Martin Swift | Vacancy

Origin:

When I was 12 or 13, my father came out to our family and
close friends. I’m not sure the accuracy of this memory, but
after he sat my twin sister and I down to explain this very
serious and personal discovery, I recall saying something like
“Huh. That makes sense”. I was not reacting to his behavior
or sensibility, nor was it a dismissive statement. In retrospect,
I believe that I was attempting to acknowledge the unique
perspective on masculinity afforded me up to that point. My
folks have remained happily together and I now credit him as
my first muse.

After leaving home, I realized that my perspective on gender
was in such drastic contrast to the national account that I
struggled to relate to many of my peers. When it dawned on
me that I was the outsider, I began using my work to explore
how my closest friends and acquaintances viewed themselves
as men.

Masculinity is not something that I seek to “figure out”, nor is it
something I intend to criticize in others.

These paintings were intended to be subjectively interpreted.
For the purpose of this is publication, I have included a few
brief personal narratives to provide a base context for the work.

Statement:

My work explores the nuances of masculinity in America.
Due to unhealthy societal pressure to exhibit traditionally
masculine traits like aggression, strength, dominance, courage,
and honor males in the United States not only objectify other
genders, but themselves as well. This creates something that I
refer to as the Paradox of Manliness.

Objectification is presented in a range of symptoms.
From body image issues and eating disorders to unhealthy
competition, harassment, and violence. Pressures to adhere to
a specific physical and intellectual aesthetic leave men feeling
inadequate. The expectation that men confront the world
impulsively and aggressively contributes to a cultural rejection
of male empathy and compassion. My work depicts a spectrum
of masculinity and emotional transparency. The paintings
celebrate flesh, body modification, stretchmarks, and scars.

My work is a direct response to this Paradox, an
acknowledgment of what lies beyond manliness.

Carnis is a collection of pieces that represent the evolution
of this series.

CARNIS, W. Dale Brougher Foundation Exhibit Hall, Marketview Arts, 2017

CARNIS



MARTIN SWIFT CARNIS