Risk Change 01

100 DRAGOLJUB RaŠa TodosijeviĆ :: UMETNIK U PRVOM LICU

sam Akademiju likovnih umetnosti u Beogradu. Moji the Academy of Visual Arts in Belgrade. My professors
profesori na Akademiji su bili ljudi neprijatno skromnog at the Academy were people of an unpleasantly modest
dara i još skromnijeg obrazovanja; smrtonosna mešavina talent and even more modest education; a deadly mixture
mediokriteta, ulizica i sujetnih fantoma. Preostalo mi je of mediocrity, bootlickers and conceited phantoms. All
da putujem svetom i da se sam obrazujem onako kako that remained for me to do was to travel the world and
sâm znam i umem, ne bi li, eto, mojim malenim snagama educate myself on my own, as I knew how, in order to,
nekako uspeo da skršio nevidljivi jaram svekolikog with my tiny powers, somehow manage to break the
provincijalizma. Atelje sam dobio posle ravno trideset invisible yoke of the overwhelming provincialism. I finally
godina i to na takozvanom Starom Sajmištu, koji je za got the studio after exactly thirty years and it was at the
vreme Drugog svetskog rata bilo nemački koncentracioni so-called Staro Sajmište (Old Fair), which used to be a
logor. Po neki put, dok u ateljeu slušam tihu muziku, čini German concentration camp during the Second World
mi se kao da mi u pohode dolaze i učtivo me pozdravljaju War. Sometimes, while I am listening to quiet music at
nesretne duše pobijenih logoraša. the studio, it seems to me that the unfortunate souls of the
slain prisoners come to visit and politely greet me.
Tačno na moj 72 rođendan aktuelne vlasti grada Beograda
su me izbacili iz ateljea uz objašnjenje da će tu napraviti Exactly on my 72nd birthday the present authorities of the
memorijalni centar svim postradalim logorašima. city of Belgrade have evicted me from the studio with the
explanation that they will make here a memorial centre
for all dead prisoners.

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Andrej Strehovec

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EUROPIA MEMBRANE - RISK CHANGE “EUROPIA MEMBRANE - RISK CHANGE”

Andrej Strehovec, arhitekta, inter-medijski dizajner, Andrej Strehovec, architect, intermedia designer, theorist,
teoretičar i scenograf predstaviće opus u razvoju “Europia scenographer will present an opus in development
Membrane”, u kome se prespajaju sva područja njegovih “Europia Membrane”, where all of his basic professional
osnovnih zanimanja i koji mu služi kao eksperimentalni fields rewire and which serves as an experimental project
projekat za proučavanje društvenog stanja i društvenih to study the state of society and social development
razvojnih mogučnosti, kroz tehnologije i teorije. opportunities, through technology and theory.

EUROPIA MEMBRANE - OBSERVING SPACE EUROPIA MEMBRANE - OBSERVING SPACE

`Europia Membrane` je naduvana geometrijska kapsula sa Europia membrane is a blown-up geometrical capsule
ulazom za jednu osobu. U unutrašnjosti, posetioci mogu with a single-person entrance. Inside, the visitor can
čuti zvučni zapis planete Jupiter *. Membrana je razvijena hear a soundtrack of planet Jupiter*. The membrane
kao ikona, koja predstavlja utopiju uspostavljanja idealnog is developed as an icon, representing the utopia of
društva u svemiru. Struktura se odnosi na vremenski establishing an ideal society in Space. The structure
okvir od prvih istraživanja leta do savremenih rešenja za refers to a timeframe from the first flight explorations,
život u vanzemaljskom okruženju. Membrana se koristi to the contemporary solutions for living in an alien
za uspostavljanje prostora unutar prostora, za ličnu environment. The membrane is used to establish a space
kontemplaciju. Kroz svoje simbolično prisustvo i iskustvo within a space, for personal contemplation. Through its
unutrašnjosti, struktura ima za cilj pokretanje kolektivnog symbolic presence and experience of the interior, the
sećanja na otkrića u svemiru i očekivanja u vezi sa structure aims to trigger a collective memory of Space
razvojem društva. discoveries and expectations regarding the development of
society.
*Originalni prostorski snimci snimljeni uz pomoć NASA
i Donald Gurnett sa Univerziteta u Ajovi. http://www-pw. *Original space audio recordings provided courtesy of
physics.uiowa.edu/space-audio NASA and Donald Gurnett of The University of Iowa.
http://www-pw.physics.uiowa.edu/space-audio
(audio interpretacija napunjenih solarnih čestica koje
reaguju sa Magnetosferom Jupitera, snimljene pločastim (audio interpretation of charged solar particles reacting
with the Magnetosphere of Jupiter, recorded by the PWS

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valom PWS na Voyager 2, dok je letelica pristupila plasma wave instrument on Voyager 2 as the spacecraft
Jupiteru 2. jula 1979.) was approaching Jupiter on July 2, 1979)

EUROPIA MEMBRANE - IN-HABIT-ON EUROPIA MEMBRANE - IN-HABIT-ON

Projekat se fokusira na mapiranje fenomena napuštenih Project focuses on mapping the phenomena of abandened
zgrada, urbanih područja, gradova i infrastrukture buildings, urban areas, cities and infrastructure all over
širom sveta. Budući da sve više migratorno društvo the world. As the evermore migrating society of the future
budućnosti možda neće trebati izgraditi novu arhitekturu, might not need to build new architecture, but rehabilitate
nego sanirati napuštena naselja (hakovanje postojeće abandoned settlements (by hacking existing healthy
zdrave gradnje / infrastrukture), razvijamo tehnološki construction/infrastructure), we develop technologically
autonomni, prenosivi, naduvani modul. Privremeno, ali autonomous, portable, inflatable module. Temporary,
novo-kvalitetno životno okruženje je infrastrukturna but new-quality life environment is infrastructural
arhitektura za nomadsko društvo. architecture for nomad-society.

EUROPIA MEMBRANE - RUINFLATABLES EUROPIA MEMBRANE - RUINFLATABLES

U duhu eksperimenata Haus-Rucker-Co iz 1970-ih, In the spirit of the 1970s blow-up experiments by Haus-
naduvane kapsule predstavljaju spekulativni predlog Rucker-Co, architect Andrej Strehovec’s inflatable
za vraćanje života u opštnske ruševine degradiranih capsules are a speculative proposal for bringing life back
urbanih područja. Na taj način se privremeno rehabilituju into municipal ruins of degraded urban areas. In this way,
napuštena područja u smislu smanjivanja degradacije abandoned regions are rehabilitated, by reducing spatial
prostora, što ima ugodne ekonomske efekte. Ovo degradation, which carries also econonomic goals. This is
je eksperimentalni koncept za buduće mogućnosti an experimental concept for future dwelling possibilities
stanovanja koji integrišu tehnološki autonomne kapsule u that integrates technologically autonomous inflatable
napuštenu opštinsku infrastrukturu. Umesto proizvodnje capsules into abandoned municipal infrastructure. Instead
novih građevinskih materijala razvijen je tehnološki of producing new building materials, a technologically
autonoman, prenosivi, naduvani modul. On obezbeđuje autonomous, portable, inflatable module is developed. It
sekundarni omot, omogućavajući integraciju unutar provides a secondary shelter shell, enabling integration
starih ugrađenih struktura, koje deluju kao primarni within old built-structures, which act as primary
građevinski omoti. construction shells.

EUROPIA MEMBRANE - RISK CHANGE EUROPIA MEMBRANE - RISK CHANGE

Što se tiče opusa Europia Membrane, predstavljena je Regarding opus Europia Membrane a theoretical
teorijska osnova. Opisano je kako opus tumači kapsulu background is presented. It is described how opus
kao metafizičko plovilo i kako tumači savremene interpretes a capsule as a methaphysical vessel and how
tehnologije kao kolektivnu kapsulu. it interpretes contemporary technologies as a collective
capsule.

104 Andrej Strehovec :: EUROPIA MEMBRANE

REZIDENCIJE
RESIDENCES

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diSTRUKTURA

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Naše istraživanje je već dugi niz godina povezano sa Our research has been, for many years now, connected to
dugogodišnjim projektom koji se zove Živimo u lepom the long-term project called We are living in a beautiful
svetu (We are living in a beautiful wOURld), koji se wOURld, which deals with issues of migration, brain
bavi pitanjima migracija, odliva mozgova i kapitala u drain and human capital, introducing also new, redefined
ljudstvu, uvodeći i nove, redefinisane teorije ’’doma’’. theories of “home”. We started with a massive brain drain
Počeli smo sa masivnim odlivom mozgova u post- in post-Yugoslav regions during the war and after from a
jugoslovenskim regionima tokom i nakon rata, iz lične personal perspective, questioning the impact on identity
perspektive, ispitujući uticaj na identitet i budućnost and future of these people, as well as creation of space
ljudi, kao i stvaranje prostora i novih psiho-geografskih and new psychogeographical currents of the destination
tokova. Projekat je započeo 2013. godine i uključuje cities. The project started in 2013 and it involved works
radove u različitim medijima: fotografije, printove, crteže, in different media, photography, prints, drawings,
instalacije i in situ instalacije sa intervjuima zasnovanim installations and in situ installations with video based
na videu kao glavnom medijumu. Najnoviji projekat interviews as main medium. The most recent project
uključuje latinoameričku migraciju u Španiji i njihov involved Latino- American migration in Spain and their
doprinos društvenom pejzažu Barselone i Madrida. contribution to the social landscape of Barcelona and
Madrid.
Odliv mozgova nema samo ekonomske posledice, već
se odnosi i na izgled i moć obnavljanja društva u celini. The brain-drain does not have economic consequences
Odsustvo intelektualaca, umetnika, preduzetnika, kulture only, but it relates to the design and renovation force
mladih, vodi do nedostatka otpora, produktivnog trenja of society as a whole. Absence of the intellectuals, the
koje stvara nešto novo i čini suštinski identitet društva. S artists, the entrepreneurs, the youth cultures, leads to
druge strane se postavlja pitanje: koliko te struje utiču na lacks of the resistance, the productive friction that create
osnaživanje građanskog i intelektualnog korpusa zemlje something new and make the essential identity of society.
odredišta? Do koje mere oni kvalitativno povećavaju On the other side, how much do these currents affect
kapacitet društva i time dovode do progresa i prosperiteta the empowerment of civil and intellectual corpus of the
cele nacije? destination country? To what extent do they qualitatively
raise the capacity of society and consequently lead to the
Posebno nas zanima kako da mapiramo promene i progress and prosperity of the whole nation.
previranja u društvu, ali i u individualnim biografijama,
i koliko brzo određene situacije menjaju način na koji

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razmišljamo. Osnovno pitanje koje projekat postavlja We are especially interested in how to map changes and
je: Kako se lična i javna slika menja sa individualnom upheavals in society, but also in individual biographies,
pričom o migraciji i kako prošlost, evropska politika, ali and how quickly certain situations change the way we
i finansijska i druge krize deluju na individualni život? think. The basic question the project raises is: How
personal and public image change with individual
Tokom desetodnevnog boravka u Mariboru, u okviru migration story and how does the Past, European policy,
projekta Rizikuj promenu, sproveli smo istraživanje o but also financial and other crises act on the individual
problemima u vezi sa migracijama i odlivom mozgova life?
koji se dešavaju na ovom području i stoga usmerili svoj
rad na takozvane dnevne migracije između Maribora i During a ten days residency in Maribor, within a Risk
Graca. Loša ekonomska situacija u Mariboru, nedostatak Change project, we conducted a research of the issues
industrije i, shodno tome, potencijalnih poslova, mnogo related to migration and brain drain in this region
radne snage je usmerilo ka susednoj, dobro razvijenoj i and consequently focused our work on so called
ekonomski stabilnoj Austriji, posebno Gracu i drugim daily migrations between Maribor and Graz. A poor
pograničnim gradovima. Blizina ovog grada omogućava economic situation in Maribor, lack of industry and
im da svakodnevno putuju, što znači da rade u Gracu, therefore, prospective jobs, a lot of workforce has been
a žive u Mariboru. Ova dnevna rutina stvara protok, directed towards the neighboring, much developed and
struju, koja transformiše pejzaž i doprinosi dijalektici economically stable Austria, specifically Graz and other
mesta i prostora. bordering cities. The proximity to this city allows them
to travel daily, which means they work in Graz and live
in Maribor. This daily routine creates flow, an undertow
which transforms a landscape and contribute to the place
and space dialectic.

108 diSTRUKTURA :: MILICA MILIČEVIĆ i MILAN BOSNIĆ

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VesSna Perunovich

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STANJE FLUKSA: STATE OF FLUX:
kratko Briefly migrating
emigriranje na to the island
ostrvo

Malta, koja leži između Afrike i kontinentalne Evrope, Malta, which lies between Africa and continental Europe
pozicionirana je kao kapija između Istoka i Zapada, i is positioned as a gateway between East and West and
iako mala po veličini, predstavlja važnu stratešku tačku although small in size present an important strategic point
na migrantskoj ruti. Od 2002. godine, hiljade izbeglica, on the migrant’s route. Since 2002, thousands of refugees,
uglavnom iz zemalja severne Afrike, pokušava, da mainly from the North African countries, have attempted
ovom rutom, putuje preko Mediterana. Tako da je ovo the journey across the Mediterranean on this route. The
ostrvo postalo nevoljni domaćin mnogim siromašnim island is now a reluctant host to many destitute migrants
migrantima iz Afrike, koji su se zaglavili na Malti dok from Africa stuck in Malta as their destiny hangs in the
njihova sudbina visi o koncu. balance.

Istraživanje i umetnička produkcija, koju sam realizovala The research and art production, which I realized during
tokom boravka na Malti, bavili su se suštinskim pitanjima my residency stay in Malta engaged in crucial issues
koja se odnose na prolaznu prirodu migracija i egzila kao relating to the transitory nature of migration and exile as
univerzalnog stanja ljudskih prilika u današnje vreme: a universal state of human condition in this day and age:
pojmovima inkluzije i ekskluzije, granica, sukoba i the notion of inclusion and exclusion, borders, conflict
sigurnosti, komunikacije i otuđenosti, pojmovima doma i and safety, communication and alienation, the notion of
izolacije. home and isolation.

Pristupila sam rezidencijalnom programu RC na Mlati I approached RC residency program in Malta as a one-
kao jednokratnoj prilici da se uključim u poetsko off opportunity to engage in a poetic exploration of
istraživanje tih pitanja kroz sopstveno iskustvo those issues through my own experience of a temporary
privremenog boravka, nastanjujući nepoznato mesto residency stay, inhabiting an unfamiliar place, in a
u kontekstu privremenog doma. Putem video zapisa, context of a transient home. Through video, photography
fotografije i performansa, vodila sam zapise o svojoj and performance I conducted a recording of my brief
kratkoj migraciji kako bih odslikala prolazno iskustvo migration to the island of Malta as to reflect on an

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sa kojim privremeni migrant, koji boravi neodređeno ephemeral experience that a temporary migrant staying
vreme na nepoznatom mestu, može da se suoči. Materijali adjourned in a foreign place might encounter. The
i postavke koje sam zatekla, u svom domaćem okruženju materials and settings, which I found, already in place in
na Malti, postali su pozornica sa koje se rad razvijao i gde my domestic environment in Malta become a stage from
su se ljudi i društvena ograničenja preispitivali. Rad, koji which the work unfolded and where the personal and
je još uvek u fazi stvaranja, na kraju će pokušati da kreira social boundaries were tested. The work, still in progress,
intimni portret pojedinca u fluksu, kako se kreće kroz will ultimately attempt to create an intimate portrait of an
emocionalni prostor migracija i nesigurnosti, u današnjem individual in flux, moving through an emotional space of
trenutku i vremenu. migration and uncertainty in this moment in time.

112 VesSna Perunovich :: STANJE FLUKSA :: STATE OF FLUX

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Božo (Boja) Vasić

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Malta: Prolazna Malta: A Transitory
destinacija Destination

Poslednjih nekoliko godina se Evropa bori da primi For the last few years Europe is struggling to contain a
beskrajnu reku izbeglica koje beže od rata i siromaštva never-ending stream of refugees who are escaping wars
rizikujući živote na improvizovanim čamcima kako bi and poverty and risking their lives on makeshift boats to
prešli Mediteransko more u očajničkom pokušaju da cross Mediterranean Sea in a desperate attempt to reach
stignu u sigurnost evropskih zemalja. Sad je pravo vreme safety of European countries. Now is a timely moment
da se istraži kako novopridošli mogu naći način da se to explore how newcomers can find ways to integrate in
integrišu u, uglavnom homogene, evropske zemlje. mostly homogenous European countries.

Odnos prema tražiocima azila na Mlati se dramatično The attitude towards asylum seekers in Malta has shifted
promenio, od saosećanja koje je pokazivano kada dramatically, from the compassion shown when the first
su prvi brodovi počeli da pristaju 2002. godine, do boats started landing in 2002, towards indifference, and,
nezainteresovanosti, i u poslednjih nekoliko godina, in the last few years, outright racism among some sectors
otvorenog rasizma u nekim delovima društva. Ipak, of society. Nevertheless majority people of Malta are
većina ljudi na Malti pokazuju velikodušnost i prihvataju showing generosity and are embracing migrants.
migrante.
The research and art production during my residency in
Istraživanje i umetnička produkcija tokom mog boravka Malta engages with key topics of our time – the human
u rezidencijalnom program na Malti bave se ključnim cost of the flood of migrants attempting the desperately
temama našeg vremena – cenom ljudske reke migranata risky journey across the Mediterranean and the ways
koji se odlučuju na očajnički rizična putovanja preko in which newcomers are treated upon arrival on the
Mediterana i načinima na koje pridošlice tretiraju nakon European soil. During my residency, I was exploring
dolaska na evropsko tle. Tokom boravka istraživao sam photographic archival materials and combing it with
fotografski arhivski materijal i kombinovao sam ga sa photographs taken on the island to create a visual
fotografijama snimljenim na ostrvu kako bih stvorio representations of the dreadful process of migrant rescue:
vizuelni prikaz procesa spašavanja migranata: čamci, the boats, packed to the gills, sending despairing messages
pretrpani do vrha, šalju očajničke poruke dok počinju as they begin to sink in the rough seas. Equally important
da tonu na nemirnom moru. Jednako važno za moje for my research was visual exploration of living condition
istraživanje bilo je vizuelno istraživanje uslova života i (ne) and acceptance (or non-acceptance by permanent
prihvatanje pridošlica od strane stalno naseljenih žitelja residents of Malta) of newcomers.
Malte.

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116 Božo (Boja) Vasić :: Malta: Prolazna destinacija

BIOGRAFIJE UMETNIKA/CA
ARTISTS’ BIOGRAPHIES

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AES+F (RU) Vladimir Fridkes (1956) živi i radi kao modni fotograf
u Moskvi. Njegovi radovi su objavljivani u časopisima
AES grupu su 1987. godine osnovali arhitekte Tatjana kao što je VOGUE, Harper’s Bazaar, ELLE, Marie Claire,
Arzamasova i Lev Evzovič i multidisciplinarni dizajner Cosmopolitan, Sunday Times Style i drugi. Kada se Fridkes
Evgenij Svjatski. Od 1989. godine izlažu u inostranstvu, a pridružio AES umetničkoj grupi, ona je 1995. promenila
1995. im se pridružuje fotograf Vladimir Fridkes. Noviji ime u AES+F.
radovi grupe AES+F se razvijaju na preseku fotografije,
video i digitalnih tehnologija, iako se inspirišu i stalnim AES+F su postigli svetsko priznanje i slavu 2007. godine,
interesovanjem za tradicionalnije medije – skulpturu, u Ruskom paviljonu, na 52. Biijenalu u Veneciji, svojom
posebno, ali takođe i slikarstvo, crtež i arhitekturu. Već više provokativnom video instalacijom, Poslednja pobuna
od decenije radovi grupe AES+F se izlažu na značajnim (2007).
festivalima i bijenalnim izložbama savremene umetnosti
širom sveta. AES Group was originally formed in 1987 by conceptual
architects Tatiana Arzamasova and Lev Evzovich and
Tatjana Arzamasova (1955) je 1978. diplomirala na multidisciplinary designer Evgeny Svyatsky. Exhibiting
Državnoj akademiji, Moskovskom arhitektonskom abroad from 1989, the group expanded its personnel
institutu (MArchl). Živi i radi u Moskvi i aktivna je na and name with the addition of photographer Vladimir
polju konceptualne arhitekture. Dobitnica je Gran prija Fridkes in 1995. AES+F’s recent work has developed at the
na zajedničkom takmičenju OISTAT i UNESKO-a, Teatar intersection of photography, video and digital technologies,
budućnosti. Učestvovala je na izložbama konceptualne although it is nurtured by a persistent interest in more
arhitekture u Londonu, Parizu, Veneciji. traditional media – sculpture especially, but also painting,
drawing and architecture. Deploying a sophisticated, poetic
Lev Evzovič (1958) je 1982. godine diplomirao na dialogue among these media, and plumbing the depths
Državnoj akademiji, Moskovskom arhitektonskom of art history and other cultural canons, AES+F’s grand
institutu (MArchl). Živi i radi u Moskvi i aktivan je na visual narratives explore the values, vices and conflicts of
polju konceptualne arhitekture. Dobitnik je nagrade na contemporary culture in the global sphere. For more than a
OISTAT takmičenju Putujuće pozorište u Stokholmu. decade, works by AES+F have been showcased in signature
Učestvovao je na izložbama konceptualne arhitekture u festivals and biennial exhibitions of contemporary art
Milanu, Frankfurtu na Majni, Parizu. Radio je kao režiser around the world.
animiranog filma (6 filmova), režiser animiranih lutkarskih
filmova i umetnički je direktor filma Zalazak sunca. Tatiana Arzamasova (1955) graduated from the Moscow
Architectural Institute (MARCHI) – State Academy in
Evgenij Svjatski (1957) je diplomirao na Moskovskom 1978. Lives and works in Moscow, and is active in the field
univerzitetu štamparskih umetnosti 1980. godine. Živi i of conceptual architecture. Award winner of the Grand Prix
radi u Moskvi. Bavio se dizajnom knjiga i advertajzingom, at the joint OISTT and UNESCO competition “Theater of
dizajnom postera i grafičkom umetnošću. Učestvovao je na Future”. Participated in conceptual architecture exhibitions
međunarodnim takmičenjima postera, izložbama ilustracija in London, Paris, Venice.
i dizajna za knjige, grafičke umetnosti. Radio je kao
kreativni direktor izdavačkih kuća Otkryty Mir i Intersignal Lev Evzovich (1958), graduated from the Moscow
sa sedištem u Moskvi. Architectural Institute (MARCHI) – State Academy in
1982. Lives and works in Moscow, and is active in the field

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of conceptual architecture. Prize-winner of the OISTT za mreže i digitalne prikaze. Ona je stručnjakinja za
competition “The Tour Theatre” in Stockholm. Participated machinima (animirani filmovi realizovani u virtuelnom
in conceptual architecture exhibitions in Milan, Frankfurt- svetu video igrica) u Francuskoj i širom sveta. Godine
on-Main, Paris. Worked as art director in animation film 2005. je počela da kreira program machinima za festivale i
(6 films), as director in puppet animation films, and as art muzeje.
director for the film “Sunset” (live action, Mosfilm Studio).
Od 2009. ona organizuje radionice machinima za mlade i
Evgeny Svyatsky (1957), graduated from the Moscow za studente umetnosti. Nakon što je vodila više od stotinu
University of Printing Arts (department of graphic arts for radionica u Francuskoj i širom sveta, 2012. godine je
books) in 1980. Lives and works in Moscow. Was occupied režirala svoj prvi machinima video, a od tada je realizovala
in the field of book and advertising design, poster design, mnogo videa sa elementima video igrica. Godine 2016.
and graphic art. Participated in international poster se udružuje sa plesačem po imenu Tidiani N’Diaye kako
competitions, exhibitions of book illustration and design, bi dizajnirala plesački performans i machinima: Bazin.
graphic art. Worked as creative director in Moscow-based Takođe sarađuje sa pijanistkinjom Natali Négro iz
publishing houses Otkryty Mir and Intersignal. PianoAndCo u projektu Cross by na Martiniku.

Vladimir Fridkes (1956) lives and works as a fashion Isabelle Arvers in an author, art critic, and independent
photographer in Moscow. His works have been published curator. The scope of her work is realized in the immaterial
in magazines like VOGUE, Harper›s Bazaar, ELLE, Marie sphere, through the relations between art, video games,
Claire, Cosmopolitan, Sunday Times Style, and others. the Web, and new forms of images related to networks and
Fridkes joined the original AES artist group (formed in digital imaging. She is a machinima (movies realised with
1987) in 1995, after which the group changed its name to video games) specialist, in France and worldwide. In 2005
AES+F. she began to design machinima programs for festivals and
museums.
AES+F achieved worldwide recognition and acclaim in the
Russian Pavilion at the 52nd Biennale di Venezia in 2007 Since 2009, she organizes machinima workshops for
with their provocative, other-worldly Last Riot (2007), the youngsters and art students. After conducting more
first in a trio of large-scale, multichannel video installations than a hundred workshops in France and worldwide, she
of striking originality that have come to define both the directed her first machinima video in 2012, and since
AES+F aesthetic and the cutting edge of the medium’s then realises many videos with video games engines. In
capacities. 2016, she associates with the dancer Tidiani N’Diaye to
design a performance dance and machinima: Bazin. She
antiAtlas of Borders also associates with the pianist Nathalie Négro, from
(FR) PianoAndCo, to present a creation piano and video games,
Cross by, at the Salins theater in Martigues.

Izabel Arver (Isabelle Arvers) je autorka, kritičarka i
nezavisna kustoskinja. Celokupan opseg njenog rada je
realizovan u nematerijalnoj sferi, kroz odnos između
umetnosti, video igrica, veba, novih formi slike vezanih

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Žarko Bašeski (MK) Mirsad Begić (SI)

Žarko Bašeski, rođen 1957. u Prilepu, makedonski je Mirsad Begić (1953) je studirao skulpturu na Akademiji
skulptor i profesor na Fakultetu likovnih umetnosti u za likovne umetnosti i dizajn u Ljubljani, na kojoj je
Skoplju (Odsek za skulpturu). Njegove monumentalne diplomirao 1979. godine, a kasnije specijalizirao slikarstvo
bronzane skulpture se nalaze na nekoliko gradskih trgova u (1986) kod Draga Tršara. Usavršio je studije pohađajući
Makedoniji, kao što su statua Aleksandra Velikog u Prilepu dodatne kurseve u Velikoj Britaniji. Stvara u glini, gipsu,
i skulpture makedonskih naionalnih junaka, Goce Delčeva keramici, bronzi i raznim drugim atipičnim materijalima
i Dame Grueva, u centru Skoplja. Skulpture Bašeskog od voska do kanapa, a takođe je radio kao dizajner
portretišu običnog, malog čoveka, koji u svojim naporima pozorišne scenografije. Begić je izlagao u Sloveniji i
da prevaziđe sebe, preuzima ulogu super-heroja. Bašeski inostranstvu (posebno Nemačkoj). Živi i radi u Ljubljani.
je danas član Društva likovnih umetnika Makedonije Autor je brojnih javnih spomenika i portreta u Sloveniji
(DLUM). Njegov rad je bio predstavljen na nekoliko kao što su: portret Jože Tisnikara u Slovenj Gradecu, Srečka
međunarodnih izložbi. Dobitnik je značajnih nagrada. Kosovela u Sežani, Žige Zoisa i Ivana Hribara u Ljubljani
Radovi mu se nalaze u privatnim zbirkama u Makedoniji i ili portreti-skulpture Antona Ažbe u Minhenu (Nemačka).
inostranstvu. Takođe je redizajnirao bočna ulazna vrata na ljubljanskoj
Katedrali Svetog Nikolaja i napravio je spomenik palim
Žarko Bašeski, born 1957 in Prilep, is a Macedonian bosanskim vojnicima koji su se borili u Bitkama za Isonzo.
sculptor and professor at the Faculty of Fine Arts in Skopje Godine 1997. je dobio Nagradu Župančič, a 2000. nagradu
(Department of Sculpture). Bašeski is a sculptor whose Prešernove fondacije za ciklus Čuvanje snova.
monumental bronze sculptures stand on several city
squares in his country, such as the statue of Alexander Mirsad Begić (1953) studied sculpture at the Academy of
the Great (Prilep) and the horseman sculptures of the Fine Arts and Design in Ljubljana, where he graduated in
Macedonian national heroes Goce Delčev and Dame Gruev, 1979, and later specialized in painting (1986) under Drago
in the city center of the capital Skopje. Sculptures of men Tršar. He perfected his studies by taking additional courses
as the highest expression of the power of a civilization in Great Britain. He creates in clay, plaster, ceramics,
have always represented gods and heroes, but Bašeski’s bronze and various atypical materials from wax to rope,
sculptures portray a common everyday man who takes on and has also worked as a theater set designer. Begić has
the role of a superhuman in his efforts to surpass himself. exhibited in Slovenia and abroad (especially in Germany).
Bašeski is currently a member of the Macedonian Artists He lives and works in Ljubljana. He is the creator of
Association (DLUM). His work has been presented at numerous public monuments and portraits in Slovenia: the
several international exhibitions, winning numerous portrait of Jože Tisnikar in Slovenj Gradec, Srečko Kosovel
awards. Much of his work is in private collections in in Sežana, Žiga Zois and Ivan Hribar in Ljubljana, or the
Macedonia and abroad. portrait sculpture of Anton Ažbe in Munich (Germany).
He also redesigned the side entrance door of the Ljubljana
Cathedral, decorated with portraits of 20th century bishops
of Ljubljana, and created a monument to fallen Bosnian
soldiers fighting in The Battles of the Isonzo. In 1997 he
received the Župančič Award, and in 2000, the Prešeren
Foundation Award for his cycle Preserving Dreams.

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IGOR BOŠNJAK (BA) Igor Bošnjak (b. 1981 in Sarajevo) lives and work in
Trebinje (Bosnia & Herzegovina). He is mainly working
Igor Bošnjak (rođen 1981. godine u Sarajevu) živi i radi u within the fields of film, video, installation & photography.
Trebinju (Bosna i Hercegovina). Bavi se filmom, videom, Curently works as a asistant professor at Academy of Visual
instalacijom i fotografijom. Trenutno radi kao docent na Arts in Trebinje. In 2005 he finished Academy of Visual
Akademiji likovnih umjetnosti u Trebinju. Diplomirao je Arts (BA) in Trebinje, Department of Painting. From
na Akademiji likovnih umjetnosti Trebinje 2005. godine, 2006 he is a founder and the curator of the international
na Odseku za slikarstvo. U periodu 2007-2008. godine, namaTREba project biennial. From 2007 to 2008 he
na odseku Teorija umetnosti i medija, na Univerzitetu finished (MA) Interdisciplinary studies, Theory of Art &
umetnosti u Beogradu, završio je interdisciplinarne master Media Department at the University of Arts in Belgrade,
studije. Osnivač je i kustos međunarodnog projekta, Serbia.
bijenala, namaTREba.
In 2010 Igor Bošnjak was a finalist of ZVONO Young
Godine 2010. Igor Bošnjak je bio finalista nagrade ZVONO Visual Artist Award, organised by Sarajevo Center for
za mlade likovne umetnike koju organizuje Centar za Contemporary Art; From 2009 to 2011 he was a finalist for
savremenu umjetnost Sarajevo; bio je i finalista B&H B&H Henkel Art Award organised in Zegreb; 2007 was
Henkel umetničke nagrade (Henkel Art.Award) u Zagrebu awarded with 1st prize for video art on 4th Salon Clovek
(2011), a 2007. godine je nagrađen prvom nagradom Spomenik in Velenje, Slovenia.
za eksperimentalni video na četvrtom Video salonu u
Gradskoj galeriji u Velenju, u Sloveniji. His works have been shown at: Whitechapel Gallery,
London; Kunsthalle Wien; New Cinema & Contemporary
Njegovi radovi su izlagani u Vajtčepel galeriji u Londonu Art, Rencontres Internationales, Gaîté Lyrique & Palais
(Whitechapel Gallery, London), Pale di Tokiju u Parizu de Tokyo, Paris; Kunsthal Charlottenborg, Copenhagen;
(Palais de Tokyo, Paris), izložbenim prostorima Kunsthale Atopia Film & VideoKunst Gallery, Oslo; Moscow Museum
u Beču (Kunsthalle, Wienna) i Kunsthal Šarlotenburg u of Modern Art, Moscow; Hong Kong Art Hall; CAM
Kopenhagenu (Kunsthal Charlottenborg, Copenhagen), Casoria, Contemporary Art Museum, Naples; Kunst
Umetničkom muzeju u Bonu (Kunst Museum, Bohn), Museum, Bonn; Agnes B. Foundation, Galerie du Jour,
Muzeju moderne umetnosti u Klagenfurtu (Carinthian Paris; MOCAV Museum of Contemporary Art Vojvodina,
Museum of Modern Art, Klagenfurt), Muzeju savremene Novi Sad; Galleria d’ Arte Moderna Palazzo Forti, Verona;
umetnosti u Napulju i Muzeju savremene umetnosti u Museum of Contemporary Art RS, Banja Luka; Point
Rimu (Contemporary Art Museum, Naples; Museum Ephemere, Paris; The Museum of Modern Art Dubrovnik:
of Contemporary Art, Rome), u Moskovskom muzeju Contemporary Music Centre, Dublin; MMC Kibla,
moderne umetnosti (Moscow Museum of Modern Art, Maribor; Espacio Center Canarias, Tenerife; Fabbrica del
Moscow), Muzeju moderne umetnosti u Dubrovniku, Vapore, Milan; Center of Contemporary Art, Plovdiv;
Multimedijskom centru MMC Kibla u Mariboru, Muzeju Budapest Art Fair Mucsarnok, Budapest; Charinthian
savremene umjetnosti Republike Srpske u Banjaluci, Museum of Modern Art Klagenfurt; Spazio Monitor,
Muzeju savremene umetnosti Vojvodine (MSUV) u Novom Museum of Contemporary Art, Rome; 2nd Project
Sadu, Kulturnom centru Beograda i dr. Više informacija na: Biennial D-0 ARK Underground, Konjic; Tapetenwerk
www.igorbosnjak.com Halle C, Leipzig; Gallery Remont, Belgrade; National Art
Gallery of B&H, Sarajevo; The Cultural Centre of Belgrade;
Musseo di Palazzo Poggi, Bologna; Eastwards Prospectus
Gallery, Bucharest & etc. More info on: www.igorbosnjak.
com

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Marko Brecelj (SI) Bulldozer, whose record Pljuni istini u oči (Spit Into the Eyes
of Truth) is one of the milestones of Yugoslav music. After
Marko Brecelj (1951, Sarajevo), slovenački kantautor i composing an original music score for the film Živi bili pa
performer, započeo je muzičku karijeru kao pevač kvartetu vidjeli (Live to See), which received the Golden Arena at the
u Beli crnci (Beli črnci), violinist u kvartetu Tri crnca (Trije Pula Film Festival, he returned to a solo career. With poet,
črnci) i triju Krik. Na Omladinskom festivalu u Subotici, writer, actor and artist Ivan Volarič - Feo they merged into
1974. godine, dobio je Nagradu žirija. Te iste godine, u the Zlatni zubi (Golden Teeth) duo. He was also a frontman
saradnji sa aranžerom Bojanom Adamičem, izdao je in Marjanov čudni zajec (Marjan›s Weird Rabbit), the trio
legendarni album, Koktel, koji je nagrađen nagradom Javna vaja (Public Rehearsal), and the duo Javna dvaja
Sedam sekretara SKOJ-a. Sa nekim od članova grupe Sedam (Public Twos), and performed countless guest appearances
svetlosnih godina osnovao je rok bend Buldožer, čija je ploča with various music bands. In recent years, he has been
Pljuni istini u oči jedna od prekretnica u jugoslovenskoj committed to artistic performances, and Soft Terrorism
muzici. Nakon što je komponovao originalnu muziku za actions. Movie about him, Priletni parazit (Elderly Parasite),
film Živi bili pa videli koji je dobio Zlatnu arenu na Pulskom directed by Janez Burger has received several awards at
festivalu, vratio se solo karijeri. Zajedno sa pesnikom, festivals. Finally he released the third reprint of CD Cocktail
piscem, glumcem i umetnikom Ivanom Volaričem Feom – Obilni vunbacilni (Abundant Throw-out) and DVD
postao je deo dueta Zlatni zubi. Takođe je bio i frontmen with fourteen new white spiritual songs Samospevi (Solo-
grupe Marjanov čudni zec (Marjanov čudni zajec), trija poems) and as a director he›s finishing movie Štetje v jeseni
Javna proba (Javna vaja) i dua Javni duet (Javna dvaja), (Counting in the Fall). He is the leader and spokesman
a gostovao je na bezbrojnim nastupima raznih muzičkih of the Association of Friends of Moderate Progress, the
bendova. U poslednje vreme je posvećen umetničkim Pohorje Battalion Foundation and the Acacia Party.
performansima i Soft Terrorism (Blagi terorizam)
akcijama. Film o njemu, Stari parazit (Priletni parazit), Bureau d’Études (FR)
koji je režirao Janez Burger dobio je nekoliko nagrada na
festivalima. Konačno, izdao je treći reprint CD-a Koktel Bureau d´Études (Projektni biro) su osnovali umetnici iz
− Obilni vunbacilni i DVD sa četrnaest novih belačkih Pariza Leonor Bonaćini i Gzavie Fur. Tokom poslednjih
duhovnih pesama Solo pesme (Samospevi). Završava film nekoliko godina grupa stvara kartografije savremenih
Brojanje u jesen (Štetje v jeseni) u kome je režiser. Lider je političkih, društvenih i ekonomskih sistema. Vizuelna
i glasnogovornik Asocijacije prijatelja umerenog progresa, analiza transnacionalnog kapitalizma je zasnovana na
Fondacije Pohorski bataljon i Akacija partije. obimnom istraživanju i obično predstavljena u formi murala
velikih dimenzija. Radovi vizuelizuju međusonu povezanost
Marko Brecelj (1951, Sarajevo), Slovenian singer-songwriter i zavisnost unutar globalnih konglomerata. Otkrivajući ono
and performer, started his musical career as a singer in the što normalno ostaje nevidljivo i kontekstualizujući naizgled
Beli črnci (Black Negros) quartet, and violinist in the Trije odvojene elemente unutar veće celine, ove vizualizacije
črnci (Three Blacks) quartet and the Krik (Scream) trio. At interesa i saradnje resimbolizuju ono što se ne vidi i što je
the Youth Festival in Subotica in 1974 he received the Expert sakriveno.
Jury Award. That same year, in collaboration with arranger
Bojan Adamič, he issued what later became a legendary
album dubbed Cocktail, which received the «Seven
Secretaries of SKOJ» award. With some of the members
of the Seven Light Years group he founded the rock band

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Bureau d´Études was founded by Paris-based artists and elsewhere. She has exhibited home and abroad,
Léonore Bonaccini and Xavier Fourt. For the last few including the Piran ex-tempore and the May Salon in the
years, the group has been producing cartographies of National Museum of Slovenia (Ljubljana). She participates
contemporary political, social and economic systems. in various projects, workshops, and seminars. Since 2007
The visual analysis of transnational capitalism is based she has been involved in restoration works across Slovenia,
on extensive research and usually presented in the form including the restoration of frescoes and moldings.
of large-scale murals. The works visualize the mutual
involvements and dependencies within the global Matej Čepin (SI)
conglomerates. Revealing what normally remains invisible
and contextualizing seemingly separate elements within Matej Čepin (1977) je samouki umetnik koji je naučio
a bigger whole, these visualizations of interests and kako da slika svojim marljivošću i večnom strašću za onim
cooperations re-symbolize the unseen and hidden. što radi. Njegovi radovi su zasnovani na entuzijazmu za
klasičnu umetnost, a da se, u isto vreme, ne obazire na
Julijana BožiČ (SI) umetničke stilove, što samo doprinosi obimu njegovih
slikarskih napora. Čepin je pasionirani ljubitelj horor
Julijana Božič (1980) je diplomirala slikarstvo na filmova Alfreda Hičkoka, Dejvida Linča i Dejvida
Akademiji za likovne umetnosti i dizajn u Ljubljani kod Kronenberga, kao i literature Franca Kafke. Predstavio je
profesora Emerika Bernarda i Hermana Gvardjančiča. svoje radove na brojnim samostalnim i grupnim izložbama
Profesor Borut Vogelnik bio joj je mentor diplomskog i dobitnik je brojnih nagrada, uključujući drugu nagradu
rada. Učestvovala je u programu razmene studenata na na 4. Bjenalu slika malog formata u Ljutomeru i Velike
Univerzitetu za umetnost i dizajn u Klužu – Napoka nagrade za slikare na Ex-tempore u Piranu. Živi i radi u
(Cluj-Napoca), Rumunija, i članica je Asocijacije likovnih Celju.
umetnika Severne primorske regije (DLUSP). Izlagala je
u zemlji i inostranstvu, uključujući Piran Ex-Tempore i Matej Čepin (1977) is a self-taught artist, who learnt how to
Majski salon u Nacionalnom muzeju Slovenije (Ljubljana). paint through diligence supported by an undying passion
Učestvuje u raznim projektima, radionicama i seminarima. for what he does. His works are based on enthusiasm for
Od 2007. je uključena u restauratorske radove širom classic art, and at the same time an unconcern with artistic
Slovenije, uključujući i restauraciju fresaka i plastike genres, which only adds to the scope of his painting efforts.
(reljefnih ukrasa). Čepin is a cinephile, a passionate lover of horror movies by
Alfred Hitchcock, David Lynch and David Cronenberg, as
Julijana Božič (1980) graduated in painting from the well as Franz Kafka’s literature. He has presented his works
Academy of Fine Arts and Design in Ljubljana under in numerous solo and group exhibitions and is the winner
Professors Emerik Bernard and Herman Gvardjančič. of numerous awards, including the 2nd prize at the 4th
Professor Borut Vogelnik supervised her graduation thesis. biennial of small-size paintings in Ljutomer and the Grand
She participated in a student exchange program at the Art Prize of the painter’s Ex – tempore in Piran. He lives and
and Design University in Cluj-Napoca, Romania, and is a works in Celje.
member of the Association of fine artists of the Northern
Primorska region (DLUSP). Her illustrations have appeared
in the student newspaper Tribuna, the Razpotja magazine,

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Ksenija Čerče (SI) diSTRUKTURA je učestvovala na preko 15 samostalnih i
više od 40 grupnih izložbi. Samostalno su izlagali u Srbiji,
Ksenija Čerče (1969) živi i radi u Ljubljani i Berlinu. Austriji, Holandiji, Nemačkoj, Japanu, Češkoj republici,
Nakon što je dobila Fulbrajtovu stipendiju za SAD 2003. Sloveniji i Finskoj.
godine, stekla je master titulu za Umetnost videa i zvuka
(kod Liz Filips) na Purchase College State University Takođe su učestvovali u rezidencijalnim umetničkim
of New York. Bačelor diplomu (1999) i master (2002) u programima i radionicama u Švajcarskoj, Nemačkoj,
slikarstvu odbranila je na Akademiji za likovne umetnosti Austriji, Holandiji, Sloveniji, Italiji, Finskoj, Egiptu i Srbiji.
i dizajn Univerziteta u Ljubljani. Godine 1996. završila je Osvojili su nekoliko nagrada i stipendija među kojima je i
studije tekstilnog dizajna na Fakultetu prirodnih nauka i Pollock-Krasner Foundation grant za 2015. godinu. Njihovi
inženjerstva Univerziteta u Ljubljani. Od 2011. godine je radovi se mogu naći u preko 15 javnih i privatnih kolekcija.
vanredna profesorka na Akademiji likovnih umetnosti i
dizajna na Univerzitetu u Ljubljani. Milica Milićević and Milan Bosnić are Masters of Arts
from the Department of Painting, Faculty of Fine Arts,
Ksenija Čerče (1969) lives and works in Ljubljana and University of Arts in Belgrade and although in diverse
Berlin. After receiving a Fulbright Scholarship in the US individual artistic ventures in group and solo exhibitions,
in 2003, she attained her master›s degree in Video and we have been working on joint projects for the past 12 years
Sound Art (under Liz Phillips) at the Purchase College under name diSTRUKTURA. In our efforts we have been
State University of New York. She received her BA (1999) trying to build on an extended view of Nature – as sublime,
and MA (2002) in Painting at the Academy of Fine Arts pseudo, or synthetic nature in urban constellations –
and Design of the University of Ljubljana. In 1996, she aiming to define the various relationships, both real and
completed her studies in Textile Design at the Faculty of virtual, that create the realities of modern-day life.
Natural Sciences and Engineering of the University of
Ljubljana. Since 2011, she has been holding the position of diSTRUKTURA have participated at over 15 solo and more
Senior Lecturer at the Academy of Fine Arts and Design of than 40 group exhibitions. They have had solo exhibitions
the University of Ljubljana. in Serbia, Austria, the Netherlands, Germany, Japan, the
Czech Republic, Slovenia and Finland.
diSTRUKTURA (RS)
They took part in artists-in-residence programs and
Milica Milićević i Milan Bosnić su magistrirali umetnost workshops in Switzerland, Germany, Austria, the
na Odseku za slikarstvo, na Fakultetu likovnih umetnosti, Netherlands, Slovenia, Italy, Finland, Egypt, and Serbia.
Univerziteta umetnosti u Beogradu. U poslednjih 12 They have won several awards and scholarships among
godina rade na zajedničkim projektima pod imenom which is Pollock-Krasner grant for 2015. Their works can be
diSTRUKTURA. U svom radu se bave Prirodom – kao found in over 15 public and private collections. 
sublimiranom, pseudo ili sintetičkom prirodom u urbanim
konstelacijama – sa ciljem da definišu različite odnose,
kako stvarne, tako i virtuelne, koji stvaraju realnost
savremenogživota.

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Tina Dobrajc (SI) Njena međunarodna karijera je počela 1993. kada je bila
pozvana da izloži svoju konceptualnu skulpturu na 45.
Nakon diplomiranja 2007. godine, Tina Dobrajc (1984) Venecijanskom bijenalu Aperto ’93. Od tada je imala
je stekla MFA (master likovnih umetnosti) titulu na samostalne i grupne izložbe u nekim od najistaknutijih
Akademiji za likovne umetnosti i dizajn u Ljubljani, sa izložbenih prostora svetske umetničke scene, kao što su:
temom pod nazivom Portret: fetiš i izgled. Od 2014. godine Neue Galerie am Landesmuseum, Graz (Nova galerija
je nezavisna umetnica na polju slikarstva, prostornih pri Državnom muzeju, Grac), 1995; Museum of Modern
instalacija i videa. Povremeno radi kostim – dizajn Art, Chicago (Muzej moderne umetnosti, Čikago),
pozorišne scenografije, kao i ilustracije. Godine 2011. bila 1995; Moderna Museet, Stockholm (Muzej moderne,
je među finalistima ESSL Art nagrade, a 2015. je dobila Štokholm), 1999; Secession, Vienna (Secesija, Beč), 2000;
Jakopič nagradu za mlade umetnike. Živi i radi u Škofjoj Drawing Center, New York (Centar crteža, Njujork),
Loki. 2003; Kunstmuseum, Basel (Muzej umetnosti, Bazel),
2012; MUHKA, Antwerp (MUHKA, Antverpen), 2015.
After graduating in 2007, Tina Dobrajc (1984) her MFA Učestvovala je na nekoliko bijenala kao što su: Kwangju
degree in painting from the Academy of Fine Arts and Biennial, South Korea (Kuanđu bijenale, Južna Koreja),
Design in Ljubljana, with a thesis titled Portrait: Fetish and 1995; Manifesta 1., Rotterdam (Manifesta 1, Roterdam),
Image. Since 2014, she has been self-employed in culture 1996; Venice Biennale, Hungarian Pavilion (Venecijansko
as an independent artist in the field of painting, spatial bijenale, Mađarski paviljon), 1997; São Paolo, Brazil (Sao
installations and video. Occasionally she also works in Paolo, Brazil), 1998.
costume- and theater set design, as well as in illustration,
increasingly since 2014. In 2011, she was among the finalists Róza El-Hasan is an artist of Hungarian and Syrian
of the ESSL Art Award, and in 2015 she received the Jakopič background with strong multicultural family background.
Award for young artists. She lives and works in Škofja Loka. She spent a part of her childhood in Syria, then lived in
Germany, and in the 1980s (her teenage years) she moved
Róza El-Hasan (HU) to Hungary, where she lives and works to this day. Róza El-
Hasan gained international recognition for her objects, and
Róza El-Hasan je mađarsko-sirijska umetnica sa čvrstim later for her dedicated involvement in social and economic
multikulturnim porodičnim poreklom. Deo detinjstva issues, political activism, and her explicit solidarity with
provela je u Siriji, zatim je živela u Nemačkoj, a od svojih asylum seekers and victims of humanitarian disasters.
tinejdžerskih godina, od osamdesetih nadalje, seli se u She worked with various art media, including drawing,
Mađarsku gde i danas živi i radi. Roza El-Hasan je stekla painting, performance, and sculpture, but her installations
međunarodno priznanje zbog svojih objekata, a kasnije are what she is best known for.
posvećene uključenosti u društvena i ekonomska pitanja,
u politički aktivizam i zbog svoje eksplicitne solidarnosti Her international career started in 1993 when she was
sa tražiocima azila i žrtvama humanitarnih katastrofa. invited to exhibit her conceptual sculpture at the 45th
Radila je u različitim medijima uključujući crtež, slikanje, Venice Biennale Aperto ‘93. Since then, she has held
performans, skulpturu, ali su najpoznatije njene instalacije. individual and group exhibition in some of the most
prominent exhibition spaces in the global art scene, such
as: Neue Galerie am Landesmuseum, Graz, 1995; Museum
of Modern Art, Chicago, 1995; Moderna Museet, Stockholm,
1999; Secession, Vienna, 2000; Drawing Center, New York,

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2003; Kunstmuseum, Basel, 2012; MUHKA, Antwerp, 2015. regarded as the most provocative Bosnian-Herzegovinian
She also participated in several biennales, such as: Gwangju artist of the middle generation.
Biennial, South Korea, 1995; Manifesta 1., Rotterdam, 1996;
Venice Biennale, Hungarian Pavilion, 1997; São Paolo, He is one of the co-founders of the Ars Aevi Collection
Brazil, 1998. of the then-forming Sarajevo Museum of Contemporary
Art. Widely known as a performer, he also deals with
Jusuf Hadžifejzović (BA) installation art and “depography”, lately even analytical
painting. He has participated in numerous important
Jusuf Hadžifejzović (1956, Prijepolje, Srbija) je international contemporary art exhibitions, from Berlin to
bosanskohercegovački umetnik sa internacionalnom Korea.
reputacijom koji posljednjih godina živi i stvara u Sarajevu
i Atverpenu. Poznat je kao umetnik performansa, bavi se Marko Jakše (SI)
instalacijom i “depografijom”, a u proteklih par godina
i “celebrativnim analitičkim slikarstvom”. U Sarajevu je Marko Jakše (1959) je diplomirao na Akademiji za likovne
završio Srednju školu primenjenih umetnosti. Diplomirao umetnosti i dizajn u Ljubljani 1987. godine. Od tada živi i
je na Akademiji likovnih umetnosti u Beogradu (1980), u radi kao slobodni umetnik, izlaže na brojnim samostalnim
klasi profesora Stojana Ćelića. Postdiplomski studij (1982) i grupnim izložbama u zemlji i inostranstvu i osvaja
završio je u Dizeldorfu (Nemačka) na Državnoj akademiji nekoliko međunarodnih priznanja i nagrada. Najnovija je
umetnosti, u klasi profesora Klausa Rinkea. Osnivač je Nagrada Prešernovog fonda 2015. godine.
projekta Jugoslovenska dokumenta i jedan od osnivača
kolekcije Ars Aevi. Izlagao je širom sveta od Berlina do Marko Jakše je jedan od najprominentnijih i
Južne Koreje. najautentičnijih slikara figurativnog slikarstva. Njegovi
radovi su provokativni, ali i melanholični, tematski
Jusuf Hadžifejzovič (1956) is an internationally acclaimed potpuno bez ograničenja i cenzure. On je suptilan
Bosnian-Herzegovinian artist, born in Prijepolje, Serbia, posmatrač, koji se lucidno odnosi prema vizuelnim
who has been living and working between Sarajevo and kvalitetima i transformiše ih u slikarsku materiju.
Antwerp for the past few years. He completed the School
of Applied Arts Sarajevo, then graduated in 1980 from the Raspon kvaliteta Marka Jakše je ogroman, pošto on
Academy of Fine Arts in Belgrade, under the mentorship nastavlja da istražuje pojmove figure, portreta, flore
of professor Stojan Ćelić. He continued and completed i faune, u zatvorenim enterijerima kao i u otvorenim
his postgraduate studies at the State Academy of Arts in pejzažima. On je dosegao nivo prefinjenosti tipičan za
Düsseldorf, Germany. stare majstore i nadmašio ga: njegov stil ne može biti
definisan pripadanjem bilo kom određenom istorijskom
Jusuf Hadžifejzovič is the initiator of the “Yugoslavian periodu (žanru) i, iako crpi iz arhetipova, njegovi radovi se
Documenta” project, as well as the Sarajevo Biennial of pronicljivo odnose na ovde-i-sada, i izgledaju u potpunosti
Modern Art, which launched the 1980s local Sarajevo art savremeno i subverzivno.
community to the very top of the existing Yugoslav, and
even world art scene. Since then, he has continued to be Marko Jakše (1959) graduated from the Academy of
Fine Arts and Design in Ljubljana in 1987. Since then he
has lived and worked as a freelance artist, exhibiting in

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numerous solo and group exhibitions home and abroad, Njegovi značajni filmovi su: Revolucija koja teče (1972),
and winning several international recognitions and awards, Radni ljudi umetnici (1975), Narkomani (1976), Čovek koji
most recently the Prešeren Fund Award in 2015. je pravio sisteme (1990) i Vukovar, zašto (1991).

Marko Jakše is one of our most prominent and authentic Jovan Joca Jovanovič (1940, Beograd) belongs to a group
figurative painters. His works are provocative, but also of Yugoslav directors, who started the so-called Black
melancholic, thematically entirely unconstrained and Wave («Crni talas») in Yugoslavian cinematography,
uncensored. He is a subtle observer, lucidly referring visual alongside such directors like Aleksandar Saša Petrović,
qualities and transforming them into painting matter. Živojin Pavlović, Dušan Makavejev, Želimir Žilnik etc. His
graduation feature film Izrazito ja (Especially Me), won
Jakše’s quality range is immense, as he continues to explore every living award at the Young Artists Festival in New
the notions of figure, portrait, flora and fauna, both in York in 1969, where the jury included Peter Bogdanovich,
closed interiors and in open landscapes. He has reached a Steven Spielberg, Andy Warhol, and Mike Nichols, who
level of sophistication typical of old masters, and surpassed were fascinated by Jovanovič›s work, which - strangely
it: his style cannot be defined as belonging to any particular enough - is rather reminiscent of Taxi Driver, (1976, by
historical period (genre), and, although drawing on Martin Scorsese, who saw Jovanovič›s film together with
archetypes, his works piercingly refer to the here-and-now, screenwriter Paul Schrader in America).
appearing as entirely contemporary and subversive.
He is known as “the most frequently banned Yugoslav
Jovan Joca Jovanović/ author”, with, for example, the film Izrazito ja kept in the
Stanoje Ćebić (RS) bunker until 1990, or Mlad i zdrav kao ruža (Young and
healthy like a flower), which was ‘lost’ after the premiere in
Jovan Joca Jovanović (1940, Beograd) pripada grupi 1970 and was shown next time 35 years later, in 2006.
jugoslovenskih režisera koji su započeli takozvani crni talas
u jugoslovenskoj kinematografiji, zajedno sa režiserima His other significant films include Revolucija koja teče (An
kao što su Aleksandar Saša Petrović, Živojin Pavlović, ongoing revolution, 1972), Radni ljudi umetnici (Working
Dušan Makavejev, Želimir Žilnik itd. Njegov diplomski men artists, 1975), Narkomani (Junkies, 1976), Čovek koji
igrani film Izrazito ja osvojio je sve nagrade na Festivalu je pravio sisteme (The man who designed systems, 1990),
mladih umetnika u Njujorku 1969. godine, na kojem su and Vukovar zašto (Vukovar, why, 1991).
žiri sačinjavali Piter Bogdanović, Stiven Spilberg, Endi
Vorhol i Majk Nikols, koji su bili fascinirani Jovanovićevim Adela Jušić, Andreja
radom, na koji će kasnije podsećati Taksista (1976) Martina Dugandžić (BA)
Skorsezea koji je u Americi gledao Jovanovićev film zajedno
sa scenaristom Polom Šrederom. Jovanović je poznat kao Adela Jušić (1982 Sarajevo) je diplomirala na Akademiji
’’najčešće zabranjivan jugoslovenski autor”. Film Izrazito likovnih umetnosti u Sarajevu (2007), zatim je završila
ja je držan u bunkeru do 1990. godine, a Mlad i zdrav kao master na temu ljudskih prava i demokratije u jugoistočnoj
ruža, koji je bio ’’izgubljen’’ nakon premijere 1970. godine, Evropi (Univerzitet Sarajevo i Univerzitet Bolonja, 2013).
ponovo je prikazan tek 35 godina kasnije, 2006. godine. Ona je članica i koosnivačica Asocijacije za kulturu i
umetnost, CRVENA, u kojoj od 2010. godine radi na

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različitim kulturnim i istraživačkim projektima. Od 2007. 2013). She is a member and co-founder of the Association
su se njeni radovi pojavili na oko 100 međunarodnih for Culture and Art CRVENA, and has been working there
izložbi. Držala je predavanja na brojnim konferencijama on different cultural and research projects since 2010. Since
i panel diskusijama, u institucijama kao što su Royal 2007 her works have appeared in around 100 international
College of Art (Kraljevski umetnički koledž) u Londonu, exhibitions, such as Frestas – Trienal de Artes (Sao Paolo),
London School of Economics (Londonska škola ekonomije) The Women’s Room (New York), Manifesta 8. (Murcia),
i ISCP (The International Studio & Curatorial Program) Videonale (Bonn), Image Counter Image (München),
iz Njujorka. Dobitnik je YVAA 2010 nagrade, Henkel Ja više nikada neću pričati o ratu (Stockholm). She has
nagrade za mlade umetnike CEE 2011. i specijalne nagrade delivered lectures at numerous conferences and panel
na Oktobarskom salonu u Beogradu (2013). Živi i radi u discussions, in institutions like the Royal College of Art in
Sarajevu. London, the London School of Economics, and the ISCP
from New York. Winner of the YVAA 2010 Award, the
Andreja Dugandžić (1978, Sarajevo) je završila Studije Henkel Young Artist Prize CEE 2011, and the Special Prize
antropologije u Utrehtu i odbranila magistarski rad na of the October Salon in Belgrade (2013). She lives and works
temu Ljudska prava i demokratija u jugoistočnoj Evropi na in Sarajevo.
Univerzitetu u Sarajevu i Univerzitetu u Bolonji.
Andreja Dugandžić (1978, Sarajevo) finished Anthropology
Već više od deset godina aktivno je uključena u studies in Utrecht and defended her MA thesis on Human
promovisanje prava žena i feminizma kao producentkinja, Rights and Democracy in Southeastern Europe at the
organizatorka, multimedijalna umetnica i aktivistkinja, University of Sarajevo and the University of Bologna.
uglavnom u sferi kulture i umetnosti, ali i u drugim For over ten years she has been actively involved in the
oblastima, u regiji i šire. U svojoj umetničkoj praksi promotion of women’s rights and feminism as a producer,
ona koketira sa različitim formama, koristeći narativ organizer, multimedia artist and activist, mostly in the
kao svoj glavni umetnički izraz. Njen se rad tiče, među culture and arts sphere, but also in other areas throughout
drugim temama, hrane, kuvanja, kućnih poslova i kućne the region and wider. In her artistic practice she flirts
ekonomije. with different forms, using narrative as her main artistic
expression. Her work concerns, among other themes, food,
Radi u Asocijaciji za kulturu i umetnost CRVENA kao cooking, house labor, and home economics.
istraživačica i komenadžerka programa Šta je nama naša She works at the Association for Culture and Arts
borba dala? a takođe je pevačica/performerka u muzičkom CRVENA as a researcher and co-manager of the program
duetu Crna voda i njena ćerka (Black Water and Her “What has our struggle given us?“, and is a singer/
Daughter). Živi i radi u Sarajevu. performer in the music duo Black Water and Her Daughter.
She lives and works in Sarajevo.
Andreja Dugandžić i Adela Jušić su koautorke veb portala
www.afzarhiv.org, onlajn arhiva antifašističke borbe žena Andreja Dugandžić and Adela Jušić are co-authors of
Bosne i Hercegovine i Jugoslavije. the web portal www.afzarhiv.org – an online archive
of the anti-Fascist struggle of the women of Bosnia and
Adela Jušić (1982 Sarajevo) graduated from the Academy of Herzegovina, and the former Yugoslavia.
Fine Arts in Sarajevo (2007), then completed her MA with
a thesis on human rights and democracy in southeastern
Europe (University of Sarajevo and University of Bologna,

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Stojan Kerbler (SI) Stojan Kerbler’s artisitc photographs explore and record
various existential and social conditions of people, such
Stojan Kerbler (1938) se pridružio Foto-klubu Ptuj 1955. as loneliness, old age, poverty, love for the land and the
godine. Preko 60 godina je aktivan na polju fotografije. rituals of farming chores, seclusion, etc. He deals with the
Nakon što je diplomirao na Elektrotehničkom fakultetu u importance of individual human stories, their fate, and
Ljubljani 1965. godine, zaposlio se kao inženjer energetike u the ruthlessness of the landcape they inhabit. Kerbler’s
Fabrici aluminijuma u Kidričevu. photographs, apart from his early works, are stringed in
thematically integral cycles, and he is especially known
Kerbler je zasluženo priznat kao jedan od najuspešnijih after his ambiguously titled series Portraits from the Streets
slovenačkih fotografa, a takvu reputaciju potkrepljuje of Ptuj, The People of Haloze, and Pig Slaughtering.
impresivna lista priznanja i nagrada. Izlagao je na preko
100 samostalnih izložbi u Sloveniji, Austriji, Bugarskoj, Aleksij Kobal (SI)
Nemačkoj, Poljskoj, Španiji, Rusiji i SAD-u, osvajajući više
od 500 nagrada i priznanja, uključujući 120 međunarodnih. Aleksij Kobal (1962) je diplomirao na Akademiji za
Živi i radi u Ptuju i Ptujskoj Gori. likovnu umetnost i dizajn u Ljubljani, kod profesora Janeza
Bernika, 1986. godine. Završio je poslediplomske sudije
Umetničke fotografije Stojana Kerblera istražuju i beleže slikarstva kod profesora Metka Krašoveca (1993). Dobio
različita egzistencijalna i društvena, ljudska stanja, kao je nekoliko priznanja i nagrada, među kojima Nagradu
što su usamljenost, starost, siromaštvo, ljubav prema Prešernove fondacije (2016). Živi i radi u Ljubljani kao
zemlji i rituali u poljoprivrednim radovima itd. On se slobodni umetnik.
bavi važnošću individualnih ljudskih priča, njihovom
sudbinom i okrutnošću predela koje naseljavaju. Kerblerove ”Istraživanje planinskog sveta je kao potraga za idealom i
fotografije, osim njegovih ranih radova, organizovane traganje za beskrajnom slobodom. Stupanje u predsoblje
su u tematski integralne cikluse; posebno su poznate takve platforme znači prelaženje psiholoških granica i
dvosmisleno nazvane serije Portreti s ptujskih ulica, Ljudi iz kretanje, svom snagom ka tom idealu, sa svešću da postoje
Haloza i Svinjokolj. i neprijatna iznenađenja koja iz toga proizlaze i koja na
kraju otkrivaju svoju iluzornu prirodu. Što se ne razlikuje
Stojan Kerbler (1938) joined the Ptuj Photo Club in 1955, mnogo od rezervoara za vodu koji simbolišu sličan svet
and has thus been active in the field of photography for over u urbanim, gradskim prostorima – gde je prebivalište
60 years. After graduating from the Faculty of Electrical prirode razgraničeno ogradom načinjenom od oštre
Engineering in Ljubljana in 1965 he began working as an bodljikave žice. Kao veštačka slika nevinog, neiskvarenog
energetics engineer at the Alumina and aluminum factory proleća, prozirnost namenjena svima nama, a u isto vreme,
in Kidričevo. ograničena pre svih nas. Oblasti gradskih rezervoara vode,
Kerbler is rightly known as one of the most successful stoga, nisu različita od rajskih planinskih grebena koji nam
Slovene photographers, a reputation supported by an izmiču u smelim vertikalnim padovima…”
impressive list of awards and prizes. He has exhibited
in over a hundred solo exhibitions in Slovenia, Austria, Aleksij Kobal (1962) graduated from the Academy of Fine
Bulgaria, Germany, Poland, Spain, Russia, and USA, Arts and Design in Ljubljana under Professor Janez Bernik
winning more than 500 awards and prizes, including 120 in 1986. He completed post-graduate studies in painting
international. He lives and works in Ptuj and Ptujska Gora.

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in 1993, under Professor Metka Krašovec. He has received Tokom rada na projektu Mete, Herlinde Kelbl je putovala
several honors and awards for his artistic pursuits, among po svetu i, u ukupno trideset zemalja, fotografisala vojne
them the Prešeren Foundation Award (2016). He lives and mete koje se koriste u obuci vojnika, na kojima razne armije
works in Ljubljana as a freelance artist. sveta uče veštinu ratovanja.

Exploring the mountain world is like stalking an ideal or Postavljajući pitanja: Kako izgleda neprijatelj? Ima li
chasing endless freedom. Stepping into the antechamber of lice? njeni radovi dokumentuju rastrgane ljudske siluete
such a platform means crossing the psychological border napravljene od kartona, plastične lutke izbušene rupama ili
and jumping full power at that ideal, while at the same metalne figure smrskane u komade od pogodaka na terenu.
time counting on unpleasant surprises, which derive from Bilo da su u Kini, Rusiji, severnom Iraku ili u Švajcarskoj:
it, and which ultimately reveal its illusory nature. This is mete uvek predstavljaju mogućeg neprijatelja. Fotografije
not very different from water reservoirs that symbolize prate i portreti vojnika, video i zvučne instalacije i citati iz
a similar kind of world in urban city spaces – a world, intervjua.
where the abode of nature is delimited by a razor-wire
fence. An artificial image of the innocent, unspoilt spring, ’’Svakim novim radom Herlinde Kelbl piše hroniku ovog
a transparency intended for all of us and at the same time doba, slično romanopiscima iz prošlosti, poput Zole ili
limited before us all. Urban water reservoir areas are Balzaka, samo koristeći drugi medijum.’’
therefore no different from the heavenly mountain ridges
that elude us in daring vertical drops... Harald Martenštajnn, Der Tagesspiegel, 9. 08. 2001.

Herlinde Koelbl (DE) Herlinde Koelbl (1939 Lindau, Bodensee, Germany) is a
German photographer and documentary filmmaker. She
Herlinde Kelbl (1939, Lindau, Bodenze, Nemačka) je lives and works in Neuried near Munich.
nemačka fotografkinja i autorka dokumentarnih filmova.
Živi i stvara u Nemačkoj. Bavi se društvenim tabuima. Herlinde Koelbl is one of the most prominent political
photographers in Germany. Her photos addressing burning
Herlinde Kelbl je jedna od najprominentnijih političkih issues of the time have made her known worldwide;
fotografa u Nemačkoj. Njene fotografije, koje se recently, for example, the refugee dramas in the Middle
bave gorućim pitanjima ovog vremena, učinile su je East and the Mediterranean; or her portraits of well-
internacionalno poznatom; poput nedavno, drame sa known politicians, in whose faces she has for decades
izbeglicama na Bliskom istoku i Mediteranu; ili portreta documented the Traces of Power. They are always engaged
poznatih nemačkih političara, poput Angele Merkel, and thoughtful confrontations with political and social
Joške Fišera ili Gerharda Šredera, čija lica već decenijama issues, where Koelbl combines a journalistic documentary
unazad dokumentuje u projektu Tragovi moći. Njeni approach with high artistic standards in a way uniquely her
radovi predstavljaju angažovana i promišljena suočavanja own.
sa političkim i društvenim problemima, u kojima Kelbl
kombinuje žurnalističko dokumentarni pristup sa visokim The project Targets is a particularly impressive example
umetničkim standardima, na način koji je jedinstveno njen. of this: for six years Herlinde Koelbl travelled around the
world, and in a total of thirty countries made photographs
of the military targets used in the training of soldiers. These
are – if you will – icons, with which the various armies of
the world learn the craft of war.

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What does the enemy look like? Does he have a face? Koelbl “Kada sam došao u Moskvu, napravio sam staklene
shows the images of enemies that are used to systematically skulpture − prozirne figurativne stvari − i nikome se nisu
practice aiming, shooting, hitting, and, ultimately, killing. sviđale… Zatim sam postao izvođač/performer, napravio
Her photos show shredded human silhouettes made ogroman skandal sa čovekom koji ulazi u ulogu psa, dobio
of cardboard, plastic dolls riddled with holes or metal priliku u Deitch projektu, a nakon toga osetio sam slobodu
figures shot to pieces in a field. Whether in China, Russia, da nastavim kao umetnik.” (Oleg Kulik)
North Iraq or Switzerland: the targets always stand for
the respective adversary. The images are accompanied by Oleg Kulik (1961, Kiev, Ukrajina) diplomirao je u Kijevskoj
portraits of soldiers, video and sound installations, and umetničkoj školi 1979. godine, a kasnije dobio stipendiju
interview quotes. Pollock-Krasner Fondacije (1990) i stipendiju Berlinskog
senata (1995). Osim brojnih međunarodnih nagrada, Kulik
“Mostly large-scale thematic projects, often dealing je nagrađen i medaljom ‘’Zaslužni/The Worthy’’ od strane
with societal taboos. Since the end of the 1980`s one of Ruske akademije umetnosti. Živi i radi u Moskvi.
Germany’s most widely discussed photographers.”
Lexicon of Photographers 1900 – today, Munich 2002 Prema kritičarima, Oleg Kulik je jedan od najznačajnijih
ruskih umetnika našeg doba. Njegovi nastupi, koji se
“With each new work, Herlinde Koelbl writes a chronicle of koriste kao simbolično redefinisanje sadašnjeg prostora,
the age, similar to the novelists of the past, like a Zola or a pokušavaju zamutiti narativnu granicu između pojedinca i
Balzac, using merely a different medium.” generala, između Biti i Esencije i namerno napustiti ljudski
Harald Martenstein, Der Tagesspiegel, 9 August 2001 horizont putem svesne akcije, samo da istinski otkrije
mogućnost koju nudi emocionalno-bihejvioristički rečnik
Oleg Kulik (RU) “domaće životinje”. Kroz svoju umetnost on komentariše
Rusiju i Zapad, politiku i moć i mesto čovečanstva i odnos
Oleg Kulik (1961, Kijev, Ukrajina) je diplomirao na prema prirodi. Karijeru je počeo kao kustos u galeriji
Kijevskoj umetničkoj školi 1979. godine. Dobitnik je Regina u Moskvi, gde su njegove nekonvencionalne izložbe
stipendije Pollock-Krasner Fondacije (1990) i stipendije i pristupi odmah privukle pažnju javnosti.
Berlinskog senata (1995). Osim brojnih međunarodnih
nagrada, Kulik je nagrađen i medaljom Zaslužni (The “Kada sam došao u Moskvu, napravio sm staklene
Worthy) od strane Ruske akademije umetnosti. Živi i radi u skulpture - prozirne figurativne stvari - i niko ih nije
Moskvi. voleo… Zatim sam postao izvođač/performer, stvorio
ogroman skandal sa mojim čovekom od psa, dobio priliku
Prema navodima kritike, Oleg Kulik je jedan od u Deitch projektu, a nakon toga osetio sam slobodu da
najznačajnijih savremenih ruskih umetnika. Kroz nastavim kao umetnik.”
sopstvenu umetnost on komentariše Rusiju i Zapad,
politiku i moć, mesto i ulogu čovečanstva i odnos prema
prirodi. Karijeru je počeo kao kustos u galeriji Regina u
Moskvi, gde su njegove nekonvencionalne izložbe i pristupi
odmah privukli pažnju javnosti.

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Zbignew Libera (PL) Vessna Perunovich
(RS/CA)
Zbignjew Libera (1959) je jedan od najinteresantnijih i
najvažnijih poljskih umetnika. Njegovi radovi, fotografije, Vesna Perunović je kanadsko-srpska umetnica, rođena u
video filmovi, instalacije, predmeti i crteži, se pronicljivo bivšoj Jugoslaviji gde je magistrirala na Fakultetu likovnih
i subverzivno poigravaju sa stereotipima savremene umetnosti u Beogradu. Od 1988. živi i radi u Torontu.
kulture. Sredinom devedestih godina prošlog veka, Libera Njena interdisciplinarna umetnička praksa uključuje
je započeo da stvara Popravljanje uređaja – predmeta crtež, skulpturu, slike, instalaciju, video i performans.
koji su modifikacije već postojećih proizvoda (predmeta) Učestvovala je na preko 100 grupnih i samostalnih izložbi u
masovne potrošnje. Takođe stvara transformisane igračke Kanadi i širom sveta i, između ostalog, svoj rad je prikazala
– radove koji otkrivaju mehanizme odgajanja, obrazovanja na bijenalnim izložbama u Havani, Albaniji, Crnoj Gori,
i kulturnog uslovljavanja, od kojih je najčuvenija Lego Italiji, Velikoj Britaniji, Grčkoj i Portugaliji. Boravila je
koncentracioni logor. Nakon stvaranja ovog rada Liberu su u umetničkim kolonijama u Banfu, Berlinu, Njujorku i
počeli da smatraju za jedan od stubova takozvane kritičke Pekingu. Dobitnica je mnogobrojnih nagrada Kanadskog
umetnosti. Uprkos profesionalnim uspesima, i dalje je ostao saveta za umetnost, a njeni radovi su u kolekcijama
usko povezan sa nezavisnim krugovima. Poslednjih godina kanadskih i srpskih umetničkih institucija, kao i u
je, takođe, zaokupljen fotografijom, posebno specifičnošću privatnim kolekcijama širom sveta. Rad Vesne Perunović
novinske fotografije i načinima na koje mediji uobličavaju je prikazan u dve monografske publikacije: (W)hole, 2004.
našu vizuelnu memoriju i manipulišu slikom istorije. godine i The Amblems of Enigma, 2008.

Zbigniew Libera (1959) is one of the most interesting and Vessna Perunovich is a Canadian-Serbian artist born in the
important Polish artists. His works – photographs, video former Yugoslavia where she received her MA degree at the
films, installations, objects and drawings – piercingly Faculty of Fine Arts in Belgrade. Since 1988 she has lived
and subversively (in an intellectual way) play with the and worked in Toronto. Her interdisciplinary art practice
stereotypes of contemporary culture. In the mid-90s, Libera includes drawing, sculpture, paintings, installations, video
began to create «Correcting Devices» – objects which are and performance. She has participated in over 100 group
modifications of already existing products – objects of mass and solo exhibitions in Canada and around the world,
consumption. He also designs transformed toys – works and, among others, she has shown her work at the biennial
that reveal the mechanisms of upbringing, education and exhibitions in Havana, Albania, Montenegro, Italy, Great
cultural conditioning, the most famous of which is his Britain, Greece and Portugal. She has participated in the
«Lego Concentration Camp». After the creation of that art colonies in Banff, Berlin, New York and Beijing. She has
work, Libera began to be considered as one of the pillars received numerous awards from the Canadian Art Council,
of the so-called «critical art», even in the institutional and her works are in the collections of the Canadian and
sense – despite of the progress of his career he is still closely Serbian art institutions as well as in private collections all
connected with independent circles. In recent years he has over the world. The work of Vessna Perunovich is presented
also been preoccupied with photography, especially the in two monography publications: (W)hole, 2004 and The
specificity of press photography and the ways in which the Amblems of Enigma, 2008.
media shape our visual memory and manipulate the image
of history.

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Ale de la Puente (MX) RIGUSRS (SI)

Ale de la Puente (Meksiko, 1968) je samouka umetnica koja Istraživački institut za geoumetničku statistiku Republike
je studirala industrijski dizajn, zlatarstvo, brodogradnju Slovenije (RIGUSRS) bio je aktivan 1997. godine. Saradnici
i navigaciju. Njena umetnička praksa istražuje pojam instituta su: Vuk Ćosić, Irena Vele i Alenka Pirman.
vremena i prostora, kombinujući konceptualizam i
multimedijske osnove, tehnologiju i nauku. ”Uspeli smo da steknemo mnogo saradnika koji su
radili sa nama (uključujući Boruta Brumena i Lutera
Njena raznolika interesovanja i zanimanje za koncept Bliseta i zajedno smo došli do dve smele inicijative:
vremena i prostora naveli su je da sarađuje sa naučnicima prva je doprinela definisanju tipologije i topologije
u različitim sferama: od hipnoze, astronomije, nuklearne Slovenačkog mediteranskog metra (SMM). Ova jedinica
fizike do meteorologije i matematike. Sarađivala je sa mere je zasnovana na dužini slovenačke obale, koja, čak
institucijama kao što su Biotehnološki institut, Nacionalni i danas, iznosi 46,6 kilometara. Inicijative su privukle
institut za astronomiju i Nacionalni institut za nuklearnu veliko interesovanje i još uvek su žive, iako uspavane,
nauku Univerziteta u Meksiku (UNAM). Nosilac je nagrade obezbeđujući da RIGUSRS-ovi tehnički materijali, trakasti
Honorary Mention Collide@CERN 2013 i član Nacionalnog metri i privremeni mobilni standardi za SMM i dalje budu
fonda kulture i umetnosti (FONCA). Svoje radove je izlagala dostupni svima koji dolaze posle nas.”
u zemlji i inostranstvu.
The Research Institute of Geo-Artistic Statistics of the
Ale de la Puente (Mexico, 1968) is a self-taught artist with Republic of Slovenia (RIGASRS) was active in 1997.
studies in industrial design, goldsmithing, boatbuilding Collaborators of the Institute: Vuk Ćosić, Irena Woelle and
and navigation. Her art practice explores notions of time-
space through a construction of poetic relations based on Alenka Pirman
experience and knowledge, combining conceptualism and
multimedia supports, technology and science. Artists from Slovenia can be classified by various
Her diverse background and interests in time and space geopolitical frames, depending on the current interest or
concepts have led her to collaborate with scientists in fashion. In one variation of these identity mechanisms we
different fields from hypnotism, astronomy, nuclear physics can even be seen as Mediterranean! In 1997, an artistic trio
to meteorology and mathematics. She has collaborated of friends (Irena Woelle, Vuk Ćosić, and Alenka Pirman)
with institutions such as the Biotechnology Institute of were able to transfer this idea into research with the help
UAEM (Universidad Autónoma del Estado de Morelos), of the Research Institute of Geo-Artistic Statistics of the
the National Institute of Astronomy and the National Republic of Slovenia (RIGASRS). We were able to get many
Institute of Nuclear Science (UNAM Universidad Nacional collaborators work with us (including Borut Brumen
Autónoma de México). She has received an Honorary and Luther Blissett) and together came up with two bold
Mention Collide@CERN 2013, and is a member of the initiatives: the first contributed to defining the typology
National System of Arts Creators (Sistema Nacional de and topology of the Slovene Mediterranean adoption of
Creadores, FONCA). She has exhibited her work nationally a new unit of measurement, the Slovene Mediterranean
and internationally. Metre (SMM). This unit of measurement is based on
the length of the Slovene coastline, which, even today,
measures 46.6 kilometres. The initiatives attracted a great
deal of interest and are still alive, if dormant, ensuring that
the RIGASRS technical materials, measuring tapes, and

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the temporary mobile standard for the SMM will still be MFRU Festival. In 2009 he implemented the projects
available to those who come after us. mfruTV – web TV, Prodajalna robotov (Robot Shop) and
Virtualni organizmi (Virtual Organisms).He participates
Jože Slaček (SI) in the implementation of VR projects as an author
and organizer: prostori in oblike (spaces and forms),
Jože Slaček je koordinator programa, grafički dizajner, hiperFasada (hyperFacade), Muzej robotov (Museum of
mentor i autor na polju videa, animacije i multimedija. Robots, in collaboration with Meta Kordiš and the Maribor
Inicijator je Međunarodnog festivala kompjuterskih Art Gallery), nanoUmetnost (nanoArt), and Kibernetično
umetnosti (MFRU) u Mariboru i prvi je u Sloveniji koji, gledališče (Cyber Theater)).
od 1994. godine, redovno izvodi aktivnosti na polju
intermedijske umetnosti organizujući predavanja, izložbe Zora StančiČ (SI)
i festivale. Pomaže u kreiranju produkcije i objavljivanju
knjiga (Sajber feminizam, U utrobi kompjutera, Stelarc, Zora Stančič (1956) je rođena u Bosni i Hercegovini.
Nakon što je maturirala u ljubljanskoj Srednjoj školi za
Budućnost kompjuterskih umetnosti – 10 godina MFRU dizajn, započela je studije grafičke umetnosti na sarajevskoj
festivala). Slaček je, takođe, vođa koncepta i povremeni Akademiji likovnih umetnosti, gde je diplomirala na
selektor MFRU festivala (1995-2008). Učestvovao je u litografiji (1984). Kasnije je završila poslediplomske studije
produkciji mfru hajperfilma i nadgledao je konstruisanje grafičke umetnosti na ljubljanskoj Akademiji likovnih
arhive MFRU festivala. Godine 2009. je implementirao umetnosti (1990). Od 2012. godine je vanredna profesorka
projekte mfruTV – veb TV, Prodaja robota i Virtuelni na Akademiji za likovnu umetnost i dizajn u Ljubljani.
organizmi. Autor i organizator VR projekata: prostori Učestvovala je na brojnim grupnim izložbama u zemlji i
i oblici, hajperFasada, Muzej robota (u saradnji sa inostranstvu i dobila nekoliko međunarodnih nagrada,
Metom Kordiš i Mariborskom umetničkom galerijom), među kojima Gran pri na 4. Bijenalu slovenačke grafičke
nanoUmetnost i Sajber pozorište. umetnosti u Otočcu (1996) i nagradu San Zanobi Award
na 23. Međunarodnom bijenalu crteža i grafičke umetnosti
Jože Slaček is a program coordinator, graphic designer, u Ljubljani. Godine 1999. je dobila počasnu pohvalu na
mentor, and author in the field of video, animation and 5. Međunarodnom bijenalu crteža i grafičke umetnosti
multimedia. He was the initiator of the International u gradu Đer u Mađarskoj i počasnu diplomu u Estoniji
Festival of Computer Arts (MFRU) in Maribor, and the (12. Tallin Print Triennial). Ove godine je dobila nagradu
first in Slovenia to regularly perform activities in the Župančič, najviše priznanje grada Ljubljane za izvanredna
field of intermedia arts (since 1994), organizing lectures, postignuća u umetnosti u kulturi.
exhibitions and festivals. He assists in creating productions
and publishing books (Kiberfeminizem (Cyberfeminism), Zora Stančič (1956) was born in Bosnia and Herzegovina.
V drobovju računalnika (In the Guts of the Computer), Having graduated from the Ljubljana Secondary School of
Stelarc, Prihodnost računalniške umetnosti – 10 let Design, she began her studies of graphic art at the Sarajevo
MFRU (The Future of Computer Arts – 10 years of the Academy of Fine Arts, where she graduated with a degree
MFRU Festival)). Slaček is also the concept leader and in lithography (1984). Later she completed her postgraduate
occasional selector for the MFRU festival (1995 – 2008). studies in graphic art at the Ljubljana Academy of Fine
He participated in the production of the mfru hyperfilm Arts (1990). Since 2012, she has been holding the position
and supervised the construction of the archive of the

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of Senior Lecturer at the Academy of Fine Arts and Viktorija i Albert muzej u Londonu i muzeje sa kolekcijama
Design in Ljubljana. She has participated in numerous moderne umetnosti u Stokholmu, Beču, Ljubljani i
group exhibitions home and abroad, and received several Zagrebu.
international awards, among them the Grand Prix at the
4th Biennial of Slovene Graphic Arts in Otočec (1996), and Mladen Stilinović je bio hrvatski postkonceptualni umetnik
the San Zanobi Award at the 23rdInternational Biennial i jedna od vodećih figura takozvane nove umetničke prakse
of Graphic Arts in Ljubljana. In 1999 she received an u Hrvatskoj, čiji je korpus dela bio zasnovan na kritičkom
honorary mention at the 5th International Biennial of promišljanju o umetnosti i društvu. Nastavljajući tradiciju
Drawing and Graphic Arts in Gyor, Hungary, and an avangarde, Mladen Stilinović promoviše umetnost kao
honorary diploma at the 12th Tallinn Print Triennial in sredstvo društvene kritike, sa otvorenim cinizmom kao
Estonia. This year she received the Župančič Award, the specifičnim oblikom samodistanciranosti. U početku
highest recognition of the city of Ljubljana, for outstanding sopstvenih umetničkih nastojanja kreirao je kartonske
achievement in arts and culture. kartice sa ’’slikovnim’’ rečima, pamflete i parole, koji
simbolizuju ’’tanku kao papir’’ i efemernu prirodu govora
Mladen Stilinović (HR) o višim ciljevima, stvarajući ’’siromašnu’’ umetnost
zasnovanu na komadićima papira, igri reči, dovitljivim
Mladen Stilinović (1947-2016) je živeo i radio u Zagrebu citatima i sl. zbog, naizgled, jednostavnog razloga: ’’Nikad
i Rovinju (Hrvatska). Njegov umetnički opus uključuje nisam imao atelje, ja sam samouki slikar, nisam obučen.
kolaže, fotografije, knjige umetnika, slike, instalacije, Konceptualna umetnost je usko vezana za takav pristup,
akcije, filmove i video radove. Stalna karakteristika koji ja smatram bliskim. Volim ovu vrstu mentalnih
njegovog umetničkog izraza je da je koristio svakodnevne, situacija gde se umetnost stvara na običnom komadu papira
funkcionalne, ’’siromašne’’ materijale, uparene sa standardnih dimenzija. Osim papira, ja često (ponovo)
jednostavnom, a ipak promišljenom realizacijom i koristim druge ’’materijale iz domaćinstva’’ kao što su
kontroverznošću upotrebljenih simbola. kartoni, novine, odeća i svakodnevni predmeti. Na ovaj
način ne moram ni od koga da zavisim. Užasava me ideja
Bio je član Grupe šestorice autora, zajedno sa Vladimirom monumentalne umetnosti, posebno skulpture. Moji radovi
Martekom, Borisom Demurom, Željkom Jermanom, većeg formata nastaju akumuliranjem manjih.’’
Svenom Stilinovićem i Fedomirom Vučemilovićem, i
jedan od suosnivača Podroom Galerije (1978–1980). U Mladen Stilinović (born April 10, 1947, Belgrade,
periodu 1981-1991 je bio direktor Extended Media Gallery Serbia – died July 18, 2016, Pula, Croatia) lived and
u Zagrebu. Od 1969. do 1976. godine je bio je posvećen worked in Zagreb and Rovinj, Croatia. His artistic
eksperimentalnom filmu. range includes collages, photographs, artists’ books,
paintings, installations, actions, films and video works.
Njegovi radovi su izlagani na nekim od najvažnijih A constant feature of his artistic expression is the use of
umetničkih manifestacija širom sveta, kao što su everyday, functional, “poor” materials, coupled with a
Dokumenta u Kaselu (Nemačka, 2007). Takođe se nalaze u simple, yet thought-out realization, and a controversy of
kolekciji mnogih istaknutih muzeja i galerija, uključujući the used symbols. He was a member of the Group of Six
Muzej moderne umetnosti u Njujorku, Nacionalni muzej Artists (Grupa šestorice autora), together with Vladimir
moderne umetnosti (Centar Žorž Pompidu) u Parizu, Martek, Boris Demur, Željko Jerman, Sven Stilinović and
Fedomir Vučemilović, and one of the co-founders of the
Podroom Gallery (1978–1980). Between 1981 and 1991 he

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was director of the Extended Media Gallery in Zagreb. objects. In this way I don’t have to depend on anyone.
From 1969 to 1976 he was dedicated to experimental film. I’m horrified at the idea of monumental art, especially
in sculpture. My own larger-sized works are created by
His works have been showcased at some of the most accumulating the smaller ones.”   
important art manifestations around the world, such as
documenta in Kassel (Germany, 2007). His works belong Andrej Strehovec (SI)
to many prominent museum and gallery collections,
including the Museum of Modern Art, New York, Musée Andrej Strehovec, dipl.inž.arh., arhitekta/kritičar (1978,
national d’Art moderne (Centre Georges Pompidou) in Slovenija). Andrej Strehovec je arhitekta, inter-medijski
Paris, the Victoria and Albert Museum in London, and dizajner, teoretičar, scenograf, diplomanta Fakulteta za
museums of modern art collections in Stockholm, Vienna, Arhitekturu na Univerzitetu u Ljubljani. Arhitekturom
Ljubljana, and Zagreb. se bavi profesionalno od 2004, dizajnirajući javne zgrade,
stambene kuće, enteriere, a uz to je i autor nagradjenih
Mladen Stilinović was a Croatian post-conceptual artist arhitektonskih i urbanističkih rešenja. Kao arhitekturni
and one of the leading figures of the so-called “New Art kritičar je objavljao na področju arhitekturne teorije
Practice” in Croatia, whose body of work was founded on (Piranesi magazine) od 2010, doprineo internetnim i
critical thinking about art and society, and about individual radijskim objavama, te gostovao kao izlagač u umetničkim
categories like pain, or laziness, which he transports into centrima i na fakultetima.
the wider social context. Apart from his critique of the
art system, he was just as critical, cynical, ironical, witty, Ostvaruje medjunarodno saradnju na inter-medijskim
without clichés, often emotional and sometimes borderline- projektima, radeči u prosjeku izmedju humanistike, nauke,
absurd in commenting on the reality of our society, with tehnologije i scenografije, koriseći princip kapsularnog
a particular focus on the “reflection of politics, and not its dizajna. Ti projekti su bili izloženi u galerijama i
practice”. umetničkim centrima u Sloveniji, Hrvatskoj, Srbiji, Austriji,
Italiji, Nemačkoj, Češkoj, Izraelu, VB,… Od 2015. živi
Continuing in the tradition of avant-garde art, Mladen izmedju Slovenije i Srbije.
Stilinović advocates a social dimension of art, promoting www.strehovecarchitecture.wordpress.com
art as a means of social critique, with overt cynicism as
a specific form of self-distance. At the beginning of his Andrej Strehovec, B.Arch., architect/critic (1978,
artistic endeavors he created cardboard “picture” words, Slovenia). Andrej Strehovec is an architect, intermedia
pamphlets and paroles, symbolizing the “paper-thin” and designer, theorist, scenographer; a graduate of the Faculty
ephemeral nature of all higher goal speeches and the like, for Architecture at the University of Ljubljana. He has
creating throughout his career a “poor” art founded on been a professional architect since 2004, designing public
little pieces of paper, brainwave moments, word plays, witty buildings, housing, interiors and is an author of awarded
quotations, etc. – for a seemingly simple reason: “I never architectural and urbanistic competitions.
had a studio, I am a self-educated painter, not a trained As an architectural critic, he has been publishing in the
one. Conceptual art is tightly linked to such an approach, field of architectural theory (Piranesi magazine) since
which I find close to me. I like this kind of mental situation, 2010, while contributing online and to radio releases, and
whereby art is created on an ordinary, standard-size piece
of paper. Apart from paper, I often re-use other “household
materials” like cartons, newspapers, cloths and everyday

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as a guest lecturer at art centers and universities. He is dizajniranja tih objekata, umetnici koriste formalno
collaborating internationally on intermedia art projects, kolažiranje, uz kombinovanje citata iz različitih perioda,
working at the intersection between humanities, science, estetika i funkcija.
technology and scenography, using principles of capsular
design. Those projects were exhibited in galleries, museums Oboje umetnika izlagali su u inostranstvu na solo i
and art centers in Slovenia, Croatia, Serbia, Austria, Italy, grupnim izložbama, uključijići: OFF-Biennale Budapest;
Germany, Czech, Israel, GB, … Since 2015, he has been Le 19 CRAC, Monbelliard; acb Gallery, Budapest; Play
living between Slovenia and Serbia. Time, Rennes Biennale, Rennes; New Museum, New
www.strehovecarchitecture.wordpress.com York; Kunsthaus, Dresden; Secession, Vienna; Witte de
With, Rotterdam; 21er Haus, Vienna; ISCP, New York;
KATARINA ŠEVIĆ, Gergely Künstlerhaus Bethanien, Berlin; Apexart, New York.
László (SR/HU/DE) (www.katarinasevic.com, www.tehnicaschweiz.com)

Katarina Šević i Gergely László (član kolektiva Katarina Šević and Gergely László (member of the
Techica Schweiz) sarađivali su u više navrata. Svoje collective Tehnica Schweiz) have worked together on
projekte realizuju u vidu grupa objekata, propraćenih several occasions. They realize their projects through
performansima u kombinaciji sa tekstom i naracijom. groups of objects, accompanied by performative situations
Pokreću ih dihotomije u savremenom društvu, a njihovi and events, combined usually with text and narration.
umetnički postupci zasnivaju se na složenim procesima They are propelled by the surrounding social dichotomies
u radu i povremenom korišćenju arhivskog materijala. of today, and their artistic methodologies are based on
Zanimaju ih alternativni vidovi razumevanja stvari, complex working processes with the occasional use of
njihovi radovi sadrže kritički i politički potencijal. archived documents. They are interested in alternative
formulas of knowledge and their works carry critical and
political potential.

U svom radu istražuju načine na koje koegzistiraju In their work they explore how different voices can
različiti glasovi, koristeći priče o sukobima između coexist, using stories of conflicts between society and the
društva i pojedinca. U svojim performansima individual. Their performances experiment with stylized
eksperimentišu sa stilizovanim formatima, i tradicijama, formats using traditions as diverse as tableaux vivants,
počev od tableux vivantes, preko komedije, antičkih commedy, medieval mystery plays, ancient chorus, or
horova, sve do ameaterskih skečeva, u kojima likovi amateur sketches, in which characters take symbolic roles.
preuzimaju simbolične uloge.
Parallel to their research and text-based performances,
Uporedo sa istraživanjima i performansima baziranim they also design and produce objects. Many of these objects
na tekstu, oni takođe kreiraju objekte od kojih mnogi can be worn and used and therefore function as costumes
mogu da se nose ili koriste na druge načine, tako and props. In designing these objects the artist use formal
da funkcionišu kao kostimi i rekviziti. Prilikom collaging, by combining citations of different periods,
aesthetics and functions.

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Both artists exhibited internationally in solo and group Dragoljub Raša Todosijević (1945, Beograd) graduated
shows including: OFF-Biennale Budapest; Le 19 CRAC, from the Academy of Fine Arts in 1964. He lives and
Monbelliard; acb Gallery, Budapest; Play Time / Les works in Belgrade as a freelance artist. Sme of his most
Ateliers de Rennes, Rennes; New Museum, New York; appreciated series are “What is art?” (“Was ist Kunst?”),
Secession, Vienna; Contemporary Art Museum of “God loves the Serbs” (“Gott liebt die Serben”) and «My
Vojvodina, Novi Sad; 21er Haus, Vienna; Künstlerhaus Fluxus Pianos» («Moji Fuxus klaviri»).
Bethanien, Berlin; Apexart, New York. (www.katarinasevic.
com, www.tehnicaschweiz.com) Raša Todosijević is one of the main protagonists of the
Belgrade group of conceptual artists.  In the early seventies,
Dragoljub Raša during the dominance of traditional media and uncritical
Todosijević (RS) modernism, this group began to use new media, video,
performance, actions, etc., to provoke and question the
Dragoljub Raša Todosijević (1945, Beograd) je diplomirao structure and functioning of current art practice, and
na Akademiji likovnih umetnosti 1964. godine. Živi i society in general. Young artists (Marina Abramović,
radi u Beogradu kao slobodni umetnik. Neke od njegovih Era Milivojević, Neša Paripović, Zoran Popović, Gergelj
najcenjenijih serija umetničkih radova su: Šta je umetnost?, Urkom) gathered in Belgrade’s Student Center, where a new
Bog voli Srbe i Moji Fuxus klaviri. form of artistic expression was conceived, later called Nova
umjetnička praksa (The New Artistic Practice).
Raša Todosijević je jedan od glavnih protagonista
beogradske grupe konceptualnih umetnika. Ranih His works are politically and socially critical; through a
sedamdesetih godina XX veka, u vreme dominacije constant re-questioning of traditional art currents, and
tradicionalnih medija i nekritičkog modernizma, ova the society in general, the artistic practice of Dragoljub
grupa je počela da koristi nove medije, video, performans, Raša Todosijević focuses on exploring various media
i akcije kako bi provocirala i preispitivala strukturu i and techniques, from performances, interventions, video
funkcionisanje tekuće prakse, kao i društvo u celini. Tada works, installations, ambient set-ups, to problematizing the
mladi umetnici (Marina Abramović, Era Milivojević, Neša painting medium, and even the painting technique as such.
Paripović, Zoran Popović, Gergelj Urkom) okupljeni oko
beogradskog Studentskog kulturnog centra začeli su nove Božo (Boja) Vasić (RS/CA)
forme umetničkog izražavanja, koja su kasnije definisane
kao Nove umetničke prakse. Božo (Воја) Vasić је video umetnik i fotograf koji od 1988.
živi i radi u Torontu u Kanadi. Vasić је diplomirao filmsku
Radovi Raše Todosijevića su politički i društveno kritički; režiju na Fakultetu dramskih umetnosti u Beogradu.
kroz stalno preispitivanje tradicionalnih umetničkih Njegovi umetnički radovi su bili izloženi na 8. Havana
strujanja i društva u celini, njegova umetnička praksa bijenalu u Kubi, 4. Bijenalu mladih umetnika u Vršcu u
se fokusira na istraživanje raznih medija i tehnika, od Srbiji, 13. i 14. Internacionalnom bijenalu umetnosti u
performansa, intervencija, video radova, instalacija, Vili Novoj de Cerveiri u Portugalu, 3. Internacionalnom
ambijentalnih postavki do problematizovanja slikarskog bijenalu umetnosti u Тirani u Albaniji, na Liverpulskom
medijuma i čak i slikarske tehnike kao takve. bijenalu nezavisnih umetnika u Engleskoj.

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Vasićevi dokumentarni filmovi i video radovi su Vasic’s video installations and photo based works were
prikazivani na festivalima u Kopenhagenu, Amsterdamu, exhibited at the Museum of Contemporary Art of
Karlovim Varima, Čikagu, Denveru, Torontu, Njujorku i Vojvodina (Novi Sad, Serbia), Artget Gallery (Belgrade,
Dalasu. Vasić је osvojio nekoliko internacionalnih nagrada Serbia) Museum Gallery City od Budva (Budva,
za svoje filmove - Kris statuetu na internacionalnom Montenegro), Definitely Superior Gallery (Thunder Bay,
filmskom i video festivalu u Kolumbusu, bronzanu Canada), VU Center for Photography (Quebec City,
medalju na Internacionalnom filmskom i medija festivalu Canada), Centre D’Exposition (Mont- Laurier), Alternator
u Njujorku, kao i zlatnu medalju na HeSCA medijskom Gallery (Kelowna, Canada), A Space, Mercer Union, YYZ
festivalu u Dalasu u Americi. and Glendon Gallery (Toronto, Canada), La Galerie de
Nouvel Ontario (Sudbury, Canada), Language Plus (Aima,
Vasić је izlagao svoje video instalacije i fotografije u Canada), Espace Virtuel (Chicoutimi, Canada), Occurrence
Muzeju savremene umetnosti Vojvodine (Novi Sad, Srbija), Gallery (Montreal, Canada), Modern Fuel Gallery
Definitely Superior galeriji (Thunder Вау, Kanada), VU (Kingston, Canada) and E:vent Gallery (London, UK),
Center for Photography (Quebec City, Kanada), Centre Werkstatt der Kulturen Gallery (Berlin, Germany), etc…
D’Exposition (Mont-Laurier, Kanada), Alternator galeriji
(Kelowna, Kanada), А Space, Mercer Union, YYZ and Dragan Vojvodić (RS)
Glendon galeriji (Toronto, Kanada), La Galerie de Nouvel
Ontario (Sudbury, Kanada), Language Plus (Aima, Kanada), Dragan Vojvodić (1965) studije započinje na Likovnoj
Espace Virtuel (Chicoutimi, Kanada), Occurrence galeriji akademiji u Sarajevu, a diplomira 1995. godine na
(Montreal, Kanada), Modern Fuel galeriji (Кingston, Akademiji umetnosti u Novom Sadu, gde živi i radi.
Kanada), E:vent galeriji (London, Engleska), Werkstatt der Izražavajući se kroz različite medije (performans,
Kulturen galeriji (Berlin, Nemacka), itd... instalacije, in situ, video, fotografija), vlastitu umetničku
praksu zasniva na različitim egzistencijalnim situacijama,
Boja (Božo) Vasić is a media artist and photographer who kao i komunikaciji sa različitim akterima i pojavama u
lives and works in Toronto since 1988. Vasic graduated svetu savremene umetnosti. Značajan deo svoje umetničke
film directing at the Faculty of Dramatic Arts in Belgrade, prakse realizuje u Skandinaviji, gde i samostalno izlaže.
Serbia. His work has been shown at the 8th Havana Učestvovao je u internacionalnim rezidencijalnim
Biennial in Cuba, VI Yugoslav Biennial of Youth Vrsac in programima u Norveškoj, Finskoj, Švedskoj, Islandu,
Serbia, XIII and XIV International Art Biennial of Vila Portugaliji, Španiji, Češkoj i Francuskoj (2004-2017);
Nova de Cerveira in Portugal, Third Tirana Biennial in u istraživačkim projektima u SAD-u (Čikago, 1997) i
Albania, and at the Liverpool Biennial, Independents in Japanu (Tokio, 2018). Predstavljao je srpsku i vojvođansku
England. umetnost u okviru različitih grupnih izložbi u zemlji i
inostranstvu (Francuska, Island, Nemačka, Mađarska,
His video works were shown at festivals in Copenhagen, Hrvatska, BIH, Japan). Radovi mu se nalaze u kolekcijama
Amsterdam, Chicago, Denver, Toronto, and he has won muzeja i fondacija (Muzej savremene umetnosti Vojvodine,
several international awards including the Chris Award Regionalni muzej Erro Nelimarkka u Finskoj, Fondacija
at the Columbus International Film and Video Festival, a Obras u Portugalu, 700 IS video umetnički festival u
Bronze Medal at New York Festivals, and the Gold Award Rejkjaviku, Terra u Kikindi i dr.)
at Dallas HeSCA Media Festival.

139

Dragan Vojvodić was born in 1965. in Kula, Serbia. He Festival (SaoPaolo), FILE RIO (Rio de Žaneiro). Svoje
started his studies at the Academy of Fine Arts in Sarajevo, radove predstavlјa i u okviru brojnih internet projekata i
and graduated in 1995. at the Academy of Arts in Novi Sad. festivala. Autorka je do sada učestvovala na 140 kolektivnih
Expressing himself through various media (performance, izložbi i izlagala na 29 samostalnih izložbi.
installations, in situ, video, photography) he bases his own
art practice on various existential situations as well as on U svojim radovima, Tanja Vujinović analizira odnos
communication with different actors and phenomena in između svesti i tehnologije kroz digitalni animizam i
the world of contemporary art. He realised a large part kontemplativnu igru. Njeni radovi nastaju kroz upotrebu
of his artistic practice in Scandinavia where he also had računarskih aplikacija, prilagođene elektronike, kao
solo exhibitions (Konstepidemins, Göteborg, Sweden; USF i fizičkih i digitalnih objekata, preuzimajući forme
Verftet, Bergen, Cultural Centre Stavanger, Norway; The specifičnih situacija ili kompleksnih dinamičnih okruženja,
Titanic Gallery, Turku, Koli artist in residence, Koli and koje oživljavaju virtuelne mašine.
Eero Nelimarka Museum, Alajärvi Finland, SIM House,
Reykjavik, Iceland). He participated in international Tanja Vujinović graduated in 1999 at the Faculty of Fine
residency projects in Norway, Finland, Sweden, Island, Arts in Belgrade, at the Department of Painting, and
Portugal, Spain and France. Also, he represented Serbian she was also a visiting student at the Academy of Arts in
and Vojvodina art within various group exhibitions in the Dusseldorf. She received her Ph.D. in 2010 in the field of
country and abroad (France, Germany, Hungary, Croatia, philosophy and theory of visual culture at the Faculty
Bosnia and Herzegovina, Japan). of Humanistic Studies in Koper. She lives and works in
Ljubljana.

Tanja Vujinović Since 1997, he has exhibited audio-visual works, digital
(RS/SI) prints and installations in numerous galleries and
museums in Strasbourg, Dusseldorf, Denver, Merano, Graz,
Tanja Vujinović je diplomirala 1999. godine na Fakultetu Manchester, Istanbul, Maribor, Ljubljana and Belgrade.
likovnih umetnosti u Beogradu, na odseku za slikarstvo, a She participated in major festivals such as ISEA 2009
bila je i gostujuća studentkinja na Akademiji umetnosti u (Belfast), Arselektronika (Linz), Kinetica Art Fair (London),
Dizeldorfu. Doktorirala je 2010. godine u oblasti filozofije Sporfestival (Aarhus), Zeppelin Festival (Barcelona), FILE
i teorije vizuelne kulture na Fakultetu za humanističke - Electronic LanguageInternational Festival (SaoPaolo),
studije Kopar. Živi i radi u Ljubljani. FILE RIO (Rio de Janeiro). She also presents her works in a
number of Internet projects and festivals. So far, the author
Od 1997. godine audio-vizuelne radove, digitalne has participated in 140 collective exhibitions and exhibited
printove i instalacije izlaže u brojnim galerijama i in 29 solo exhibitions.
muzejima u Strazburu, Dizeldorfu, Denveru, Gracu,
Mančesteru, Istanbulu, Mariboru, Ljubljani i Beogradu. In her works, Tanja analyses the relationship between
Učestvovala je i na velikim festivalima poput ISEA2009 consciousness and technology through digital animism
Symposium (Belfast), Ars elektronica (Linc),  Kinetica and contemplative play. Her works arise through the
Artfair (London), SPOR Festival (Arhus),  Zeppelin festival use of computer applications, customized electronics,
(Barselona),  FILE − Electronic Language International and physical and digital objects, taking forms of specific
situations or complex dynamic environments, which are
revived by virtual machines.

140

Uroš Weinberger (SI) Brigitta Zics (HU/UK)

Uroš Vajnberger (1975) je osnovne (2003) i master Brigita Zis je umetnica koja se bavi novonastalim medijima
studije slikarstva (2005) završio na Akademiji lepih i umetničkim formama koji poboljšavaju senzorno
umetnosti  dizajna u Ljubljani (Slovenija). Usavršavao se iskustvo. Njena najnovija interesovanja obuhvataju
na  Nacionalnoj akademiji umetnosti u Sofiji, Bugarska iskustvenu umetnost, vizuelnu percepciju i umetnost i
(2002). Dobitnik je više nagrada za svoj rad i učesnik estetiku podataka i algoritama. U svojoj umetničkoj praksi
AIR programa. Osim slikarstvom, povremeno se bavi ona radi na konvergenciji umetnosti i nauke i primenjuje
i zvučnim i video instalacijama. Izlagao je na mnogim tehnologiju kako bi pristupila i izvukla skrivene dimenzije
samostalnim i grupnim izložbama (Slovenija, Hrvatska, ljudskog iskustva. S težnjom da bolje razume ono što
Austrija, Nemačka, Italija, Južnoafrička Republika). Radovi nas čini ljudima ona stvara estetsku ekologiju (estetske
mu se nalaze u privatnim i javnim kolekcijama. Njegov interakcije između ljudi i mašina) koje uključuju ljudske
slikarski stil je raznovrsan, a uglavnom figuralan. Njegovi emocije i maštu.
radovi promovišu društvenu svest i podrazumevaju
bavljenje lokalnim i globalnim problemima koji utiču na Njeni radovi su izlagani u Budimpešti, Berlinu, Londonu,
naše svakodnevne živote. Živi i radi kao nezavisni vizuelni Monaku, Kelnu i Los Anđelesu; a u publikacijama poput
umetnik u Novom Mestu i Ljubljani. Leonarda (MIT Press Journals), piše o konvergenciji
savremene umetnosti i tehnologije. Godine 2004. je
Uroš Weinberger (1975) studied painting at the Academy bila nominovana za Međunarodnu nagradu za medije
of Fine Arts and Design in Ljubljana, Slovenia where he i umetnost u ZKM (Centru za umetnost i medije u
completed his MA degree in 2005. In 2001, he received Karlsrueu, Nemačka). U Beču je 2005. godine izabrana za
the Prešeren Student Award of the University of Ljubljana. najboljeg evropskog multimedijalnog umetnika. Trenutno
In 2002 he was invited to the Academy of Fine Arts in se bavi projektima sa temom Kolektivno kretanje.
Sofia, Bulgaria. Art residences: Ministry of Culture of
the Republic of Slovenia in Berlin, Germany (2009), Brigitta Zics is an artist with a passion for exploring the
and European House of Art, Upper Bavaria-Schafhof in potential of thinking through digital making for art and
Freising, Germany (2013). In 2011, he was awarded at the how such processes lead to new experiences. She engages
Biennial Exhibition – A Look at Visual Arts in Slovenia 6: with emerging media and art forms that enhance sensory
I, Here, Now. His painting style is diversified, and mostly experiences. Her recent interests embrace experiential
figural. Rather than being categorized as belonging to art, visual perception and art, and the aesthetics of data
a certain historically defined genre, he prefers the term and algorithms. In her artistic practice she works on the
contemporary figure painting. His works promote social convergence of art and science and applies technologies in
awareness, and imply dealing with local and global order to access and extract hidden dimensions of human
problems, which affect our everyday lives. He lives and experience. With the aspiration to better understand ‘what
works as a independent visual artist in Novo mesto and makes us human’ she creates aesthetic ecologies (aesthetic
Ljubljana. interactions between human and machine) incorporating
human emotion and imagination.

Her works have been exhibited in Budapest, Berlin,
London, Monaco, Cologne and Los Angeles; she also
continues to contribute writings on the convergence of
contemporary art and technology to the likes of Leonardo
(MIT Press) and other publications of note. In 2004 she was
nominated for the International/Media/Art/Award at ZKM,

141

Centre for Arts and Media in Karlsruhe, Germany. She was Rojtersovih fotografa koji su dokumentovali evropsku
selected for the Best European Multimedia Artist in Vienna izbegličku krizu.
in 2005. She is currently developing large scale projections Srdjan Živulović (1959) was first inspired to take on
and sculptural sound installation projects under the theme photography because of his father Dragan, who bought him
of ’Collective Motion’. his first camera. It has stuck with him ever since. To develop
films, he had to walk a couple of miles from Šmartno to
Srđan Živulović (SI) Litija, to get to Photo Zofi. His first secondary school choice
was electro-technics, but he soon realized that he needed to
Srđan Živulović (1959) je prvobitnu inspiraciju za bavljenje choose a job that involves working with people. He switched
fotografijom dobio od svog oca Dragana, koji mu je kupio to photography school, and graduated with the support
prvi fotoaparat. Od tada je ostao vezan za medij. Prva from his mentor, teacher, and friend Vladka Kobal. During
srednja škola za koju se opredelio bila je elektrotehnička, ali school he did internship at the photography department of
je brzo shvatio da treba da odabere posao koji uključuje rad the newspaper Delo. He got his first job as a photograph at
sa ljudima. Prebacio se u školu za fotografiju i maturirao the Slovenian Welding institute, and was officially employed
uz podršku svog mentora, profesora i prijatelja Vladka by Delo in 1985. Under the mentorship of Joc Žnidaršič,
Kobala. Tokom školovanja pohađao je praksu u Odeljenu he remained to work there until 1992. In 1989 he first
za fotografiju dnevnih novina Delo. Prvi posao kao fotograf sent one of his photographs to the Yugoslav photography
dobio je u Slovenačkom zavarivačkom institutu, a zvanično contest held by Tanjug agency, and later won with the
se zaposlio u Delu 1985. godine. Tu je radio do 1992. image titled Women fighting for workingman’s bread, which
pod mentorstvom Joca Žnidaršiča. Godine 1989. je prvi continued, iconically, to stir debate long after the time of the
put poslao jednu od svojih fotografija na Jugoslovensko breakdown of the common state.
takmičenje fotografije koje je organizovala agencija Tanjug, Srdjan Živulović’s year-long career at Slovenia’s biggest
a kasnije je i pobedio sa slikom pod naslovom Žene se bore newspaper Delo made it possible for him to visit locations
za hleb radnog čoveka. like Kosovo, Iraq, Turkey, Romania, and Israel. On the last
day of the Slovenian independence war he joins Reuters.
Dugogodišnja karijera Srđana Živulovića u najvećim Together with colleague Jože Suhadolnik they launch the
slovenačkim dnevnim novinama Delo mu je omogućila Bobo agency to support the newspaper Republika. Through
da poseti mesta poput Kosova, Iraka, Turske, Rumunije i meticulous and planned work they create an impressive
Izraela. Poslednjeg dana slovenačkog rata za nezavisnost archive of event photographs. The photographers of Bobo
pridružio se Rojtersu. Zajedno sa kolegom Jožom become the official photographers for the president, the
Suhadolnikom osnovao je F.A. Bobo foto agenciju kako bi prime minister, and the foreign minister, and travel to
podržali novine Republika. Preciznim i planskim radom accompany them around the world. By following the most
stvaraju impresivnu arhivu fotografija događaja. Fotografi current events, Srdjan Živulović is always in the front line,
agencije postaju zvanični fotografi predsednika, premijera and the same happened with the “last” tide of refugees in
i ministra inostranih poslova i sa njima putuju širom sveta. Slovenia. His photograph of refugees walking along the river
Prateći najaktuelnije događaje, Srđan Živulović je uvek na embankment near Brežice won him the Pulitzer Prize.
prvoj liniji, a isto je bilo i sa poslednjom plimom izbeglica u In 2016 he became the first Slovenian to win the prestigious
Sloveniji. Njegova fotografija izbeglica koji hodaju duž obale Pulitzer prize together with a team of Reuters photographers
reke u blizini Brežica donela mu je, 2006. godine, Pulicerovu documenting the European refugee crisis, for a photograph
nagradu. Time on postaje prvi Slovenac nagrađen of refugees walking alongside a river embankment near
prestižnom Pulicerovom nagradom, zajedno sa timom Brežice.

142

Publikacija je deo projekta Rizikuj promenu The publication is part of the project Risk Change

Partneri na projektu: Muzej savremene umetnosti Vojvodine Project partners: Museum of Contemporary Art Vojvodina (Novi
(Novi Sad, Srbija), ACE KIBLA (Maribor, Slovenija), ACAX Sad, Serbia), ACE KIBLA Association for Culture and Education
- Agency for Contemporary Art Exchange (Budimpešta, (Maribor, Slovenia), ACAX - Agency for Contemporary Art
Mađarska), FOPSIM Foundation for the Promotion of Social Exchange (Budapest, Hungary), FOPSIM Foundation for the
Inclusion in Malta (Zejtun, Malta), Muzej moderne i suvremene Promotion of Social Inclusion in Malta (Zejtun, Malta), Muzej
umjetnosti (Rijeka, Hrvatska), RIXC The Center for New Media moderne i suvremene umjetnosti (Museum of Modern and
Culture (Riga, Litvanija), 7scenes, Location based mobile apps Contemporary Art) (Rijeka, Croatia) , RIXC The Center for
(Amsterdam, Holandija), ZINC Arts et Cultures Numériques New Media Culture (Riga, Lithuania), 7scenes, Location based
(Marsej, Francuska), The Mighty Creatives (Lester, Velika mobile apps (Amsterdam, Netherlands), ZINC Arts et Cultures
Britanija), National and Kapodistrian University of Athens Numériques (Marseille, France), The Mighty Creatives (Leicester,
(Atina, Grčka) UK), National and Kapodistrian University of Athens (Athens,
Greece)
Projekat je podržan od strane Evropske Unije kroz program
Kreativna Evropa, Pokrajinskog sekretarijata za kulturu, javno Project is co-financed by the European Union through the
informisanje i odnose s verskim zajednicama, Ministarstva Creative Europe program, the Provincial Secreteriat for Culture,
kulture i informisanja Republike Srbije, Grada Novog Sada i Public Information and Relations with Religious Communities,
Fondacije ’’Novi Sad 2021 - Evropska prestonica kulture’’. Ministry of Culture and Information of Republic of Serbia, City
of Novi Sad, Foundation ’’Novi Sad 2021-European Capital of
* Podrška Evropske komisije za izradu ove publikacije ne Culture’’.
predstavlja podršku sadržaju koji odražava samo stavove
autora, a Komisija se ne može smatrati odgovornom za bilo * The European Commission support for the production of this
koju upotrebu koja se može sastojati od informacija sadržanih publication does not constitute an endorsement of the contents
u njemu. which reflects the views only of the authors, and the Commission
cannot be held responsible for any use which may be made of the
information contained therein.

SEKRETARIJAT ZA KULTURU, JAVNO INFORMISANJE MINISTARSTVO KULTURE
I ODNOSE SA VERSKIM ZAJEDNICAMA I INFORMISANJA
AP VOJVODINA
REPUBLIKA SRBIJA

143

Izdavač I Published by Lektura I Proofreading
Muzej savremene umetnosti Vojvodine Ljiljana Maletin Vojvodić
Museum of Contemporary Art Vojvodina
21000 Novi Sad, Dunavska 37 Dizajn I Design
[email protected], www.msuv.org Mirjana Dušić-Lazić

Za izdavača I Executive Publisher Fotografije I Photographs by
Radovan Jokić Marko Ercegović
Boštjan Lah
Umetnička direktorka projekta i urednica kataloga Ivana Pejak (Oleg Kulik performans I performance )
I Art Director of the Project and Editor umetnici I artists
Sanja Kojić Mladenov
Producent I Producer
Menadžerka projekta I Project Manager Jovan Jakšić
Tijana Filipov
Stručni saradnik na postavci
Tekstovi I Texts I Exhibition Installation Associate
Barnabás Bencsik, Igor Bošnjak, diSTRUKTURA (Milica Marko Ercegović
Miličević-Milan Bosnić), Peter Tomaž Dobrila, Nina Jeza -
Artists&Poor`s, Sanja Kojić Mladenov, Aleksandra Kostič, Stručni saradnici pratećih aktivnosti projekta
Andrej Strehovec, Katarina Šević-Gergely László, Vessna I Professional Associates for Accompanying Project Activities
Perunovich, Dragoljub Raša Todosijević, Boja Vasic Jelica Aleksić, Barbara Borčić, Zorana Ružičić, Borka Stojić,
Jelena Šobić, Tatjana Tucić, Branislav Majstorović, Katarina
Kustosi I Curatos Nemet, Neda Novaković, ProArtOrg, Art4Media
Barnabás Bencsik, Peter Tomaž Dobrila, Tijana Filipov,
Nina Jeza, Sanja Kojić Mladenov Štampa I Print
SP Print, Novi Sad
Stručne saradnice projekta I Professional Associates of Project
Mirjana Dušić-Lazić, Gordana Nikolić Tiraž I Run 400

Prevod I Translation Pokrovitelj muzeja I Museum Patronage
Darja Gogoljev Pokrajinski sekretarijat za kulturu i javno informisanje
Sneža Ciganović Provincial Secretariat for Culture and Public Information

CIP - Каталогизација у публикацији 
Библиотека Матице српске, Нови Сад 
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RISK change 1 / [umetnička direktorka projekta i urednica kataloga Sanja Kojić Mladenov
; prevod Darja Gogoljev, Sneža Ciganović]. - Novi Sad : Muzej savremene umetnosti
Vojvodine, 2018 (Novi Sad : SP print). - 144 str. : ilustr. ; 21 x 26 cm 
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