Group 3 Holiday Homework

EK BHARAT SHRESHTHA
BHARAT

Group Members-

Parth Maheshwari Syona Ahuja

Ananya Roy Mahika Singhvi

Sugauri Asija Devansh Kataria

Hydroponic
Farming

Syona Ahuja Devansh

Sugauri Asija Mahika Singhvi

Ananya Roy

Parth Maheshwari

Social Science

Ratneshwar Temple in Varanasi

Ratneshwar Mahadev Mandir ( also known as
Matri-rin Mahadev, or leaning temple of
Varanasi) is built in the holy city of Varanasi in
Uttar Pradesh , India. It was constructed from
1825 to 1830. The Temple is 12 metres in
height.
The temple , while apparently well – preserved ,
leans significantly towards the back side ( north-
west), and its garbhagriha is generally below
the water much of the year, except for a few
months during the summer.
The temple is dedicated to lord Shiva

The temple is elegantly constructed in the
classical style with a nagara shikhra and
phamsana madapa. Unlike all other temples of
Varanasi on the banks of Ganga, the temple is
built at a very low level. In fact, the water level
can reach the shikhara part of the temple. The
temple leans over 9 degrees.
The Builder must have known that its garbha
griha would be underwater for much of the year.
Inspite of much of the temple being underwater
during most of the year it is well preserved.

Shri Ram Mandir Ayodhya

Ram Mandir is a temple that is being
built in Ayodhya, Uttar Pradesh, India at
the site of Ram Janma Bhoomi. The
temple construction is supervised by
Shri Ram Janma Bhoomi Teerth
Kshetra.The temple premises will
include the temples dedicated to the
deities Surya , Ganesha, Shiva, Durga,
Vishnu and Brahma.

The Original design for the Ram Temple
was prepared in 1988 by the Sompura
Family of Ahmedabad. An new design, with
some changes from the Original, was
prepared by the Sompuras in 2020. The
temple will be 235 feet wide , the temple
complex will be the third largest hindu
shrine. It is designed in the Gujara-
Chaulukya Style of Northern Indian Temple
Architecture. The main structure of the
temple will be built on a raised platform
and will have three story’s. It will have 5
Mandapas in the middle of the garbhgriha
and the entry of the three mandapas kudu,
nritya and rang;and two mandapas for the
kirtan and prarthna on the other side.

MATHEMATICS

के रल राज्य

के रल भारत का एक प्रान्त है। यह दक्षिण भारत का राज्य है | 1 नवंबर 1956 को इस राज्य की स्थापना
हुई थी|

This Photo by Unknown Author is licensed

इसकी राजधानी क्षतरुवनन्तपुरम (क्षिवेन्द्रम) है। मलयालम यहाँा की मुख्य भाषा
है। क्षहन्दुओं तथा मुसलमानों के अलावा यहां ईसाई भी बडी संख्या में रहते हैं।
भारत की दक्षिण-पक्षिमी सीमा पर अरब सागर और सह्याक्षि पववत श्रंखलाओं के मध्य एक खूबसूरत
भूभाग स्स्थत है, क्षजसे के रल के नाम से जाना जाता है।
इस राज्य का िेिफल 38863 वगव क्षकलोमीटर है l इसके प्रमुख पडोसी राज्य तक्षमलनाडु और कनावटक
हंै। इसकी पक्षिमी सीमा क्षहंद महासागर के तट से लगती है|
के रल मंे कु ल 14 क्षिले है |भरत अपुिा, कावेरी, पेररयार, पंपा, मक्षणमाला, नेन्नार, चक्षलयार,काक्षबनी आक्षद
इस राज्य की प्रमुख नक्षदयाँा हंै |
हाथी इस राज्य का राजकीय पशु है | ग्रेट हॉनव क्षबल इस राज्य का राजकीय पिी है | कक्षनकोन्ना इस
राज्य का राजकीय फू ल है | नाररयल इस राज्य का राजकीय पेड है |

पााँच संज्ञा शब्द : के रल , तक्षमलनाडु , क्षतरुवनन्तपुरम, ग्रेट हॉनव क्षबल, मलयालम
पाँाच सर्वनाम शब्द : यह, इस, इसकी, यहााँ, इसके

Ananya Roy
Syona Ahuja
Sugauri Asija

Devansh

Mahika Singhvi
Parth Maheshwari

ART

CARNATIC MUSIC

History-From the12th century onwards, Indian classical music began to diverge into two
distinct styles — Hindustani music and Carnatic music. Commentaries and other works,
such as Sharngadeva's Sangita Ratnakara, further elaborated on the musical concepts
found in Indian classical music. By the 16th and 17th centuries, there was a clear
demarcation between Carnatic and Hindustani music; Carnatic music remained relatively
unaffected by Persian and Arabic influences. It was at this time that Carnatic music
flourished in Vijayanagara, while the Vijayanagar Empire reached its greatest
extent. Purandara Dasa, who is known as the "father (Pitamaha) of Carnatic music",
formulated the system that is commonly used for the teaching of Carnatic
music. Venkatamakhin invented and authored the formula for the melakarta system of raga
classification in his Sanskrit work, the Chaturdandi Prakasika (1660 AD).

Origin-References to Indian classical music are made in many ancient texts,
including epics like the Ramayana and Mahabharata. The Yajnavalkya
Smriti mentions वीणावादन तत्त्वज्ञः श्रुतीजातततवशारदः ताळज्ञश्चाप्रयासेन मोक्षमार्गं तनयच्छतत ( vīṇāvādana
tattvajñaḥ śrutijātiviśāradaḥ tālajñaścāprayāsena mokṣamārgaṃ niyacchati, "The one who is
well versed in veena, one who has the knowledge of srutis and one who is adept in tala,
attains liberation (moksha) without doubt". Carnatic music is based as it is today on musical
concepts (including swara, raga, and tala) that were described in detail in several ancient
works, particularly the Bharata's Natya Shastra and Silappadhikaram by Ilango Adigal.

Significance-Alongside the sound energy of Nada Yoga and its vibrations, Carnatic
Music evokes positive physical and spiritual influences, relieving you of all stress. Carnatic
music in its instrumental form comes with many advantages for kids, who can refine their
hand-eye synchronizations and motor skills.

Artists-

1.Semmangudi Srinivas Iyer- was a prominent Carnatic vocalist. He was regarded as one
of the male trinities of Carnatic music along with his contemporaries G.N. Balasubramaniam
and Madurai Mani Iyer.

2. M. Balamuralikrishna-was an Indian Carnatic vocalist, musician, multi-instrumentalist,
playback singer, composer, and character actor. He was awarded the Madras Music
Academy's Sangeetha Kalanidhi in 1978.

Indian classical arts, including Carnatic music, is a way to expose and familiarise children
with their culture and help them feel a sense of connection with India and its traditions. With
an aim to keep Carnatic music alive and t cater to students interested to learn Classical
music , there are various institutions in GURUGRAM which are giving full fledged coachings
with various students.

ऐतिहासिक स्थल

िाजभवनम ् वाय:ु भवनम ्

स्वर्ण देवालय: भारि द्वार:

मिै रू स्य राजभवनम ्