Rising Axis: This axis shows the eyebrow tail rising upwards as it extendstowards the temple. This creates a positive tilt to the tail, contributing toa more alert and cheerful expression. It adheres to the aesthetic principlethat the tail should not dip below the brow's head, thereby avoiding asad appearance.EYEBROW ANATOMYHorizontal Axis: The tail on this axis extends directly outwards from thebody of the brow in a flat, horizontal line. It suggests a balanced andneutral expression, maintaining the levelness with the brow head. Thisaxis is often seen as the standard for a neutral expression, neither liftingnor lowering the perceived mood of the face.Thistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
Falling Axis: This shows the eyebrow tail descending below the line of themain body as it progresses towards the temple. As mentioned, allowingthe tail to fall below the line of the eyebrow head can give the face aforlorn or fatigued appearance. This is generally not desirable as it canmake the eyes appear droopy.EYEBROW ANATOMYThe tail of the eyebrow is a key feature in defining the overall look of thebrows. It is the section that tapers to a point as it stretches towards thetemple, distinctively thinner and more refined than the fuller body of thebrow. The hairs within this area typically have a slight downwarddirection, contributing to the tapered effect.Proportionally, the tail occupies about one-third of the total length of theeyebrow, ensuring a balanced appearance. Its endpoint is crucial: if thetail extends too far down past the line of the eyebrow head, it can imparta droopy, melancholic expression to the face. Conversely, a tail thatangles upwards, higher than the natural line, can give a lifted look to theface, which varies with different eyebrow shapes. This aspect of theeyebrow's architecture can dramatically alter facial expressions, whichunderscores the importance of tail placement in eyebrow design.Thistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
EYEBROW ANATOMYHead: This is the starting point of the eyebrow closest to the nose. Itspositioning is crucial as it sets the stage for the balance and symmetryof the face.Peak: Often referred to as the\"high point,\" the peak is where the browarches the most. It's usually aligned with the outer edge of the iris ortowards the end of the eye, depending on the desired style.Arch: This is the curved part of the brow and its height can significantlyimpact facial expression. A higher arch can create a more dramatic look,while a lower arch gives a softer appearance.Tail: The tail is the end of the eyebrow and should taper off towards thetemples. It should ideally not dip below the level of the head to avoid asaddened look.•Thickness: The width of the brow from top to bottom. It should be inproportion to the client's facial features and the overall size of the face.•Length: The horizontal span of the eyebrow from the head to the tail. Theproper length ensures that the brows are not too short (which can make theeyes look wider) or too long (which can cause the face to look droopy).•Inner Corner: This is where the eyebrow begins on the side closest to thenose bridge. The placement of the inner corner is key to creating a naturallook.Thistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
Correct Brow ShapeThe correct shape appears to have a smooth, natural arch with the tail ofthe brow ending at an appropriate point in line with the outer corner ofthe eye. It demonstrates a well-balanced brow in terms of symmetryand angle that complements the eye and enhances facial features.The central portion of the eyebrow, known as the body, sweeps over theeye, following and defining the natural arch. Proper mapping for thisregion is essential, with the pivotal focus being the identification of theideal arch height.Maintaining the integrity of the client's natural brow shape is key; theobjective is to enhance the existing arch rather than to radically alter it.The arch should be a refined enhancement, not a reinvention. Todetermine the precise location of the arch, a line should be drawnvertically from the outer edge of the iris up to the eyebrow. This providesa guide for the highest point of the arch, ensuring it aligns naturally withthe eye and complements the client's facial structure.Thistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
Inorrect Brow ShapeThe red dashed line indicates a brow with an arch that is too far out,creating an unnatural look and potentially making the eyes appeardroopy.The tail of the brow is drooping too low past the corner of the eye, whichcan give a saddened appearance to the face.An arch that starts too close to the nose bridge, making the eyes seemtoo close together and giving a surprised look.Thistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
Lower Arch: The line marking the lower arch is usually a smooth,gently curving line that starts at the inner corner of the brow andrises subtly to the point of the arch. The correct angle here willfollow the natural bone structure and gradually taper off towardsthe tail of the brow. This line is crucial for defining the brow'sthickness and should complement the natural curve of the eyesocket.Upper Arch: The upper arch line runs parallel to the lower archand forms the top border of the eyebrow. It should peak at thesame point as the lower arch, creating the brow’s highest point,which is typically above the outer third of the eye. This line shouldbe smooth and not overly angular to avoid a surprised orunnatural look.Head of the Brow: The head of the brow should start with agentle, soft approach rather than a hard, square shape. Thisbeginning section of the brow should create a gradual transitionin both color and shape as it moves toward the arch. The goal isto mimic the natural growth of eyebrow hairs, which tend to besparser at the innermost edge and get denser as they moveoutward. It's important that the start of the brow is not too harshor sharply defined, as this can give an unnatural block-likeappearance. Instead, the head of the brow should have afeathered look, lightly filled in to seamlessly blend into the fullerpart of the brow.Thistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
Assess the Brow Bone: Feel the brow bone to determine the startingpoint for the eyebrow's arch.Arch Placement (1) : Feel the brow bone to locate the natural arch anddraw a horizontal line across the brow at this point. This will serve as thefirst horizontal guideline for the arch.Lower Brow Start and End (2) : Place horizontal lines to mark the start ofthe lower head of the brow and the end of the tail.Upper Brow Thickness (3) : Determine the desired thickness of the browand draw another horizontal line above the first, indicating the upperedge of the brow's thickness.EYEBROW MAPPING AND DESIGNINGThistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
Center of the Face (4): Draw a vertical line down the center of theforehead to the top of the nose to divide the face into two equal sections.Imaginary Vertical Line (5): Create an imaginary line aligned with thetear duct or the side of the eye. Between this line and the center line ofthe face is where the brow should begin.EYEBROW MAPPING AND DESIGNINGThistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
Arch Definition (7): Identify the highest point of the arch near the outeredge of the iris and draw a diagonal line for height and definition.Arch Connection (8): Create a vertical line extending from the firsthorizontal line above the brow bone's arch to the point outside the eyesto mark the arch point.Tail Connection (9): From the center of the lips, draw a diagonal lineextending outward past the end of the eye to establish the tail, ensuringit meets the horizontal guideline at the end.Tail End (10) : Draw a vertical line downward at the tail's end. Mark thepoint where the eyebrow tail should taper off, in alignment with the outercorner of the eye, being careful not to extend it past the eye line toprevent a drooping appearance.EYEBROW MAPPING AND DESIGNINGThistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
For the shaping process:Outline the Shape: Utilize the five-point markings to outline the shape ofthe brow with a thread, aiming for precision.Visualize the Structure: Connect the points to see the eyebrow's structure,recognizing that it comprises primarily straight lines with a curve at thearch.Connect A11 to B12Connect C13 to D14Connect D12 to D14Connect D14 to E15EYEBROW MAPPING AND DESIGNINGThistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
Copy the mapping measurements onto the other side of the brow toensure symmetry.Ensure the eyebrow mapping lines remain straight and symmetrical withthe client's eyes open, wide open, closed, and even when displayingexpressions such as surprise or frowning.Use a caliper to measure the distance between two opposing sides ofthe forehead to guide where the brows should be penciled in.EYEBROW MAPPING AND DESIGNINGLUXEBEAUTEINTERNATIONALACADEMYLIMITED
The beginning point of the brow - we apply a card parallel to thenose through the middle of the nostril.The brow arch point - the card is applied at an angle from the wingof the nose through the outer edge of the iris when looking straightahead.The outer brow point - the card is applied from the wing of the nosethrough the outer corner of the eye.The bottom line of the brow - the card is applied parallel and at adistance from the lower lash line to the point of the brow arch. Thedistance to the bottom line of the brow can vary and is chosenindividually.We determine the thickness of the brow and draw parallel lines fromthe beginning of the brow to the outer point, keeping the necessarysymmetry of the lines.The height of the brow arch is marked as required by the style. Thepoint of the arch should never be below the line drawn from point5.2. This zone should ALWAYS be light, airy, without harsh lines.The body of the brow should never drop below the line of point 4!Drawing the sketch - use a light pencil, powder, or shadow tooutline, to make the sketch as natural and harmonious with thefacial features as possible.Thistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
OMBRE BROWTECHNIQUESThistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
Powder Step I: This step appears to show the initial outline of wherethe pigment will be applied. It is likely a guide for the technician tofollow.Powder Step II: This step demonstrates the application of pigmentin a gradient. The numbers 1 to 3 may refer to different layers orpasses with the needle, with percentages indicating theconcentration or amount of pigment applied. The darkestconcentration (100%) is at the tail of the brow, with the pigmentconcentration decreasing towards the front of the brow (50%, 30%).Final Powder: This is the final look of the ombre brow after thepigment application steps have been completed. It shows asmooth gradient from dark to light, simulating the look of naturalbrows that are typically lighter in the inner corners and darkertowards the outer edges.Shading TechniquesThistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
Top Part of the Image: This shows the brow after the initial phase ofpigment application. The dots represent where the pigment isdeposited into the skin. The vertical lines likely demarcate thedifferent sections of the brow and indicate where the shading willchange to create the ombre effect, with lighter and sparser dots atthe beginning of the brow (near the nose) and gradually becomingdenser and darker towards the tail.Bottom Part of the Image: Here, the technique is further illustratedwith a darker shade. It seems to show the progression of theshadowing with the darkest pigment at the tail of the brow, and itgradually becomes lighter toward the front. This part of the imageprovides a visual guide for how the intensity of the shadow shouldtransition along the brow to achieve the ombre effect.Shading TechniquesThistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
Color CorrectionYellow lines: May represent the area with thehighest intensity of color application (100%saturation as indicated in the diagram).Purple lines: Could represent mid-levelintensity (60% to 80% saturation).Blue arrows: May indicate the direction ofneedle strokes for creating the desiredgradient effect or feathering at the front ofthe brows.White lines: Possibly show the outline of thebrow shape or the lightest area ofapplication (30% saturation).Entry: These points mark the start of eachstroke with the tattooing tool. The pigment isapplied lightly to create a soft and subtlebeginning at the innermost part of theeyebrows.Exit: The end of the strokes. The pigmentapplication here is heavier or moreconcentrated, which produces a darkershade towards the ends of the eyebrows.ExitExitExitEntryEntryEntryExitEntryOmbre Brow TechniqueThistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
The gradient usually starts lighter at the inner corners of the brows andbecomes progressively darker towards the ends, giving a soft, filled-inappearance.Shading TechniquesThis method involves creating a more defined gradient, with the innerportion of the brows starting very light, almost bare, and thenprogressively becoming denser and darker towards the tails. This stylecan give a more dramatic and sculpted look to the brows, makingthem a standout feature on the face.Thistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
1.Shading Techniques: This part of the technique involves creating asoft, powdered effect that resembles a subtle makeup look. Theshading can be performed using various methods, such as thewhip, pendulum, or zig-zag techniques previously described.Shading is often used to provide a base color or to add depth andfullness to the brows.1.Machine Hairstrokes: These are created with a permanent makeupmachine that simulates the appearance of individual eyebrowhairs. This technique requires skill to create fine, hair-like lines thatblend seamlessly with the client's natural eyebrows. The strokes aretypically drawn in the direction of natural hair growth to enhancethe realism of the brow.Combining these two techniques can create a dynamic and naturallooking eyebrow. The shading offers a full and even base, while thehairstrokes add texture and the illusion of real hairs, giving the brows amulti-dimensional and natural appearance. It's a popular method forclients who want a fuller brow look that still maintains a degree ofnatural appeal.Advanced TechniquesThistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
SHADINGTECHNIQUESThistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
Needle Movement: The two tattoo needles in action is thedirection of movement for shading. The dotted line suggests asmooth, sweeping motion that the artist uses to distribute the inkevenly beneath the skin.Shading Outcome: Below the needles, there's a depiction of theresult this needle movement achieves: a gradient of color thattransitions from dark to light. This is a common shading effectused to create dimension and depth within a tattoo orpermanent makeup.Thistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
Shading is achieved by moving the machine in specific patterns tocreate gradients and depth.Pendulum shading involves swinging the machine back and forth,creating a darker central line that fades out towards the edges.The density of the shading can be controlled by the speed of the handmovement and the machine's settings.Shading TechniquesThis technique is often used to create a natural-looking shadow or depth,especially in cosmetic tattooing, for eyebrows, eyeliner, or lip shading. Itrequires a steady hand and experience to achieve a smooth, graduatedcolor effect without harsh lines.Thistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
Experimenting with Speeds for OmbreBrows: By adjusting the machinespeed and the hand movementspeed, a permanent makeup artistcan create various styles of ombrebrows, which are characterized by agradual fade from light to dark. Theguide suggests that:High Work Speed: When the handmoves quickly (fast work speed), dotsof pigment (pixelation) land furtherapart, which results in a lighter orsofter appearance. This techniquemight be used towards the beginningof an eyebrow to create a soft startthat gradually becomes denser.Low Work Speed: When the handmoves slowly over the skin (slow workspeed), dots land closer together,resulting in more concentrated coloror'bigger'pixelation. This could beused for the tail of the eyebrow,where a darker, denser appearanceis often desired.Shading TechniquesThistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
Whip Shading: This technique involvesquick, short, and somewhat curvedhand movements with the needle todeposit the pigment into the skin. The\"whip\"motion creates a scattered, soft,and airy fill that can be used to buildup color gradually. It's good for a morenatural look, as it doesn't create a solidblock of color but rather a gentle,feathered effect.Pendulum Shading: This techniqueuses a swinging motion, similar to apendulum, where the needle movesback and forth in a steady, rhythmicpattern. The pigment is applied moreconsistently in the skin compared towhip shading. This can lead to a moreuniform fill with medium to fullsaturation. It's used when a moredefined area needs shading or toblend a transition in colors.Zig Zag Shading: This involves movingthe needle in a back-and-forthpattern, akin to drawing a series of 'Z'sor zigzag shapes. This can create adenser and more saturated look, as theoverlapping lines deposit morepigment into the skin. It's effective forbuilding up color quickly and creatinga bold, defined effect.3 Different Shading TechniquesThistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
MACHINEWORKThistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
Correct Angle: The device should be held at astraight 90-degree angle to the skin. This ensuresthat the needle penetrates the skin evenly and atthe proper depth.Stable Grip: The artist's hand should be steady,with the device held securely between the thumb,index, and middle finger, much like gripping apencil. This grip allows for precise control of themachine.Skin Contact: The needle should touch the skingently. It's not about pressing down hard but ratherallowing the machine's needle to puncture the skinwith its own weight and the machine's powersettings.Starting Position: The machine should start offslightly raised above the skin.Motion: As you begin to work, the machine movesin a downward motion towards the skin's surface.Contact: The machine makes contact with the skinin a tapping motion, similar to a gentle press andrelease.The amplitude of the movement is like a pendulum,which suggests a fluid and regular motion that iscontrolled and consistent. This technique is essentialto ensure the application of pigment is even and toavoid going too deep into the skin, which could causeunnecessary trauma or uneven coloring. It's a skill thatrequires practice to master, ensuring the pigment isimplanted at the correct depth with each tap of themachine.Machine TechniqueThistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
Correct Angle: The device should be held at a straight 90-degree angleto the skin. This ensures that the needle penetrates the skin evenly and atthe proper depth.Stable Grip: The artist's hand should be steady, with the device heldsecurely between the thumb, index, and middle finger, much likegripping a pencil. This grip allows for precise control of the machine.Skin Contact: The needle should touch the skin gently. It's not aboutpressing down hard but rather allowing the machine's needle topuncture the skin with its own weight and the machine's power settings.Machine TechniqueThistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
Shading TechniquesFaster Machine Speed (High RPM): A higher RPM, which stands forRevolutions Per Minute, indicates that the needle of the permanentmakeup machine is oscillating quickly. This fast action can be used fortechniques that require quick pigment implantation into the skin, such ascreating a dense fill or a solid line.Work Speed: This refers to the speed at which the artist moves the handheld machine over the skin. It's the practitioner's controlled movementthat, along with the machine speed, determines the final result. A slowerhand movement with a fast RPM might create a denser pigment deposit,while a faster hand movement could spread the pigment out for a softereffect.Experimenting with Speeds: By adjusting the machine speed and thehand movement speed, a permanent makeup artist can create variousstyles of ombre brows, which are characterized by a gradual fade fromlight to dark. The guide suggests that:High Work Speed: When the hand moves quickly (fast work speed), dotsof pigment (pixelation) land further apart, which results in a lighter orsofter appearance. This technique might be used towards the beginningof an eyebrow to create a soft start that gradually becomes denser.Low Work Speed: When the hand moves slowly over the skin (slow workspeed), dots land closer together, resulting in more concentrated coloror'bigger'pixelation. This could be used for the tail of the eyebrow, wherea darker, denser appearance is often desired.Thistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
First Layer: This shows a set of parallel lines, evenlyspaced. This could be the initial stage in a shadingprocess where the first layer sets the foundation. Inthe context of permanent makeup, this mightrepresent the initial pass when creating eyebrowstrokes, or the first layer of color on lips or eyelids.Second Layer: The second layer consists ofanother set of parallel lines, but these are angledand intersect with the first set. This creates acrosshatching effect. In permanent makeup, thistechnique is used to add depth and dimension tothe initial layer. For eyebrows, it can create a fullerlook, and for lips, it can give a more complex shadethat mimics natural color variations.Third Layer: The third layer further builds on thecrosshatching by adding yet another set ofintersecting lines, rotated relative to the secondlayer, which creates a dense network of lines. Thismulti-directional layering can produce a very richtexture. In permanent makeup, it's a way to buildup color and shape to create a 3D effect, forinstance, in areola reconstruction or to give a morenatural appearance to filled-in brows.Shading TechniquesThistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
TOOLS &EQUIPMENTThistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
Ensuring a Clean and Sterile Workspace with Proper Equipment SetupPreparing all the necessary equipment and setting up a clean andsterile environment is of utmost importance for artists when clientsarrive. This readiness ensures the safety and well-being of clientsduring procedures like permanent makeup, tattooing, or other similarpractices.Tools and EquipmentThistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
Ensuring a Clean and Sterile Workspace with Proper Equipment SetupPermanent Makeup Tools: Essential tools including a PermanentMakeup Machine and sterile, disposable needles or cartridges forprecise application.Measuring and Mapping Tools: Tools like calipers, cosmetic pencils,and surgical pens, rulers and mapping strings are vital for accuratebrow shaping and symmetry.Hair Removal Tools: Razor blades, tweezers, or scissors are neededfor trimming and shaping excess eyebrow hair, ensuring a cleanarea for treatment.Wood Pointed Tip Cotton Wood Sticks: Used for precision detailingin brow mapping and removing excess lines with accuracy.Disposable Microbrushes Applicator: These applicators areindispensable for the precise aplication of pigments to touch upand enhance the treated area.Thistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
Pigments: A variety of high-quality pigments to accurately matchdifferent eyebrow colors and skin tones, ensuring natural-lookingresults.Numbing Cream/Liquid and Pain Relievers: Topical anesthetics tominimize discomfort during the procedure and optional painrelievers for sensitive clients.Cleansing Solutions: Blue soap, antiseptic solutions, or distilledwater are required for effective and safe cleansing of the areaduring the procedure.Disinfectants and Sanitizers: These are used for both skinpreparation and sterilization of tools, ensuring a safe and cleanprocedure.Thistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
Aftercare Products: Quality healing balms or ointments anddetailed aftercare instruction sheets to guide clients in postprocedure care for optimal healing.Moisturizing Liquid: A specially formulated moisturizing liquid isapplied as part of the aftercare routine to keep the treated areahydrated and aid in the healing process.Barrier Films and Covers: Used to cover tools and the treatmentarea, these help in maintaining a sterile environment andpreventing contamination.Sharps Container: A secure container is necessary for the safedisposal of used sharp tools, following health and safetyregulations.Thistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
Essential Supplies: include facial tissue for gentle wiping, cottonpads for applying solutions and absorbing liquids, cotton buds forprecise detailing, and sterile gauze for cleaning and pigmentcontrol.Trash Container: Necessary for disposing of non-sharp wastematerials like used gloves, wipes, and other disposable items,keeping the workspace tidy and hygienic.Extra Trash Bags: To ensure there’s always sufficient capacity forwaste disposal throughout the day.Thistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
Protective Gear: Including lab gowns or coats, gloves, hair covers,and foot covers to protect both the artist and the client during theprocedure.Treatment Bed/Chair and Trolley: A comfortable and adjustabletreatment bed or hydraulic chair is important for client comfort,along with a trolley for organized tool access.Good Lighting: Critical for ensuring precision and accuracy duringthe intricate microblading and microshading processes.Thistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
Maintenance. General Equipment Care:1.Sterilization and Disinfection: Follow strict sterilizationprotocols. Use an autoclave for metal parts that are heatresistant and chemical disinfectants for parts that are not.2.Proper Storage: Store devices in a clean, dry place when not inuse. Keep all parts and accessories organized to prevent loss ordamage.3.Routine Inspection: Regularly inspect your equipment for signsof wear and tear. Replace any parts that are not functioningcorrectly or show excessive use.4.Manufacturer Guidelines: Adhere to the manufacturer'sinstructions for maintenance and care. Each device may havespecific needs based on its design and functionality.5.Hygienic Practices: Always use barrier methods such asdisposable covers for non-sterilizable parts of the machine.Wear gloves and maintain a clean working environment.6.Record Keeping: Keep logs of maintenance and sterilization forregulatory compliance and best practices.Function and Maintenance of Permanent Makeup DevicesThistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
•R1: This cartridge has a single needle and istypically used for fine detail work like hair strokes ineyebrow tattooing or fine eyeliner.•R3: Contains three needles in a roundconfiguration, useful for slightly thicker lines thanthe R1, often used for detailed work that requires abit more coverage.•R5: Has five needles in a round formation, allowingfor thicker lines and is used for filling in areas withcolor or for thicker eyeliner.•F5: This flat needle cartridge with five needles isused for shading and color fill-ins, as it provides abroader coverage than round needles.•V9: This is a vertical configuration of nine needles,often used for procedures requiring more coverageand shading, such as in lip color fill-ins.•V12: Similar to the V9 but with twelve needles,offering more coverage and can be used for largershading areas.•MTS-9: A microneedle therapy system cartridgewith nine needles. MTS cartridges are typically usedfor skin treatments rather than pigmentapplication. They can help in collagen inductiontherapy, improving skin texture, and reducing theappearance of scars.•MTS-12: Similar to MTS-9 but with twelve needles, itprovides more extensive coverage and is used forthe same purposes as MTS-9 but on larger surfaceareas.Function and Maintenance of Permanent Makeup DevicesThistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
1R-0.18 to 1R-0.25: Very fine single roundneedles used for creating hair-like strokes ineyebrows or very thin eyeliner.1R-0.3 to 1R-0.5: Slightly thicker single roundneedles for lip contour, eyebrows, eyeliner, andin some cases, hair reconstruction or smokeeyebrows.2R: Double round needles for creating eyeliner.3RL to 5RL: Round liners with three to fiveneedles for lip contour, lip shading, eyebrows,and eyeliner.3RS to 7RS: Round shaders with three to sevenneedles, used for denser hair on eyebrows,camouflage, shading, and lip shading. The 7RScan also be used for thicker eyeliner, areola andnipple reconstruction, and covering scars.3F to 7F: Flat needles configurations for lipshading, thicker lip outlines, and otherreconstruction or camouflage work.3SF to 5SF: Soft edge flats for upper line oneyelids, eyebrows, areola and nipplereconstruction, camouflage, and scars.5MG to 11MG: Magnum configurations forbroader shading and reconstruction work, aswell as camouflage and scar cover-ups.12Pins to 42Pins: These are likely magnumconfigurations with 12 to 42 needles, used forhair reconstruction, microneedle mesotherapy,and essence absorption treatments.Function and Maintenance of Permanent Makeup DevicesThistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
1.Tight Liner: This cartridge has tightly packedneedles, which create fine lines and detailedwork. It's often used for precise eyeliner tattoos,lip liner, or creating the illusion of hair strokes ineyebrow tattooing.2.Round Liner: Similar to the tight liner, thiscartridge has needles arranged in a circularconfiguration but not as tightly packed. It's usedfor lining but gives a slightly thicker line, whichcan be useful for bolder eyeliner or defining theedges of lips and eyebrows.3.Loose Liner: With needles arranged in a roundformation but with more space between them,this type of cartridge allows for more flexibilityand less trauma to the skin. It's suitable formore artistic effects in permanent makeup,such as soft shading or blending.4.Round Shader: This cartridge has needlesarranged in a circular pattern and is used forshading in permanent makeup. It's particularlygood for filling in areas with color, such as in lipblushing or adding depth to eyebrows.5.Flat Shader: The needles are aligned in astraight line, making this cartridge ideal forgeometric shapes and crisp edges. It's oftenused for thicker eyeliner, defining lip contours, orfilling in color blocks.6.Magnum: This cartridge contains a largenumber of needles spread out over two rows. Itcovers a larger surface area and is typicallyused for filling in larger spaces with color, likefull lip color applications.7.Soft Edge Magnum: Similar to the Magnum,this cartridge also has a large number ofneedles but with a softer edge, allowing formore diffused lines and shading. It's used forgradient effects or for blending colorsseamlessly in larger areas.Function and Maintenance of Permanent Makeup DevicesThistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
PRACTICESHADINGThistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
PRACTICEMAPPINGThistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
Thistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
Thistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.
Thistrainingmaterial,preparedbyLuxeBeaute International AcademyLimited,offersaconciseyetcomprehensivereviewofprocedures.