the beauty of nature indoors. Ed’s renowned ability in floral creations stems from both his natural talent and from experience with the family’s fresh flower business that has been operating for more than 60 years. T: +001 252 752 6195 | www.newgrowthdesigns.com THE BAY DESIGN STORE in Naples has long flourished as one of Southwest Florida’s outstanding interior design firms. In addition to professional interior design studios, the store features an impressive and ever-changing selection of furniture, lamps, rugs and accessories, and a wide selection of art, including original oils, limited edition prints, and fine decorative art. T: +001 239 649 0906 | www.baydesignstore.com INSPIRATIONAL PAST Talented design duo Barneby and Gates have added two new wallpapers to their growing collection. ‘Anchor‘ and ‘Chess’, are both printed using the surface print technique that is attributed to their painterly hand stamped finish. Chess is available in soft Stone or rich Burgundy. The nautical Anchor tile is an unusual combination of Moorish influence T: +44 (0)77 1348 3530 www.barnebygates.com UP ANCHOR HERITAGE New from Heritage Home this collection of outdoor furniture will look good on any deck. Their transitional Marcello collection is made from tuxedo black synthetic wicker while the ottoman and cushions are covered in herringbone weaves. T: +001 828 267 5813 I www.heritagehome.com For more details on any of the companies on this page, click on the Blue Highlight
MADE IN ITALY SINCE 1968 phone USA 336 885 2239 phone UK 01273 385 255 London New York Miami San Francisco Chicago Los Angeles Boston Dubai Abu Dhabi Moscow St. Petersburg Warsaw Singapore Bucharest Almaty Berlin Düsseldorf Munich Vienna Den Haag Zurich Geneva Belgrade Shanghai Suzhou Tallinn Helsinki Rome Milan Seoul selva.com TABLE and CHAIR VENDÔME, design LORENZO BELLINI For more product information on Selva, CLICK HERE
An 18th century French damask wallpaper in sky blue and white creates drama in this eclectic living space designed by Miles Redd. Accents of complementing shades of blue on the cushions and curtains complete the blue theme. Photograph: Simon Upton/The Interior Archive A stunning abstract painting in various shades of blue, the easiest way to introduce blue to your room, is complimented with a geometric patterned blue and white rug in this New York apartment designed by Anita Sarsidi. Photograph: Simon Upton/The Interior Archive 1 2 4 5 6 1 2 The palest of tiffany blue that Diane Berger has chosen for the walls of this 18th century French inspired room is the perfect background for the beautifully ornate furniture covered in bright blue toile. Photograph: Fritz von der Schulenburg/The Interior Archive Mimmi O’Connell adds a touch of blue to a traditional Majorcan room decorated predominantly in white with the addition of boldly patterned cushions and rugs in matching shades of blue. Photograph: Fritz von der Schulenburg/The Interior Archive 3 4 A fresh azure blue on the walls with accents of white in both the dining room and living room in this Dutch home designed by Floriene Bosch, makes this ground floor social area flow together beautifully. Photograph: Simon Upton/The Interior Archive A bright cerulean blue on the walls of this inviting Greek bedroom, designed by John Stafanidis, is complemented by the rich navy blue of the textiles on the bed and the lamps either side of the four-poster. Photograph: Fritz von der Schulenburg/The Interior Archive 5 6 3 Usually the go-to colour for beach houses and boy’s rooms, if you choose the right shade, the colour blue can create a bright, bold and striking statement room, or a tranquil and soothing escape. DESIGN IDEAS | decorating with blue
Moduluxe Bedroom Audrey Dining made in america made to order made to last copelandfurniture.com For more product information on Copeland, CLICK HERE
A new book celebrates the famed decorative antiques showroom Guinevere ocumenting the journey of the iconic Guinevere showroom since it first opened in 1963, is Guinevere: The First 50 Years. Having recently celebrated its anniversary, the book features collated images from the archives to tell the story of this fascinating shop and how it has evolved into what it is today. Based on London’s Kings Road, Guinevere has expanded into the neighbouring spaces over the years and now boasts an 8,000 sq ft space that’s home to a myriad of decorative antiques spanning across many eras. This treasure trove of ideas has furnished the homes of the elite and style conscious worldwide since it first started trading. The shop was originally founded by French-born Genevieve Weaver, who first arrived in London for a year’s placement with a hat designer. Genevieve soon fell in love with her English teacher’s son and was suddenly designing a futuristic style home for them in Portobello. With a keen eye for aesthetic style she discovered a passion for buying antique pieces to fill their home and having tired of hat design, Genevieve decided to combine her passion for interiors with business and started buying and selling antiques. Initially the business traded pine furniture but it wasn’t long before Genevieve was travelling the world discovering exotic and unusual pieces, which were introduced to her London clientele. The combination of Genevieve’s forward thinking outlook and her ability to set trends, created the foundations of what was to become one of London’s most successful antiques businesses. The shop is now run by Genevieve’s sons, Kevin and Marc, who take customers on a journey through time and across continents with arrangements of unique furniture, lighting, fabrics and decorative accessories that are constantly changing. A combination of different styles and eras continue to successfully fuse together, east meets west, classic meets modern. Guinevere: The First 50 Years features home interviews with key clients and contacts, in addition to the company owners, this pictorial book is a collector’s piece taking the reader on a celebratory journey of the finest antiques and interior design business. D www.guinevere.co.uk Setting the style for 50 years DESIGN NEWS | iconic showroom For more details about Guinevere, CLICK HERE
Creating classics that are in tune with the times lways fashion conscious, the ‘new’ traditionalist has respect for history but demands that traditional design continually be re-interpreted, designs that look to the classics but stay in tune with the times. A symbol of graceful living, traditional design is also a symbol of success. It began with Queen Victoria, the first Royal to publicly embrace the idea of home, therefore giving the home greater social value than more artificial court life. It has evolved to what we might call the new era of the interior designer whose customers demand incredible rooms. Early women of design, Nancy Lancaster, Elsie de Wolfe and Sister Parrish, among other greats, opened the door for the interior designers of today. Often, their most significant work was experienced by the public in elegant hotels, memorable ballrooms and lobbies. Still today, stellar discerning customers are captivated by this legacy. I take great pride in celebrating this legacy. My challenge as a designer is to retain the essence of classicism and at the same time update it with cleaned-up, not too fussy, statements. At Lillian August, we strive to be a part of the genre of unforgettable designers that have created a unique vocabulary of beautiful and timely fashion looks creating rooms that tell a story or at the very least pay tribute to renowned American designers. I enjoy settings where shades of the past can come to life with surprising, intense colour and excitement; where we can combine elegant European fabrics and the best of traditional furnishings, where furnishings and lifestyle settings reflect the best of interiors, many international in flair. New traditionalists have fallen in love with colour and vibrancy says Lillian August A Colour gets me out of bed in the morning and the opportunity to work with pure colour never fails to inspire. I always enjoy seeing designers embrace fashion and colour in all areas of their lives. Often they don’t realise just how much of this inspiration comes from 50 years of strong, as well as subtle, colour useage. We love colours such as vibrant greens, rich reds and tuxedo black and white which create drama and glamour. Fresh and clean-looking navy, so important in apparel, transcends readily to the home. We like the way red sizzles when combined with rich cream. Red, always the colour of love, is easily paired with olive and acid greens and easily complemented with strong splashes of black and white. Plums and blues are especially refreshing and bring a feeling of comfort and relaxation. Even bursts of ► Lillian August: ‘The most compelling rooms tell a story and colour always plays a key role’ DESIGN TRENDS | view point For more details about Lillian August, CLICK HERE
intense hues can create a warm, vintage look and become invigorating when softened by creamy taupe or pale olive. Eggplant and purple are important in a saturated colour palette, while ivories and creams add a richly textured feel. We see yellow adding pop in home furnishings, a nice accent in golds, mustard and sunflower colourations. Combined with greys, sand and washed stone, we have a wonderful urban, upscale lifestyle decor that is restful as well as charming. Similarly, radiant orchid - Pantone’s colour of the year - offers an expressive and exotic feel while inspiring confidence and warmth. The most compelling rooms tell a story and colour always plays a key role. At Lillian August we thrive on creating an unusual if not unique slant as well as timely fashion statements to these rooms, bringing the past to the present, bringing stories to life with flair, and rooms that can be enjoyed and appreciated the world over. ■ B Lillian August www.lillianaugust.com For more details about Lillian August, CLICK HERE
Inspired by memories of a treasured cocoa tin nspiration is everywhere. It lives in the memory of our past, the vibrancy of our present and the possibility of our future. It hides in plain sight in the view outside our window and it sits on a shelf inside our home. It lurks in foreign ports of call and waits patiently in our own backyard. It whispers to us in our dreams and screams at us in our waking moments, urging that moment of glorious combustion when our thoughts collide to spark our imagination. From the hay fields outside my windows to a treasured cocoa tin from my childhood, the following remembrances detail sources of my own design inspiration. The vivid clarity of a now long forgotten dream slowly succumbed to the hazy reality of another summer morning in Fauquier County. A steady drone of modern machinery had lured me from one state of consciousness to another, and I realised that the audio portion of my altered state was actually my friend Ricky cutting the tall grass in the pastures beyond the low stone walls that separate Elway Hall from Elway Farm. Peering through the windows of my bedroom aerie I could chart his progress: long furrowed rivulets of silken strands combed into place by the line of blades in his wake, such order in the concentric curves as he turned a graceful one-eighty to plod a parallel path in the vale. Later he would roll the fallen straw into mammoth coils that would be left to dry further in the June sun. I always love the look of the rolling hills dotted with the large, sweet smelling bales, their undulating forms crispened by the fresh, clean cut. By July I noticed that he had, with deft efficiency, stacked the rolled bales vertically two and three tall to keep them ‘high and dry’. The resultant wall was like some wonderful, Snaphots from times gone by are behind my design ideas says Barry Dixon I angle-less honeycomb - again with the mesmerising op-art effect of the concentric circles at the bales’ ends - that became a snapshot in my memory. The old cocoa tin on the shelf of my grandmother’s pantry was a ruse. Almost a century had passed since its mottled interior had held the sweet brown powder. The acrid smell ► Barry Dixon: ‘When Nettie passed that modest little touchstone became my link to our past’ DESIGN TRENDS | view point For more details about Barry Dixon, CLICK HERE
‘The Pattern on the box seems exotic to me even now’ Barry Darr Dixon 8394 Elway Lane, Warrenton, VA 20186 T: +001 540 341 8501 | www.barrydixon.com ■ B of rolled bills and heavy coins mixed oddly with a lingering chocolate scent, because that’s where Nettie kept her secret stash of money, (of course). When the neighbouring farmer delivered the fresh country butter pressed in a round wooden mould and wrapped in waxed paper, the tin came down from the shelf, as it did when we were going into town for an ice cream cone or when we kids needed ‘pocket money’ for our trip back home. The bittersweet colour of the box itself provided strong contrast to the graphic tones of the label and floral ornamentation, the latter executed in an almost scientific fashion, illustrating the ‘specimen’ of the cacao plant as it grew naturally in its tropical homeland. How exotic the broad-veined leaves and the nubby cacao pods must have seemed on the shelf of the 19th century general store where her grandmother bought the tin. The pattern on the box seems exotic to me even now, perhaps more so for the generations of memory and familiarity that it represents. Years later, when Nettie passed that modest little touchstone became my link to our past. Both ‘Crop Art Circles’ and ‘Cacao Vine’ have become bestselling fabrics in our textile collection for Vervain/S. Harris. Each an individual abstraction of a specific, personal object or observation collated into a product for a modern designer to employ in their own specific and personal ways. Look. Think. Create! The old cocoa tin which inspired Barry Dixon’s best selling Cocao Vine fabrics for Vervain/S. Harris ■ B For more details about Barry Dixon, CLICK HERE
DESIGN TRENDS | view point CHINESE REVOLUTION ultural activities and flourishing arts scenes are often cited as one of the indications of where a country sits on the international stage. By any measure, China has arrived. However, amidst all the talk of the immense business opportunities and far-reaching global influence, contemporary design in and from China is often overlooked by outsiders - and the Chinese themselves. A new generation of spirited designers is beginning to gather up millenia-long strands of artistic creativity, which had been severed by the Cultural Revolution. These are being weaved into the body of their work, which speak to the energy of modern China. They express the re-interpretations and narratives that have emerged in fields as diverse as ceramics, textiles, furniture and photography. Many there question whether China should remain the international hub for mass-production with its inevitable accompanying compromises in quality and finish. Or whether a more confident and wealthy country will signal a transition away from its current preoccupation with global trends and Western influence, to a re-evaluation of homegrown alternatives. Some designers, with little or no access to material, salvage and re-invent found pieces. One such artist, Gu Yeli, who is now one of China’s most innovative voices, has a distinctive visual wit and originality. Her designs acknowledge her ongoing love affair with the Shanghai nontang (a traditional alleyway) in which she lives in her native city. She embraces upcycling with colour and humour. This re-awakening of traditional skills, values and craftsmanship is giving rise to a more expressive and thoughtful cultural movement. Artist Yang Fan makes vibrant, colourful and sometimes immense installations using textiles, much of them excess, discarded surplus found in vast quantities every spring in southern China’s clothes manufacturing heartland. The internationally recognised Shao Fan, a friend of Ai Weiwei, says that only in adulthood did he mature into a fully-fledged Chinese artist having being overly influenced in his youth by foreign cultures. His beautifully crafted furniture, held in collections such as the Victoria and Albert Museum in London, is a meeting of eras and their styles, which acknowledges the ancient ties between continents and cultures but is also steeped in its creator’s environment. Another of Ai Weiwei’s artistic collaborators, Li Naihan, found a rich source of inspiration in the constant upheaval of Beijing’s redevelopment. For many people an ever-shifting and ever-changing city engulfed by mass immigration may prove too much to bear. Not for Li. She has highlighted this phenomenon with sensitivity by designing beds, dressing tables, wardrobes and desks which look like crates but once opened, morph into carapaces to contain the furniture, objects and most poignantly, allude to the memories which we all carry with us. The huge influence of European art and design had, and still has, on the world will no doubt continue but China is beginning to appreciate the value of traditional skills. Artists and designers are looking beyond being imitators and embracing what it means to be a Chinese designer in this established market. The journey will no doubt be anything but boring! Liliane Fawcett is the owner of Themes and Variations 231 Westbourne Grove, London W11 2SE T: +44 (0)20 7727 5531 | www.themesandvariations.com C Liliane Fawcett says we should celebrate a new generation of spirited designers ■ B For more details about Themes and Variations, CLICK HERE
555 Kings Road • Chelsea London SW6 2EB • +44 1202 717017 • Email: [email protected] www.johnrichard.com Bridge 12 18 2013.indd 2 12/30/2013 1:19:20 PM For more product information on John Richard, CLICK HERE
DESIGN TRENDS | view point have lost count of the times that I have been asked if interior design is just a matter of common sense. While no one would deny that this is important, as it is with any profession or career, the slightly worrying implication of the query is an assumption that no real specialist knowledge is involved at all. The early decorators such as Elsie de Wolfe, Jean-Michel Frank, Eileen Gray and John Fowler may not have had to contend with the technicalities of today’s interiors but they ensured that they found ways to gain knowledge and experience, recognising that they needed to develop their skills, understand the materials they were working with and learn the fundamentals of design theory. Elsie de Wolfe drew on her experience of set design and studied 18th century French design. Jean-Michel Frank followed work experience with a spell at a Paris Atelier. Eileen Gray originally studied at the Slade but when she became interested in interior and furniture design joined a workshop specialising in lacquer work, while John Fowler was known to pull old curtains to pieces to establish exactly how they had been constructed. Others ask if it is possible to learn interior design on the job and, of course, in an ideal world that is exactly what would happen. Many of today’s leading names in the design world learnt their trade and built up their experience and confidence with an established designer, apprentice-style. However, in today’s fast moving world, design practices need new employees to hit the ground running and do not have the time to teach the now extensive fundamentals. The demands on the interior designer today are huge. The design skillset is broadly definable as a combination of both intellectual and practical skills and is fundamentally a decision making and problem solving activity. It requires a blend of thinking and acting, learning through doing, testing ideas and assumptions through action. It is also a holistic process and allows for the vagaries of human nature, incorporating intuition, and even emotion into decision making. All of this requires a framework, a methodology which design students need to grasp as a platform for the development of their ideas. Similarly students can be introduced to processes which help them access creative ideas when faced with a raft of practical information from the client brief, design survey and analysis. Designers often work as part of a team with a variety of other professionals during both the design and construction stages. Inevitably, they need to understand the role of these professionals to collaborate with them successfully. In addition to the basic skills; design theory and knowledge, a grasp of relevant technology is now essential to facilitate the design. Illustration and administrative functions also play a key part within interior services, providing considerable learning challenges for the design student. Interior designers carry high levels of responsibility. Good design is critical to the competitiveness of many types of businesses and contributes to quality of life at home, work and leisure. To meet these demands students need to understand the benefits of in-depth research and to learn about the environmental performance of materials and products. With all this in mind, in-depth design training is really the only way to get started and to compete for employment. Jenny Gibbs is the principal of KLC school of design 503 Design Centre East , Chelsea Harbour, London SW10 0XF T: +44 (0)20 7376 3377 | www.klc.co.uk Jenny Gibbs explains why training is essential for today’s interior designers I LEARN YOUR TRADE ■ B For more details about KLC School of Design , CLICK HERE
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or me, merchandising upholstered furnishings is like going to a party with all my friends. I have fun with them as a group, and I appreciate each one for their individuality. And, if I’m lucky after the many toasts and shared conversations, one lays claim to the title of ‘bestie’. As the lead designer and co-founder of Nathan Anthony Furniture, my current ‘bestie’ in upholstered seating goes by the name Soft Modern. Observing trend in the contemporary furniture category, I see that the clean lines are continuing to evolve towards rounded silhouettes and more relaxed looks, taking on noticeably sensual characteristics. Design clients are moving away from choosing hard-edged frames that stand to attention in favour of softer, pillowy shapes. Soft fills like down and trillium are being used to pad perimeters in seating areas, tops of arms and backs, as well as for the front apron and outside backs. Wrinkles and puckers are intentionally added by loosening the upholstery application, or under-filling pillows to achieve the desired effect. We punch and chop seating and pillows – it’s a cathartic experience – to relax the filling. The objective is to attain a sophisticated degree of lived-in cosiness. The modern idea for more spacious environments will no longer be expressed in square footage, but through intentional decisions about décor and the careful selection of objects of desire. It’s minimalism with benefits, you might say. In this scenario, furnishing items are treated like sculptural elements that are intended to stand alone and speak for themselves. ‘The emphasis on sensuality is seen in both the shapes and materials used. Incorporating soft wood tones and unfinished metals help to complete the expression of this trend’, suggests Neil Kelly, of Neil Kelly Company. There’s a rich selection of trending fabrics used as upholstery covers now. Expect to see muted floral-inspired patterns, but much less bold than in the recent past, they put me in mind of the glorious watercolour pastels in my grand mother’s Sweet Pea garden. ‘Even popular geometric looks are softened by increasingly tranquil colourways grounded in white, taupe and grey. Pops of colour like yellow walk the line between light and bright and should wake up the senses when combined with patterns that intentionally clash’, says trend source Laura Bielecki, of Luxury Interior Design Journal. The hipster homesteading movement, with its focus on handcrafting, embroidery and homemade goods, is having an influence in the area of heavier cable knits and quilted fabrics available in the marketplace. We selected the upholstery covers ‘Cozy’, ‘Desdemona’ and ‘Lightning’ in response to this trend and covered our down-filled Bounce and Boxx ottomans, with a nod to the influence of Patricia Urquiola and her unique cover choices for seating. As you can see, it’s a lovely cast of characters indeed. All that’s left is to pour the wine and find a comfy seat. Cheers! Tina Nicole understands why furniture is becoming more relaxed and ‘pillowy’ F THRILLING ME SOFTLY Tina Nicole is lead designer Nathan Anthony Furniture 4940 District Blvd., Vernon, CA 90058 T:+001 323 584 1315 | www.nathananthonyfurniture.com ■ B DESIGN TRENDS | view point For more details about Nathan Anthony Furniture, CLICK HERE
am always surprised at how the fashion and fabric industries force new trends on designers, buyers and clients. I understand the need for the ‘new’ and ‘the race for clients’ with fresh collections. But colour is such a personal thing. My mum, who is an historian of art, says that there isn’t a wrong colour, there is only a colour in a wrong place, and after years of working in the art and design industry, I have learnt that she is absolutely right. Another thing that I have learnt is that the classics never disappoint. As much as I understand this need for colour trends in fashion, I feel that in home furnishings colours should reflect personal preferences and not be forced by what is dictated, just for the sake of it. My clients still prefer to live surrounded by colours they feel comfortable with. And what is comfortable varies from person to person. I like to play with colour and only use what I think works in a pattern. I do not chase the newest trends but experiment a lot with different combinations and when I like it, the decision has been made. I may be wrong, but when I design I do not look at other people’s work as I do not want to be influenced or tempted by colours that someone else thinks may be fashionable this year. I want my fabrics to last a bit longer than that. So, although I use a lot of classic colours like golds, blues and reds I also try to contrast them with more controversial ones and see what emerges. I also do not like to use too much grey. I think there is enough of that in our daily lives. I think that every designer’s duty is to be truthful to his or her own vision. Following a trend is lazy and compromises individual talent and is nothing more than playing it safe. You cannot please everyone and what I have found with my colour ranges is that they work for some and not for others. I’ve been told a few times that my colours are ‘not English enough’. Indeed, they shouldn’t be because my current collection is inspired by different cultures where colours are more vibrant, more surprising and inspiring. Others love them and are excited about seeing something truly different. People see colour in different ways depending on their geographical locations and cultures. In Africa for example, greens and blues are seen as almost the same colour and in fact, there is also less terminology in local languages to describe these colours. As a contrast there are more oranges and reds in the landscape so people see those colours better and use them more and the vocabularies reflect this. Where we live, especially in the UK, we see colours in hues of blue, almost through a misty grey filter and this is probably why people will always be drawn and feel at home with bluey-grey palettes. I looked at the newest trends in colours for the purpose of writing this article. It looks like there are lots of colours that I have included already in my designs. It only shows that colours come and go, just like trends in fashion. I will continue to choose what I think is right for each design and project and hope there will always be people who can see through my eyes. I DON’T CHASE TRENDS There isn’t a wrong colour, only colour in the wrong place says Julia Brendel Julia Brendel Julia Brendel Limited T: +44 (0)17 9559 9840 | www.juliabrendel.com ■ B DESIGN TRENDS | view point For more details about Julia Brendel, CLICK HERE
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ART DECO LUXURY CHIC vocative of the jazz-age, with clean lines and architectural detailing, the designs of the 1920’s and 1930’s remain a key trend within luxury furniture design. The use of solid hardwoods, with high-gloss and polished surfaces, creates a dramatic statement as well as adding a touch of timeless elegance to your interior design scheme. Taking inspiration from celebrated Parisian chic, furniture and accessories that embody this style make subtle references to neo-classical and Georgian design, while remaining true to the principals of Art Moderne. The attention to detail in each design ensures this surpasses seasonal trends to remain ever popular and current. Furniture, for example, is often characterised by its perfect proportions, with tapered legs, hand carving, oval back chairs and the use of mirror and glass with an antique finish. What makes this an enduring trend is the simplicity of the design. It works in harmony with other styles, allowing you to either make it the main theme for your interior design scheme, or alternatively, use one or two key items as accent pieces to co-ordinate with existing furniture. It’s complementary, making it effortlessly stylish, whether for a London townhouse, New York loft apartment or Hong Kong high-rise. Upholstered furniture suits a sophisticated colour palette. Rich monochrome fabrics fit the trend perfectly, but it’s important not to overuse. Instead, pick one or two statement pieces to cover. Soft, delicate pastels in pink, cream, blue and yellow hues will create a classic, timeless look. Alternatively, for a more dramatic effect, opt for a combination of deep reds, bottle greens or this season’s musthave teal. Stick to solid colours and avoid patterns, which can quickly detract from the chic, elegant look. Experiment with different types of fabrics, such as silk, raffia and even soft leather. The zeitgeist of modernism/ Art Moderne has been captured by popular culture throughout the last century. Even today, with films such as the adaptation of F Scott Fitzgerald’s Great Gatsby, which perfectly evokes the elegance, romance and decadence of the jazz-age, make it attractive to a younger and wider audience. This was one of the most talked about and covered design trends in the media during 2013. For me, what’s so special about contemporary Parisian chic, is its sumptuous and flirtatious elegance. It teases with its subtle, coy forms and allures you into a prestigious world as if casting a spell on the room. Christopher Guy Harrison celebrates the romance of the decadent jazz age E ■ B Christopher Guy Harrison T:+44 (0)20 7893 8314 | www.christopherguy.com DESIGN TRENDS | view point For more details about Christopher Guy Harrison, CLICK HERE
DESIGN TRENDS | view point dominant trend over recent years - and one that looks set to continue - is the cross-over between contract and hospitality interior designs. No longer separate and distinct, the boundaries of interior design that were once understood and abided by no longer apply, particularly when choosing furniture for these two environments. Furniture that would look equally at home in the domestic environment has traditionally been specified for the hospitality sector. Now however, with the contract sector looking to soften its environment and create more relaxed and flexible open-plan spaces for employees, the corporate look has started to echo the feel of a hotel environment. Meanwhile, as the hospitality environment has to pander more to the needs of the corporate client, the arrival of chill-out zones, phone booths and touchdown spaces are just some of the trends that currently influence hospitality designs today. The birth of high backed meeting booths is the one of the biggest areas of growth in the corporate arena. Great for breaking up large, open plan office spaces, these stand-alone pieces help create touchdown spaces and informal meeting areas. Many offer advanced acoustic capabilities, their contoured high-back design helps reduce peripheral vision and external noise, whilst enhancing privacy and retaining an open plan feel. Once confined to the foyer, soft seating has now become the norm for breakout spaces and meeting areas in corporate settings – hence the growing popularity of modular furniture that offers unrivalled levels of flexibility and practicality. Across both sectors, there has also been a distinct surge in custom designs and handcrafted furniture production. The need to stand out from the crowd and to provide that luxury wow factor was once the preserve of the hospitality sector. With more organisations waking up to sustainability, it’s important to consider products that are manufactured from sustainable raw materials with low chemical omissions, combined with a strict recycling practice. Equally, it’s more important than ever before to consider the robustness of materials when specifying furniture. Not only does it need to withstand everyday use, it needs to meet the rigours of housekeeping and offer an easy to clean and maintain solution. Regarding materials, there is still a strong trend towards wood tones combined with diverse colours and fabrics. Soft seating in bold colours can help distinguish office areas and break up the uniformity and functionality of the workspace, or provide a striking centrepiece. The use of natural wood looks set to continue too. No longer confined to the frame of the furniture, natural woods add texture and colour to handcrafted furniture designs and can adorn interiors with a touch of luxury and individuality that can make all the difference. When combined with classic and elegant furniture designs that boast high-end quality and craftsmanship – such as comb joints and bevelled edge detailing which give an exquisite finish – the results can be stunning and provide enduring appeal for years to come. A CORPORATE CHILL OUT Our offices are taking on a more relaxed and flexible look says Tim Armitt Tim Armitt is Managing Director of Lyndon Design 342 Swindon Road, Cheltenham, Gloucestershire GL51 9JZ T: +44 (0)12 4258 4897 | www.lyndon.co.uk ■ B For more details about Lyndon Design, CLICK HERE
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RISE OF TUFTED RUGS ntil the housing crash of 2009 in the US, hand-knotted rugs comprised more than 99 per cent of the residential designer market. Companies that had specialised in hand-knotted oriental and nomadic hand-weave carpets for half a century or more suddenly noticed that the clients of interior designers were postponing high end rug purchases. Rising to the challenge, a few wholesale rug manufacturers responded by upping the design and luxury quotient of handtufted rugs. Innovation in this category began with special licensed collections launched in 2009 by icons such as lifestyle leader Martha Stewart and celebrity designer Thom Filicia. In collaboration with these tastemakers, wholesalers pushed the design envelope with hand-tufted rugs in everything from yarn choices, to colour palettes and surface textures. These pioneering hand-tufted collections were crafted exclusively of the finest New Zealand wool to ensure a luxury look and long wear. Yarns were dyed using the same ancient pot dyeing techniques weaving families had been using for centuries to create custom hand-knotted Peshawar and Tibetan rugs for the interior design market. Finishing techniques were developed to create the soft patina of artisan woven carpets. The idea was to make the transition as seamless as possible by focusing on recreating expensive hand-knotted looks with proprietary effects and ever increasing numbers of colours for richness of detail. Rug companies that survived the transition to handtufting banked on bringing exceptional value to consumers who wanted quality, style and greater affordability in their decorative home products. At first, weavers concentrated on capturing the detailed motifs of coveted Persian rug designs. At Safavieh we aimed high, choosing to reproduce the famous Lavar Kerman rugs that have been prized as artistic marvels since the city of Lavar was visited by Marco Polo in 1270. In fact, the hand-tufted rug is a bit more structured than its finely knotted counterparts. But the technology is so exceptional, the hand-tufted version of a prized antique uses 25 colours, resulting in extraordinary value for the price. Always a proponent of democracy in design and impressed with the quick turnaround times and styling flexibility in hand-tufting, Thom Filicia chose to launch his initial indoor rug collection entirely in hand-tufted wool and viscose highlights that were indistinguishable from silk. “The result is pure, evocative design that is both essential and highly practical,” Filicia says. Indeed, the rugs exude classic simplicity and inject an unexpected, modern flair reflective of his fresh yet timeless approach to design. Using a balance of design, materials, textures and palettes in unexpected ways, the pioneers in the hand-tufted medium have sparked a revolution that has proven mutually beneficial for interior designers and consumers, and has allowed weavers across the world to transfer their skills to a 21st century technique while keeping an ancient art alive. Arash Yaraghi is a co-principal of Safavieh 40 Harbor Park Drive North, Port Washington, New York 11050 T: +001 516 945 1900 | www.safavieh.com Arash Yaraghi tells how today’s weavers are keeping an ancient art alive U ■ B DESIGN TRENDS | view point For more details about Safavieh, CLICK HERE
DESIGN NEWS | outdoors A Place In The Garden offers award winning collections of zinc planters, fountains, lighting and garden objet d’art, handmade in Europe. Inspired by 19th century French & European estates, the collection boasts designs that display simple clean lines & contemorary chic. The Bath Lantern is one of their stunningly elegant lights, modelled on the Coach Lamp range. The collection is avaliable in a variety of sizes and designs. T: +44 (0)14 0386 4866 | www.aplaceinthegarden.co.uk Divine daybeds INDIAN OCEAN, the British design-led luxury outdoor furniture brand, has launched a collection of divine daybeds. Clean lines and generous proportions define this luxurious collection. Match a left and right for double lounging, co-ordinate with a sofa or stand alone as a chaise. T: + 44 (0)20 8675 4808 | www.indian-ocean.co.uk It’s time to Nest With its chic graphite colour and plush pillows, the Nest Collection is perfect to curl up in or entertain in the garden or poolside. T: +001 305 651 9655 | www.kannoa.com The Chesapeake range is an extensive new collection of solid teak outdoor furniture from Barlow Tyrie. It initially comprises of an armchair, side chair, innovative swivel rocker complete with Sunbrella fabric cushions and a two metre dining table. Its look marries aspects of the traditional, such as rolled armrests on the chairs and rolled edges and curved sides to the dining table, with clean, crisp contemporary touches that include nylon glides on the bottom of tapered legs. T: +44 (0)1376 557 600 | www.teak.com Mimmi O’Connell’s simple and luxurious style is very evident on this Tuscan terrace with plush cushions dressed with pillows and bolsters, both on simple teak loungers and directly by the poolside. Photograph by Fritz von der Schulenburg/The Interior Archive TUSCAN CHIC For more details on any of the companies on this page, click on the Blue Highlight