Established and Sons - Catalogue 2019

WALL TO WALL
Raw Edges

Colour Palettes: Air, sand, stone Shay Alkalay and Yael Mer have reimagined the parquet floor by
Colours: Green, grey, orange, pink, purple, red, colour-staining individual oak blocks, which are then used to create a
white, yellow herringbone pattern that is unique every time and can be tailored to
Dimensions: 1m2: 78 blocks specific spaces.
L250mm × D60mm × H21mm

105

DESIGNERS

ALEXANDER TAYLOR BARBER & OSGERBY DIMITRI BÄHLER JAIME HAYON JO NAGASAKA KLAUSER & CARPENTER

BRITISH DESIGNER BRITISH DESIGNERS SWISS DESIGNER SPANISH ARTIST-DESIGNER JAPANESE ARCHITECT GERMAN/ BRITISH DESIGNERS
BORN 1975 BORN 1969/1969 BORN 1988 BORN 1974 BORN 1971 BORN 1972/1975

Alexander Taylor is one the UK’s leading Edward Barber and Jay Osgerby founded their Swiss designer Dimitri Bähler launched his Jaime Hayon has had a long and illustrious Born in Osaka, Jo Nagasaka studied André Klauser moved to London from
design innovators. After establishing his studio London studio in 1996 after graduating with own studio in Biel in 2014 and has since career for someone so young. After training architecture at the Tokyo National University Germany after training in Design at the
in 2002, the young designer was quickly Master’s in Architecture from the prestigious been nominated for two Swiss Design as an industrial designer in Madrid and of Fine arts before founding his practice Fachhochschule Münster and began
catapulted onto the international stage with Royal College of Art in London. Their diverse Awards, directed a string of workshops and Paris he joined Fabrica – Benetton Group’s Schemata Architects in Japan’s capital working for Jasper Morrison in London in
the launch of the Antlers coat hook, which body of work spans industrial design, furniture, produced pieces for some of the world’s communication research centre – in 1997, in 1998. His work ranges from individual 1999. Ed Carpenter studied sculpture at
won multiple awards. This was followed by lighting and site-specific installations, as most adventurous design brands. He studied where he directed the design department products to large-scale installations, Kingston University. The duo met in 2000
the Fold light – a small lamp created from a well as gallery and public commissions product design at ECAL in Switzerland until 2003. Jaime established his own studio interactive interiors and entire buildings, and while studying on the MA Design Products
single sheet of folded metal – for Established & such as the London 2012 Olympic Torch and at Design Academy Eindhoven in The in 2000 and now runs offices in Spain, Japan is characterised by an interest in bringing course at the Royal College of Art. Both found
Sons’ debut line in 2005, which has since been and projects for the Royal Mint. Barber and Netherlands, before moving back to the area and Italy, pursuing a range of eclectic projects new life into old objects and ideas with success and launched their own practices
acquired by museums including the MoMA, Osgerby’s work is held in permanent museum he grew up in to launch his practice. Bähler that include product design, interior design, modern solutions and techniques. Examples immediately after graduating, with Carpenter’s
New York and the Art Institute of Chicago. collections around the world including describes his approach as spontaneous, curatorial roles and artistic installations. include the Sayama Flat, a groundbreaking 2001 Pigeon Light becoming an unexpected
His natural curiosity for new manufacturing London’s V&A Museum and Design Museum, radical and poetic, but with a foundation in Known for injecting humour and colour into renovation project in a post-war apartment icon and enduring bestseller in design and
techniques attracted sports brand Adidas, the Metropolitan Museum of Art in New York substantial material and structural research. his designs, his boldness has helped his work block in Sayama-shi, and the Happa Hotel, an museum shops around the world. After a
a collaboration which led to the invention of and the Art Institute of Chicago. In 2007 they In 2016, his experimental ceramics collection transcend the boundaries of the art and design exhibition that temporarily turned a building of series of successful collaborations, they
Primeknit, the brand’s first knitted single-piece were awarded Royal Designers for Industry by VPTC – created to explore the relationship worlds. Hayon’s esteem for and knowledge disused offices and galleries into a new type formed Klauser & Carpenter, working with
upper. Taylor continues to work as a creative the Royal Society of Arts and in 2013 the duo between volumes, patterns, textures and of artisan skills has allowed him to push the of hotel, with a workshop, bookstore, and Established & Sons and other pioneering
consultant for Adidas and has also produced were each awarded an OBE for their services colours by using both digital and traditional boundaries of many mediums and functions. cafe. Both showcased Nagasaka’s ability to manufacturers internationally. They are both
private commissions for David Gill Gallery and to the design industry. Both hold honorary tools – was named as the grand prize winner His work has been widely exhibited at some repurpose and breathe new life into unloved directors of design at production company
the late Alexander McQueen. doctorates of art and lecture internationally. at Biennale Interieur, the respected design of the world’s best galleries and art fairs, and spaces and objects. Recent projects have Very Good & Proper, with the motto ‘measure
A definitive monograph of their work to date, biennial in Kortrijk, Belgium. Times magazine named him as one of the included the conversion of a Tokyo factory into twice, cut once’. Klauser has also been a tutor
AMANDA LEVETE titled Projects, has just been published. world’s 100 leading creators. an artist’s studio with an indoor garden, and a on the influential Design Products course at
FEDERICO GREGORUTTI fashion boutique with an interior that is entirely the Royal College of Art.
BRITISH ARCHITECT CARUSO ST JOHN JASPER MORRISON visible from the street.
BORN 1955 ITALIAN DESIGNER KONSTANTIN GRCIC
CANADIAN BRITISH/ BRITISH BORN 1968 BRITISH DESIGNER JOHN BARNARD
Celebrated for her innovative structures, ARCHITECTS BORN 1962/1959 BORN 1959 GERMAN DESIGNER
unique application of construction materials Italian designer Federico Gregorutti started BRITISH DESIGN ENGINEER BORN 1965
and courageous architectural schemes, Refined details and carefully chosen materials his independent work as a scenographer A Royal Designer for Industry since 2001, BORN 1946
Amanda Levete – founder and principal of are hallmarks of Caruso St John’s thoughtful in 1990, producing wall paintings in public Jasper Morrison is one of the UK’s most Konstantin Grcic trained as a cabinet maker
architecture studio AL_A – has established a approach to architecture. Founded by Adam spaces, discos, and private villas. In 2000, respected and celebrated product designers. John Barnard is one of the most innovative at The John Makepeace school before
particularly impressive reputation as one of Caruso and Peter St John in 1990, the practice Gregorutti extended his creative and He is known for his intellectual approach racing car design engineers of his generation. completing his MA in Industrial Design at the
Britain’s leading creatives. A recipient of the began its rise to international prominence with technical interests and began working as to the design and appreciation of “normal” Barnard’s first experience in the limelight Royal College of Art in London. In 1991 he set
Royal Institute of British Architects’ Stirling the New Art Gallery in Walsall in 2000. an industrial designer. Since 2009, he has objects and his deceptively simple, original came when his Chaparral 2K chassis up his own practice Konstantin Grcic Industrial
Prize, one of the UK’s highest architectural It has completed a string of award-winning been a vital part of the Established & Sons and contemporary aesthetic. Morrison won the prestigious Indianapolis 500. He Design (KGID) in Munich. Since 2018 the office
honours, her recent commissions include arts spaces, including the Newport Street team as production manager and continues launched his first studio in London in 1986 pioneered and built the world’s first carbon has established its permanent base in Berlin.
the celebrated expansion of the Victoria Gallery for Damien Hirst in London, which to design and experiment with a range of after studying at Kingston University and the fibre monocoque, winning three consecutive Known for pared-down pieces, Grcic is often
and Albert Museum in London, and a 1.5 won the 2016 Stirling Prize – the UK’s processes and new materials. Royal College of Art and rapidly established Formula One world championships for called a minimalist but the designer himself
million square foot luxury shopping mall highest accolade for a building – the Centre himself internationally with installations at McLaren. Uniquely he has been technical prefers to speak of simplicity. His designs
and hotel in Bangkok. Levete trained at the of Contemporary Art in Nottingham and the FRANK the Documenta art exhibition in 1987 and at director⁄ chief designer at both Ferrari and are characterised by careful research and a
Architectural Association and worked for restructuring and extension of London’s V&A the DAAD Gallery during the Berlin Design McLaren. Headhunted by Ferrari he pioneered passion for technology and materials. Many
the British architect Richard Rogers before Museum of Childhood. Caruso St John was BRITISH DESIGNERS Werkstadt in 1988. He has since been invited for them the first hydro electronic gearbox, a KGID designs have received international
joining Future Systems as a partner in 1989, appointed architect for Tate Britain in 2007, BORN 1974/1974 to design everything from trams to tableware, system that is now used by all Formula One design awards and are also a part of the
where she realised groundbreaking buildings recently completing the museum’s acclaimed and his work is among the collections of the teams. His system of using paddles on the permanent collections at MoMA in New York,
including the Media Centre at Lord’s Cricket renovation of the existing galleries and Frank was founded by personal and world’s leading museums. Morrison’s interest steering wheel and an automatic clutch has Paris’ Centre Georges Pompidou and Die
Ground and Selfridges department store in public spaces, and has designed a series of professional partners Paw West and Matt in archetypal objects led to a partnership now migrated to road cars. Asked to re-join Neue Sammlung, Munich.
Birmingham. Amanda is a trustee of leading galleries for the Gagosian in London, Paris, Edmonds. Aberdeen native West and with Japanese designer Naoto Fukasawa in Ferrari in 1992 he designed and built Ferraris He has received an array of international
social innovation centre The Young Foundation Hong Kong, and Rome. In 2011 Adam Mancunian Edmonds met while they were 2006 on the seminal Super Normal exhibition in the UK from 1993-1997. In 1995 Barnard design awards, such as the prestigious
and has served as a trustee of influential arts Caruso was appointed Professor of both studying furniture design at what is now and the accompanying manifesto – the first was awarded Royal Designer for Industry. Compasso d’Oro for his Mayday lamp in 2001,
organisation Artangel for over a decade. Architecture and Construction at the ETH Buckinghamshire New University. Graduating of a number of publications celebrating His Ferrari 641, one of the most beautiful the Myto chair in 2011 and the OK lamp in
She is a regular radio and TV broadcaster, Zurich. Peter St John is currently an external from their master’s degrees a year apart in everyday objects. His retrospective exhibition, Ferrari racing cars, is in the MoMA, New York 2016. In 2010 he was named Designer of the
writes for a number of publications, including examiner at the Scott Sutherland School of 1996 and 1997, the duo had not originally Thingness, opened at the Grand-Hornu in permanent collection. His influence can be Year by Design Miami and in 2016 he was
the New Statesman and Prospect, and Architecture in Aberdeen and Cardiff School of planned to work together, but the creative Belgium in 2015 and is currently touring seen in every single car on the grid today. awarded the Personality distinction for his
lectures worldwide. Architecture and a visiting professor at London union evolved out of their natural working Europe. Morrison now divides his time achievements by the German Design Council.
Metropolitan University. process. They established the Frank studio between studios in Paris, Tokyo and London.
in London in 2001. Influenced by industrial
infrastructures – such as motorways and
shipping – and Italian product design, Frank’s
approach is simultaneously pragmatic,
imaginative and complex. The duo believe
that each project defines its own method of
creating, with unique outcomes.

107 108

MAURO PASQUINELLI NAO TAMURA RAW EDGES RONAN & ERWAN SEBASTIAN WRONG WOUTER SCHEUBLIN
BOUROULLEC
ITALIAN DESIGNER JAPANESE DESIGNER ISRAELI BORN, BRITISH DESIGNER DUTCH DESIGNER
BORN 1937 BORN 1976 LONDON BASED DESIGNERS FRENCH DESIGNERS BORN 1971 BORN 1979
BORN 1976 BORN 1971/1976
Mauro Pasquinelli had his first taste Born in Japan to an industrial designer Design Director of Established & Sons Netherlands designer Wouter Scheublin
of furniture making as a child in the father and an interior designer mother, she Design duo Shay Alkalay and Yael Mer set Ronan & Erwan Bouroullec have been and an award-winning product designer, studied Industrial Design at both the Technical
workshop of his carpenter father. After grew up creating handmade gifts for her up Raw Edges, a London-based design working together for over 15 years, London-born Sebastian Wrong has more University of Delft and Design Academy
graduating from the Florence Art Institute family. Described as ‘a designer in the most studio, after both graduating with a Masters bonded by diligence and challenged by than 18 years of experience in manufacturing. Eindhoven, before founding his studio in
in 1951, he won a series of awards, quickly modern terms’, Tamura originally studied in Product Design from the Royal College of their distinct personalities. From designing Wrong originally studied sculpture at 2005. In 2015 he merged studios with fellow
establishing himself as a significant talent communication design but her work today Art. Yael’s main focus includes turning two- spaces to furniture, taking on architectural Norwich School of Art, before founding his designer and long-term collaborator Lotty
during a period when the Italian design is extremely varied, taking in conceptual art, dimensional sheet materials into curvaceous projects to designing textile wall systems first production company in 2001. Spanning Lindeman in Eindhoven, creating Scheublin
industry was becoming a world leader. lighting, product and graphic design, among functional forms, whereas Shay is fascinated or comprehensive collections, the brothers both the creative and production side of the & Lindeman. Scheublin’s work expresses his
Designing more than 50 successful chairs, others. She draws inspiration from an evolving by how things move, function and react. maintain drawing and experimental activity design business, he has accumulated an ongoing fascination with construction and
he became a staple name in the ‘Triangle of mixture of cultures, disciplines and concepts, Alkalay and Mer have received several highly as essential to the development of their work. impressive array of technical skills. As a mechanics, in a variety of autonomous and
the Chair’, an area of north-eastern Italy near resulting in beautiful and gently emotive respected awards including The British Council Exhibitions of their work have been held at designer, he has created commercially and functional designs. Examples include his
the city of Udine re-sponsible for the design solutions for a wide range of contemporary Talented Award, iF, Wallpaper* Design Award London’s Design Museum, the Museum of critically successful products for some of the walking furniture series, where normally static
and manufacturing of a huge swathe of the scenarios. Tamura moved to New York in 2009, Elle Decoration International Design Contemporary Art in Los Angeles, the Vitra world’s leading brands, and his portfolio of pieces like a table or chair become animated
world’s most successful wood-en seating 2010 and is now based in Brooklyn. She has Award in 2009 and the 2009 Designer of the Design Museum, Centre Pompidou Metz work spans furniture, lighting, accessories in response to human contact. He continues
products. His pieces have regularly featured exhibited at the Palais de Tokyo museum in Future Award from Design Miami Basel. in Paris, the Museum of Contemporary Art and gallery projects. As a manufacturer, he to work on both self-initiated projects and
in exhibitions across Italy and further afield in Paris, as well as Milan Design Week, Design In recent projects Endgrain and Herringbones, in Chicago and the Arts Décoratifs, Paris. has collaborated with many of the preeminent partnerships with other designers, researchers,
Cologne, Chicago and Ljubljana. Now in his Miami and Tokyo Designer’s Week and has the duo have experimented with colour, using Awarded Honorary Royal Designer for Industry names in contemporary design. brands, and manufacturers.
80s, he is still designing in Scandicci, and his won a number of accolades, including a Good the grain of the wood to carry the dye through in 2015 their designs are part of select
work is being revisited outside Italy through his Design award from The Chicago Athenaeum the timber. In 2015 the Stack-Up Series used international museums’ permanent collections, SYLVAIN WILLENZ ZAHA HADID
collaboration with Established & Sons. Museum of Architecture and Design and the many different materials, textures and colours including the Musée National d’Art Moderne,
ADI Compasso d’Oro International Award. to present new unique bespoke editions of Centre Pompidou and the Musée des Arts BELGIAN DESIGNER ARCHITECT
MICHAEL MARRIOTT the design. Alkalay’s Stack is included in the Décoratifs in Paris, New York’s MoMA, the BORN 1978 1950–2016
PHILIPPE MALOUIN permanent collection of MoMA in New York. Art Institute of Chicago, the Design Museum
BRITISH DESIGNER in London, and the Museum Boijmans van Sylvain Willenz founded his multi-disciplinary Zaha Hadid was the first woman to
BORN 1963 CANADIAN DESIGNER RICHARD WOODS Beuningen in Rotterdam. Drawing, published design office in Brussels in 2004, after seven be awarded the distinguished Pritzker
BORN 1982 by JRP Ringier in 2012, provides a unique years of living in London and graduating from Architecture Prize in 2004 and is internationally
London-based Michael Marriott is among BRITISH ARTIST insight into Ronan & Erwan’s design practice the Royal College of Art. His early collections known for her built, theoretical and academic
the small group of highly regarded designers Canadian designer Philippe Malouin lives BORN 1966 containing more than 850 drawings made explored the possibilities of natural rubber, work. Her recognisable and remarkable style
that helped reinvigorate British design in the and works in London, where he founded between 2005 and 2012. and Willenz has continued to investigate the is characterized by fragmented geometry
1990s and 2000s. He graduated from the his own design practice in 2009 and is the A painter, designer and sculptor, Richard potential of new materials and manufacturing and bold fluid forms. Hadid’s outstanding
Royal College of Arts in 1993, and went on director of architectural and interiors studio Woods is a graduate of The Slade School ROSS LOVEGROVE techniques. Willenz’s work is often inspired contribution to the architectural profession
to produce covetable and functional designs POST-OFFICE. He holds a bachelor’s degree of Fine Art. His well-documented work by archetypal objects and the simplicity and has been acknowledged by the world’s most
with an approach that had been described as in design from radical Dutch school Design crosses boundaries between art, architecture BRITISH DESIGNER familiarity with which they are associated, respected institutions. In 2010 and 2011, her
“bare-bones” and “honest”. He now works as Academy Eindhoven, and also studied at and design and is most often made up BORN 1958 interpreting these forms and qualities in new designs were awarded the Stirling Prize – one
both a sought-after designer and a curator, the École Nationale Supérieure de Création of exaggerated, garish representations of designs. His studio focuses on products and of architecture’s highest accolades – by the
having put together exhibitions at London’s Industrielle in Paris and University of Montreal. traditional British architectural and interior Ross Lovegrove describes himself as a furniture, as well as installation and exhibition Royal Institute of British Architects. In 2010,
Design Museum and the Camden Arts In London, he worked for leading British motifs, such as wooden flooring, chintz 21st-century translator of technology into design and creative direction. In 2009, his UNESCO also gave Hadid the title of Artist for
Centre among others and created products designer Tom Dixon before establishing wallpapers, crazy paving or red bricks. These relatable, everyday products. Inspired by the Torch Light series for Established & Sons won Peace, while the Republic of France honoured
for manufacturers alongside producing his his own studio. Malouin’s diverse portfolio “logos of reality” are created using traditional logic of nature, he brings together technology, Best in Lighting and Overall Best Product of her with the Commandeur de l’Ordre des Arts
own work from his studio in east London. includes tables, rugs, chairs, lights, art objects woodblock techniques and then applied as a material science and intelligent, organic forms the Year at the UK Grand Designs Awards. et des Lettres. TIME Magazine has included
Marriott generates new designs annually for and installations. His recent accolades include second skin covering interior floors and walls. across architecture and design. Originally from her in their list of the 100 Most Influential
the Ace Hotel in Shoreditch as part of the W Hotels’ Designer of the Future Award, the His work has been applied to a courtyard Wales, he studied at London’s Royal College TERENCE WOODGATE People in the World, and in 2012, Zaha Hadid
ReadyMadeGo initiative, curated by Modern Wallpaper* Best Use of Material Award and in the Henry Moore Project at the Venice of Art, graduating in 1983 with a Master in was made a Dame Commander of the Order
Design Review magazine, and contributed to Wallpaper* Designer of the Year 2018 Award. Biennale 2004, to a residential building in Design. After working abroad for three years, BRITISH DESIGNER of the British Empire by Queen Elizabeth II.
the interiors for the hugely popular London upstate New York 2006, and a store interior he returned to London in 1986 and created BORN 1953 Her legacy continues through the many
restaurant Bird in collaboration with design for Comme des Garcons in Osaka in 2003. his studio in Notting Hill. Lovegrove’s work projects in construction and in the
firm Brinkworth. In these instances, Woods’ art expresses an has been part of numerous exhibitions and A modernist at heart, Terence Woodgate extraordinary talents of the Zaha Hadid
extreme version of Englishness by taking over is in museum collections around the world is known for his simple, thoughtful and Architects team, which is still based in
a space and saturating it with iconography. including those of the MoMA, New York, Axis understated designs. Woodgate works from London, where Hadid lived and studied.
Woods has also recently produced work Centre, Japan, the Pompidou Centre in Paris, his studio in the UK where he continues to
for the London Underground, Paul Smith, the Vitra Design Museum in Weil Am Rhein seek ways to distil the essentials of design. 110
collaborated on architectural projects in Sicily and London’s Design Museum, for which In 2003 he was elected a Royal Designer for
and Tokyo and is currently working on a host he curated the first permanent collection in Industry (RDI). He has received prestigious
of projects including further architectural 1993. Lovegrove was awarded Royal Designer international design industry awards including
commissions in New York, London and Seoul. for Industry by The Royal Society the German Red Dot ‘Best of the best’ award
of Arts in 2003. and the IF ecology award. In the UK he has
won the Observer⁄ Elle Decoration design
award for furniture and a Wallpaper* design
award. Examples of his work are held in the
permanent collections of the Museu de les
Arts Decoratives, Barcelona and the Victoria
& Albert Museum, London.

109

LIGHTING

CORONA FOLD LIGHT LIGHT TANK TORCH LIGHT TORCH LIGHT, BUNCH
Frank Alexander Taylor Dimitri Bähler Alexander Taylor Sylvain Willenz Sylvain Willenz

Design: 2010 Design: 2005 Design: 2018 Design: 2006 Design: 2008 Design: 2008
Description: Suspension light Description: Table light in two sizes Description: Floor light Description: Suspension light in Description: Suspension light Description: Group suspension light
Light Emission: Direct Light Emission: Direct and in-direct Light Emission: Diffused two sizes (cone in two sizes, round) with in three sizes
Light Fitting: Light Fitting: Light Fitting: Light Emission: Direct and in-direct matching basic light Light Emission: Direct
F1, F2: E14, 1× max 6W LED, 220/240V, Light Fitting: Light Emission: Direct Light Fitting:
S2: G9, 1× max 75W, 220⁄240V, clear PVC cable T1: E14, 1× max 60W, 220 ⁄ 240V, braided PVC black cable, inline continuous S1: E27, 1x max 100W, 220⁄240V, Light Fitting: S5 bunch: E14, 5x max 6W LED,
Dimensions: touch dimmable foot switch clear PVC cable S1, S2, S3: E14, 1× max 6W LED, 220⁄ 240V, PVC cable
fabric twisted cable, inline on ⁄off switch Dimensions: S2: E27, 1x max 150W, 220⁄240V, 220⁄ 240V, PVC cable S10 bunch: E14, 10x max 6W LED,
S2: Ø490mm × H170mm, cable L2000mm, 6.2kg F1: H1400mm, shade Ø250mm, base clear PVC cable T1: E14, 1× max 6W LED, 220⁄240V, 220⁄ 240V, PVC cable
Materials: Ceramic, opal hand blown glass T2: E27, 1× max 100W, 220 ⁄ 240V, braided Ø200mm, cable L1500mm, 4.3kg Dimensions: PVC cable, inline on⁄off switch S20 bunch: E14, 20x max 6W LED,
F2: H1850mm, shade Ø250mm, base S1: Ø500mm x H350mm, Dimensions: 220⁄ 240V, PVC cable
with polished stainless steel reflector, powder- fabric twisted cable, inline on ⁄off switch Ø200mm, cable L1500mm, 4.4kg cable L2000mm, 3.9kg S1 cone Ø150: Ø150mm × H210mm, Dimensions:
Dimensions: Materials: Power-coated steel, magnetic S2: Ø720mm x H500mm, cable L2000mm, 0.4kg S5 bunch: 3x S1 cone Ø150,
coated steel fixings, steel suspension cable fixings, carbon-fibre (rod), lacquer, Washi cable L3000mm, 7.2kg S2 round Ø150: Ø150mm × H210mm, 2x S2 round Ø150, approx Ø300mm,
Compliant: CE marking T1: H230mm, shade L120mm × D120mm, paper (shade), pyrex glass diffuser Materials: Powder-coated aluminium (shade), cable L2000mm, 0.4kg cable aprox L1400mm, weight 2.1kg
Colours: White gloss interior with white matt Compliant: CE marking powder coated steel, frosted glass diffuser, S3 cone Ø300: Ø300mm × H205mm, S10 bunch: 6x S1 cone Ø150, 3x S2 round
base Ø120mm, cable L2000mm, 0.7kg steel suspension cable cable L2000mm, 0.8kg Ø150, 1x S3 cone Ø300, approx Ø400mm,
exterior, white gloss interior with metallic Ø250 Compliant: CE marking T1 cone Ø150: Ø150mm x H210mm, cable cable aprox. L1800mm, weight 4.7kg
T2: H450mm, shade L260mm × D260mm, Colours: Black RAL 9005, L2000mm, 0.6kg S20 bunch: 12x S1 cone Ø150, 7x S2 round
copper exterior signal white RAL 9003 Materials: PVC dipped polymer Ø150, 1x S3 cone Ø300, approx Ø600mm,
base Ø260mm, cable L2000mm, 2.5kg shade and ceiling fixing, clear diamond cable aprox. L1800mm, weight 7.6kg
Materials: Powder-coated steel textured polycarbonate diffuser Materials: PVC dipped polymer shade
Compliant: CE marking Compliant: CE marking and ceiling fixing, clear diamond textured
Colours: Signal white RAL 9003 with Colours: Black with black cable, polycarbonate diffuser
red with red cable, signal grey with red cable, Compliant: CE marking
red cable, sulphur yellow RAL 1016 with signal grey with yellow cable, yellow with Colours: Black with black cable, red with red
yellow cable cable, signal grey with red cable, signal grey
black cable with yellow cable, yellow with yellow cable

Ø250

Ø490 260
120
FILIGRANA LIGHT
Sebastian Wrong 230
450
Design: 2018 1400
Description: Suspension light 1850
Light Emission: Diffused and direct (S1) LIGHTHOUSE
Light Fitting: Ronan & Erwan Bouroullec
S1: E14, 1× max 6W LED, 220 ⁄ 240V,
clear PVC cable Design: 2010 LOUVRE LIGHT Ø150 Ø150 Ø300 210
S2, S3, S4: E27, 1× max 9W LED, 220 ⁄ 240V, Description: Table light Klauser & Carpenter
clear PVC cable Light Emission: Diffused TIKI Ø300
Dimensions: Light Fitting: Design: 2008 Nao Tamura
S1 Beehive: Ø160mm × H140mm, Description: Suspension light Ø400 Ø600
cable L2000mm, 1.0kg T1: G9, 1× max 75W, 220 ⁄ 240V, braided fabric Light Emission: Direct and in-direct Design: 2014
S2 Cylinder: Ø220mm × H230mm, Light Fitting: Description: Table light
cable L2000mm, 1.9kg cable, integrated dimmable on ⁄off switch S1: 2× T5 linear fluorescent 39W Light Emission: Direct
S3 Ellipse: Ø370mm × H230mm, Dimensions: (electronic ballast), 220 ⁄ 240V, PVC clear cable Light Fitting:
cable L2000mm, 3.0kg Dimensions: T1: Integrated white LED, 220/240V, black PVC
S4 Ellipse: Ø450mm × H330mm, T1: H695mm, shade Ø370mm × H465mm, S1: Shade L950mm × D210mm × H215mm, cable, inline on/off switch
cable L2000mm, 4.1kg cable L2000mm, 6.8kg Dimensions:
Materials: Acid etched hand blown base Ø100mm, cable L2250mm, 10.3kg Materials: Anodised aluminium, T1: H370mm × L340mm × D70mm,
glass, acrylic and powder-coated steel Materials: Hand blown glass, anodised polycarbonate diffuser, powder-coated cable L1500mm, 1.5kg
fixings, steel suspension cable aluminium and steel fixings, steel Materials: Gloss glazed ceramic, acrylic
Compliant: CE marking aluminium, marble suspension cable Compliant: CE marking
Colours: Etched with black canes, Compliant: CE marking Compliant: CE marking Colours: Black, metallic copper
etched with red canes, etched with Colours: Grey blown glass with matt Carrara Colours: Anodised black, anodised bronze
white canes
white marble, grey blown glass with matt

Marquina black marble, amber blown glass

with matt Marquina black marble

Ø370
100

340
L200
695

215
370 70
950 210

S1: Ø220 S2: Ø220 S3: Ø370 S4: Ø450

112

ACCESSORIES SEATING

FONT CLOCK POUR WRONGWOODS ALTO DRIFT DRIFT-IN, DRIFT-OUT
Sebastian Wrong Estd Collection Richard Woods & Michael Marriott Amanda Levete Amanda Levete
Sebastian Wrong
Design: 2007 Design: 2011 Design: 2007 Design: 2006 Design: 2007
Description: Wall-mounted clock Description: Serving jugs Design: 2012 Description: Stool Description: Bench Description: Flexible seating segments
Dimensions: Dimensions: Description: Tray Dimensions: Dimensions: Dimensions:
Dimensions: H710mm × L480mm × D370mm, L2880mm × D870mm × H420mm, L1390mm × D590mm × H400mm,
G100: L290mm × D110mm × H140mm, 1.2kg 300ml half pint: Ø75mm × H125mm L440mm × D330mm × H70mm seat height 640mm seat depth 420mm seat depth 400mm
Notes: Artisan material and process, Materials: Powder-coated steel, black nickel Materials: Glass reinforced polyester Materials: Glass reinforced polyester
G225: L420mm × D120mm × H320mm, 2.4kg 580ml pint: Ø95mm × H155mm variations occur plated steel, nylon anti-tilt feet, birch plywood Colours: Colours:
Materials: Plywood, timber, paint, Colour: Black RAL 9005 frame with black Satin-matt: Black RAL 9005, white RAL 9003 Satin-matt: Black RAL 9005, white RAL 9003
G270: L475mm × D160mm × H565mm, 5.0kg 750ml wine bottle: Ø100mm × H170mm clear lacquer nickel plated footrest and black stained High-gloss: Black RAL 9005, white RAL 9003 High-gloss: Black RAL 9005, white RAL 9003
Notes: G100 free-standing base (option), Notes: Artisan material and process, Colours: Four colour candyman, birch plywood seat
white with black
please follow start up instructions variations occur
Materials: White ABS plastic, Materials: Hand-crafted polished pewter 440 330

clearview perspex, battery powered

290 420 475

Ø75 Ø95 Ø100 2880 1390

370 480

140 490 710 420 870 400 590
320 640 420 400
565
125
155
170
70
STORE BUTT 1390
Estd Collection Estd Collection DRIFT CONCRETE 590
Amanda Levete FRAME CHAIR 400
Design: 2010 Design: 2010 Wouter Scheublin
Description: Storage containers Description: Stool Design: 2006 400
Dimensions: Dimensions: Description: Bench Design: 2008
Ø140mm × H140mm, Ø140mm × H175mm, H490mm × L410mm × D380mm Dimensions: Description: Chair
Ø140mm × H210mm, Ø215mm × H180mm Materials: Polypropylene L2880mm × D870mm × H420mm, Dimensions:
Notes: Artisan material and process, Colours: Black, bright blue, seat depth 420mm L400mm × D610mm × H785mm,
variations occur navy blue, orange, yellow Materials: Reinforced C40 concrete, seat height 440mm
Materials: Matt and gloss glazed ceramic, crushed white limestone, surface sealant Materials: European oak, oil,
cork lid, silicone seal 410 380 Colour: Natural steel fixings
Colours: Gloss grey with matt black base, Colours: Natural oak
gloss natural white with matt white base, 2880
gloss yellow with matt white base,
matt black with gloss black base

Ø140 Ø140 Ø140 Ø215

140
175
210
180

420 870 400 610
420

785
440

113 114

UPHOLSTERY

HEIDI MOOT STEP BARBICAN EASY QUILT
Sebastian Wrong Ross Lovegrove Federico Gregorutti Konstantin Grcic Klauser & Carpenter Ronan & Erwan Bouroullec

Design: 2008 Design: 2013 Design: 2014 Design: 2018 Design: 2007 Design: 2009
Description: Stool Description: Chair Description: Stool Description: Description: Upholstered armchair and sofa, Description: Upholstered armchair in two
Dimensions: Dimensions: Dimensions: Upholstered sofa in two sizes with or without arms sizes and sofa
H500mm × L450mm × D425mm L590mm × D460mm × H800mm, H650mm × Ø350mm, H750mm × Ø350mm Dimensions: Dimensions: Dimensions:
H650mm × L450mm × D425mm seat height 465mm Materials: Solid ash wood, wood stain, L1600mm × D900mm × H640mm Chair (without or with arms): Armchair: L1280mm × D900mm × H750mm
H800mm × L450mm × D425mm Materials: Woven carbon fibre ash veneer (seat)
Materials: Heat-formed acrylic, polyurethane, Colour: Natural woven carbon fibre, Colours: Blue black, red L2700mm × D1600mm × H640mm L700 ⁄ 790mm × D765mm × H715mm, Armchair: L1400mm × D1200mm × H750mm
solid ash wood, wood stain, matt lacquer high gloss lacquer
Colours: Black, red, white 350 350 seat height 410mm seat height 410mm Sofa: L2100 × D1200mm × H750mm
Materials: Timber frame,
polyurethane foam, solid beech (feet), Sofa (without or with arms): seat height 350mm
Materials: Powder-coated steel frame, glass
memory polyurethane foam (toppers), L1350 ⁄ 1440mm × D765mm × H715mm, reinforced polyester core, foam inserts,

feather (cushions), removable upholstery covers seat height 410mm fixed non-removable upholstery cover,
Materials: Nickel plated steel, moulded
460 590 foam, fixed non-removable upholstery cover rubber feet

425 450 450 450 1600 2700 Frame: Black RAL 9011

500 1280 1400
650
800 700 1350 765

800 1600
465 900

650
750
NEKTON SURFACE CHAIR 350 350
Zaha Hadid Terence Woodgate & 640 715 715 2100 750 750
John Barnard 410 410 410
Design: 2007
MAURO CHAIR Description: Flexible seating stools Design: 2009 CAPE 790 1440 765
Mauro Pasquinelli Dimensions: Description: Chair Konstantin Grcic
L870mm × D500mm × H510mm Dimensions: MOLLO TUDOR CHAIR
Design: 2018 L1020mm × D720mm × H520mm L470mm × D500mm × H800mm, Design: 2011 Philippe Malouin Jaime Hayon
Description: Chair L1030mm × D630mm × H500mm seat height 440mm Description: Upholstered sofa
Dimensions: L1120mm × D900mm × H500mm Materials: Woven carbon fibre, lacquer Dimensions: Design: 2014 Design: 2008
L515mm × D490mm × H770mm, Materials: Glass reinforced polyester and carbon fibre (legs) L2000mm × D900mm × H680mm, Description: Upholstered armchair Description: Upholstered chair,
seat height 450mm Colours: Colour: Natural carbon fibre, high gloss seat height 400mm Dimensions: with or without arms
Materials: Solid oak or solid ash, oak Satin-matt: Black RAL 9005, white RAL 9003 lacquer with black lacquer legs Materials: Timber frame, foam core, L1730mm × D1180mm × H680mm, Dimensions:
or ash veneer plywood (seat, seatback), High-gloss: Black RAL 9005, white RAL 9003 non-removable upholstery base cover, seat height 440mm Without arms: L465mm × D580mm × H860mm
leather (optional) 470 500 removable upholstery over-cover Materials: Foam, plywood, fixed With arms: L580mm × D580mm × H860mm
Non-upholstered: Ash wood, ash wood non-removable upholstery cover seat height 440mm
stained black wenge, oiled oak, waxed oak 2000 680 Materials: Metal plated steel, composite,
Upholstered: 400 1730 foam, non-removable upholstery,
Ash wood with leather: natural CASSETTE powder-coated steel (optional, arms)
Oiled oak with leather: black, brandy Ronan and Erwan Bouroullec Colours (legs): Metallic chrome finish,
metallic gold finish
800 Design: 2018 Upholstery (leather): Black or white leather
440 Description: with leaf or diamond stitched pattern
Upholstered two and three-seater
1120 sofa with side cushions (optional)
900 Dimensions:
L1650mm × D900mm × H720mm
520 L2070mm × D900mm × H720mm
500 seat height 400mm
Materials:
515 490 Powder-coated steel and plywood 1180
frame, solid oak (side panels),
foam and goose-down cushions, 680 465 580 580 580
removable upholstery covers 440

770 1650
450 2070

860
440

400
720

115 116

TABLES

AQUA TABLE M5 UDUKURI ZERO-IN
Zaha Hadid Frank Jo Nagasaka BarberOsgerby

Design: 2005 Design: 2006 Design: 2012 Design: 2005
Description: Display or dining table Description: Desk or dining table Description: Meeting, display or dining table Description: Low table
Dimensions: Dimensions: Dimensions: Dimensions:
L3050mm × D1350mm × H760mm L1700mm × D800mm × H745mm L2680mm × D1000mm × H730mm L900mm × D900mm × H350mm
Materials: Glass reinforced polyester L2200mm × D900mm × H745mm Materials: Solid ash, douglas fir, epoxy resin Materials: Satin-finish polyester moulded
Colours: Materials: Birch plywood, high-pressure Colours: Magenta, midnight black, turquoise compound, 4mm toughened glass
Satin-matt: Black RAL 9005, white RAL 9003 laminate, wood veneer with clear Colours with transparent glass: Black RAL
High-gloss: Black RAL 9005, white RAL 9003 lacquer (optional) 2680 9005, cinnabar orange NCS S 20175-Y70R,
Colours: Birch wood veneer, white laminate light blue RAL EFFECT 730-5, umbra grey
RAL 7022, white RAL 9003
3050 Special finishes: Black RAL 9005 with black
tinted glass
1700 1000
900
1220 745 800
1350 730

720 WRONGWOODS TABLE 350 900
760 Richard Woods &
Sebastian Wrong
2200
Design: 2017
SURFACE TABLE 745 900 Description: Dining table
Terence Woodgate & Dimensions:
John Barnard L2000mm × D900mm × H765mm
Materials: Plywood, timber, paint,
Design: 2008 TABLE clear lacquer
Description: Meeting, display or dining table Caruso St John Colour: Five colour Palm Springs, light grey
Dimensions: with dark grey, white with black
Design: 2008
L2400mm × D1000mm × H720mm Description: Meeting, display or dining table 2000
Dimensions:
L3000mm × D1000mm × H720mm L2400mm × D900mm × H750mm
Materials: Unidirectional carbon fibre, lacquer, L1800mm × D1800mm × H750mm
Materials: Spruce lumber triboard,
steel (legs) linoleum, Corian®
Colours: Unidirectional carbon fibre, Colours: Black linoleum, glacier white Corian®

high gloss lacquer/ matt lacquer with black

lacquer legs

2400 765 900

1800

1000

720

3000

1800

1000

750

720 2400

750 900

117 118

STORAGE FLOORING

STACK THE CRATE WRONGWOODS WALL TO WALL
Raw Edges/Shay Alkalay Jasper Morrison Richard Woods Shay Alkalay & Yael Mer
& Sebastian Wrong
Design: 2008 Design: 2006 Design: 2009
Description: Tower of drawers Description: Flexible storage Design: 2007 Description: Herringbone parquet
Dimensions: Dimensions: Description: Night table with drawers, flooring system
8 drawers: L375mm × D175mm × H500mm chest of drawers, cabinet with sliding doors Dimensions:
H1080mm × L565mm × D615mm Materials: Yellow pine, wax in two sizes L1000mm × L1000mm,
13 drawers: Dimensions: (78 blocks, L250mm × D60mm × H21mm)
H1780mm × L565mm × D615mm 375 Night table: Materials: Natural oak, stained
Materials: Birch plywood, fibre board, clear L585mm × D355mm × H595mm Notes: Artisan material and process,
lacquer, steel, ball bearing movement, 500 175 Chest of drawers: variations occur. Minimum project 35m2;
soft castors L1090mm × D510mm × H735mm Minimum accent colour 1m2; 10-15%
Colour Palettes: Blue, green, neutral, red Low cabinet: approximate wastage; professional floor
Wood Veneer Palettes: Natural, sage L1500mm × D405mm × H645mm preparation and installation required;
Long low cabinet: final layer of protective lacquer must be
565 615 565 615 L2600mm × D405mm × H645mm applied after installation
Materials: Plywood, timber, paint, Base Colours: Natural oak, air palette blue
clear lacquer mix of three hues, stone palette grey mix
Colours: Light grey with dark grey (L1500, of three hues, sand palette beige mix of
L2600), Pink with blue, white with black, white three hues
with green, yellow with red Accent Colours: Bordeaux red, candy pink,
dark green, dark grey, dark pink, dark purple,
585 1090 fuchsia pink, grass green, light green,
off-white, orange, yellow
1080 595 355 735 510
1780 1000

1500 645 405 1000
2600

645 405

119 120

ACHIEVEMENTS

SELECTED PUBLIC COLLECTIONS SELECTED INSTITUTIONS
& EXHIBITIONS & CENTRES FOR LEARNING

Art Institute of Chicago, USA British Council, UK
Centre Pompidou, FR Crafts Council, UK
Design Museum, London, UK De La Warr Pavilion, UK
Design Museum Holon, IL Design Academy Eindhoven, NL
Groninger Museum, NL Ecal, Lausanne, CH
Guggenheim Museum, New York, USA German Design Council, DE
Indianapolis Museum of Art, USA Interieur Foundation, Kortrijk, BE
Les Arts Décoratifs, Paris, FR KAPSARC, King Abdullah Petroleum Studies
MoMA, Museum of Modern Art, New York, USA & Reseach Centre, SA
Mudac, CH Norwich University of the Arts, UK
MUDEC, Museo delle Culture, Milan, IT Nuovo Istituto Design, Perugia, IT
Museo Enzo Ferrari, IT Royal College of Art, London, UK
Museo Poldi Pezzoli, IT School of Art & Design, Nottingham Trent University, UK
Museum of Fine Arts, Houston, USA Shaikh Ebrahim Center for Culture and Research, BH
Science Museum, London, UK School of Art & Design, Sheffield Hallam University, UK
SFMoMA, San Francisco, USA The Campaign For Wool, BWMB, UK
The Devonshire Collection, Chatsworth, UK University of Westminster, London, UK
The Metropolitan Museum of Art, New York, USA
Victoria & Albert Museum, London, UK SELECTED COMPANY AWARDS
Vitra Design Museum, DE
Zabludowicz Art Trust, UK Designer Of The Future, Design Miami/ Basel
Most Inspiring British Company, Hidden Art Award
Best British Design Brand, Elle Decoration Design Awards
Hall of Fame for Outstanding Contribution to the Design
Industry, Design Week Award
British Luxury Design, Talent Walpole Awards for Excellence
Zero In, BarberOsgerby, Red Dot Award

121

ESTABLISHEDANDSONS.COM

Whilst every effort is made to ensure accurate
representation of product colours, finishes and
dimensions, Established & Sons reserve the
right to alter these details without notice in
compliance with its own production needs,
technological changes or in response to the
current market need. Established & Sons
cannot guarantee exact colour match for
product finishes, wood or fabric variances.
All the designs shown here are protected under
copyright law. Established & Sons has the
property rights to manufacture and sell these
products and holds the exclusive manufacturing
and distribution rights worldwide. Copying will
be prosecuted.
Editorial Photography
Peer Lindgreen
Product Photography
Peter Guenzel