Northwestern Ontario
Online Art
Show
Northwestern Ontario
Online Art
Artists
Show
Beckman, Rhonda Nord, Donald
Caie, Jenn Palermo, Cynthia
Carlson, Harriet Paulson, Lee
Collette, Lucy Sepers, Tony
Drager, Brenda Wilkinson, Jill
Floreal, Kiefer Wilson-Smith, Cheryl
McFarlane, William Yutzy, Wendy
Beckman, Rhonda
Shiny Things
Acrylic, paper, wood, gems on canvas
This piece was inspired by the
raven; a bird that I truly relate to in
it's attraction to trinkets and shiny
things, as well as being a
scavenger and trickster, which is a
true part of my nature. In this
Abstract Expressionist homage,
the raven journeys through the
skies, seeking out adventure and
treasures to drop in the most
unexpected of places as gifts for
Mother Nature.
Beckman, Rhonda
Fungi In The Back 40
Acrylic on canvas
This painting was a "speed study"
to continue to ensure my visual
and painting skills remain
developed. Out at "the farm" (that
is the colloquial name for the
acreage we have just outside of
Dryden, Ontario) there is a lot of
beautiful imagery that is fodder for
art. I like to take photographs and
then challenge myself to draw or
paint from that image in an hour
or less. This painting was
completed in an hour.
Caie, Jenn
Lakeside Onlooker
Acrylic on canvas
Seeing every stick, leaf and rock
pile along the shore, encourages
and even calls me into my studio
to create. I enjoy shadows and
light, and the contrasts are
nescessary in my work. Lakeside
Onlooker came from my
imagination, as many pieces do.
It's the experience of thirty years
of wandering through NW Ontario
that brings the scene to canvas. I
used acrylic paint on stretched
canvas and layer upon layer of
brushwork.
Caie, Jenn
In Time
Acrylic on canvas
I painted this colourful poppy piece as a result of longing for summer. The
refreshing of spring; arriving in time. During the pandemic, the hope of
new life and continuance. I used acrylic pints and mediums, creating
texture and light paths on the stretched canvas, with palette knives and
brush work.
Carlson, Harriet
Remnants
Photography
This is a photo of the remnants of my grandfather's
boats at a portage on Hatchett Lake, about 25
miles west of Red Lake. He used to build one boat
in his basement each winter, and then transport it
to one of his remote fishing locations. The green
and red are traditional boat paints, but they add
style to function.
My grandfather built these boats out of necessity
and to help him make a living, but as a true
craftsman, he built things beautifully and creatively.
This reminds me and inspires me to put care, style,
creativity into everyday objects and actions.
Carlson, Harriet
Sunroom
Photography
This old cabin is in our
backyard. It was likely
built in the 1940s. An
old, retired fisherman
lived here until there
was no longer any
smoke pouring out of
the chimney on a cold,
winter morning (1966).
After that, the cabin
became storage and
then remained
untouched.
Collette, Lucy
Fallen Leaves
Resin
I took my inspiration for this piece
from my love of the crunch of
dead leaves as you walk through
the forest. Wanting to incorporate
them into something that you can
enjoy on a table in your home,
something to remind you of fall, I
came up with this vase called
Fallen Leaves.
Collette, Lucy
Peace within.
Resin
Inspiration came for this as I long
for summer days at the beach,
with such unrest and lock downs, I
long for lazy summer days
watching and listening to the
water at the beach. From that, I
find peace within.
Drager, Brenda
Flying High
Acrylic on canvas
Flying high was inspired by
an art workshop was inspired
by an art workshop I took
with Patrick Hunter. A few
years ago I redid the picture I
originally painted with more
detail and more saturated
colour. I also expanded the
size.
Drager, Brenda
Bountiful & Explosion
Acrylic on canvas
I have done a series of abstract
flowers and sunshine using a bit
of negative painting and trying to
stay loose and fire, just having fun
and playing with colour
combinations.
Bountiful is inspired by the
explosion of all the flowers and
flowering weeds we suddenly
see often a few days of rain.
Floreal, Kiefer
Dinorwic Walleye Teapot
Ceramic
This is the 3rd teapot that I’ve
made, but a break through in form
for me. The process of creation is
long and with plenty of room for
error. When a piece like this
comes out of the kiln, it’s an
accomplishment of craftsmanship
and vision.
McFarlane, William
Pine Cone #1
Reduction Linocut
I discovered this pine cone while walking in the
bush one day. It occurred to me that it would
make an interesting subject to create on a
monumental scale. I found the process of
breaking the image into separate layers and
then rebuilding it again as a three colour linocut
to be quite gratifying.
McFarlane, William
Geraniums
Oil on canvas
My primary goals in this painting
were two-fold. My first intention was
to create a strong contrast between
the yellow foreground and the
green middle ground. Secondly I
wanted to establish a sense of flow
and unity throughout the canvas. At
times I struggled over whether or
not I should do something more
with the blue background. However,
upon completion I realized leaving
the background as it is heightens
attention on the subject matter.
Nord, Donald
Boreal Storm
Giclee
The drama of how
nature can present
itself and demanding
respect and caution.
Nord, Donald
The Flood
Giclee
An abstract of the
textural flow of form,
line and direction in
the nature of a
tumultous flow of
water and its power.
Palermo, Cynthia
Retirement of Power
Acrylic on canvas
I came across this old Dodge Power
Wagon while visiting a friend at their
camp. It was sitting on its own to the side,
long forgotten. In its day it was such a
beast of a vehicle and had plowed tons of
snow with ease, yet it looked very tired in
its present state as it had given way to
young saplings that were growing through
and about it. I loved the contrast of
nature going up against something man
made and very powerful. The contrast of
colours and textures appealed to me and
I thought I would try my first serious
painting and this would be my muse.
Palermo, Cynthia
Polyphemus the Visitor
Acrylic on canvas
For anyone who believes in spiritual signs, a
visit from a moth represents a visit from a
departed loved one. I have lived in
Northwestern Ontario my whole life and on two
very distinct occasions I have had a visit from a
Giant Polyphemus moth, both visits 10 years
apart. My family chooses to believe it is a
visitor and as such this visitor inspired me to
include it in an art piece. Originally I was going
to do a somewhat realist type of style, but as
the organic process unfolded, I ended up being
inspired by the quasi-abstract geometric style
of an artist I follow. I drew random lines all over
my painting and loved the end result.
Paulson, Lee
Anticipation
Acrylic on canvas
I have been painting landscapes for a
few years, attempting to represent what I
see in, and love about, the Lake of the
Woods area. I am always on the lookout
for subject matter that says a little more
than just how beautiful our northern
forests are. The enigmatic gap in this
line of trees gives just a glimpse of the
lighted space behind and lends a bit of
mystery to the scene. It was inspired
somewhat by the work of the 19th
century German artist Caspar David
Friedrich, whose work I have always
admired.
Paulson, Lee
Cedar Afternoon
Acrylic on canvas
A cedar forest is a wonderful
place to spend a hot August
afternoon wandering over the
soft ground beneath the
beautiful trees. This is one of
my favorite spots, a small,
cedar covered island in Lake of
the Woods
Sepers, Tony
Narcissus
Acrylic
It is of no surprise to me that women in
male dominated societies (including our
own) find liberty and refuge by covering
themselves completely in garments such
as the burqa. My painting Narcissus is
precisely about the right that men feel they
possess in seeing women means owning
women and the heartbreaking results of
these attitudes affecting us all. Men have
to liberate themselves from this enslaving
attitude so that they and the women of the
world can attain their true standing.
Sepers, Tony
Diptych Double Portrait
Acrylic
The Double Portrait is of myself and
my friend Anishanabe artist Dwayne
Yerxa flogging our artwork. Although
our frienship is firm it is encumbered by
the many cultural inequalities created
by our culture. The painting portrays
both the depth of our friendship and
the accompanying distrust as well as
the societal anger at inheriting a
culture of systematic prejudice.
Wilkinson, Jill
Water Play
Acrylic on canvas
Based on my youngest
daughter, this painting is a
dramatic crop showing the
detail found within water,
movement, and play. I wanted
to convey the feeling of
afternoons spent making mud
pies on a quiet Northwestern
Ontario beach.
Wilkinson, Jill
Stella
Charcoal
I was happy to capture
the expression of
confidence and calm in
my daughter.
Here is Stella's face in
this charcoal portrait.
Wilson-Smith, Cheryl
Calm
Glass, wood
My work deals with the passage of time,
and the iterative deposition of the years.
I am drawn to the contract between the
time span of the geological processes,
the generational scal of human history
and genetic memory. I strive to reflect
this in my work. My goal is to capture the
emtion I feel in nature. My meditative
precess, builds layers of powdered glass
that creates gossamer-fine layers. The
individual layers of the castings are as
delicate as torn paper, yet wen cast
together create an emotional reflection.
Wilson-Smith, Cheryl
Shore
Glass, wood
I am surrounded by the
manifestations of nature
relatively untouched by
humans. I am constantly made
aware of our relative
insignificance. The rocks, trees
and water around me is a daily
reminder that I am only briefly
passing by. It was all here long
before me, and will be here
long after.
Yutzy, Wendy
Perfect Ending
Acrylic on canvas
Perfect Ending
was inspired by
many quiet,
tranquil evenings
enjoying the sun
setting in
Northwestern
Ontario.
Special Thanks
We would like to say thank you to all the artists
who were able to support this art show by
submitting their amazing art work. We hope
that in the future we will have the chance to
work with these artists again.
A very special thank you to all the museum
sta who helped organize this art show. While
many sta had to close their doors, they still
managed to nd the time to help create a
special tribute to the artists of Northwestern
Ontario.
While we had hoped that more artists would
join in, we also understand that it has been a
challenging time for everyone. We wish the
artists, sta and all of you who support us a
very safe travels over the coming months.
We hope that when the crisis has passed, you
will visit us!