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Published by Eugenie Jones-Laughridge, 2022-06-08 15:58:20

DownBeat - Eugenie Jones p.68

pgs. 68-69

Keywords: Players,Eugenie Jones

University of Northern Colorado Graduate College Outstanding Performance
Brian Claxton
Greeley, Colorado Contemporary Ensemble

Graduate College Outstanding Performance University of Nevada, Las Vegas
Julian Tanaka
Contemporary Ensemble Las Vegas, Nevada

University of Nevada, Las Vegas LATIN GROUP
Julian Tanaka
Las Vegas, Nevada High School Honors Ensemble Winner

ASYNCHRONOUS BLUES/POP/ Fat Cats Combo
ROCK/GROUP
Afro Latin Jazz Alliance
Undergraduate College Winner Jim Seeley
New York, New York
Blues and Rock Ensemble I
Undergraduate College Winner
Kutztown University of Pennsylvania
Kevin Kjos UTA Latin Combo
Kutztown, Pennsylvania
University of Texas at Arlington
Undergraduate College Christian Valdes
Outstanding Performance Arlington, Texas

The Columbia College Undergraduate College
Fusion Ensemble Outstanding Performance

Columbia College UMASS Vocal Group
Bill Boris
Chicago, Illinois University of Massachusetts, Amherst
Catherine Jensen-Hole
Graduate College Winner Amherst, Massachusetts

NYU Pop/Rock Ensemble Graduate College Winner

New York University Steinhardt Latin Jazz Lab Band
Justin John Moniz
New York, New York University of North Texas
José Aponte
Denton, Texas

JUNE 2022 DOWNBEAT 101

Graduate college winner Eliana Fishbeyn Undergraduate college winner Janelle Finton

Performing arts high school Graduate college winner High school honors
winner Damien Blair Marcello Carelli winner Skylar Tang

DB AWARD WINNERS —THE ARRANGERS

DEEP STUDY, EUROPEAN CLASSICAL FOUN- rector of drum set studies at USC’s Thornton jazz harmonies, but then also nod toward con-
dations and vocal a cappella treatments were School of Music. “So he’s a musician who has temporary a cappella types of arrangements.
some of the common themes among this an excellent grasp of the vocabulary — and I hadn’t heard many vocal jazz arrangements
year’s Jazz Arrangement honorees. the tradition of the music. He’s able to utilize of this particularly song. That’s one thing that
the different things in his playing, as well as in makes Damien unique. He is an amazing sing-
Graduate College winner Eliana Fishbeyn, his writing, that I think reflects a fair amount of er who gravitates towards all genres: classical,
a composer-pianist from Manhattan School of breadth as well as depth. “There are no good musical theater, jazz, gospel.
Music, had a unique source for her arrange- shortcuts for that. You’ve got to learn the lan-
ment of Jaco Pastorius’ “Three Women” — a guage of it. And that takes a lot of listening. “It’s nice for him to have this arrangement
90-second live YouTube recording of the late acknowledgement as a singer, because it’s an
bass pioneer playing his original composition Double threat trumpeter-vocalist Janelle area of musical creation that’s dominated by
on piano. Finton also chose a Cole Porter classic, the com- instrumentalists,” he noted.
poser-lyricist’s “I Love You.” An Undergraduate
“It just sounds like a series of ideas,” she winner from the Frost School, the jazz trumpet Trumpeter Skylar Tang, a sophomore at
said of the piece, which she first heard at a major wrote an a cappella arrangement for Crystal Springs Upland School in the San Fran-
friend’s gig. “It doesn’t really have a form, and three soprano and three alto voices. cisco Bay Area, has already been recognized
some of it feels like it’s just gluing little random by DownBeat for performances in late March
ideas together in a really cohesive, nice way. “I was very fortunate that all my vocal jazz at the NEA Jazz Masters Tribute Concert and
But you do, in this case, have to expand both program high school directors allowed me to last September at the Monterey Jazz Festival
the idea of what the piece is and the orches- bring in my arrangements,” Finton said. “It as a member of the festival’s Next Generation
tration of it.” was a really cool experience as a high school- Jazz Orchestra. Due to time restraints, she was
er. People were singing something that I just only able to submit in the Arrangement cate-
“Eliana really took it from this raw material wrote in my room.” gory, she said.
of him just sitting at the piano, and I think re-
ally did an amazing job with it,” said renown The vocal octet version of “I Love You” that “I felt like I could play around with the har-
arranger Jim McNeely, a faculty member at she submitted to the DBs combined two re- mony,” she replied, when asked why she chose
MSM. cording sessions: an earlier asynchronous and the Tizol/Ellington classic. She had arranged it
a later live one. The experiment in studio tech- for the SFJAZZ High School All-Stars Combo,
Fishbeyn was studying classical piano and nology would likely get a nod of approval from in which she plays. That group’s instrumen-
composition as an undergraduate at the Uni- one of her artistic inspirations, musical wizard tation mostly mirrors the classic SFJAZZ Col-
versity of North Carolina at Chapel Hill when Jacob Collier. “I think that’s why Jacob Collier lective model with a trumpet/trombone/tenor/
she discovered jazz. “As a relative newcomer inspires me. He has all these different color alto front line and a piano/double bass/drums
to the jazz world, she’s really dug into the his- palettes and doesn’t just have to be one thing, rhythm section. The combo features guitar
tory of it. I think her classical upbringing has though he still does have a sound,” she said. rather than vibraphone. “I especially like writ-
influenced her in terms of form,” McNeely re- ing for guitar blending with the horns,” she
flected. “And she’s now really in the process of Vocalist Damien Blair, a Performing Arts said.
creating her own voice.” High School winner from Milwaukee High
School of the Arts, also submitted an eight- Tang started on piano before picking up
Another Graduate College winner, drum- part a cappella arrangement. His choice of the the trumpet. And she’s still expanding her pal-
mer Marcello Carelli, studying at the University Mancini/Mercer classic “Moon River” didn’t ate.
of Southern California, recorded his arrange- surprise Raymond Roberts, MHSA vocal music
ment of Cole Porter’s “It’s All Right With Me” director. “I’m always messing around on different
for his album The Era while attending the instruments in the practice room,” she said.
University of Miami’s Frost School of Music as “Damien gravitates toward good music, “I’ve been trying to teach myself a little bit of
an undergraduate. “He obviously has great from any time period and in any style,” he everything that I’m writing for, and that has
talent, and that great talent is informed by said. “He wanted to do something kind of clas- honestly really helped my arranging.”
a lot of listening,” observed Peter Erskine, di- sic and treat it with a blend of extended vocal
—Yoshi Kato

102 DOWNBEAT JUNE 2022

JUNE 2022 DOWNBEAT 103

Jaylen Ward takes home an Outstanding Performance
honor in the Blues/Pop/Rock Soloist division.

Graduate College Outstanding
Performance

Latin Jazz Ensemble

University of Nevada, Las Vegas
Uli Geissendoerfer
Las Vegas, Nevada

ORIGINAL COMPOSITION — SMALL ENSEMBLE

High School Winner

Alex Heidelbaugh, “Goliath”

Plano West Senior High School
Preston Pierce
Plano, Texas

High School Outstanding
Composition

Sean Kiefer, “Salsa Picante”

Denver Senior High School
Dan Cooper
Denver, Iowa

Performing Arts High School Winner

Luke Sterling, “Apotheosis”

Los Angeles County High School
for the Arts
Alex Hahn
Los Angeles, California

Performing Arts High School
Outstanding Composition

Wyatt Pepper, “Camperdown Elm”

Fiorello H. LaGuardia High School
of Music & Art and Performing Arts
Kevin Blancq
New York, New York

High School Honors Winners

Asher Pereira, “The Leopard and The Crane”

Alexander W. Dreyfoos School of the Arts
West Palm Beach, Florida
David Valdez
Lenexa, Kansas

104 DOWNBEAT JUNE 2022

Combo Prime wins Blues/Pop/Rock Group honors.

Brandon Goldberg, “Circles”

Pine Crest School
Ft. Lauderdale, Florida
Giselle Brodsky
Aventura, Florida

High School Honors Outstanding Compositions

Brenda Greggio, “Save It For A Rainy Day”

Young Lions Jazz Conservatory
Gilbert Castellanos
San Diego, California

Gabriel Severn, “Venture”

Loyalsock Township High School
Eddie Severn
Williamsport, Pennsylvania

Kaela Seltzer, “High Water”

Colburn Community School
Lee Secard
Los Angeles, California

Sebastian Blue Hochman, “Nitemare”

The Shea Welsh Institute of Jazz
Shea Welsh
Los Angeles, California

Community College Winner

Joshua Wong, “Mystical”

Los Angeles City College
Jake Leckie
Los Angeles, California

Community College Outstanding Performances

Henry Fears, “Frost”

Kansas City Kansas Community College
Jim Mair
Kansas City, Kansas

Jordan Faught, “Apology Peach”

Kansas City Kansas Community College
Jim Mair
Kansas City, Kansas

Undergraduate College Winners

Kevin Shinskie, “Cannon’s Groove”

Vanderbilt University

JUNE 2022 DOWNBEAT 105

Daniel Hofecker’s “Politics” receives an Outstanding Composition award.

Ryan Middagh
Nashville, Tennessee

Jonathan Salcedo, “Mambo No Nombre”

Vanderbilt University
Ryan Middagh
Nashville, Tennessee

Undergraduate College Outstanding Composition

Keegan Carter, “Destino de la Suerte”

University of Nevada, Las Vegas
Dave Loeb
Las Vegas, Nevada

Graduate College Winner

S’yo Fang, “Tree”

Conservatorium van Amsterdam
Jurre Haanstra
Amsterdam, Netherlands

Graduate College Outstanding Composition

Connor Rohrer, “Too Soon To Tell”

University of Miami,
Frost School of Music
Chuck Bergeron
Coral Gables, Florida

ORIGINAL COMPOSITION — LARGE ENSEMBLE

High School Honors
Outstanding Composition

Joe Durben, “Tachyon”

Buffalo High School
Aaron Hedenstrom
Buffalo, Minnesota

Undergraduate College Winner

Daiki Nakajima, “Nostalgic Already”

106 DOWNBEAT JUNE 2022

Stanford University Ellen Rowe Mark Buselli
Dann Zinn Ann Arbor, Michigan Muncie, Indiana
Stanford, California
Janelle Finton, “I Love You” Graduate College Winner — Vocal
Undergraduate College
Outstanding Compositions University of Miami, Frost School Joe Buzzelli, “Night and Day”
of Music
Camila Cortina Bello, “Bop & Hop” Kate Reid California State University, Long Beach
Coral Gables, Florida Bob Cole Conservatory of Music
Berklee University Christine Helferich Guter
Greg Hopkins Undergraduate College Long Beach, California
Boston, Massachusetts Outstanding Arrangement
Graduate College
Daniel Hofecker, “Politics” Peter Lehmann, Outstanding Arrangement — Vocal
“Up A Lazy River”
University of Music & Performing Arts, Graz James Abernathy, “Castaways”
Ed Partyka Ball State University
Graz, Austria JUNE 2022 DOWNBEAT 107

Graduate College Winner

Eliana Fishbeyn, “Unknown Knowns”

Manhattan School of Music

Jim McNeely

New York, New York

Graduate College Outstanding Composition

Tobias Hoffmann, “Relentless”

University of Music & Performing Arts, Graz

Ed Partyka

Graz, Austria

JAZZ ARRANGEMENT

High School Winner

Adam Zilberman, “Ugly Beauty”

Westlake High School
Brian Peter
Thousand Oaks, California

High School Outstanding Arrangement

Oliver Kringel, “Gunslinging Bird”

Rio Americano High School
Josh Murray
Sacramento, California

High School Honors Winner

Skylar Tang, “Caravan”

Crystal Springs Upland School,
Hillsborough, California
Mike Galisatus
Redwood City, California

High School Honors Outstanding Arrangement

Brenda Greggio & William
Schwartman, Let’s Cool One

Colburn Community School
Lee Secard
Los Angeles, California

Performing Arts High School Winner

Damien Blair, “Moon River”

Milwaukee High School of the Arts
Raymond Roberts
Milwaukee, WI

Undergraduate College
Winners

Eric Banitt, “Darn That Dream”

University of Michigan

University of Florida
Scott Wilson
Gainesville, Florida

Graduate College Winner
— Small Ensemble with Strings

Kenton Luck,
“After the Rain”

University of Southern California
Vince Mendoza
Los Angeles, California

Graduate College Outstanding Arrangement
— Small Ensemble with Strings

Cheuk Yin Ho & Sora Kim,
“The Christmas Song”

New York University
Michael Wolff
New York, New York

Graduate College Winner — Medium
Ensemble

Marcello Carelli,
“It’s All Right With Me”

University of Southern California
Peter Erskine
Los Angeles, California

Graduate College Outstanding
Arrangement — Medium Ensemble

Alex Annan,
“Everything I Love”

University of Northern Colorado
Erik Applegate
Greeley, Colorado

Graduate College Winner — Big Band

Eliana Fishbeyn,
“Three Women”

Manhattan School of Music
Jim McNeely
New York, New York

Graduate College Outstanding Arrangements
— Big Band

Addison Tharp, “L’s Bop”

University of Southern California
Michael Stever
Los Angeles, California

Tom Call, “Mo Ghile Mear”

University of Northern Colorado
Drew Zaremba
Greeley, Colorado

Graduate College Winner — Studio Orchestra

Gary (Kaiji) Wang, “Pearls”

University of Miami,
Frost School of Music
Stephen Guerra
Coral Gables, Florida

Graduate College Outstanding Arrangement
— Studio Orchestra

Casey Dickey,
“I’ve Never Been in Love Before”

108 DOWNBEAT JUNE 2022

JUNE 2022 DOWNBEAT 109

Wyatt Pepper (with friends) takes Outstanding
Composition honors in the Performing Arts High School division.

Brandon Goldberg earns Original Gabriel Severn is recorgnized for
Composition honors for “Circles.” Outstanding Original Composition.

University of Miami, Frost School of Music School for Music Vocations
Stephen Guerra Jeremy Fox
Coral Gables, Florida Creston, Iowa

ENGINEERED LIVE RECORDING Undergraduate College
Winner
Community College
Outstanding Recording Keegan Carter

Joe Straws University of Nevada, Las Vegas
Dave Loeb
Kansas City Kansas Las Vegas, Nevada
Community College
Justin Binek Undergraduate College
Kansas City, Kansas Outstanding Recording

Undergraduate College Winner Esteban Castro

Joshua Weinfeld The Juilliard School
Ted Rosenthal
Vanderbilt University New York, New York
Ryan Middagh
Nashville, Tennessee Graduate College Winner

Undergraduate College Outstanding Recording Ursula Reicher

Van Barnes University of Music
and Performing Arts, Graz
Butler University Ed Partyka
Matthew Pivec Graz, Austria
Indianapolis, Indiana
Graduate College
ENGINEERED STUDIO REC0RDING Outstanding Recording

Community College Winner Joe Buzzelli

Aviana Gedler California State University,
Long Beach
Southwestern Community College Bob Cole Conservatory of Music
Christine Helferich Guter
Long Beach, California

110 DOWNBEAT JUNE 2022

JUDGING CRITERIA

PERFORMANCE CRITERIA
1) Overall sound
2) Presence or authority
3) Proper interpretation of idiom
4) Improvisation or creativity
5) Technique
6) Intonation
7) Phrasing
8) Dynamics
9) Accurate rhythm/time
10) Material

ENGINEERING CRITERIA
1) Perspective: balance of channels; amount and

type of reverb; blend (Do all sounds seem to
have been performed at the same time and
place? Do solos seem natural or do they stick
out?).
2) Levels: saturation or other overload, under
modulation resulting in excessive hiss,
consistency of levels, left/right balance, etc.
3) Transparency and apparent transient response.
4) Special effects: Are they appropriate?
Do they add or detract?
5) Extraneous noises, clicks, hum, etc. (for a non-
live performance, any non-musical sound).
6) Professional etiquette.

AWARDS & PRIZES
Plaques are awarded to the music department
of each winning middle school, high school and
college. Certificates are awarded to each winner
(or Outstanding Performance honoree) and to the
director of ensembles.

JUDGES
Jim Anderson: Professor with the Clive Davis
Institute of Recorded Music, President of the AES
Educational Foundation.
Jeff Baker: Recording artist, educator, producer,
composer and co-founder of The Reality Book, the
Jazz Forward Competition and Next Records.
Janice Borla: Vocalist; Director of Vocal Jazz, North
Central College; vocal jazz camp founder.
Don Braden: Saxophonist, flutist, composer,
arranger; Director, Harvard Jazz Combo Initiative.
Jeff Coffin: Saxophonist, composer, bandleader,
educator/clinician.
Claire Daly: Baritone saxophonist, recording artist,
composer, educator and clinician.
John Daversa: Chair, Department of Studio Music
and Jazz, Frost School of Music, University of Miami.
Orbert Davis: Emmy Award-winning trumpeter,
composer, educator; co-founder and conductor of
the Chicago Jazz Philharmonic.
Miho Hazama: Composer, arranger, bandleader, Chief
Conductor of Danish Radio Big Band, Permanent Guest
Conductor of Metropole Orkest.
Les Hooper: Composer and arranger for film, TV,
commercials, orchestra and recordings; clinician.
Fred Irby III: Howard University coordinator of
Instrumental Music, trumpet instructor and Director
of the Howard University Jazz Ensemble.
Bart Marantz: Legendary jazz educator whose bands
have won 245 DownBeat Student Music Awards.
Miles Osland: Saxophonist; Director of Jazz Studies,
University of Kentucky.
Bob Parsons: Saxophonist, arranger and composer.
Dave Rivello: Eastman School of Music Assistant
Professor of Jazz Studies and Contemporary Media,
and Director, New Jazz Ensemble.
Albert Rivera: Saxophonist, composer, educator;
Director of Operations, Litchfield Jazz Camp.
John Santos: Percussionist, clinician, label owner;
U.S. Artists Fontanals Fellow; writer/historian.
Gregory Tardy: Recording artist, Assistant Professor
of Jazz Saxophone, University of Tennessee, Knoxville.
Roger Treece: Arranger/composer, UNC Jazz Press
author and educator.
Ryan Truesdell: Bandleader, composer, arranger,
trombonist, clinician.
James Warrick: Educator/clinician, former Director
of Jazz Studies at New Trier High School.

JUNE 2022 DOWNBEAT 111

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112 DOWNBEAT JUNE 2022

DB Buyers Guide

ALE Reed Balancer............................... 10 Kansas City Kansas Shea Welsh Institute of Jazz........ 80, 108
ALEReedbalancer.com Community College............................. 74 sheawelsh.com
ArkivJazz............................................. 27 kckcc.edu Sher Music...........................................40
arkivjazz.com Kawai................................................... 42 shermusic.com
Bakersfield College.............................. 87 kawaius.com The Sirens Records.................................8
bakersfieldcollege.edu KHS Music ............................................21 thesirensrecords.com
Bart Marantz..................................... 106 khs-america.com Smoke Sessions.................................... 47
bartmarantz.com Los Angeles College of Music............... 78 smokesessionsrecords.com
Blue Note Records................................. 5 lacm.edu Sony Pictures Classics.......................... 19
bluenote.com Magic & Unique Group LTD...................71 jazzfestfilm.com
The Bob Ravenscroft International Jazz magicandunique.com SteepleChase Productions................... 53
Piano Competition .............................. 95 Mallet Kat..............................................4 steeplechase.dk
theravenscroft.com/jazzpianocompetition katpercussion.com Sunnyside Records...............................51
Butler University................................101 Manhattan School of Music................ 77 sunnysiderecords.com
butler.edu/music msmnyc.edu Syracuse Jazz Festival.......................... 57
Cambridge University Press................. 73 Mark Winkler Music.............................71 syracusejazzfest.com
cambridge.org/onjazz markwinklermusic.com Temple University............................... 79
Cannonball Music.................................. 7 Milwaukee High School of boyer.temple.edu
cannonballmusic.com the Arts................................................ 81 Tri-C Jazz............................................. 92
Chicago Symphony Orchestra..............12 milwaukee.k12.wi.us tri-c.edu
cso.org/jazz MiraCosta College...............................86 Troy Roberts Music ............................. 73
Contra Costa College......................... 108 miracosta.edu/mus troyroberts.com
contracosta.edu Modica Music .....................................69 University of Kansas...........................101
Derby Academy................................. 108 modicamusic.com ku.edu
derbyacademy.org Mons Records.......................................71 University of Kentucky........................84
DownBeat ................................4, 63, 109 monsrecords.de finearts.uky.edu/music
downbeat.com Music Works International.................. 53 University of Massachusetts,Amherst....111
Eastman School of Music.....................88 anyonecanbookagig.com umass.edu/music/jazz
esm.rochester.edu/jazz MVD Entertainmemnt......................... 55 University of Miami, Frost School of
Eastman Winds......................................9 mvdshop.com Music................................................... 89
eastmanwinds.com MVD Entertainmemnt – miami.edu/frost
Fredonia State University of Brubeck Editions.................................40 University of Michigan.......................110
New York.............................................. 97 mvdshop.com; brubeckeditions.com smtd.umich.edu
fredonia.edu/jazz MVD Entertainment – ACT Music........ 23 University of Nevada,
Gator..................................................... 11 mvdshop.com; actmusic.com Las Vegas........................................... 107
gatorcases.com Nate Najar Music................................. 73 unlv.edu/music
Hal Leonard..........................................17 natenajar.com University of North Texas.................... 83
halleonard.com National Trumpet Competition......... 106 jazz.unt.edu
Highmark Blues & Heritage Festival.... 35 nationaltrumpetcompetition.org University of North Texas Press........... 16
blues.aacc-awc.org Newport Jazz Festival.......................... 41 untpress.unt.edu
Howard University...............................99 newportjazz.org University of Northern Colorado......... 85
howard.edu North Carolina Central arts.unco.edu/music/jazz-studies
Hypnote Records................................. 73 University............................................ 93 University of Texas,
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Iowa City Jazz Festival......................... 14 P. Mauriat........................................... 115 uta.edu/music
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bluenoteatsea.com Pittsburgh Jazz Festival....................... 33 vailjazz.org
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JEN – Jazz Education Network............ 59 ravinia.org Vandoren............................................... 3
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JJ Babbitt............................................ 29 reedgeek.com Western Michigan University..............96
jjbabbitt.com Rochester International wmujazz.com
JodyJazz............................................. 116 Jazz Festival.........................................44 William Paterson University.............. 105
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John Stites Jazz Awards...................... 91 Rovner................................................. 10 Yamaha................................................. 2
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JUNE 2022 DOWNBEAT 113

Blindfold Test BY GARY FUKUSHIMA DAVID CROW

Rudresh Mahanthappa’s “That’s insane. I can’t even …,” said Rudresh
Hero Trio (Part 2) Mahanthappa as the Hero Trio sprang into action.

Previously on The Blindfold Test: Our three heroes, led as always by the it was a lifetime of stuff to work on.
indubitable alto saxophonist Rudresh Mahanthappa, and ably assist- Moutin: Matt Mitchell is amazing.
ed by his sideman sidekicks François Moutin and Rudy Royston, added Mahanthappa: Matt was in Bird Calls. He was practicing [his piano
to their legerdemain with a perfect four-for-four on last month’s treacher- etudes] in sound checks for every gig we did.
ous playlist, a feat they accomplished even while blindfolded (figurative- Royston: He did those every day when we were in Dave Douglas’ band.
ly speaking). After easily nailing the mysterious Ornette Coleman and You just knew it was going to come [mimics atonal piano sounds]. I used
killers Jerry Bergonzi and Melissa Aldana, a bit of high drama occurred to try to play with him to figure out [the time].
as their last unknown audio assailant proved elusive until Mahanthappa
deduced the culprit to be Chris Speed at the 11th hour. But this month, new Jeff Ballard Trio
and more dangerous challenges lie ahead. Can our heroes pull of a perfect
score, or will they succumb to the weight expectations they’ve already set? “Western Wren (A Bird Call)” “Mivakpola” (Time’s Tales, Okeh, 2014) Ballard, drums;
Read on to find out! Miguel Zenon, alto saxophone; Lionel Loueke, guitar.

Branford Marsalis Moutin: It’s killing. I don’t know what it is, but it’s great!
Mahanthappa: That’s insane. I can’t even …
“Gutbucket Steepy” (Trio Jeepy, Sony, 1989) Marsalis, tenor saxophone; Milt Hinton, Royston: And that wasn’t Jeff on drums? Jeff Ballard?
bass; Jeff “Tain” Watts, drums. [afterwards]
Mahanthappa: I never would have guessed that.
Rudresh Mahanthappa: Sounds like Arnett Cobb. It’s not rough enough Moutin: I should have guessed that.
to be Turrentine. Royston: I thought that was Jeff, because you can hear that staccato style.
Rudy Royston: Sounds like Turrentine right there. When Jeff plays, he plays “off” the drums. Everything is precise and
François Moutin: It’s not Turrentine? staccato.
Mahanthappa: It’s so of another generation. It reminds me of Houston Moutin: Beautiful. 5 stars.
Person records, or even Lockjaw. But I could also see Seamus Blake total- Royston: I’ve got to get that.
ly playing like this, and doing it convincingly, and sounding like an old
cat. I could see Josh Redman playing like this too. But I’m stumped. Joshua Redman
Moutin: It’s not Ron Carter, is it? There’s something in the sound … I “Mantra #5” (Trios Live, Nonesuch, 2014) Redman, soprano saxophone; Matt Penman,
don’t know.
[afterwards] bass; Gregory Hutchinson, drums.
Mahanthappa: I would have never gotten that.
Moutin: You tricked us. Royston: Sounds like Branford.
Mahanthappa: Branford definitely has his own sound, but then he can Moutin: Ravi? Not Ravi Coltrane?
kind of inhabit all these other things, historically. Royston: That’s definitely Brian Blade.
Royston: “Tain” came to my mind with that ride cymbal, but I was like, Mahanthappa: Is that McBride?
“I don’t think so.” I needed to hear a “Tain”-ism. Royston: Joshua? That’s not Hutch on drums?
Moutin: 5 stars. [afterwards]
Royston: I didn’t know Branford could do that. Branford was getting a Mahanthappa: Oh, god, Matt sounds amazing. That sounds great. I
lot of lip back then, going to Sting’s band, and all the jazz cats were like, don’t know Josh’s playing well enough to recognize it, to tell you the
“Oh, man!” truth. But he always sounds great.
Moutin: Makes me realize how much Ron Carter borrowed [from] Milt Royston: Hutch man, wow. We’re friends. He came to Denver when I was
Hinton. in high school. He was playing with Roy [Hargrove’s] band. We had this
Mahanthappa: I’m a little embarrassed; Branford and I just hung out last jam session in Diane Reeves’ basement. I was trying to play all this “Tain”
week. stuff. Roy was there. Then, Hutch comes in, he’s got the flu. He has this
big bomber coat on, he sits on my drums and my cymbals and he just
Anna Webber [gestures a seriously minimal ride pattern]. I wanted to leave after that.
That was a lesson learned right there. I went upstairs and ate some of
“Forgotten Best” (Idiom, Independent Release, 2021) Webber, tenor saxophone; Matt Diane Reeves’ cooking.
Mitchell, piano; John Hollenbeck, drums. DB

Mahanthappa: It’s killing, whoever it is. The “Blindfold Test” is a listening test that challenges the featured artist to discuss and identify
Moutin: European? the music and musicians who performed on selected recordings. The artist is then asked to rate
Mahanthappa: Sounds like Anna Webber, kind of? With Matt Mitchell
and John Hollenbeck? Anna’s ridiculous, she can do anything. 5 stars,
5½! I had Anna come and speak to my advance improv class last semes-
ter. She was amazing. She’s actually kind of codified and demystified
“free improvisation.” She had this beautiful list of all these techniques to
work on. Imagine Jamey Aebersold’s scale syllabus, but it was techniques
and strategies for free improv. It was literally just one sheet of paper, and

114 DOWNBEAT JUNE 2022

JUNE 2022 DOWNBEAT 115

116 DOWNBEAT JUNE 2022


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