ENGLISH 52
Picture 5-1-3 Switch Connection Code Mode Reminder
Picture 5-1-4 Advanced Code Mode-Server
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53
Ţ To make sure of the operation of Screen Share Pro under different network situation, we have advanced connection ENGLISH
code.
Adjust the settings on client devices, input new code after switching to advanced mode.
Step1 Step2 Step3
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ENGLISH 54
Setting Menu
[General Setting]
Ţ Press button on remote control or via touch A method to call up [General Setting] menu.
Ţ Press button on remote control to select the channel you need.
Ţ Press the button on remote control or directly click with touch pen to confirm selected input channel.
Ţ Press button on remote control or click blank area outside menu with touch pen to exit menu.
Ţ Note: PC channel will only display when the equipment connects the built-in computer.
Detail Setting Menu
Press on remote control or click the icon on [General Setting] menu with touch pen to call up detail setting menu.
Detail setting menu includes [Audio], [Screen], [Display] and [Adjust].
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55
[Audio]
ENGLISH
Ţ Press button on remote control to select [Audio] setting menu.
Ţ Press button on remote control or directly click with touch pen to select the option.
Ţ Press on remote control to enter adjustment mode, and press button or directly click with touch
pen to adjust each option. Press / to exit adjustment.
Ţ Press on remote control or directly click with touch pen to open or close mute state.
Ţ Press on remote control or click blank area outside menu with touch pen to exit menu.
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56
[Screen]
ENGLISH
Ţ Press button on remote control to select [Screen] setting menu.
Ţ Press on remote control or directly click with touch pen to select the option.
Ţ Press
Ţ Press on remote control or directly click with touch pen to enter the selected mode.
on remote control or click blank area outside menu with touch pen to exit menu.
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57
[Display]
ENGLISH
Ţ Press button on remote control to select [Display] setting menu.
Ţ Press button on remote control or directly click with touch pen to select the option.
Ţ Press on remote control to enter adjustment mode, and press button or directly click with touch
pen to adjust each option. Press / to exit adjustment.
Ţ Press on remote control or click blank area outside menu with touch pen to exit menu.
This manual downloaded from http://www.manualowl.com
58
[Adjust]
ENGLISH
Ţ Press button on remote control to select [Adjust] setting menu.
Ţ Press button on remote control or directly click with touch pen to select the option.
Ţ Press on remote control to enter adjustment mode, and press button or directly click with
touch pen to adjust each option. Press / to exit adjustment. You can also click the [Auto] icon to adjust
automatically.
Ţ Press on remote control or click blank area outside menu with touch pen to exit menu.
This manual downloaded from http://www.manualowl.com
This manual downloaded from http://www.manualowl.com
Amplifier
Series BASIC
Installation &
Operations Manual
Bittner-Audio 2003
BITTNER Installation & Operations Manual
Power Amplifier Series BASIC Installation & Operations Manual
Bittner - Audio
September 2003
© 2003 Bittner-Audio. All Rights Reserved.
Bittner-Audio reserves specification privileges Information in this manual is subject to change without notice or obligation.
FULL RANGE OF BITTNER AMPLIFIERS:
BASIC THE BASIC SERIES OF BITTNER AMPLIFIERS, BASED ON THE 2 X 100W TO 2 X 600W
XB TECHNOLOGY OF THE SERIES XB 2 X 200W TO 2 X 400W
XR AMPLIFIERS FOR PROFESSIONAL USE, 2 X 600W TO 2 X 2000W
XV OPTIMIZED FOR LIVE- AND FIXED INSTALLATIONS 2 X 100W TO 2 X 800W
8X CLASS H AMPLIFIER, 8 X 100W TO 8 X 400W
TOP MODEL OF THE BITTNER PRODUCT RANGE
AMPLIFIER WITH INTEGRATED 100V TRANSFORMERS,
DESIGNED FOR THE PROFESSIONAL INSTALLATIONS MARKET
VERY COMPACT EIGHT-CHANNEL AMPLIFIER,
EQUIPPED WITH FOUR INDEPENDENT POWER SUPPLIES
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BITTNER Installation & Operations Manual
TABLE OF CONTENTS
DECLARATIONS OF CONFORMITY ................................................................................................................. 3
CAUTION ................................................................................................................................................... 3
TECHNICAL SPECIFICATIONS ....................................................................................................................... 4
GETTING STARTED..................................................................................................................................... 5
UNPACKING ........................................................................................................................................... 5
INSTALLATION........................................................................................................................................ 5
FRONT PANEL ....................................................................................................................................... 5
BACK PANEL ......................................................................................................................................... 5
AIR VENTILATION AND COOLING REQUIREMENTS ....................................................................................... 5
POWER CONNECTION ............................................................................................................................. 6
LED INDICATORS ................................................................................................................................... 6
CONNECTIONS ........................................................................................................................................... 7
AUDIO INPUT CONNECTORS .................................................................................................................... 7
BALANCED AND UNBALANCED INPUTS, LEVELS .......................................................................................... 7
GROUNDING .......................................................................................................................................... 7
DECIBEL EXPLANATION........................................................................................................................... 7
LOUDSPEAKER OUTPUT CONNECTORS ..................................................................................................... 8
OPERATION MODES.................................................................................................................................... 8
STEREO OPERATION .............................................................................................................................. 8
PARALLEL OPERATION............................................................................................................................ 9
BRIDGED OPERATION (MONO)............................................................................................................... 10
FAILURES AND POSSIBLE CAUSES .............................................................................................................. 11
WARRANTY TERMS & CONDITIONS............................................................................................................. 12
Congratulations and thank you for your decision buying an amplifier from BITTNER. These amplifiers are
famous for their very high reliability. Advanced technical solutions and a big amount of electronic security
circuits allow a use with great efficiency.
DECLARATIONS OF CONFORMITY
Bittner-Audio hereby declares that this product is in accordance with the following standards:
EMC Regulation 89/336/EEC (Electromagnetic Compatibility)
EN-55013 (Radio Disturbance, Emission
EN-55020 (Electromagnetic immunity)
CAUTION
To reduce the risk of electrical shock, do not remove the cover. There are no user serviceable parts inside,
refer all servicing to qualified personnel. Replace fuses only with same type. Avoid damaging the AC plug or
cord. It can potentially causing a shock hazard. The unit should only be connected to an AC power supply of
the correct voltage.
To reduce the risk of fire or electrical shock, do not expose this appliance to rain or moisture. Do not use this
unit in damp areas or near water.
The amplifier must be adapted slowly to extreme temperature changes. These extreme changes can cause
moisture development inside the amplifier that can cause failure and /or electrical shock.
Though the amplifiers from BITTNER are quite simple to operate and are covered by a solid steel chassis,
improper use can be dangerous. Some of the amplifiers can put out very high voltages and a sizable current
at frequencies up to 30 kHz.
NEVER isolate the ground of the AC power cord (the non-fused earthed protective conductor) to eliminate
humm-problems. See chapter ‘Grounding’.
Always use safe operating techniques! Incompetent and improper servicing can void the warranty.
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BITTNER Installation & Operations Manual
TECHNICAL SPECIFICATIONS
Type Basic 200 Basic 400 Basic 800 Basic 1200
Number of Channels 2 2 2 2
Power at 8 Ohm 2x 80 Watt 2x 150 Watt 2x 230 Watt 2x 350 Watt
Power at 4 Ohm 2x 100 Watt 2x 200 Watt 2x 400 Watt 2x 600 Watt
Power Bridge Mode 8 Ohm 1x 160 Watt 1x 400 Watt 1x 800 Watt 1x 1200 Watt
Frequency Response Full 0 / -0,5 dB 0 / -0,5 dB 0 / -0,5 dB 0 / -0,5 dB
Power 20Hz - 20kHz (dB)
THD + N (%) 0,03 0,03 0,03 0,03
Channel Crosstalk >85 dB >85 dB >85 dB >85 dB
Noise A-rated 102 dB 102 dB 102 dB 102 dB
Inputs electronically electronically electronically electronically
balanced balanced balanced balanced
Input Impedance 15 kOhm 15 kOhm 15 kOhm 15 kOhm
Max. Input Signal (full signal) + 6 dBu + 6 dBu + 6 dBu + 6 dBu
Minimal Load Impedance 4 Ohm 4 Ohm 4 Ohm 4 Ohm
Current Full Power 3,2 Ampere 4,4 Ampere 6,1 Ampere 8,5 Ampere
Current 1/3 Power 1,9 Ampere
Current 1/8 Power 1,2 Ampere 2,6 Ampere 3,6 Ampere 5,0 Ampere
Air Ventilation, Cooling 1 controlled fan
Weight 10 kg 1,7 Ampere 2,3 Ampere 3,1 Ampere
Dimensions 2 HE
(mm) 483 x 89 x 265 2 controlled fans 2 controlled fans 2 controlled fans
12 kg 13 kg 15 kg
2 HE 2 HE 2 HE
483 x 89 x 265 483 x 89 x 265 483 x 89 x 454
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BITTNER Installation & Operations Manual
GETTING STARTED
Unpacking
Upon unpacking, please inspect the amplifier. If you find any damage, notify your supplier immediately. Be
sure to save the carton and all packing materials in case you have to send the product to the supplier.
Please use only the original factory packing. If the shipment carton is unavailable, contact MediasPro
Medientechnik GmbH to obtain a replacement.
Installation
The amplifiers will mount in standard 19-inch racks having sufficient depth. BITTNER-Audio recommends
using all mounting holes to secure the power amplifier in the rack.
For the installation 4 metric M6 bolts should be used.
Front Panel
Air Ventilation Grill
LED CLIP, SIGNAL, PROTECT, POWER
Main Power Switch
Channel Attenuators Channel 1 and 2
Back Panel
Main Fuse, Loudspeaker Terminals,
Input Connectors XLR-3F Channel 1 and 2,
Groundlift-Switch, Speakon NL4 FC – Loudspeaker Connectors,
Air Ventilation / Controlled Fan(s), Operation Mode Switch (Stereo, Parallel, Bridged)
Air Ventilation and Cooling Requirements
The amplifier is equipped with a forced air-cooling system with variable speed and temperature controlled
fans to guarantee low operating temperature and minimal ventilation noise. The air flow takes place from the
rear of the amplifier to the front. The air-pulling fans are installed on the back side of the unit.
The models BASIC 400, BASIC 800 and BASIC 1200 are equipped with two temperature controlled fans, the
model BASIC 200 is equipped with one temperature controlled fan.
In case any heat sink becomes too hot, the temperature sensor opens the respective output relay,
disconnecting the output load from the particular channel. In case the power transformer gets overheated, a
Bittner-Audio 2003
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BITTNER Installation & Operations Manual
different sensor causes the output relays on all channels to open and to interrupt the outputs. After cooling
down to the appropriate operating temperature the relay contacts are closed again automatically.
It is important to have adequate air ventilation space behind the amplifier to allow a proper air flow. In case
the amplifier is mounted into a closed rack, do not cover the front of the rack with doors. Using racks with a
closed backside, use fans on the rear rack panel (air flow to the inside of the rack). We recommend that for
every 3 mounted power amplifiers one open rack space (1RU) will be provided.
Power Connection
The power amplifier must be connected only with the attached three-wire safety power cord with protective
conductor (non-fused earthed conductor).
This amplifier is made for use with the mains voltage labelled on the back of the
amplifier only. Check the label on the back panel of the amplifier for the
appropriate voltage. Make sure the voltage of your mains outlet is correct.
The power voltage is factory set as labelled on the back panel and cannot be
changed afterwards. The amplifier must be ordered set to the appropriate power
voltage. Damage caused by connecting the amplifier to improper AC voltage
voids the warranty.
Always turn off and disconnect the amplifier from the mains voltage before
making any audio connections. As a precaution, turn the audio attenuators on
the front panel down during powering up.
The power fuses are located on the back panel of the amplifier and can be accessed from the outside. Use
only the appropriate fuses as labelled.
After properly mounting and connecting the AC cord and the audio connections, the unit can be switched on.
The POWER indication LED indicates that the amplifier has been turned on.
The PROTECT - LED will also light up and indicate active protection relays. This LED will turn off after 1.5
sec.
LED Indicators
The amplifier is equipped with 4 LEDs for each amplifier channel:
CLIP, SIGNAL, PROTECT and POWER
LED COLOUR FUNCTION
POWER green
CLIP red Indicates, that the amplifier is powered up.
SIGNAL green Indicates, that the input is overloaded. The LED starts illuminating as soon as the
PROTECT red signal is 0,5 dB under full power.
Indicates, that signal reaches the output stage of the amplifier.
This LED will light up as soon a protection circuit has been activated or if one of
the output relays have been activated. When the amplifier is switched on, this
LED illuminated for approximately 1.5 seconds.
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BITTNER Installation & Operations Manual
CONNECTIONS
Always turn off the amplifier before making audio connections !
Audio Input Connectors
The amplifiers series BASIC are equipped with two XLR connectors.
The audio inputs of the series BASIC amplifiers are electronically
balanced.
Standard pinout for GND GND
XLR connectors: - +
1 = Ground, Shield +
2 = Signal positive
3 = Signal negative 3 3
12 12
Symmetrisch Unsymmetrisch
Balanced and unbalanced Inputs, Levels
The amplifier can accept unbalanced or balanced lines. For optimum performance and with longer cable
runs, use balanced lines whenever possible. The driving device should be equipped with a balanced output.
With short cables inside one rack the issue is not that critical.
A balanced connection provides excellent noise immunity from interference and ground loops. A balanced
audio connection is accomplished by using a differential pair of signals, isolating them from ground. While
these connections provide great noise immunity, care must be used when connecting balanced and
unbalanced equipment together.
Grounding
The chassis ground of the amplifier is connected with the ground of the AC power cord (the non-fused
earthed protective conductor).
As soon as several devices are connected with each other in a signal chain, a ground loop is created.
Ground loops are caused when current flows from the analog ground plane of one piece of equipment to the
ground plane of another. A compensating current travels between the different devices on the shields of the
audio cables. This is mostly causing humm-problems. On the back side of the amplifier you’ll find the
GROUND LIFT switch. This switch isolates the device chassis-ground from the pin 1 of the audio connectors
and interrupts any compensating current between different devices.
NEVER isolate the ground of the AC power cord (the non-fused earthed protective conductor) to eliminate
humm-problems. This is a violation of the law and dangerous !
Decibel Explanation
A decibel is a logarithmic scale commonly used to express differences in signal levels. It is useful in audio
because it can express a wide dynamic range with relatively small numbers (or a small movement on a
meter), and it more closely matches how we perceive sound.
The measurement quoted in dB describes the ratio between the quantity of two levels, the level being
measured and a reference. The absolute quantity of the signal is not relevant. This means that decibels are
always comparing one quantity to another. For example, when we measure gain in dB, we are comparing
the output level to the input level.
To describe an absolute value, the reference point must be known. There are different reference points
defined.
dBV represents the level compared to 1 Volt RMS. 0dBV = 1V with no reference to impedance.
dBu represents the level compared to 0,775 Volt RMS on an unloaded, open circuit.
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BITTNER Installation & Operations Manual
dBm represents the power level compared to 1 mWatt. This is a level compared to 0,775 Volt RMS across a
600 Ohm load impedance.
1dBV equals +2.2dBu, +4dBu equals 1.23 Volt RMS, the reference level of -10dBV is the equivalent to a
level of -7.8dBu.
Headroom is a measure (usually in dB) of how much higher the peaks of a signal can be compared to the
nominal level without clipping. That is, it compares the peak level (in volts RMS) to the nominal level (in volts
RMS). The difference between the two (in dB) is the headroom.
Loudspeaker Output Connectors
Speaker cables must be connected to the binding post connectors with banana plugs or to the 4 pin
NEUTRIK SPEAKON connectors.
SPEAKON-connector NL4FC for channel 1 and 2: 1+ 1+
2- 2-
1- 1-
2+ 2+
The Speakon connector for Channel 1 is internally connected to both output channels: Channel 1 on pair
1+/1- and Channel 2 on pair 2+/2-. The Speakon connector for Channel 2 is internally connected only to
output channel 2 on pair 1+/1-.
This twin connection on output connector 1 enables the connection of two-wire
and four-wire speaker cables to connect (for instance) active-powered two-
way loudspeakers. See also the illustrations at the chapter ‘Operation Modes’.
The binding post output connectors are connected internally respectively to
Channel 1 and Channel 2.
They are connected internally parallel to channel 1 and 2 of the SPEAKON-
connectors. It is possible to use both connections parallel (two parallel
loudspeakers could be connected to the biding posts and/or the SPEAKON-
connector.
Please pay attention that the red binding post connector corresponds with the „1+ „ pin of the SPEAKON
connector of that channel.
In the operation mode BRIDGE, the loudspeaker cable has to be connected to the two red binding post
connectors of both channels. The ‘positive’ pole of the loudspeaker should be connected to the red
connector of channel 1, the ‘negative’ pole to the red connector of channel 2.
The impedance of the connected loudspeaker line could be between 4 Ohms and 16 Ohms. The minimal
loudspeaker impedance is 4 Ohms. In the operation mode BRIDGE the minimal impedance is 8 Ohms.
OPERATION MODES
On the rear of the amplifier you'll find a mode select switch for the three different operation modes: STEREO,
PARALLEL and BRIDGED MODE.
Stereo Operation
For stereo operation, turn the amplifier off and set the mode select switch to the STEREO position. In this
mode, both channels operate independently of each other, with their input attenuators controlling their
respective levels. Thus, an input signal at Channel 1 produces an amplified signal at the output of Channel 1,
while an input signal at Channel 2 produces an amplified signal at the output of Channel 2.
The minimum load impedance for stereo operation is 4 Ohms per channel. The level attenuators and the
SIGNAL LEDs for both channels are located at the front panel. These LEDs display the output level of the
respective channel.
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BITTNER Installation & Operations Manual
Stereo operation with two independent channels:
1+ 1+ CH1 Eingang
1- 2- 1- 2-
3
2+ 2+ 12
+ + 3 Eingang
12
CH2
Bridged
Parallel
Stereo
Stereo operation with a two-way loudspeaker cabinet (both channels connected to SPEAKON connector 1):
CH1 CH2 CH1 Eingang Tiefton
1+ 1+
1- 2- 3
1- 2- 12
2+
2+
+ 3 Eingang Hochton
+
12
CH2
Bridged
Parallel
Stereo
The loudspeaker could be connected to the SPEAKON connector and / or to the binding post connector. A
mixed connection is possible too. The red binding post connector corresponds to the pin „1+” of the
SPEAKON connector.
Parallel Operation
For parallel operation, turn the amplifier off and set the mode select switch on the PARALLEL position. Both
amplifiers are then driven by the signal at Channels 1's input. Output connections are the same as for the
stereo operation.
Only the input of channel 1 is active, channel 2 is out of circuit. However, both input attenuators remain
active for individual level control. The recommended minimum nominal load impedance for the parallel
operation is 4 Ohms per channel.
Parallel Mode (both channels connected to SPEAKON connector 1):
CH1 CH2 CH1 Eingang
1+ 1+
3
1- 2- 1- 2- 12
2+ 2+
+ 3
+
12
CH2
Bridged
Parallel
Stereo
Bittner-Audio 2003
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BITTNER Installation & Operations Manual
Parallel Mode (channels connected to separate SPEAKON connectors 1 and 2):
CH1 CH2 CH1 Eingang
1+ 1+
1- 2- 1- 2- 3
2+ 2+ 12
+ + 3
12
CH2
Bridged
Parallel
Stereo
The loudspeaker could be connected to the SPEAKON connector and / or to the binding post connector. A
mixed connection is possible too. The red binding post connector corresponds to the pin „1+ „ of the
SPEAKON connector.
Bridged Operation (Mono)
Both amplifiers can be bridged together to create a powerful single-channel mono amplifier. Use extreme
caution when operating in bridged mode. To bridge the amplifier, turn the amplifier off and set the rear mode
select switch to the BRIDGED position.
Only the input of channel 1 is active, channel 2 is out of circuit. Both input attenuators remain active for
individual level control. Connect the speakers across the hot outputs (the + binding posts of Channels 1 and
2). For proper operation, both input attenuators must be in the same position, this keeps the load balanced
between the channel outputs. The recommended minimum nominal load impedance for the bridged
operation is 8 Ohm.
Bridged Mode (bridged channel connected to both positive pins of the two internal channels on SPEAKON
connector 1, SPEAKON connector 2 is not connected !):
CH1 CH2 CH1 Eingang
1+ 1+
1- 2- 3
2+ 1- 2- 12
+ 2+
3
12
CH2
Bridged
Parallel
Stereo
The loudspeaker can be connected to the SPEAKON connector 1 or to the two red binding post connectors
of channel 1 and 2. The binding post connector of channel 1 corresponds to the pin “1+“ of the SPEAKON
connector of channel 1.
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BITTNER Installation & Operations Manual
FAILURES AND POSSIBLE CAUSES
SYMPTOM POSSIBLE CAUSE SOLUTION
The amplifier cannot be switched on. Power cord not connected properly Check the power cords and the
(the Series 8X amplifier is equipped mains power supply.
with TWO power cords).
Check the main power fuses at the
Mains power not available. back panel of the amplifier.
Main power fuses defect.
Amplifier is switched on, audio signal Audio input cable defect or not Check the audio signal cables and
supplied but LED SIGNAL doesn’t properly connected. the signal source. .
illuminate.
SIGNAL LED is on, but no sound. Speaker cables are not connected Check the speaker cables and the
properly. loudspeakers.
Loudspeaker defect.
Speaker cables connected to the
wrong channel.
Bittner-Audio 2003
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BITTNER Installation & Operations Manual
WARRANTY TERMS & CONDITIONS
Bittner-Audio (the manufacturer) warrants this product to be free from defects in materials and workmanship.
Should any part of this equipment be defective, the Manufacturer agrees to repair or replace any defective
part free of charge (except transportation charges) for a period of three years from the date of the original
purchase.
Warranty service is effective and available to the original purchaser only.
To obtain service under this warranty, the product must, on discovery of the defect, be properly packed and
shipped to the nearest Bittner-Audio dealer. The party requesting service must provide proof of original
ownership and date of purchase of the product.
If the warranty is valid, Bittner-Audio will, without charge for parts or labour, either repair or replace the
defective parts. Without a valid warranty, the entire cost of the repair is the responsibility of the product’s
owner.
The warranty does not cover defects or repairs needed as a result of :
1. Damage caused by abuse, accident, or negligence.
2. Damage caused by any tampering, alteration, or modification of the product or its components.
3. Damage caused by failure to maintain and operate the product in strict accordance with the written
instructions in this operating manual.
4. Damage caused by repairs or attempted repairs by unauthorized persons.
5. Damage caused by fire, water and other natural events.
6. Damage caused by operation on improper voltages.
Bittner-Audio, September 2003
Bittner-Audio 2003
12
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ZT44470 EN 3 Make sure that all switches on the unit are not engaged (pressed in). Applying Effects Troubleshooting
4 Turn all the level control knobs fully to the left (minimum). These include the
MIXING CONSOLE The MG10XU features high-quality built-in signal processing effects that are in the same Power does not come on.
[GAIN] knobs (white), [LEVEL] knobs (white), and [STEREO LEVEL] knob (red). league as our famed SPX effect processor series. Applying effects (as described below) F Did you properly plug the power adaptor into an appropriate AC outlet?
allows you to simulate the acoustics of different performance environments. F Did you rmly and securely connect the power plug?
5 Set the equalizer knobs (green) to the center “ ” position.
Owner’s Manual 4 GAIN 1 No sound.
1, 2
5 Equalizer F Did you turn on the powered speaker or the power amp?
Welcome F Did you properly connect the microphones, external devices, and speakers?
F Are any connecting cables shorted or damaged?
Thank you for purchasing the Yamaha MG10XU/MG10 Mixing Console. F Have the [GAIN] knobs and [LEVEL] knobs of all relevant channels as well as the [STEREO LEVEL]
knob been set to appropriate levels?
Please read this manual thoroughly to get the most out of the product and ensure long-term,
trouble-free use. After reading this manual, keep it readily available for future reference. F Are the [PAD] switches turned on ( )?
Turn the switch off ( ). If the volume of sound source is too soft, turning on the switch may result in
• In this manual, “ ” is used to indicate contents unique to the MG10XU and “ ” is used to no audible sound.
indicate contents unique to the MG10. The contents are common if those logos are not indicated. Effect program list
• In this manual, all panel illustrations show the MG10XU panel, unless otherwise specified. 5 F Is the [STEREO MUTE] switch turned on ( )? ( )
• The illustrations as shown in this manual are for instructional purposes only, and may appear somewhat 3 If the switch is turned on ( ), the sound is not output from the [MONITOR OUT] jack/[PHONES]
4
different from those on your device. jack, since this mutes the sound of the stereo bus.
• Steinberg and Cubase are registered trademarks of Steinberg Media Technologies GmbH.
• The company names and product names in this manual are the trademarks or registered trademarks of Sound is faint, distorted, or noisy.
their respective companies. F Are the [PEAK] LEDs lit?
Lower the [GAIN] knobs of all relevant channels, or turn on ( ) the [PAD] switches.
Included Accessories 4 LEVEL 4 STEREO LEVEL
F Are the [GAIN] knobs and [LEVEL] knobs of all relevant channels, and the [STEREO LEVEL] knob
• AC power adapter set too high?
• Precautions: Please read this thoroughly before using the product. Warranty information for Europe is
6 If you connect a device with high output level, such as a CD player or an elec- 1 Turn the [PROGRAM] knob to select a desired effect program number from the F Are the “PEAK” (red) lamps of the level meter lit?
also included in this leaflet. tric keyboard, to one of the channels 1 to 4, turn on ( ) the [PAD] switch of the effect program list. Set the [LEVEL] knobs of all relevant channels and the [STEREO LEVEL] knob to appropriate lev-
• Technical Specifications (English only): Includes block diagram, dimensions, general specifications, corresponding channel*. The currently selected effect program number flashes on the display. els.
*Channel: Location or path
and input/output characteristics. where sound is input. NOTE For details about the effect programs, refer to the “Effect Programs” list below. F Is the volume from the connected device too loud?
• Cubase AI Download Information (MG10XU only): Contains the access code necessary for download- Channel Lower the volume of the connected device.
2 Press the [PROGRAM] knob to actually select it.
ing the Steinberg DAW software “Cubase AI.” Visit the following Yamaha website for downloading and PAD F Is the [TO MON /TO ST ] switch set to [TO ST ]? ( )
installing Cubase AI, and information on making necessary settings. The desired effect program is selected.
http://www.yamahaproaudio.com/mg_xu/ Channel number If you set the switch to [TO ST ] when you use the DAW software, a loop may be produced
• Owner’s manual (this leaflet) 3 Turn on ( ) the [FX ON] switch.
NOTE If you are using condenser microphones, turn on ( ) the [PHANTOM +48V] switch. 4 Set the [FX RTN LEVEL] knob to the “ ” position. depending on the setting of DAW software, possibly resulting in feedback. When recording while
5 Turn the [FX] knob of the channel to which you want to apply the effect to
Quick Start Guide listening to the sound via a computer, be sure to set the switch to [TO MON ].
adjust the effect amount.
STEP 1 Connecting external devices, such as speak- The sound of vocals and speech isn’t clear enough.
ers, microphones and instruments
F Turn on ( ) the [HPF] switches.
The sound becomes clearer.
F Adjust the equalizer knobs (example: lower the [LOW] knobs, raise the [HIGH] knobs).
1 Make sure that all devices to be connected to the unit are turned off. No effect is applied ( )
2 Connect speakers, microphones and instruments referring to the connection
7 Make sure that the volume of a powered speaker or ampli er is set to the minimum. Effect Programs F Did you turn on ( ) the [FX ON] switch?
example below. F Did you set the [FX RTN LEVEL] knob to an appropriate level?
8 Turn on the power to the connected devices in the following order: No. Program Parameter Description F Are the [LEVEL] knobs and [FX] knobs of all relevant channels raised enough?
Connection Example
(microphone), (instrument), (audio device) 1 REV HALL 1 Reverb Time
Electric acoustic guitar 2 REV HALL 2 Reverb simulating a large space such as a concert hall.
Top Panel Electric keyboard Powered Powered [ /I] (this unit) (speakers).
monitor speaker speaker Reverb Time
Microphones Microphones Footswitch
(Yamaha FC5; NOTICE Follow this order to prevent any loud, unexpected noise from the speakers. Reverse the order when
MG10XU only) Headphones turning the power off. 3 REV ROOM 1 Reverb Time Mounting to a Microphone Stand
4 REV ROOM 2 Reverb simulating the acoustics of a small space (room).
9 Set the [STEREO LEVEL] knob to the “ ” position. The unit can be mounted onto a microphone stand as illustrated
Reverb Time at right, by using the optionally available Yamaha BMS-10A
microphone stand adaptor. For instructions on mounting, refer to
5 REV STAGE 1 Reverb Time the BMS-10A Owner’s Manual.
6 REV STAGE 2 Reverb simulating a large stage.
Reverb Time
RL LR LR 7 REV PLATE Reverb Time Simulation of a metal-plate reverb unit, producing a more
RL LR LR hard-edged reverberation.
10 For channels to which a microphone is connected, set the [GAIN] knob to
roughly the 12 o’clock position. 8 DRUM AMB Reverb Time A short reverb that is ideal for use with a drum kit.
9 EARLY REF Room Size An effect which isolates only the early reflection components General Specifications 0 dBu = 0.775 Vrms Output impedance of signal generator (Rs) = 150 Ω
from reverberation, creating a ‘flashier’ effect than conven- All level knobs are nominal if not specified.
tional reverb.
Frequency Response Input to STEREO OUT +0.5 dB/-1.0 dB (20 Hz to 48 kHz), refer to the nominal output level @ 1 kHz, GAIN knob:
Min
An effect which cuts halfway the tail-end of the reverbera-
11 Set the [LEVEL] knob of each channel in use to the “ ” position. 10 GATE REV Room Size tion, making a more powerful sound. Total Harmonic Input to STEREO OUT 0.02 % @ +14 dBu (20 Hz to 20 kHz), GAIN knob: Min
Distortion(THD+N) 0.003 % @ +24 dBu (1 kHz), GAIN knob: Min
Rear Panel
Portable 11 SINGLE DLY Delay Time An effect which repeats the same sound only once. Shorten- Hum & Noise *1 Equivalent Input Noise -128 dBu (Mono Input Channel, Rs: 150 Ω, GAIN knob: Max)
Computer audio player ing the delay time produces a doubling effect. (20 Hz to 20 kHz) Residual Output Noise -102 dBu (STEREO OUT, STEREO LEVEL knob: Min)
Crosstalk (1 kHz) *2 -83 dB
12 DELAY Delay Time Feedback delay adding multiple delayed signals. Input Channels 10 channels; Mono [MIC/LINE]: 4, Stereo [LINE]: 3
13 VOCAL ECHO Delay Time Echo designed for conventional vocals. Output Channels STEREO OUT: 2, PHONES: 1, MONITOR OUT: 1, AUX (FX) SEND: 1
Bus Stereo: 1, AUX (FX): 1
L 12 While playing your instrument or speaking into the microphone, raise the vol- 14 KARAOKE Delay Time Echo designed for karaoke (sing-along) applications. PAD CH 1 – CH 4 26 dB
R ume of the powered speaker or ampli er until the desired volume is reached.
15 PHASER LFO* Freq Cyclically changes the phase to add modulation to the HPF CH 1 – CH 4 80 Hz, 12 dB/oct
STEP 2 Getting sound to the speakers NOTE If the sound is not heard or the sound is distorted, follow the instructions in the boxed section below sound.
1 Make sure that the [ /I] switch at the rear panel is set to the [ ] position step 13. COMP CH 1 – CH 2 1-knob compressor
CH 1 – CH 9/10 Threshold: +22 dBu to -8 dBu, Ratio: 1:1 to 4:1,
(power off). 13 Set the [LEVEL] knobs as necessary to adjust the volume balance between the 16 FLANGER LFO* Freq Adds modulation to the sound, producing an effect similar to Input Channel Output level: 0 dB to 7 dB, Attack time: approx. 25 msec,
corresponding channels. the rise and fall sound of a jet engine. Function Release time: approx. 300 msec
2 Connect the supplied AC power adaptor. This completes the STEP 2 instructions. HIGH: Gain: +15 dB/-15 dB, Frequency: 10 kHz shelving
Connect the power adaptor with the gap of the plug facing up, aligning it to the NOTE The volume can be adjusted by using three functions; [PAD], [GAIN], and [LEVEL]. Once you set 17 CHORUS 1 LFO* Freq Creates a thicker ensemble-like sound by adding the mul- EQ CH 1 – CH 4 MID: Gain: +15 dB/-15 dB, Frequency: 2.5 kHz peaking
[AC ADAPTOR IN] connector. Turn the fastening ring clockwise to secure the the [PAD] switch and the [GAIN] knob, avoid adjusting those controls as much as possible. Instead 18 CHORUS 2 LFO* Freq tiple sounds with different delay times.
connection. normally use the [LEVEL] knob to adjust the volume. For details about each function, see the “Con- CH 1 – CH 9/10 LOW: Gain: +15 dB/-15 dB, Frequency: 100 Hz shelving
trols and Functions” section.
[ /I] switch PEAK LED CH 1 – CH 4 LED turns on when post EQ signal reaches 3 dB below clipping
[AC ADAPTOR IN] jack If there is no sound: (+17 dBu)
• Are the [PAD] switches turned on ( )? Turn the switches off ( ). 19 SYMPHONIC LFO* Depth Multiplies the sound for thicker texture.
Plug the power adaptor into a standard household power outlet. • Are the [GAIN] knobs raised enough? Post STEREO LEVEL
• Raise the volume of the connected instruments or audio devices. 20 TREMOLO LFO* Freq An effect which cyclically modulates the volume. Level Meter Knob 2x7 -segment LED meter [PEAK (+17), +10, +6, 0, -6, -10, -20 dB]
1
If the sound is distorted: A wah-wah effect with cyclical filter modulation. The [PA- Internal Digital SPX Algorithm 24 programs
• Are the [PAD] switches turned off ( )? Turn the switches on ( ). RAMETER] knob adjusts the speed of the LFO* that modu- Effects
• Are the [GAIN] knobs raised too high? Turn the knobs to the left to lower the volume. 21 AUTO WAH LFO* Freq lates the “wah” filter. (MG10XU Only)
• Lower the volume of the connected instruments or audio devices.
USB Audio 2 IN / 2 OUT USB Audio Class 2.0 compliant
(MG10XU Only) Sampling Frequency: Max 192 kHz, Bit Depth: 24-bit
Recreates the lo-fi sound of an AM radio. The [PARAMETER] Phantom Power Voltage +48 V
knob adjusts the frequency band to be emphasized.
22 RADIO VOICE Cutoff Offset Power Supply Adaptor PA-10 ( AC 38 VCT, 0.62 A, Cable length = 3.6 m), or equivalent recommended by
Yamaha
23 DISTORTION Drive Adds a sharp-edged distortion to the sound. Power Consumption 22.9 W
PITCH Dimensions (W×H×D) 244 mm×71 mm×294 mm (9.6"x 2.8"x 11.6")
CHANGE
24 Pitch An effect which changes the pitch of the signal. Net Weight MG10XU: 2.1 kg (4.6 lbs.), MG10: 1.9 kg (4.1 lbs.)
Optional Accessory Mic Stand Adaptor: BMS-10A
*“LFO” stands for Low Frequency Oscillator. An LFO is normally used to periodically modulate an- Operating Temperature 0 to +40 °C
other signal, using different waveform shapes and modulation speeds.
*1 Noise is measured with A-weighting filter. *2 Crosstalk is measured with 1 kHz band pass filter.
* The contents of this manual apply to the latest specifications as of the publishing date. To obtain the latest manual, access the Yamaha website
then download the manual file.
For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below.
Top panel Channel section (Input: to ) Controls and Functions
[MIC/LINE] mono input jacks (channels 1-4) Top panel Top panel Master section (Input: to )
For connecting a microphone, instrument, or audio device (CD player, etc.) to the unit. These jacks support [FX SEND] jack :
both XLR and phone plugs. [AUX SEND] jack:
For connecting an external effects unit or a monitor system for players. This phone-plug jack out-
[PAD] switches puts the sound adjusted with the [FX] knob or [AUX] knob respectively.
Turning the switch on ( ) will attenuate the sound input to the unit. If you hear distortion or the [STEREO OUT] jacks
[PEAK] LED lights, turn the switch on ( ). For connecting a powered speaker or powered amp. These jacks support both XLR and phone
plugs.
NOTE Turn the [LEVEL] knob to "0" (minimum) before toggling the [PAD] switch on ( ) and off ( ).
Otherwise, noise may be produced. [PHONES] output jack
For connecting a set of headphones. This jack supports a stereo phone plug.
[HPF] (High-Pass Filter) switches
[MONITOR OUT] jacks
Turning the switch on ( ) will apply a high-pass filter that attenuates frequencies below 80 Hz. For connecting a monitor system for operators. These jacks support phone plugs.
When speaking into the microphone, you may want to turn this switch on ( ), in order to reduce
unwanted vibration and wind sound received by the microphone. [POWER] LED
Lights when the [ /I] switch on the rear panel is set to on (pressed to the [I] position).
[GAIN] knobs
Level meter
Determines the basic volume for each of the channels 1 to 4. Adjust these so that the correspond- The L and R meters show the level (volume) of the signal output from the [STEREO OUT] jacks by
ing [PEAK] LEDs flash briefly when singing or playing the loudest. seven steps; “PEAK” (+17), “+10”, “+6”, “0”, “-6”, “-10”, and “-20” dB. If the “PEAK” lamp continu-
ously lights in red, turn the [STEREO LEVEL] knob to the left to lower the volume.
[COMP] knobs
[STEREO MUTE] switch
Adjusts the amount of compression applied to the channel. As the knob is turned to the right, the Turning the switch on ( ) will mute the sound of stereo bus from the output of [MONITOR OUT]
threshold, the ratio, and the output level are adjusted at the same time. jacks or [PHONES] jack. In this state, when setting the [TO MON /TO ST ] switch for channels
Threshold: +22 dBu to -8 dBu; Ratio: 1:1 to 4:1; Output level: 0 dB to +7 dB; 9/10 to [TO MON ], you can hear the sound only from channels 9/10. For details about the switch,
Attack time: approx. 25 msec; Release time: approx. 300 msec see the “Rear panel USB section” below.
[PHANTOM +48V] switch/LED [MONITOR/PHONES] knob
Adjusts the volume output to the [MONITOR OUT] jacks and the [PHONES] jack.
When this switch is on ( ), the LED lights indicating that the unit supplies DC+48 V phantom
power to the XLR plugs of the [MIC/LINE] mono input jacks . Turn this switch on when using a [STEREO LEVEL] knob
phantom-powered condenser microphone. Adjusts the overall volume output from the [STEREO OUT] jacks.
NOTICE Top panel
Be sure to leave this switch off ( ) if you do not need phantom power. Follow the important precautions below, in Internal effect section (Output: to )
order to prevent noise and possible damage to external devices as well as the unit when you operate this switch.
Display
• Be sure to leave this switch off when connecting a microphone or other device that does not require phantom Indicates the effect program number selected with the [PROGRAM] knob . The number flashes
power to channels 1 to 4. during selection; however, if several seconds pass without a selection being made, the program
returns to the last number selected.
• Do not connect/disconnect a cable to/from channels 1 to 4 while this switch is on.
[PROGRAM] knob
• Turn the [LEVEL] knobs of channels 1 to 4 to the minimum before operating this switch. Selects one of the 24 internal effects from 1-24. Turn the knob to select the desired effect program,
and then press the knob to actually set it. For instructions on how to apply the effect, see the sec-
Equalizer (EQ) knobs tion “Applying effects” on the reverse side.
NOTE Turning the knob while pressing it down also allows you to simultaneously select and set the ef-
Adjust the sound quality by using the [HIGH] (high frequency band), [MID] (middle frequency
band), and [LOW] (low frequency band) knobs. If you do not need to adjust the sound quality, set fect program (without needing to press the knob finally to set it).
the knob to the “ ” (flat) position.
[PARAMETER] knob
[FX] (effect) knobs Adjusts the parameter (depth, speed, etc.) for the selected effect. The last value used with each ef-
[AUX] knobs fect program is saved. For details about the parameter, see the “Effect programs” list on the reverse
side.
[FX]: Adjusts the volume sent from each channel to the internal effect and the [FX SEND] jack. NOTE When you change to a different effect program, the unit automatically restores the value that was
[AUX]: Adjusts the volume sent from each channel to the [AUX SEND] jack.
previously used with that program (regardless of the current position of the [PARAMETER] knob).
[PAN] knobs (channels 1 to 4) BAL Stereo bus L Once you turn the [PARAMETER] knob, the value of current knob position will become valid.
[BAL] knobs (channels 5/6 and 7/8) LINE L Stereo bus R
[PAN/BAL] knobs (channels 9/10) LINE R Effect program list
This is the list of the internal effect programs. For details about the programs, see the “Effect pro-
[PAN]: Adjusts the volume balance of each channel sent to Rear panel grams” list on the reverse side.
the stereo bus, and determines the positioning of the sound image between left and right (stereo [FX ON] switch
When the switch is turned on ( ), the switch lights indicating the internal effect is active. If you turn
L/R). When the knob is located at the 12 o’clock position, the channel’s sound will be sent to the off the internal effect with the foot switch when the switch is on ( ), the LED of the switch flashes.
stereo bus channels (L and R) at the same volume. In this case, the sound image is positioned at [FX RTN LEVEL] knob
Adjusts the volume of the internal effect sound.
the center.
[FOOT SW] jack
[BAL]: Determines the volume balance of the stereo channels (5/6 to 9/10) (L/R) sent to the stereo For connecting an optionally available unlatched type footswitch, such as the Yamaha FC5. When
the [FX ON] switch is turned on ( ), the internal effects can be toggled on/off with the footswitch
bus. When the knob is located at the 12 o’clock position, the sound of the stereo channels will be as needed with your foot. This jack supports a phone plug.
sent to the stereo bus channels (L and R) at the same volume respectively.
[PAN/BAL]: Provides both [PAN] and [BAL] functions. You can use this as a [PAN] control when
sound is input to the [LINE] (L/MONO) jack, and as a [BAL] control when sound is input to both
[LINE] (L) and [LINE] (R) jacks.
[PEAK]LED
Lights when the volume of input and/or post-equalizer sound is too high (when reaching 3 dB below
clipping). If it is lit frequently, turn the [GAIN] knob to the left to lower the volume.
[LEVEL] knobs Rear panel
For adjusting the volume balance among the channels. Generally, set this to the “ ” position.
[TO MON /TO ST ] switch Caution
For selecting the output destination of the input sound to channels 9/10. Normally set this switch to The unit may heat up by as much as 15 to 20°C while the power is on. This is normal. Please note that since the
[TO ST ]. When you use the unit with a computer connected to the [USB 2.0] terminal, toggle this panel temperature may exceed 50°C in ambient temperatures higher than 30°C, you should exercise caution to
switch according to your specific application, referring to the chart in “Rear panel USB section.” prevent burns.
[LINE] stereo input jacks (channels 5/6 to 9/10) [AC ADAPTOR IN] connector
For connecting the supplied AC power adaptor.
For connecting line-level devices such as an electric keyboard or an audio device. These jacks
support phone plugs and RCA-pin plugs. [ /I] switch on the top panel
NOTE Regarding input to channels 5/6 and 7/8, if both phone and RCA-pin jacks are used at the same For turning the power of the unit to standby ( ) and on (I). The [POWER] LED
time, the phone jack will take priority. lights when the switch is set to on (I).
[LINE /USB ] switch NOTE Rapidly switching the unit between on and standby in succession can cause it to malfunction. After
setting the unit to standby, wait for about six seconds before turning it on again.
Toggles the sound source input to channels 9/10. When the switch is set to [LINE ], the source
will be the [LINE] stereo input jack , and when set to [USB ], the source will be the [USB 2.0] Even when the switch is in the standby ( ) position, electricity is still flowing to the unit. If you do
terminal . not plan to use the unit for a while, be sure to unplug the AC power adaptor from the outlet.
Rear panel USB section Using the unit connected to a computer Application Selection of the output destination sent from channels 9/10 Selection of the monitoring sound with the headphones/monitor speaker
When recording with DAW
[USB 2.0] terminal Set the [LINE /USB ] switch of channels 9/10 to [USB ]. Depending on your software while listening to the [TO MON /TO ST ] switch Output destination [STEREO MUTE] switch Monitoring sound
particular application, you can specify the output destination and monitoring playback sound from a com-
For connecting to a computer via a commercially available USB 2.0 cable. (This sound by selecting the settings of the [TO MON /TO ST ] switch for chan- puter. On ( ) The direct sound (of the instrument) input to the MG10XU will be
product does not come with a cable.) The sound of the stereo bus is output to the nels 9/10 and the [STEREO MUTE] switch . For details, see the chart at right. When playing back sound from muted, allowing you to hear the playback sound only from the
computer. (The [STEREO LEVEL] knob does not affect the sound.) For inputs a computer. For example: BGM [TO MON ]*1 [MONITOR OUT] jack*2 DAW.
and outputs to/from the computer, you may need a dedicated USB driver. Check Adjusting the playback volume from a computer (Attenuator) playback, Internet broadcasting [PHONES] jack*2 (Direct monitoring: Off )
and download the driver at the following Yamaha web site and install it to the com-
puter before use. 1. Press the [PROGRAM] knob five times consecutively to display the attenua- Off ( ) You can hear the mixed sound of the direct instrument sound
http://www.yamahaproaudio.com/mg_xu/ tion value (dB). 2. Turn the [PROGRAM] knob to set it between -24 dB to 0 dB input to the MG10XU and the playback sound from the DAW.
(minus sign is not displayed). 3. Press the [PROGRAM] knob again to exit the (Direct monitoring : On)
setting.
When the attenuator is enabled, the dot lights at the lower right of the display. [TO ST ] Stereo bus Î Normally set to Off ( ) You can hear the mixed sound of the instrument sound input to Yamaha Pro Audio global website
[STEREO OUT] jack the MG10XU and the playback sound from a computer. http://www.yamahaproaudio.com/
*1 NOTICE If you set the switch to [TO ST ] when you use the DAW software, a loop may be produced, possibly resulting in feedback. Yamaha Downloads Manual Development Department
*2 The audio signal cannot be sent to the computer because it does not pass through the stereo bus. http://download.yamaha.com/ © 2013 Yamaha Corporation
Published 03/2016 MWLE*.*- **C0
Printed in Malaysia
2
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